8/10/2019 aaaaMusic

1/14

Passed By: Kaye M. Mercado

Sonata and its Movement

Sonata form (also sonata-allegro form or first movement form) is a large-

scale musical structureused widely since the middle of the 1th century (theearly !lassical "eriod).

#hile it is ty"ically used in the first movementof multi-movement "ieces$ it is

sometimes used in su%se&uent movements as well'"articularly the final movement.

he teaching of sonata form in music theory rests on a standard definition and a

series of hy"otheses a%out the underlying reasons for the dura%ility and variety of

the form'a definition that arose in the second &uarter of the 1th century. *+,here is

little disagreement that on the largest level$ the form consists of three main sections:

an e"osition$ a develo"ment$ and a reca"itulation however$ %eneath this$ sonata

form is difficult to "in down in a single model.

he standard definition focuses on the thematic and harmonic organi/ation

of tonalmaterials that are "resented in an e"osition$ ela%orated and contrasted in

a develo"mentand then resolved harmonically and thematically in a reca"itulation.

0n addition$ the standard definition recogni/es that an introduction and a coda may

%e "resent. ach of the sections is often further divided or characteri/ed %y the

"articular means %y which it accom"lishes its function in the form.

Since its esta%lishment$ the sonata form %ecame the most common form in the first

movement of wor2s entitled 3sonata3$ as well as other long wor2s of classical music$including the sym"hony$concerto$ string &uartet$ and so on. 4ccordingly$ there is a

large %ody of theory on what unifies and distinguishes "ractice in the sonata form$

%oth within eras and %etween eras. ven wor2s that do not adhere to the standard

descri"tion of a sonata form often "resent analogous structures or can

%e analy/edas ela%orations or e"ansions of the standard descri"tion of sonata

form.

5efining 6sonata form

4ccording to the 7rove 5ictionary of Music and Musicians$ sonata form is 3the mostim"ortant "rinci"le of musical form$ or formal ty"e$ from the !lassical "eriodwell into

the +8th century3.*9,4s a formal model it is usually %est eem"lified in the first

movements of multi-movement wor2s from this "eriod$

whether orchestralor cham%er$ and has$ thus$ %een referred to fre&uently as 3first-

movement form3 or 3sonata-allegro form3 (since the ty"ical first movement in a three-

or four-movement cycle will %e in allegro tem"o). owever$ as what 7rove$

following !harles ;osen$ calls a 3"rinci"le3'a ty"ical a""roach to sha"ing a large

"iece of instrumentalmusic'it can %e seen to %e active in a much greater variety of

"ieces and genres$ from minuetto concertoto sonata-rondo. 0t also carries with ite"ressive and stylistic connotations: 3sonata style3$ for 5onald oveyas for other

