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‘A Streetcar Named Desire’ Whose Reality?

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‘A Streetcar Named Desire’ Whose Reality?. AOS 2 – Creating & Presenting. Exam Booklet – Section B. Shade the context - ‘Whose Reality?’ - on the cover page of your script booklet for Section B (writing in context). - PowerPoint PPT Presentation
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AOS 2 – Creating & Presenting
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Page 1: ‘A Streetcar Named Desire’ Whose Reality?

AOS 2 – Creating & Presenting

Page 2: ‘A Streetcar Named Desire’ Whose Reality?

Exam Booklet – Section BShade the context - ‘Whose Reality?’ - on the

cover page of your script booklet for Section B (writing in context).

Write the text you have (mostly) referred to/drawn upon on the cover page of your script booklet also.

Page 3: ‘A Streetcar Named Desire’ Whose Reality?

The promptThe prompt is usually quite generic

(broad/general) so students can explore ideas from either text.

You are required to deal with the CONCEPTS it raises.

‘Shared experience does not mean that people see things the same way.’ (2011)

‘Sometimes people find themselves living in a world created by other people.’ (2010)

Page 4: ‘A Streetcar Named Desire’ Whose Reality?

The promptYour piece should clearly address the prompt

but does not have to provide a definite ‘answer’ or stick rigidly to the prompt.

Shape your ideas around the prompt, using it as a starting point for wider discussion on the context .

DO NOT write a generic or pre-prepared piece that is unrelated to the prompt.

Page 5: ‘A Streetcar Named Desire’ Whose Reality?

Assessing key ideas in promptsHighlight/underline the key wordsLook up words in the dictionary you’re

uncertain ofRephrase the prompt Consider the context ideas that are relevant to

itHow do these link to your chosen text?What’s your opinion on it?What texts, images, songs, quotes, theories

spring to mind?

Page 6: ‘A Streetcar Named Desire’ Whose Reality?

Writing RequirementsExpositoryPersuasive Creative/imaginative ‘Hybrid’ or combined form

Aim for 600 – 1,000 words - you can definitely write more! It’s more about the quality and complexity of the ideas and the writing.

Page 7: ‘A Streetcar Named Desire’ Whose Reality?

TextsDraw upon the ideas related to “A Streetcar

Named Desire” by Tennessee Williams or “Spies” by Michael Frayne.

You can draw on both if you want!

DO NOT focus only on your selected text/s – these pieces tend to resemble text response essays and can only result in a mid-range mark of 4-7 out of a possible 10.

Page 8: ‘A Streetcar Named Desire’ Whose Reality?

Written ExplanationYou DO NOT need to write one! So DON’T!

Woohoo!!

Even if you want to, it cannot be taken into consideration – this may go against those who write creatively and produce something quite bizarre that needs explaining…

Page 9: ‘A Streetcar Named Desire’ Whose Reality?

Good writing?Dependent on the quality of your writing, the

quality of your ideas and your ability to deal with the prompt.

‘There can be no good writing without good ideas.’ – Bob Hillman (Carey Grammar)

Sophisticated understanding of the context; sophisticated and clear expression.

Be accurate and specific not general and vague. Assessors have found that the weakest responses are those that are too general and only ‘superficially’ explore key ideas.

Page 10: ‘A Streetcar Named Desire’ Whose Reality?

Context ideas & statementsReality is hard to define. Reality can be harsh.There can be multiple realities/versions –

sometimes these clash.We can consciously shape our reality – writing

and re-telling is reflexive and involves revising reality

There are universal truthsWe all perceive reality differently – why?Our past experiences impact on our perceptionsSignificant people/events compel change

Page 11: ‘A Streetcar Named Desire’ Whose Reality?

Context ideas & statementsWe all (consciously/subconsciously) seek to

avoid reality at times.We can only imagine what it’s like to ‘walk in

someone else’s shoes’.The past affects the present.Our ability to perceive something clearly can

be limited by our current mental state.Who’s to say what is real and what is not?There’s a fine line between illusion, madness,

conception, deception, genius, madman.

Page 12: ‘A Streetcar Named Desire’ Whose Reality?

