Abduction CCSL FinalReel4AB

ABDUCTION – FINAL COMBINED CONTINUITY & SPOTTING LIST – REEL 4A/B PAGE 1

COMBINED CONTINUITY SPOTTING LIST TITLES & FOOTAGES& DIALOGUE

SC#: FOOTAGE/ TITLE#: TITLE: START: FINISH: TOTAL:SHOT DESCRIPTION/DIALOGUE:

START MEASURING 00.00 AT PICTURE START MARK IN ACADEMY LEADER.

LABORATORY: 1ST SCENE START: 12.002ND SCENE START: 14.053RD SCENE START: 33.134TH SCENE START: 39.13

Note: All changes to dialogue are marked in bold.Subtitle numbers with additional letters (a, b, c, etc.) indicate where new subtitles have been added. Subtitles with revised content are marked with an asterisk next to the subtitle number.

1 12.00EXT. HIGHWAY. DAYMS LFG NATHAN. HE HITCHHIKES. RBG KAREN. SHE HITCHHIKES.

2 14.05MCU LFG NATHAN. HE MOVES TOWARD R. RBG KAREN. SHE RAISES ARM. PAN R ON TRUCK. IT ENTERS R. TRACK IT AS IT MOVES TOWARD RBG. TRACK NATHAN AND KAREN AS THEY TURN AND RUN TOWARD BG TRUCK. THEY TURNS AND RUN TOWARD R AROUND FRONT OF TRUCK. KAREN (OS)-Hey, can you take us to Virginia?

MALE TRUCKER (OS)-Get in.

BURNS (VO)-It's crunch time…

4-1 KAREN (TO MALE TRUCKER)-Can you take us to Virginia?

27.09 30.00 2.07

4-2 MALE TRUCKER (TO KAREN AND NATHAN)-Get in.

30.05 32.00 1.11

4-3 -/ ITAL

BURNS (TO BURTON)-It's crunch time, Frank.

32.08 34.00 1.08

3 33.13INT. CIA HEADQUARTERS. DAYMCU LFG REAR ANGLE BURTON. TRACK HIM AS HE WALKS TOWARD BG. RBG BURNS. TRACK HER AS SHE WALKS TOWARD BG.

BURNS (CONT)-Frank.

4-4 BURTON (TO BURNS)-Where the hell is Martin?

34.05 35.10 1.05

4-5 BURNS (TO BURTON)-Last contact we had was the Peshawar drop 2 days ago.

35.15 39.10 3.11


SAME SHOT CONT.

BURTON (OS)-And where the hell is Martin?

BURNS-Last contact we had was the

Peshawar drop two days ago.

4 39.13MS LFG BURTON. TRACK HER AS SHE WALKS TOWARD FG. RBG BURTON. TRACK HIM AS HE WALKS TOWARD FG.

BURNS (CONT)-He's vanished since then. The

fastest he could make it back here

is…

BURTON-About thirty-six hours. Which is

how long we've got to find this kid.

4-6 BURNS (TO BURTON)-He's vanished since then. The fastest he’d get back here is…

39.15 43.07 3.08

4-7 BURTON (TO BURNS)-About 36 hours. Which is how long we've got to find this kid.

43.12 48.03 4.07

5 48.06INT. CLASSROOM. DAYCU KAREN. SHE TURNS TOWARD R.

BURTON (VO) (CONT)-Track the girl.

4-8ITAL

BURTON (TO BURNS)-Track the girl.

48.08 50.02 1.10

6 50.05CU GILLY. HE MOVES TOWARD L.

BURTON (VO) (CONT)-Track his friends. Track…

4-9 -/ ITAL

BURTON (TO BURNS)-Track his friends. Track anyone they've ever spoken to.

50.07 55.00 4.09

7 51.14MCU JAKE. HE TURNS TOWARD R. HE TURNS TOWARD FG.

BURTON (VO) (CONT)-anyone they've ever…


8 53.08INT. CIA HEADQUARTERS. DAYMS RFG BURTON. TRACK HIM AS HE WALKS TOWARD FG. LBG BURNS. TRACK HER AS SHE WALKS TOWARD FG. SHE HOLDS CELL PHONE. SHE DIALS.