http://en.wikipedia.org/wiki/Musical_formhttp://en.wikipedia.org/wiki/Classical_music_erahttp://en.wikipedia.org/wiki/Movement_(music)http://en.wikipedia.org/wiki/Sonata_form#cite_note-2http://en.wikipedia.org/wiki/Tonalityhttp://en.wikipedia.org/wiki/Exposition_(music)http://en.wikipedia.org/wiki/Development_(sonata_form)http://en.wikipedia.org/wiki/Recapitulation_(music)http://en.wikipedia.org/wiki/Sonatahttp://en.wikipedia.org/wiki/Symphonyhttp://en.wikipedia.org/wiki/Concertohttp://en.wikipedia.org/wiki/String_quartethttp://en.wikipedia.org/wiki/Musical_analysishttp://en.wikipedia.org/wiki/Grove_Dictionary_of_Music_and_Musicianshttp://en.wikipedia.org/wiki/Classical_period_(music)http://en.wikipedia.org/wiki/20th_century_classical_musichttp://en.wikipedia.org/wiki/Sonata_form#cite_note-webster-grove-4http://en.wikipedia.org/wiki/Orchestrahttp://en.wikipedia.org/wiki/Chamber_musichttp://en.wikipedia.org/wiki/Tempo#Italian_tempo_markingshttp://en.wikipedia.org/wiki/Charles_Rosenhttp://en.wikipedia.org/wiki/Instrumentalhttp://en.wikipedia.org/wiki/Instrumentalhttp://en.wikipedia.org/wiki/Music_genrehttp://en.wikipedia.org/wiki/Minuethttp://en.wikipedia.org/wiki/Concertohttp://en.wikipedia.org/wiki/Sonata_rondo_formhttp://en.wikipedia.org/wiki/Donald_Francis_Toveyhttp://en.wikipedia.org/wiki/Classical_music_erahttp://en.wikipedia.org/wiki/Movement_(music)http://en.wikipedia.org/wiki/Sonata_form#cite_note-2http://en.wikipedia.org/wiki/Tonalityhttp://en.wikipedia.org/wiki/Exposition_(music)http://en.wikipedia.org/wiki/Development_(sonata_form)http://en.wikipedia.org/wiki/Recapitulation_(music)http://en.wikipedia.org/wiki/Sonatahttp://en.wikipedia.org/wiki/Symphonyhttp://en.wikipedia.org/wiki/Concertohttp://en.wikipedia.org/wiki/String_quartethttp://en.wikipedia.org/wiki/Musical_analysishttp://en.wikipedia.org/wiki/Grove_Dictionary_of_Music_and_Musicianshttp://en.wikipedia.org/wiki/Classical_period_(music)http://en.wikipedia.org/wiki/20th_century_classical_musichttp://en.wikipedia.org/wiki/Sonata_form#cite_note-webster-grove-4http://en.wikipedia.org/wiki/Orchestrahttp://en.wikipedia.org/wiki/Chamber_musichttp://en.wikipedia.org/wiki/Tempo#Italian_tempo_markingshttp://en.wikipedia.org/wiki/Charles_Rosenhttp://en.wikipedia.org/wiki/Instrumentalhttp://en.wikipedia.org/wiki/Music_genrehttp://en.wikipedia.org/wiki/Minuethttp://en.wikipedia.org/wiki/Concertohttp://en.wikipedia.org/wiki/Sonata_rondo_formhttp://en.wikipedia.org/wiki/Donald_Francis_Toveyhttp://en.wikipedia.org/wiki/Musical_form

8/10/2019 aaaaMusic

2/14

theorists of his time$ was characteri/ed %y drama$ dynamism$ and a 3"sychological3

a""roach to theme and e"ression

4lthough the 0talian term sonataoften refers to a "iece in sonata form$ it is essential

to se"arate the two. 4s the title for a single-movement "iece of instrumental music'

the "ast "artici"le ofsuonare$ 3to sound$3 as o""osed to cantata$ the "ast "artici"le

of cantare$ 3to sing3'3sonata3 covers many "ieces from the Baro&ueand mid-1th

century that are not 3in sonata form3. !onversely$ in the late 1th century

or 3!lassical3 "eriod$ the title 3sonata3 is ty"ically given to a wor2 com"osed of three

or four movements.

8/10/2019 aaaaMusic

3/14

he e"osition is followed %y the develo"mentwhere

the harmonicand tetural"ossi%ilities of the thematic material are e"lored.

he develo"ment then re-transitions %ac2 to the reca"itulation where the thematic

material returns in the tonic2ey$ and for the reca"itulation to com"lete the musical

argument$ material that has not %een stated in the tonic 2ey is 3resolved3 %y %eing

"layed$ in whole or in "art$ in the tonic.

he movement may conclude with a coda$ %eyond the final cadence of the

reca"itulation.

he term 6sonata form6 is controversial and has %een called misleading %y scholars

and com"osers almost from its ince"tion. 0ts originators im"lied that there was a set

tem"late to which !lassical and ;omanticcom"osers as"ired$ or should as"ire to.

owever$ sonata form is "resently viewed as a model for musical analysis$ ratherthan com"ositional "ractice. 4lthough the descri"tions on this "age could %e

considered an ade&uate analysis of many first-movement structures$ there are

enough variations that theorists such as !harles ;osen have felt them to warrant the

"lural in 6Sonata forms.

hese variations include$ %ut are not limited to:

a monothematic e"osition$ where the same material is "resented in different 2eys$

often used %y aydn

a 6third su%Dect grou"6 in a different 2ey than the other two$ used

%y Schu%ert$ Brahms$ and Bruc2ner

the first su%Dect reca"itulated in the 6wrong6 2ey$ often the su%dominant$ as in

Mo/art6s Piano Sonata

8/10/2019 aaaaMusic

4/14

a se"arate develo"ment section including a retransition

the simultaneous return of the first su%Dect grou" and thetonic

a full (or close to full) reca"itulation of the second su%Dect grou"

Sym"hony and its Movement

4 sym"hony is an etended musical com"ositionin #estern classical music$

generally scored for orchestraor concert %and. 4 sym"hony usually contains at least

one movement or e"isode com"osed according to the sonata "rinci"le. Many

sym"honies are tonalwor2s in four movementswith the first in sonata form$ which is

often descri%ed %y music theorists as the structure of a 3classical3 sym"hony$

although many sym"honies %y the ac2nowledged classical masters of the

form$ =ose"h aydn$ #olfgang 4madeus Mo/art$and udwig van Beethovendo notconform to this model.