Context ideas & statementsWilliam Wordsworth – ‘The child is father to the

man.’ The experiences we have as a child shape who we are as adults.

Plato’s ‘cave allegory’ – Only those who truly question the world get to see it for what it is, not just ‘shadows on a wall’ (think ‘The Matrix’).

We construct reality by reflecting on and editing events from the past – this involves value judgments.

The brain shelters us from the harshness of reality by sustaining us with dreams and illusions – dangerous?

Page 13: ‘A Streetcar Named Desire’ Whose Reality?

Tennessee Williams

Page 14: ‘A Streetcar Named Desire’ Whose Reality?

SummaryBlanche DuBois: A former beauty and member of an

elite social milieu. She has not, and cannot, adjust to her various losses: husband, career, beauty, Belle Reve, etc

Stanley Kowalski: Former soldier and current salesman. He is masculine, forceful and has a bestial sense of life

Stella Kowalski: Caught in the middle. Chooses husband over sister.

Mitch: Yearns for love and has a gentle nature.MAJOR THEMES: perception and reality, loyalty,

honesty and choiceSETTING: New Orleans after WW11 (1948)

Page 15: ‘A Streetcar Named Desire’ Whose Reality?

Blanche DuBoisFrightenedUnable to adjust to her changing situationGuilt ridden Uses her sexuality to gain protection/loveFaded Southern belleSymbol of the old SouthPretends to be what she is notMoth-likeBorders on madness/driven to itYearning

Page 16: ‘A Streetcar Named Desire’ Whose Reality?

Blanche’s quotesI don’t tell the truth, I tell what ought to be truth.Funerals are pretty compared to deaths…Why,

the Grim Reaper had put his tent up on our doorstep!...Belle Reve was his headquarters…Where were you? In bed with your – Polack!...But you are the one that abandoned Belle Reve, Not I! I stayed and fought for it, bled for it, almost died for it!

Turn that off! I won’t be looked at in this merciless glare!

Daylight never exposed so total a ruin.

Page 17: ‘A Streetcar Named Desire’ Whose Reality?

Blanche Cont…Now don’t get worried, your sister hasn’t turned

into a drunkard, she’s just all shaken up and hot tired and dirty.

Only Poe…could do it justice!I know I fib a good deal. After all, a woman’s

charm is fifty per cent illusion, but when a thing is important I tell the truth.

I hurt him the way you would like to hurt me, but you can’t! I’m not young and vulnerable anymore.

I can’t stand a naked light bulb, any more than I can a rude remark or a vulgar action.

Page 18: ‘A Streetcar Named Desire’ Whose Reality?

Blanche Cont…He’s common!Soft people have got to shimmer and glow…You’ve

got to be soft and attractive. And I-I’m fading now.All I knew was that I’d failed him in some mysterious

way and wasn’t able to give the help he needed but couldn’t speak of…“I saw! I know! You disgust me…”

“It wouldn’t be make-believe if you believed in me.”I don’t want realism. I want magic…I don’t tell truth,

I tell what ought to be truth.Never inside, I didn’t lie in my heart.

Page 19: ‘A Streetcar Named Desire’ Whose Reality?

Blanche Cont…A cultivated woman, a woman of intelligence and

breeding can enrich a man’s life – immeasurably! I have those things to offer…Physical beauty is passing…But beauty of the mind and richness of the spirit and tenderness of the heart – and I have all of those things – aren’t taken away, but grow. Increase with the years!

Deliberate cruelty is unforgivable…and it is the one thing of which I have never, never been guilty.

Our attitudes and backgrounds are incompatible We have to be realistic about such things.

Page 20: ‘A Streetcar Named Desire’ Whose Reality?

Stanley KowalskiBrutalEnergeticBrash/loudModernSexistUses sexuality as symbol of powerResentful of anyone who thinks they are better

than he isOverbearingCrassPhysical

Page 21: ‘A Streetcar Named Desire’ Whose Reality?