BURTON (CONT)-spoken to. Put out an alert to all

overseas stations. Get a fix on…

4-10 BURTON (TO BURNS)-Put out an alert to all overseas stations.

56.05 59.11 3.06

4-11 -/ BURTON (TO BURNS)-Get a fix on Nikola Kozlow.

60.00 62.11 2.11

9 61.01INT. HOTEL SUITE. DAYCU SIDE ANGLE KOZLOW R, FACES L. HE HOLDS CELL PHONE. PUSH IN ON HIM.

BURTON (VO) (CONT)-Nikola Kozlow. If they can't locate

him, that means he's probably

already…

4-12 -/ ITAL

BURTON (TO BURNS)-If they can't locate him, that means he's probably already here.

63.00 66.03 3.03

10 65.12INT. CIA HEADQUARTERS. DAYMS RFG SIDE ANGLE BURTON R, FACES L. HE TURNS AND EXITS FG. LBG BURNS. SHE HOLDS CELL PHONE. SHE DIALS.

BURTON (CONT)-here. So we can add him to our

list of headaches as well.

4-13 -/ BURTON (TO BURNS)-So we can add him to our list of headaches.

66.08 70.00 3.08

11 69.08EXT. SAFE HOUSE. DAYLS RFG NATHAN. HE WALKS TOWARD FG. HE CARRIES SHOPPING BAG. LBG KAREN. SHE WALKS TOWARD FG. SHE CARRIES SHOPPING BAG.

NATHAN-Clarendon Avenue. This is the

street.

4-14 NATHAN (TO KAREN)-Clarendon Avenue.

70.05 72.07 2.02

4-15 -/ NATHAN (TO KAREN)-This is the street.

72.12 74.12 2.00


12 74.08MCU LFG SIDE ANGLE KAREN L, FACES R. TRACK HER AS SHE TURNS AND WALKS TOWARD BG. RBG SIDE ANGLE NATHAN R, FACES R. TRACK HIM AS HE TURNS AND WALKS TOWARD BG. TILT UP ON WINDOW.

13 79.02INT. SAFE HOUSE. DAYMCU FRONT DOOR. IT OPENS. NATHAN ENTERS. HE TURNS ON LIGHT. TRACK HIM AS HE TURNS AND WALKS TOWARD L. BG KAREN ENTERS. TRACK HER AS SHE TURNS AND WALKS TOWARD L. NATHAN CLOSES DOOR. HE CARRIES SHOPPING BAG. HE SETS IT DOWN. NATHAN-Hello?

4-16 NATHAN (TO UNKNOWN)-Hello?

87.02 89.00 1.14

14 113.07MCU NATHAN’S HAND. HE OPENS DESK DRAWER. HE GOES THROUGH STUFF IN DRAWER.

15 119.10MCU REAR ANGLE KAREN IN BATHROOM. SHE HOLDS TOWEL. SHE DRIES HAIR.

KAREN (OS)- (SIGHS) (CLEARS THROAT) Mm.

16 127.02CU NATHAN’S HAND. HE OPENS CREDENZA. HE PULLS OUT BAG. TILT UP ON HIM. HE OPENS BAG.

17 149.00CU SIDE ANGLE NATHAN R, FACES L. HE MOVES TOWARD L. TILT DOWN ON HIS HANDS. HE PULLS GUN OUT OF BAG. HE SETS IT ON DESK.


18 164.01MCU NATHAN. HE SITS AT DESK. PULL OUT ON HIM. HE MOVES TOWARD FG. HE PICKS UP KEYS. HE PUTS THEM IN POCKET. HE PICKS UP CELL PHONE. HE OPENS IT.

19 188.13CU NATHAN’S HANDS. HE HOLDS CELL PHONE. HE SELECTS FILE. FILE WITH CODED NUMBERS POP UP ON SCREEN.

20 192.02MS ABOVE WAIST NATHAN. HE HOLDS CELL PHONE. HE CLOSES IT.