!lassical !oncerto

4 classical concerto is a three-movement wor2 for an instrumental soloist and

orchestra. 0t com%ines the soloist6s virtuosity and inter"retive a%ilities with theorchestra6s wide range of tone colour and dynamics. merging from this encounter is

a contrast of ideas and sound that is deamatic and satisfying.

he classical love of %alance can %e seen in the concerto$ wher soloist and orchestra

are e&ually im"ortant. Solo instruments in classical concertos include violin$ cello$

clarinet$ %assoon$ trum"et$ horn and "iano. !oncertos can last anywhere from +8 to

9C minutes$ and it has three movements: (1)fast$ (+)slow$ and (?)fast. 4 concerto has

no minuet or scher/o.

0nt the first movement and sometimes in the last movement$ there is a s"ecial

unaccom"anied show"iece for the soloist$ the caden/a. he soloist will %e a%le to

dis"lay virtuosity %y "laying da//ling scale "assages and %ro2en chords. hemes of

the movement are varied and "resentd in new 2eys. 4t the end of a caden/a$ the

soloist "lays a long trill followed %y a chord that meshes with the re-entrance of the

orchestra. !aden/as are im"rovised %y the soloist.

Kinds of E"era

http://en.wikipedia.org/wiki/Retransitionhttp://en.wikipedia.org/wiki/Tonic_(music)http://en.wikipedia.org/wiki/Tonic_(music)http://en.wikipedia.org/wiki/Musical_compositionhttp://en.wikipedia.org/wiki/Classical_musichttp://en.wikipedia.org/wiki/Orchestrahttp://en.wikipedia.org/wiki/Concert_bandhttp://en.wikipedia.org/wiki/Sonata#The_sonata_idea_or_principlehttp://en.wikipedia.org/wiki/Tonalityhttp://en.wikipedia.org/wiki/Movement_(music)http://en.wikipedia.org/wiki/Sonata_formhttp://en.wikipedia.org/wiki/Classical_period_(music)http://en.wikipedia.org/wiki/Joseph_Haydnhttp://en.wikipedia.org/wiki/Wolfgang_Amadeus_Mozarthttp://en.wikipedia.org/wiki/Wolfgang_Amadeus_Mozarthttp://en.wikipedia.org/wiki/Ludwig_van_Beethovenhttp://en.wikipedia.org/wiki/Retransitionhttp://en.wikipedia.org/wiki/Tonic_(music)http://en.wikipedia.org/wiki/Musical_compositionhttp://en.wikipedia.org/wiki/Classical_musichttp://en.wikipedia.org/wiki/Orchestrahttp://en.wikipedia.org/wiki/Concert_bandhttp://en.wikipedia.org/wiki/Sonata#The_sonata_idea_or_principlehttp://en.wikipedia.org/wiki/Tonalityhttp://en.wikipedia.org/wiki/Movement_(music)http://en.wikipedia.org/wiki/Sonata_formhttp://en.wikipedia.org/wiki/Classical_period_(music)http://en.wikipedia.org/wiki/Joseph_Haydnhttp://en.wikipedia.org/wiki/Wolfgang_Amadeus_Mozarthttp://en.wikipedia.org/wiki/Ludwig_van_Beethoven

8/10/2019 aaaaMusic

5/14

4n o"era is generally referred to as 3a stage "resentation or wor2 that com%ines

music$ costumes$ and scenery to relay a story. Most o"eras are sung$ with no

s"o2en lines.3 he word 3o"era3 is actually a shortened word for o"era in musica.

0n 1C>?$ a grou" of musicians and intellectuals came together to discuss various

su%Dects$ es"ecially the desire to revive 7ree2 drama. his grou" of individuals are

2nown as the Florentine !amerata they wanted lines to %e sung instead of sim"ly

%eing s"o2en. From this came the o"era which eisted in 0taly around 1A88. 4t first

the o"era was only for the u""er class or aristocrats$ %ut soon even the general

"u%lic "atroni/ed it. Genice %ecame the center of musical activity in 1A?>$ a "u%lic

o"era house was %uilt there.