Stanley’s quotesHave you ever heard of the Napoleonic code?I don’t like to be swindled.Hat do you two think you are? A pair of queens?“Every Man is a King!”What I am is one hundred percent American…so

don’t ever call me a Polack.I was common as dirt. You showed me the

snapshot of the place with the columns. I pulled you down off them columns and how you loved it…Wasn’t it all okay till she showed here?

Page 22: ‘A Streetcar Named Desire’ Whose Reality?

Stanley Cont…There isn’t a goddam thing but

imagination...And lies and conceit and tricks!You come in here and sprinkle the place with

powder and spray perfume and cover the light-bulb with a paper lantern, and lo and behold the place has turned into Egypt and you are the Queen of the Nile. Sitting on your throne and swilling my liquor.

Page 23: ‘A Streetcar Named Desire’ Whose Reality?

Stella KowalskiSymbol of transition between old and new worldsGentleExcited by Stanley’s physicalityTorn between loyalty to her husband and her

sisterSensitiveWeakPacifistUnderstandingPractical

Page 24: ‘A Streetcar Named Desire’ Whose Reality?

Stella’s quotesI can hardly stand it when he is away for a night…

When he’s away for a week I nearly go wild! The Kowalskis and the DuBois have different

notions.Stanley’s the only one of his crowd that’s likely to

get anywhere.I’m not in anything I want to get out of.But there are things that happen between a man

and a woman in the dark - that sort of make everything else seem – unimportant.

Page 25: ‘A Streetcar Named Desire’ Whose Reality?

Stella cont…You didn’t know Blanche as a girl. Nobody…

was as tender and trusting as she was. But people like you abused her, and forced her to change.

I couldn’t believe her story and go on living with Stanley.

Page 26: ‘A Streetcar Named Desire’ Whose Reality?

MitchLonelyLoyalWeakSensitiveGentlePatientGood-natured

Page 27: ‘A Streetcar Named Desire’ Whose Reality?

Mitch’s quotesI like you to be exactly the way that you are,

because in all my – experience – I have never known anyone like you.

You need somebody. And I need somebody, too. Could it be – you and me, Blanche?

I don’t think I ever seen you in the light. That’s a fact.

I don’t mind you being a little older than I thought. But all the rest of it – Christ!...But I was fool enough to think you was straight.

Page 28: ‘A Streetcar Named Desire’ Whose Reality?

Fantasy and RealityBlanche creates a façade of illusion in order

to cope with her past (shattered and harsh).She tells what ‘ought to be the truth’When she finally retreats into her fantasy,

she is hauled off as insane but is in fact, happier there than in her reality

Page 29: ‘A Streetcar Named Desire’ Whose Reality?

Fantasy and RealityStanley refuses Blanche’s description of

him as a ‘brute’ and ‘ape’ when they are in fact, accurate.

His illusion is that he is in control, yet he is merely a bully, using physical force

There is no superiority in him despite his claims that he is ‘King around here’

He is cruel and cunning and deludes others into seeing that cruelty as honourable

Page 30: ‘A Streetcar Named Desire’ Whose Reality?

Fantasy and RealityStella makes a clear choice between reality

and fantasy because she ‘couldn’t believe her story and go on living with Stanley’

This echoes her willingness to overlook Stanley’s physical abuse

Page 31: ‘A Streetcar Named Desire’ Whose Reality?

Desire and DeathThe play suggests that the blind pursuit of desire leads

to death itself – the Streetcar named ‘Desire’ leads to the Cemeteries which lands you in Elysian Fields where residents are doomed to repeat the same errors in life

Blanche uses sexual desire to fill the emotional void – the kindness of strangers

Her desire to reconnect with her sister leads to her mental devastation

Sexual desire between Stella and Stanley pulls her from her columns and ends her gentility

The sexual act is used to connect the characters but in using it this way, they lose something of themselves.

Page 32: ‘A Streetcar Named Desire’ Whose Reality?

SymbolsBaths/bathingMeatVarsouviana Polka / interrupted by gun shotSinging/song – ‘But it wouldn’t be make-believe

if you believed in me!’ (Sc 7)Colours – vivid reds and greens contrast with

pastelsMoths – fragility (drawn to the light)Dimmed lighting – shades drawn, paper lanterns

– ‘daylight never exposed so total a ruin’ (Sc 1)

Page 33: ‘A Streetcar Named Desire’ Whose Reality?