21 194.07CU NATHAN’S HANDS. HE HOLDS PHOTOS. HE FLIPS THROUGH PHOTOS. HE PULLS OUT PHOTO OF LORNA. HE OPENS CARD. IT READS:

Lorna Price17937 Calvary RdJohnstown, PAG377

NATHAN (OS)-Lorna Price. One seven…

4-17 -/ NATHAN (TO HIMSELF)-Lorna Price. 17937 Calvary Road.

204.10 212.01 7.07

22 207.04MS ABOVE WAIST NATHAN. HE READS CARD. PUSH IN ON HIM. HE SETS DOWN CARD. HE UNFOLDS PICTURE.

NATHAN (CONT)-nine three-seven Calvary Road.

G three seven seven.

4-18 NATHAN (TO HIMSELF)-G377.

216.08 220.10 4.02

23 220.13CU NATHAN’S HANDS. HE HOLDS PICTURE OF LORNA. PUSH IN ON IT.

24 223.12MCU NATHAN. HE LOOKS AT PICTURE.


25 225.14MS KAREN. TRACK HER AS SHE WALKS TOWARD FG. SHE HOLDS TOWEL. SHE TOUCHES HAIR.

KAREN-What is it?

4-19 -/ KAREN (TO NATHAN)-What is it?

227.05 229.03 1.14


NATHAN-I know this woman.

4-20 NATHAN (TO KAREN)-I know this woman.

229.08 231.10 2.02

27 231.13MCU KAREN. SHE DRIES HAIR. KAREN-Who is she?

4-21 -/ KAREN (TO NATHAN)-Who is she?

231.15 233.11 1.12


NATHAN-I think she's my mother.

4-22 -/ NATHAN (TO KAREN)-I think she's my mother.

236.01 239.00 2.15

29 238.05MCU KAREN. SHE MOVES TOWARD FG.

30 240.03MCU NATHAN. HE SITS. TILT UP ON HIM AS HE STANDS. PULL OUT ON HIM.

NATHAN-This must be Martin Price's

apartment.

4-23 NATHAN (TO KAREN)-This must be Martin Price's apartment.

246.12 250.08 3.12

31 251.07MCU SIDE ANGLE KAREN L, FACES R. SHE TURNS TOWARD FG. PUSH IN ON HER.


32 254.11MCU OTS ON SIDE ANGLE NATHAN L, FACES L. TRACK HIM AS HE WALKS TOWARD L. KAREN TURNS TOWARD FG.

KAREN (OS)-I'm gonna call my uncle.

KAREN (CONT)-Let him know I'm still alive.

4-24 KAREN (TO NATHAN)-I'm gonna call my uncle.

260.00 262.05 2.05

4-25 -/ KAREN (TO NATHAN)-Let him know I'm still alive.

263.15 267.00 3.01

33 266.04CU KAREN’S HAND. SHE PICKS UP CELL PHONE. TILT UP ON HER. SHE DIALS PHONE.

KAREN (OS CONT)-(SIGHS)

34 270.05MS REAR ANGLE NATHAN. HE OPENS CLOSET. HE TAKES JACKET OFF HANGER.

35 273.12MCU KAREN. SHE HOLDS CELL PHONE. SHE LOOKS AT IT.

BURTON (VO) (FILTERED THROUGH PHONE)-Hello?

KAREN (INTO PHONE)-Uncle Danny? Uh, I'm sorry, I…

4-26 BURTON (TO KAREN)--- Hello?

KAREN (TO DANNY)--- Uncle Danny?

274.08 277.08 3.00

4-27 -/ KAREN (TO BURTON)-I'm sorry, I must have dialed the wrong number.

279.09 283.08 3.15

36 280.10MCU NATHAN’S HANDS. HE HOLDS LEATHER JACKET. TILT UP ON HIM. HE SMELLS JACKET.

KAREN (OS) (CONT) (INTO PHONE)-must have dialed the wrong

number.

BURTON (VO) (FILTERED THROUGH PHONE)-Karen?

4-28ITAL

BURTON (TO KAREN)-Karen?

284.07 285.10 1.03


37 285.13INT. CIA HEADQUARTERS. DAYCU LOW ANGLE BURTON. HE WEARS HEADSET. HE MOVES TOWARD FG.

BURTON (CONT) (INTO PHONE)-Karen Murphy?