0t ta2es a lot of time$ "eo"le and effort %efore an o"era finally ma2es its "remiere.

#riters$ li%rettists (dramatist who writes the li%retto or tet)$ com"osers$ costume and

stage designers$conductors$ singers(coloratura$ lyric and dramatic so"rano$ lyric

and dramatic tenor$ %asso %uffo and %asso "rofundo$ etc.) dancers$ musicians$

"rom"ters ("erson who gives cues) "roducers and directors are some of the "eo"le

who wor2 closely together in order for an o"era to ta2e sha"e.

5ifferent singing styles where develo"ed for the o"era$ such as:

recitative - imitating the "attern and rhythm of s"eech

aria - when a character e"resses feelings through a flowing melody

%el canto - 0talian for 3%eautiful singing3

castrato - 5uring the Baro&ue "eriod$ young %oys were castrated %efore they

reached "u%erty to avoid the dee"ening of voice. Main roles of the o"era were

written for the castrato.

y"es of E"eras

!omic E"era - 4lso 2nown as light o"era$ this ty"e of o"era often tac2les light$

not so delicate su%Dect matter where the ending often has a ha""y resolution. Ether

forms of this o"era are o"era %uffaand o"eretta$ to name a few. 0n this ty"e of o"era

the dialogue is often s"o2en and not sung. 4n eam"le of this o"era is a serva

"adrona (he Maid as Mistress) %y 7iovanni Battista Pergolesi.

Serious E"era - 0n 0talian it6s o"era seria$ also referred to as

8/10/2019 aaaaMusic

6/14

singing3 the vocal style used %y o"eratic singers in 0taly which emerged during the

1>th century. 4n eam"le of this o"era is ;inaldo %y 7eorge Frideric andel.

E"era Semiseria - his ty"e of o"era has a serious story %ut has a ha""y ending.

his is why some loosely define it as a com%ination of the elements of %oth comic

and serious o"era. 4n eam"le of this is a ga//a ladra (he hieving Mag"ieH

%y 7ioachino ;ossini

E"era !orni&ue - 0s a ty"e of French o"era wherein instead of singing$ the lines

are s"o2en. 0n its early form$ it was satirical %ut would later on have serious

storylines such as !armen %y 7eorges Bi/et.

7rand E"era - ;efers to the ty"e of o"era which emerged in Paris during the

1th century. 0t6s an o"era of a larger scale$ from the flam%oyant costumes to the

choruses it also includes %allet. 4n eam"le of this ty"e is ;o%ert le

5ia%le %y 7iacomo Meyer%eer.

E"era Gerismo - Gerismo is 0talian for 3realism3 it6s a ty"e of o"era that emerged

during the later "art of the 1th century. !haracters were often %ased on everyday

"eo"le you may meet in real life and the "lot is often melodramatic. 4n eam"le

is Pagliacci %y ;uggero eoncavallo.

Most o"eras are written in French$ 7erman and 0talian. uridice %y =aco"o Peri is

2nown as the earliest o"era that6s %een "reserved. Ene great com"oser who wrote

o"eras was !laudio Monteverdi$ s"ecifically his a favola d6Erfeo (he Fa%le of

Er"heus) which "remiered in 1A8> and thus 2nown as the first grand o"era. 4notherfamous o"era com"oser was Francesco !avallies"ecially noted for his

o"era 7iasone (=ason) which "remiered in 1A9.

Brief istory of Fran/ =ose"h aydn

?1 March$ 1>?+ I ?1 May 18

Known as =ose"h aydn$ was an4ustrian*

com"oser$ one of the most "rolific and"rominent of the !lassical "eriod. e is often called the 3Father of the Sym"hony3

and 3Father of the String Juartet3 %ecause of his im"ortant contri%utions to these

forms. e was also instrumental in the develo"ment of the "iano trioand in the

evolution of sonata form.

