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A2 Photography Exam Artists

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Combination and Alliances Com·bi·na·tion 1. the act of combining or the state of being combined. 2. a number of things combined: a combination of ideas. 3. an alliance of persons or parties: a combination in restraint of trade. Alliance 1. the act of allying or state of being allied; union; confederation 2. a formal agreement or pact, esp a military one, between two or more countries to achieve a particular aim 3. a union between families through marriage 4. affinity or correspondence in qualities or characteristics
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Page 1: A2 Photography Exam Artists

Combination and Alliances

Com·bi·na·tion 1. the act of combining or the state of being combined. 2. a number of things combined: a combination of ideas. 3. an alliance of persons or parties: a combination in restraint of trade. Alliance 1. the act of allying or state of being allied; union; confederation 2. a formal agreement or pact, esp a military one, between two or more countries to achieve a particular aim 3. a union between families through marriage 4. affinity or correspondence in qualities or characteristics

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Assessment Objectives: • Develop ideas through sustained and focused investigations informed by contextual and other sources, demonstrating analytical and critical understanding.

• Experiment with and select appropriate resources, media, materials, techniques and processes, reviewing and refining their ideas as their work develops.

• Record in visual and/or other forms ideas, observations and insights relevant to their intentions, demonstrating an ability to reflect on their work and progress.

• Present a personal, informed and meaningful response demonstrating critical understanding, realising intentions and, where appropriate, making connections between visual, oral or other elements.

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ABSTRACT PHOTOGRAPHY, where shapes, colours and forms come together----------------

Wolfgang Tillmans

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In the past decade Tillman has produced non-representational works that examines themes such as the process of exposure. Many of his works are poorly lit, out of focus; some even contain scratches and blemishes often making visual patterns out of everyday objects that most people would overlook. “In the last 10 years, I have worked a lot with purely photographic material and light in the darkroom making pictures I wouldn’t be able to do either with paint or with the camera,”

Wolfgang Tillmans

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Wolfgang Tillmans

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Wolfgang Tillmans

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Wolfgang Tillmans Freischwimmer

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Wolfgang Tillmans

Freischwimmer 2004

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Aaron Rose

Rose learned to examine objects closely and learned from an early age how light changes objects, He would use a flashlight as a child to illuminate objects from different angles to see how the light changed the image

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Aaron Rose

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Untitled 1946

Siskind began his career in the 1930s as a social documentary photographer. His work took a new direction in the 1940s when he shifted his focus to neglected details of the man-made environment: graffiti, decaying walls, peeling paint, tattered posters, and rusted signs.

Aaron Siskind

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Congress 6 1949 Aaron Siskind

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New York 1947 Aaron Siskind

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South Street 7 1947

Aaron Siskind

Aaron Siskind

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Hiroshi Sugimoto

SEASCAPES, where the sea meets the sky ---------------------------------------

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Gerhard Richter

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Seascape (Sea-Sea) 1970 200 cm x 200 cm Oil on canvas

Gerhard Richter

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Seascape (Sea-Sea) 1970 based on a collage of two photographs of the sea, one inverted to appear as the sky. The painting creates a illusion of a seascape, until it becomes clear that the ‘clouds’ in the upper half of the painting are waves.

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Mari Mahr

COMBINING PHOTOGRAPHS AND OBJECTS -------------------------------------------------------------------

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Mari Mahr ‘Mahr generally works in series, each small collection of black and white images – half remembered, half invented – weaving dreams and telling tales, a mystery for us to unravel. Purely visual in form, they nevertheless, inspire a 'reading', in much the same way as a poem. Each image, like a line of poetry, links the last to the next but also holds a beauty of its own.’

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Susan Derges - The Observer and the Observed, 1991

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Psyches 2009

Laurence Demaison

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Wolfgang Tillmans

‘I have always associated the underground with incredible intimacy among people, without them wanting to be intimate with each other’,

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Wolfgang Tillmans - Circle Line, 2000

MEETING OF PEOPLE ----------------------------------------------------------------------------------------

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Ralph Gibson

Combining black and white or light and shadow

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Christopher Baker

‘Hello World!’ Or: How I Learned to Stop Listening and Love the Noise is a large-scale audio visual installation comprised of thousands of video diaries gathered from the internet. Each of the 5,000 videos that make up the video installation features a single individual speaking candidly to an imagined audience from a private space such as a bedroom, kitchen, or dorm room. The multi-channel sound composition glides between individuals and the group, allowing viewers to listen in on individual speakers or become immersed in the overall cacophony.

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Christopher Baker – ‘Hello world’

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Damage Catherine Yass

COMBINING IDEAS AND MATERIALS -------------------------

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Jerry Uelsmann

COMBINING IMAGERY

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Jerry Uelsmann

Jerry Uelsmann's photomontages are a curious hybrid of different themes and ideas. In a single print you can find imagery that references comedy, popular culture, surreal and romantic fantasy


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