4-29 -/ BURTON (TO KAREN)-Karen Murphy, is that you?

285.15 289.07 3.08

38 288.02INT. SAFE HOUSE. DAYMCU KAREN. SHE HOLDS CELL PHONE. PUSH IN ON HER.

BURTON (VO) (CONT) (FILTERED THROUGH PHONE)-Is that you?

KAREN (INTO PHONE)-Who is this?

4-30 -/ KAREN (TO BURTON)-Who is this?

289.12 291.04 1.08

39 291.00MS REAR ANGLE NATHAN. HE TURNS TOWARD FG. ZOOM IN ON HER.

BURTON (VO FILTERED THROUGH PHONE)-Someone who is trying to help you and Nathan.

4-30a*

BURTON (TO KAREN)-I’m trying to help you and Nathan.

291.09 293.09 2.00


KAREN (CONT) (INTO PHONE)-How do you know my name?

4-31 -/ KAREN (TO BURTON)-How do you know my name?

293.13 296.10 2.13

41 296.00INT. HOTEL SUITE. DAYCU COMPUTER SCREEN. PULL OUT ON THE SWEATER. HE ENTERS SIDE ANGLE R, FACES L. HE PICKS UP PLATE. HE PICKS UP FRENCH FRY. HE DIPS IT IN KETCHUP.

SERBIAN MAN (OS)- (SPEAKS IN SERBIAN IN BG, NOT MEANT TO BE UNDERSTOOD, CONTINUES OVER NEXT SHOT)

4-32ITAL

BURTON (TO KAREN)-You're in danger, Karen.

299.00 301.13 2.13


SAME SHOT CONT.

BURTON (VO) (FILTERED THROUGH PHONE)-You're in danger, Karen.

42 302.06MCU KOZLOW. HE SITS ON SOFA. PAN R ON HIM.

BURTON (VO) (CONT) (FILTERED THROUGH PHONE)-There are other people trying to

find you.

4-33 -/ ITAL

BURTON (TO KAREN)-There are other people trying to find you.

303.05 307.08 4.03

43 306.14INT. SAFE HOUSE. DAYMCU RFG KAREN. SHE HOLDS PHONE. LBG NATHAN. HE MOVES TOWARD FG. HE GRABS PHONE.

44 309.04INT. CIA HEADQUARTERS. DAYCU LOW ANGLE BURTON. HE WEARS HEADSET. HE MOVES TOWARD FG.

NATHAN (VO FILTERED THROUGH PHONE)-Who is this?

BURTON (INTO PHONE)-Nathan? Listen to me, Nathan.

We're going to find you.

4-34 NATHAN (TO BURTON)--- Who is this?

BURTON (TO NATHAN)--- Nathan?

309.06 312.12 3.06

4-35 -/ BURTON (TO NATHAN)-Listen to me. We're going to find you.

313.01 317.14 4.13

45 317.10INT. HOTEL SUITE. DAYMCU KOZLOW. PUSH IN ON HIM.

BURTON (VO) (CONT) (FILTERED THROUGH PHONE)-You can't hide from us. For

your…

4-36 -/ ITAL

BURTON (TO NATHAN)-You can't hide from us. For your own safety-

318.03 323.02 4.15


46 321.07INT. SAFE HOUSE. DAYMCU PAST KAREN ON NATHAN. HE HOLDS PHONE. HE SETS IT DOWN. HE TURNS AND WALKS TOWARD RBG. HE EXITS. KAREN TURNS TOWARD BG.

BURTON (VO) (CONT) (FILTERED THROUGH PHONE)-own safety-

NATHAN-Let's go.

4-37 NATHAN (TO KAREN)-Let's go.

323.13 325.12 1.15

47 325.15INT. CIA HEADQUARTERS. DAYCU BURTON. HE CLOSES EYES. HE OPENS THEM. HE TURNS TOWARD L.

BURTON-Kids.

4-38 -/ BURTON (TO HIMSELF)-Kids.