4 lifelong resident of 4ustria$ aydn s"ent much of his career as a court musician for

the wealthy sterh/yfamily on their remote estate. 0solated from other com"osers

and trends in music until the later "art of his long life$ he was$ as he "ut it$ 3forced to

%ecome originalL. 4t the time of his death$ he was one of the most cele%rated

com"osers in uro"e.

http://musiced.about.com/od/baroque/p/handel.htmhttp://musiced.about.com/od/famousmusicians1/p/Rossini.htmhttp://musiced.about.com/od/romanticperiod/p/bizet.htmhttp://musiced.about.com/od/romanticperiod/p/meyerbeer.htmhttp://musiced.about.com/od/romanticperiod/p/meyerbeer.htmhttp://musiced.about.com/od/romanticperiod/p/Leoncavallo.htmhttp://musiced.about.com/od/renaissance/p/Monteveverdi.htmhttp://musiced.about.com/od/famousmusicians1/p/cavalli.htmhttp://en.wikipedia.org/wiki/Austriahttp://en.wikipedia.org/wiki/Austriahttp://en.wikipedia.org/wiki/Classical_music_erahttp://en.wikipedia.org/wiki/Symphonyhttp://en.wikipedia.org/wiki/String_quartethttp://en.wikipedia.org/wiki/Piano_triohttp://en.wikipedia.org/wiki/Sonata_formhttp://en.wikipedia.org/wiki/House_of_Esterh%C3%A1zyhttp://musiced.about.com/od/baroque/p/handel.htmhttp://musiced.about.com/od/famousmusicians1/p/Rossini.htmhttp://musiced.about.com/od/romanticperiod/p/bizet.htmhttp://musiced.about.com/od/romanticperiod/p/meyerbeer.htmhttp://musiced.about.com/od/romanticperiod/p/Leoncavallo.htmhttp://musiced.about.com/od/renaissance/p/Monteveverdi.htmhttp://musiced.about.com/od/famousmusicians1/p/cavalli.htmhttp://en.wikipedia.org/wiki/Austriahttp://en.wikipedia.org/wiki/Joseph_Haydn#cite_note-3http://en.wikipedia.org/wiki/Classical_music_erahttp://en.wikipedia.org/wiki/Symphonyhttp://en.wikipedia.org/wiki/String_quartethttp://en.wikipedia.org/wiki/Piano_triohttp://en.wikipedia.org/wiki/Sonata_formhttp://en.wikipedia.org/wiki/House_of_Esterh%C3%A1zy

8/10/2019 aaaaMusic

7/14

=ose"h aydn was the %rother of Michael aydn$ himself a highly regarded

com"oser$ and =ohann vangelist aydn$ a tenor. e was also a close friend

of#olfgang 4madeus Mo/artand a teacher of udwig van Beethoven.

4madeus Mo/art

#olfgang 4madeus Mo/art

Born:

=anuary +>$ 1>CA he was the seventh child of eo"old (a violinist and com"oser)and 4nna Maria. he cou"le had > children %ut only two survived the fourth child$Maria 4nna #al%urga 0gnatia$ and the seventh child$ #olfgang 4madeus.

Birth"lace:

Sal/%urg$ 4ustria

5ied:

5ecem%er C$ 1>1 in Gienna. 4fter writing 3he Magic Flute$3 #olfgang %ecame ill.e died in the early morning of 5ecem%er C at the age of ?C. Some researchers sayit was due to 2idney failure.

4lso Known 4s:

Mo/art is one of the most im"ortant classical com"osers in history. e wor2edas Ka"ellmeister for the arch%isho" of Sal/%urg. 0n 1>1$ he re&uested release fromhis duties and started wor2ing freelance.

y"e of !om"ositions:

e wrote concertos$ o"eras$ oratorios$ &uartets$sym"honiesand cham%er$ vocaland choral music. e wrote over A88 com"ositions.

0nfluence:

Mo/art6s father was a huge influence on the %udding musician. 4t age ?$ #olfgangwas already "laying the "iano and had "erfect-"itch. By the age of C$ Mo/art alreadywrote a miniature allegro (K. 1%) and andante (K. 1a). #hen #olfgang was A$eo"old decided to ta2e him and his sister$ Maria 4nna (who was also a music"rodigy)$ on tour to uro"e. he young musicians "erformed at various locationssuch as royal courts where &ueens$ em"erors and other "restigious guests were inattendance.

