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A World in Constant Motion: Thomas Adès' In Seven Days (2008), Bauer, SMT Columbus 2019 1. In Seven Days, I, cycle of chords in phrase 1, introduction
A World in Constant Motion: Thomas Adès' In Seven Days (2008), Bauer, SMT Columbus 2019
1. In Seven Days, I, cycle of chords in phrase 1, introduction
A World in Constant Motion: Thomas Adès' In Seven Days (2008), Bauer, SMT Columbus 2019
In Seven Days, I, “creation theme” in Brass, Reh F: B, F#, A#, F#, rotating around B
A World in Constant Motion: Thomas Adès' In Seven Days (2008), Bauer, SMT Columbus 2019
In Seven Days, I, “creation theme” in Brass, progression heralding piano entry after Reh E
A World in Constant Motion: Thomas Adès' In Seven Days (2008), Bauer, SMT Columbus 2019
In Seven Days, I, contrary motion interval cycles in outer voices at Reh I
A World in Constant Motion: Thomas Adès' In Seven Days (2008), Bauer, SMT Columbus 2019
In Seven Days, IV, transformational network final section: Reh G and H
In Seven Days, IV, piano solo on Stravinsky’s “Augurs of Spring” chord
A World in Constant Motion: Thomas Adès' In Seven Days (2008), Bauer, SMT Columbus 2019
In Seven Days, V, Fugue, creatures of the sea and sky. opening subject
In Seven Days, II, first rhythmic cycle in piano: 1/8+7/12+7/8+7/12+7/16
A World in Constant Motion: Thomas Adès' In Seven Days (2008), Bauer, SMT Columbus 2019
In Seven Days, IiI, Land – grass – trees, opening row P4 and its transposition by fourth (order no. 11 = order no. 1 of succeeding row); order numbers indicated by colors 0 1 2 3 4 5 6 7 8 9 10 11
A World in Constant Motion: Thomas Adès' In Seven Days (2008), Bauer, SMT Columbus 2019
In Seven Days, VII, contemplation, Harmonic structure