Symbols Cont…Young boysThe Tarantula Arms / Hotel FlamingoJazz musicMexican woman – flowers / coins for the

dead>timingCigarette case inscribed with poem by

Elizabeth Browning: And if God choose, I shall but love thee better – after – death.”

English teacher: POE - Gothic descriptions

Page 34: ‘A Streetcar Named Desire’ Whose Reality?

Symbols Cont…Drinking/addictionFake pearls/tiaras/clothingNames – Stella (star); Blanche (white/pure);

Belle Reve (beautiful dream)Tram ride – Desire, Cemeteries, Elysian

Fields (mirrors Blanche’s journey).Fishing for compliments/laying cards on the

table

Page 35: ‘A Streetcar Named Desire’ Whose Reality?

Power and VulnerabilityAll of the characters are vulnerable in the

play and they each use the power at their disposal to avoid exposing this.

Stanley – physical and verbal power prevents criticism

Stella – sexuality and submission to keep Stanley from using his power

Blanche – sexuality and powers of illusion to protect her from damage

Page 36: ‘A Streetcar Named Desire’ Whose Reality?

‘A Streetcar Named Desire’ – Creative responses

A doctor writing a psychiatric report on BlancheThe conversation between the two sisters 10

years into the future…Monologues from any of the charactersA magician who wants his audience to believe

it’s realExplore the façade Allen Grey maintains in a

letter to BlancheSecond life/online identity gets in way of real life

Page 37: ‘A Streetcar Named Desire’ Whose Reality?

‘A Streetcar Named Desire’ – Expository responses

An exploration of the illusive nature of reality in popular texts taking into account ‘A Streetcar Named Desire’, ‘Memento’, ‘Inception’, ‘Eternal Sunshine of the Spotless Mind’, ‘the Matrix’, etc…

A psychological examination of the brain’s response to trauma drawing upon victims of crime, abuse, loss and dependence…

The various ways and reasons why people seek to escape reality such as boredom and daydreaming, issues and avoidance, low self-esteem and self-help…

Page 38: ‘A Streetcar Named Desire’ Whose Reality?

‘A Streetcar Named Desire’ – Persuasive responses

A speech about the impact of guests who overstay their welcome.

An opinion article arguing that we need to take better care of those suffering from mental afflictions.

A university lecture aimed at 1st year psych students arguing that reality is a construction.

Letters to the editor and their responses based around the idea that ‘every man is/is not a king’ – this is in response to Andrew Bolt’s assertion that there is no glass ceiling at home or in the workplace. (HYBRID)

Page 39: ‘A Streetcar Named Desire’ Whose Reality?

Sample prompts'The line between illusion and madness is a fine

one.''When we attempt to make order out of chaos

then we risk distorting reality.''Believing is seeing. The reality that we perceive

is the reality that we want to perceive.''An experience becomes real when others feel

what it felt like for you.''People's memories shape their understanding

of themselves, their world and others.'

Page 40: ‘A Streetcar Named Desire’ Whose Reality?

Sample prompts cont…'We can never attain a fully objective view of

reality because we remain trapped in the prison of our subjectivity.'

'When competing realities clash the result can be only tragedy.'

'Our sanity depends on a clear understanding of what is and isn't real.'

'A person's self-image can interfere with their ability to perceive reality clearly.'

Page 41: ‘A Streetcar Named Desire’ Whose Reality?

Sample prompts cont…‘There are no facts, only interpretations.’‘The truth means different things to different

people.’‘People re-create their memories to suit their

current reality.’

Page 42: ‘A Streetcar Named Desire’ Whose Reality?

Other ResourcesWheeler Centre lecture 2012http://wheelercentre.com/videos/video/texts-i

n-the-city-a-streetcar-named-desire1/VCAA Assessor’s Report 2011http://www.vcaa.vic.edu.au/Documents/exam

s/english/english_assessrep_11.pdfStudy Guide by Rachel Kafkahttp://ebookbrowse.com/a-streetcar-named-d

esire-sbd-142164211-pdf-d345968998


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