Ether 0nfluences:

http://en.wikipedia.org/wiki/Michael_Haydnhttp://en.wikipedia.org/wiki/Johann_Evangelist_Haydnhttp://en.wikipedia.org/wiki/Tenorhttp://en.wikipedia.org/wiki/Wolfgang_Amadeus_Mozarthttp://en.wikipedia.org/wiki/Ludwig_van_Beethovenhttp://musiced.about.com/od/c/g/concerto.htmhttp://musiced.about.com/od/lessonsandtips/a/operas.htmhttp://musiced.about.com/od/0/g/oratorio.htmhttp://musiced.about.com/od/q/g/quartet.htm?p=1http://musiced.about.com/od/s/g/symphony.htmhttp://musiced.about.com/od/lessonsandtips/f/chambermusic.htmhttp://musiced.about.com/od/lessonsandtips/f/choralemusic.htmhttp://en.wikipedia.org/wiki/Michael_Haydnhttp://en.wikipedia.org/wiki/Johann_Evangelist_Haydnhttp://en.wikipedia.org/wiki/Tenorhttp://en.wikipedia.org/wiki/Wolfgang_Amadeus_Mozarthttp://en.wikipedia.org/wiki/Ludwig_van_Beethovenhttp://musiced.about.com/od/c/g/concerto.htmhttp://musiced.about.com/od/lessonsandtips/a/operas.htmhttp://musiced.about.com/od/0/g/oratorio.htmhttp://musiced.about.com/od/q/g/quartet.htm?p=1http://musiced.about.com/od/s/g/symphony.htmhttp://musiced.about.com/od/lessonsandtips/f/chambermusic.htmhttp://musiced.about.com/od/lessonsandtips/f/choralemusic.htm

8/10/2019 aaaaMusic

8/14

he Mo/arts6 "o"ularity grew and soon they were traveling to "erform in France$ngland$ and 7ermany. #hile traveling$ #olfgang met =ohann !hristian Bach andother com"osers who would later influence his com"ositions. e studiedcounter"oint with 7iovanni Battista Martini. e met and %ecame friends with Fran/=ose"h aydn. 4t 19$ he wrote his first o"era calledMitridate re di Ponto which was

well-received. By late teens$ #olfgang6s "o"ularity waned and he was forced toacce"t Do%s that didn6t "ay well.

8/10/2019 aaaaMusic

9/14

4fter arriving in 1>+ he studied com"osition and counter"ointunder aydn$ Schen2$ Salieri and 4l%rechts%erger. 4t the same time$he tried to esta%lish himself as "ianist and com"oser. is goodrelations with the towns aristocracy soon led to a secured income. 0n18$ with the sole condition that he stayed in Gienna$ Prince Kins2y$

Prince o%2owit/ and 4rchdu2e ;udol" even guaranteed Beethovena yearly income. But going %ac2 to the years around 188$ which istraditionally called theearly "eriod$ he was still trying to master thehigh classical style. his strive culminated in the second sym"hony

from 181-18+.

his is also the time when the middle "eriodstarts. From now u"until 11?$ Beethoven develo"s and enhances the high classical styleinto a more dynamic and individualistic style. 0t is now that he writessym"honies

8/10/2019 aaaaMusic

10/14

eam"le is 4ntoine Brentano$ with whom he had a relationshi"$ %utwho %ro2e u" with him to marry a friend. 0t is she who is 2nown asthe 3immortal %eloved3in letters addressed to her from Beethoven in11+. 4round the same time$ as this wasn6t enough$ his deafnessreached the stage where he no longer could "erform.

.

Music of Beethoven

Beethoven is ac2nowledged as one of the giants of classical music he is

occasionally referred to as one of the 3three B s3 (along with Bachand Brahms) who

e"itomise that tradition. e was also a "ivotal figure in the transition from the 1th

century musical classicismto 1th century romanticism$ and his influence on

su%se&uent generations of com"osers was "rofound.*,is music features twice on

the Goyager 7olden ;ecord$ a "honogra"h record containing a %road sam"le of the

images$ common sounds$ languages$ and music of arth$ sent into outer s"ace with

the two Goyager"ro%es.