327.00 329.00 2.00

48 328.08INT. SAFE HOUSE. DAYMS NATHAN ENTERS SIDE ANGLE R, FACES L. HE HOLDS JACKET. HE WALKS TOWARD L. HE PUTS ON JACKET. HE TURNS TOWARD R. KAREN ENTERS SIDE ANGLE R, FACES L. SHE WALKS TOWARD L. SHE FIXES JACKET. SHE WALKS TOWARD L. NATHAN TURNS AND WALKS TOWARD L.

NATHAN-Thanks.

CUT TO BLACK.

4-38a*

NATHAN (TO KAREN)-Thanks.

339.01 340.06 1.05

49 341.07POP ON:INT. SAFE HOUSE GARAGE. DAYMS ABOVE WAIST NATHAN ENTERS. HE OPENS DOOR. HE TURNS ON LIGHT. TRACK HIM AS HE WALKS TOWARD L. RBG KAREN ENTERS. PAN L ON OVERHEAD LIGHTS AS THEY COME ON. TILT DOWN ON CAR.


50 362.11MCU LFG NATHAN L, FACES R. HE TURNS TOWARD FG. RBG SIDE ANGLE KAREN R, FACES L. SHE TURNS TOWARD FG.

KAREN-(LAUGHS)

51 365.07EXT. STREET. DAYMLS NATHAN’S CAR ENTERS R. IT PULLS OUT OF GARAGE. TRACK IT AS IT MOVES TOWARD FG. IT TURNS AND MOVES BG. IT EXITS.

52 384.12INT. NATHAN’S CAR. DAYCU KAREN. SHE RIDES IN CAR. SHE HOLDS PICTURE. SHE LOOKS AT IT. SHE TURNS TOWARD R. PULL OUT ON NATHAN. HE ENTERS. HE DRIVES.

KAREN-This address could be fifteen

years old. You know the chances

of finding your mother living there

are-

NATHAN-I know. But…

4-39 KAREN (TO NATHAN)-This address could be 15 years old.

384.14 388.13 3.15

4-40 KAREN (TO NATHAN)-The chances of finding your mother living there are-

389.02 392.11 3.09

4-41 NATHAN (TO KAREN)-I know.

393.00 394.13 1.13

4-42 -/ NATHAN (TO KAREN)-But it's all we have.

395.08 397.13 2.05

53 395.14CU NATHAN. HE MOVES TOWARD L.

NATHAN (CONT)-it's all we have.

54 398.03EXT. STREET. DAYMCU REAR ANGLE NATHAN’S CAR. TRACK IT AS IT MOVES TOWARD BG.


55 403.06INT. HOTEL SUITE. DAYMS MALE TECH TEAM #4. HE HOLDS LAPTOP. TRACK HIM AS HE WALKS TOWARD L. HE SETS DOWN LAPTOP. HE TYPES. STREET MAP POPS UP ON L DISPLAY SCREEN. RFG KOZLOW ENTERS REAR ANGLE. HE WALKS TOWARD BG. HE LOOKS AT MAP ON DISPLAY SCREEN.

SERBIAN MAN (OS)- (SPEAKS IN SERBIAN, NOT MEANT TO BE UNDERSTOOD)

56 413.08EXT. NATHAN’S CAR. DAYMCU THROUGH WINDOW NATHAN. HE ENTERS R. HE DRIVES CAR. TRACK HIM AS HE MOVES TOWARD L.

KAREN (OS)-This is an odd address. Look at the numbering.

NATHAN-(SIGHS) G three seven seven.

That's her plot number.

4-43*

KAREN (TO NATHAN)-This is an odd address. Look at the numbering.

416.05 419.09 3.04

4-44 NATHAN (TO KAREN)-G377.

425.03 428.03 3.00

4-45 -/ NATHAN (TO KAREN)-That's her plot number.

430.15 433.08 2.09

57 432.07MCU THROUGH WINDSHIELD KAREN. SHE RIDES IN CAR. TRACK HER AS SHE MOVES TOWARD L.

58 435.08MCU THROUGH WINDOW NATHAN. TRACK HIM AS HE MOVES TOWARD L.