*8,

Overview

http://home.swipnet.se/~w-15266/cultur/ludwig/beeim.htmhttp://home.swipnet.se/~w-15266/cultur/ludwig/beeim.htmhttp://en.wikipedia.org/wiki/Classical_musichttp://en.wikipedia.org/wiki/Three_Bshttp://en.wikipedia.org/wiki/Three_Bshttp://en.wikipedia.org/wiki/Johann_Sebastian_Bachhttp://en.wikipedia.org/wiki/Johannes_Brahmshttp://en.wikipedia.org/wiki/Classical_music_erahttp://en.wikipedia.org/wiki/Romantic_musichttp://en.wikipedia.org/wiki/Ludwig_van_Beethoven#cite_note-GroveOnline-89http://en.wikipedia.org/wiki/Voyager_Golden_Recordhttp://en.wikipedia.org/wiki/Voyager_programhttp://en.wikipedia.org/wiki/Ludwig_van_Beethoven#cite_note-Golden_Record_Music_List-90http://home.swipnet.se/~w-15266/cultur/ludwig/beeim.htmhttp://en.wikipedia.org/wiki/Classical_musichttp://en.wikipedia.org/wiki/Three_Bshttp://en.wikipedia.org/wiki/Johann_Sebastian_Bachhttp://en.wikipedia.org/wiki/Johannes_Brahmshttp://en.wikipedia.org/wiki/Classical_music_erahttp://en.wikipedia.org/wiki/Romantic_musichttp://en.wikipedia.org/wiki/Ludwig_van_Beethoven#cite_note-GroveOnline-89http://en.wikipedia.org/wiki/Voyager_Golden_Recordhttp://en.wikipedia.org/wiki/Voyager_programhttp://en.wikipedia.org/wiki/Ludwig_van_Beethoven#cite_note-Golden_Record_Music_List-90

8/10/2019 aaaaMusic

11/14

Beethoven com"osed in several musical genres and for a variety of instrument

com%inations. is wor2s for sym"hony orchestrainclude nine sym"honies(the

8/10/2019 aaaaMusic

12/14

=ens Peter arsen suggests that 3&uartet "laying was central to the contact %etween

aydn and Mo/art3$though the documentation of the occasions in which the two

com"osers "layed or heard &uartets or other cham%er music together is slim. Ene

re"ort of such an occasion comes from the ;eminiscences (1+A) of the

tenor Michael Kelly.

Storacegave a &uartet "arty to his friends. he "layers were tolera%le not one of

them ecelled on the instrument he "layed$ %ut there was a little science among

them$ which 0 dare say will %e ac2nowledged when 0 name them:

First Giolin: aydn

Second Giolin: Baron 5ittersdorf

Gioloncello: Ganhal

Giola: Mo/art.

0 was there$ and a greater treat$ or a more remar2a%le one$ cannot %eimagined.*,

Both 5ittersdorf and Ganhal$ though little-remem%ered now$ were

well-2nown com"osers of the time.

he com"oser Maimilian Stadleralso remem%ered cham%er

music "erformances in which aydn and Mo/art "artici"ated: the

two of them too2 the viola "arts in "erformances of Mo/art6s string

&uintets$ K. C1C$ C1A$and C?.

Kaye Alexandhra M. Mercado

Quiz 2! "n #n$lish

http://en.wikipedia.org/wiki/Michael_Kelly_(musician)http://en.wikipedia.org/wiki/Stephen_Storacehttp://en.wikipedia.org/wiki/Karl_Ditters_von_Dittersdorfhttp://en.wikipedia.org/wiki/Johann_Baptist_Vanhalhttp://en.wikipedia.org/wiki/Haydn_and_Mozart#cite_note-8http://en.wikipedia.org/wiki/Maximilian_Stadlerhttp://en.wikipedia.org/wiki/String_Quintet_No._3_(Mozart)http://en.wikipedia.org/wiki/String_Quintet_No._4_(Mozart)http://en.wikipedia.org/wiki/String_Quintet_No._4_(Mozart)http://en.wikipedia.org/wiki/String_Quintet_No._5_(Mozart)http://en.wikipedia.org/wiki/Michael_Kelly_(musician)http://en.wikipedia.org/wiki/Stephen_Storacehttp://en.wikipedia.org/wiki/Karl_Ditters_von_Dittersdorfhttp://en.wikipedia.org/wiki/Johann_Baptist_Vanhalhttp://en.wikipedia.org/wiki/Haydn_and_Mozart#cite_note-8http://en.wikipedia.org/wiki/Maximilian_Stadlerhttp://en.wikipedia.org/wiki/String_Quintet_No._3_(Mozart)http://en.wikipedia.org/wiki/String_Quintet_No._4_(Mozart)http://en.wikipedia.org/wiki/String_Quintet_No._5_(Mozart)

8/10/2019 aaaaMusic

13/14

8/10/2019 aaaaMusic

14/14