59 439.01EXT. CEMETERY. DAYMLS LFG SIDE ANGLE NATHAN L, FACES L. TRACK HIM AS HE WALKS TOWARD L. HE STOPS. RBG SIDE ANGLE KAREN R, FACES L. TRACK HER AS SHE WALKS TOWARD L. SHE STOPS. TRACK THEM AS THEY WALK TOWARD FG HEADSTONE. NATHAN KNEELS IN FRONT OF IT.

60 468.15MCU PAST NATHAN ON HEADSTONE. IT READS:

LORNAELIZABETH

PRICE

Jun. 25, 1961Dec 18, 1995

NATHAN (OS CONT)-(SIGHS)

4-46 NARRATIVE TITLE: HEADSTONE READS:LORNA ELIZABETHPRICE

469.01 473.09 4.08

61 473.12MCU LFG NATHAN. HE KNEELS. HE STANDS. HE TURNS AND WALKS TOWARD RBG. BG KAREN. TRACK HER AS SHE WALKS TOWARD FG. NATHAN TURNS TOWARD FG. PUSH IN ON HIM. NATHAN-You know what's messed up? I

never knew either one of my

mothers. The one who raised me.

I had no clue who she really was.

Or what she sacrificed for me.

And Lorna Price. All she was was

a face in a dream.

4-47 NATHAN (TO KAREN)-You know what's messed up?

499.10 502.04 2.10

4-48 NATHAN (TO KAREN)-I never knew either one of my mothers.

506.14 510.08 3.10

4-49 NATHAN (TO KAREN)-The one who raised me.

513.12 516.04 2.08

4-50 NATHAN (TO KAREN)-I had no clue who she really was.

517.12 521.07 3.11

4-51 NATHAN (TO KAREN)-Or what she sacrificed for me.

522.03 525.10 3.07

4-52 NATHAN (TO KAREN)-And Lorna Price.

529.02 531.12 2.10

4-53 -/ NATHAN (TO KAREN)-All she was was a face in a dream.

534.02 537.14 3.12


62 537.04CU REAR ANGLE KAREN. SHE TURNS TOWARD FG.

NATHAN (OS) (CONT)-Now she has a name.

4-54 NATHAN (TO KAREN)-Now she has a name.

538.04 540.04 2.00

63 541.01MCU NATHAN. HE TURNS TOWARD R.

NATHAN (CONT)-But she's still a dead end.

4-55 NATHAN (TO KAREN)-But she's still a dead end.

542.04 544.15 2.11

64 548.08CU KAREN. SHE KNEELS. SHE TURNS TOWARD BG. KAREN-Nathan, maybe she's…

KAREN (OS) (CONT)-not a dead end.

4-56 -/ KAREN (TO NATHAN)-Maybe she's not a dead end.

548.10 552.04 3.10

65 551.02MCU SIDE ANGLE NATHAN L, FACES R. HE TURNS TOWARD FG.

66 554.00CU KAREN. SHE PICKS UP FLOWERS. SHE SMELLS THEM.

KAREN (CONT)-These flowers…

4-57 -/*

KAREN (TO NATHAN)-These flowers are fresh.

557.00 560.01 3.01

67 557.10MCU NATHAN. HE MOVES TOWARD FG.

KAREN (OS) (CONT)-are fresh.


68 561.00INT. CEMETERY OFFICE. DAYMLS LFG KAREN. TRACK HER AS SHE WALKS TOWARD FG. RBG NATHAN. TRACK HIM AS HE WALKS TOWARD FG. MALE CARETAKER ENTERS RFG REAR ANGLE. HE SITS AT DESK.

KAREN (CONT)-I'll handle this. Hello.

4-58 KAREN (TO NATHAN)-I'll handle this.

561.02 564.06 3.04

4-59 KAREN (TO MALE CARETAKER)-Hello.

569.03 570.08 1.05

69 570.11MCU PAST KAREN ON MALE CARETAKER. HE MOVES TOWARD FG.

MALE CARETAKER-Hi. How can I help you?

4-60 -/ MALE CARETAKER (TO KAREN)-Hi. How can I help you?

570.13 572.11 1.14


KAREN-Um, my brother and I just came

from visiting our mother's grave…

4-61 KAREN (TO MALE CARETAKER)-My brother and I just came from visiting our mother's grave…

573.00 577.00 4.00

71 577.03MCU PAST KAREN ON MALE CARETAKER. HE NODS.

KAREN (OS) (CONT)-and we saw that some flowers had

been deliv-…

4-62 -/ KAREN (TO MALE CARETAKER)-and we saw that some flowers had been delivered recently.

577.05 581.13 4.08

72 580.04MCU KAREN. SHE MOVES TOWARD L.

KAREN (CONT)-ered there recently. Is there any

way you could check and see who

sent them?

4-63 -/ KAREN (TO MALE CARETAKER)-Is there any way you could check and see who sent them?

582.08 587.02 4.10



KAREN (OS) (CONT)-We came a really…

4-64 -/ KAREN (TO MALE CARETAKER)-We came a really long way to visit her.

588.02 592.12 4.10


KAREN (CONT)-long way to visit her. Couldn't you

just help out with this little favor?

4-65 KAREN (TO MALE CARETAKER)-Couldn't you just help out with this little favor?

593.01 598.00 4.15


MALE CARETAKER-Okay.

4-66 -/ MALE CARETAKER (TO KAREN)-Okay. What's the name?

603.08 606.01 2.09


MALE CARETAKER (OS) (CONT)-Uh, what's the name?

KAREN-Lorna Price.

4-67 -/ KAREN (TO MALE CARETAKER)-Lorna Price.

606.06 608.08 2.02

77 607.13MS NATHAN. HE MOVES TOWARD FG.

78 609.13MCU PAST KAREN ON MALE CARETAKER. HE MOVES TOWARD FG. HE TYPES ON COMPUTER. TILT UP ON KAREN. SHE TURNS AND MOVES TOWARD FG.

79 613.09MS NATHAN. TRACK HIM AS HE TURNS TOWARD R.


80 615.13CU KAREN. SHE TURNS TOWARD BG. TILT DOWN ON MALE CARETAKER TYPING ON COMPUTER.

81 619.08MCU OTS ON KAREN. SHE MOVES TOWARD R.

82 621.03MCU PAST KAREN ON MALE CARETAKER. HE LOOKS AT COMPUTER. HE MOVES TOWARD FG.

MALE CARETAKER-Okay, so the flowers came from

Omaha, Nebraska.

4-68 MALE CARETAKER (TO KAREN)-The flowers came from Omaha, Nebraska.

621.05 624.01 2.12

83 624.04MS NATHAN. ZOOM IN ON HIM. HE MOVES TOWARD FG. MALE CARETAKER (OS) (CONT)-A Mister P. Rasmus. It looks like

it's gonna be a long-standing…

4-69 MALE CARETAKER (TO KAREN)-A Mr. P. Rasmus.

624.06 626.11 2.05

4-70 -/ MALE CARETAKER (TO KAREN)-It's a long-standing order.

627.00 631.07 4.07

84 630.01MCU SIDE ANGLE KAREN R, FACES L. SHE TURNS TOWARD FG. BG NATHAN ENTERS. TRACK HIM AS HE WALKS TOWARD FG.

MALE CARETAKER (OS) (CONT)-order.

NATHAN-Do you have an address for that?

4-71 NATHAN (TO MALE CARETAKER)-Do you have an address for that?

633.10 635.10 2.00

85 635.15INT. CIA HEADQUARTERS. DAYMS ABOVE WAIST MALE CIA TECH. TRACK HIM AS HE RUNS TOWARD BG. HE ENTERS BURTON’S OFFICE. LBG BURNS ENTERS REAR ANGLE. SHE SITS. SHE TURNS TOWARD FG. BG BURTON ENTERS. HE SITS AT DESK.

4-72 -/ MALE CIA TECH (TO BURNS AND BURTON)-SIGINT just got a hit on a name Lorna Price.

640.10 644.14 4.04


SAME SHOT CONT.

MALE CIA TECH (OS)-SIGINT just got a hit on a name

Lorna Price.

86 644.12MCU LFG BURNS. SHE SITS. RBG BURTON. HE SITS. TILT UP ON THEM AS THEY STAND. BURNS EXITS LFG. BURTON EXITS R.

MALE CIA TECH (OS) (CONT)-Came from a computer in a place

called Calvary Cemetery.

4-73 MALE CIA TECH (TO BURNS AND BURTON)-Came from a computer in a place called Calvary Cemetery.

645.03 648.13 3.10

87 649.02INT. HOTEL SUITE. DAYCU COMPUTER SCREEN. BOX POPS UP ON SCREEN. IT READS:

MATCH FOUNDLorna Price

PAN L ON MALE TECH TEAM #4. HE ENTERS L. PAN L ON MALE TECH TEAM #1. HE ENTERS SIDE ANGLE L, FACES R. HE MOVES TOWARD R. BG THE SWEATER ENTERS. TRACK HIM AS HE WALKS TOWARD FG. RBG KOZLOW ENTERS. HE WALKS TOWARD FG. MALE TECH TEAM #4-Calvary Cemetery.

MALE TECH TEAM #1 (OS)-The CIA is…

MALE TECH TEAM #1 (CONT)-mobilizing a strike team out of

Pittsburgh.

KOZLOW-(SPEAKS SERBIAN)

4-74 NARRATIVE TITLE: COMPUTER SCREEN READS:LORNA PRICE

649.12 651.05 1.09

4-75 MALE TECH TEAM #4 (TO MALE TECH TEAM #1)-Calvary Cemetery.

652.03 654.01 1.14

4-76*

MALE TECH TEAM #1 (TO MALE TECH TEAM #4)-The CIA is mobilizing a strike team out of Pittsburgh.

654.06 659.01 4.11


88 664.04EXT. CEMETERY. DAYMS RFG NATHAN. TRACK HIM AS HE WALKS TOWARD FG. LBG KAREN. TRACK HER AS SHE WALKS TOWARD FG. HE OPENS CAR DOOR. SHE GETS IN CAR. HE CLOSES CAR DOOR.

NATHAN-Doctor Bennett said we could trust

Paul Rasmus. We have to find

him.

KAREN-You want to drive to Nebraska?

NATHAN-No.

NATHAN (OS) (CONT)-We've probably been in this…

NATHAN (CONT)-car too long already. We need to

ditch it.

KAREN-Well, what then? We'd never

even make it through…

KAREN (OS) (CONT)-airport security. They know our

names, our faces.

NATHAN-I know. I have another plan.

4-77 NATHAN (TO KAREN)-Doctor Bennett said we could trust Paul Rasmus.

664.06 667.10 3.04

4-78 NATHAN (TO KAREN)--- We have to find him.

KAREN (TO NATHAN)--- You want to drive to Nebraska?

667.15 671.11 3.12

4-79 NATHAN (TO KAREN)-No. We've been in this car too long already. We need to ditch it.

672.00 677.06 5.06

4-80 KAREN (TO NATHAN)-What then? We'd never make it through airport security.

677.11 681.01 3.06

4-81 KAREN (TO NATHAN)-They know our names, our faces.

681.06 683.09 2.03

4-82 -/ NATHAN (TO KAREN)-I have another plan.

683.14 686.08 2.10

89 685.12MCU NATHAN’S HANDS. HE PULLS OUT CELL PHONE. HE DIALS. TRACK HIM AS HE WALKS TOWARD FG.

90 688.10MS HIGH ANGLE NATHAN’S CAR. IT MOVES TOWARD L. IT EXITS.


91 691.06INT. HOTEL SUITE. DAYMCU RFG REAR ANGLE KOZLOW. HE WATCHES LBG PICTURE OF NATHAN’S CAR ON DISPLAY SCREEN. PUSH IN ON HIM. HE ANSWERS CELL PHONE.

KOZLOW (INTO PHONE)-(SPEAKS SERBIAN)

92 704.13INT. NATHAN’S CAR. DAYMCU RFG NATHAN. HE DRIVES. HE MOVES TOWARD L. HE LOOKS OUT REARVIEW MIRROR. LBG KAREN. SHE SITS IN CAR.

93 707.13EXT. STREET. DAYMLS HIGH ANGLE NATHAN’S CAR. TRACK IT AS IT MOVES TOWARD FG.

94 712.00INT. HOTEL SUITE. DAYMCU FG REAR ANGLE KOZLOW. HE TURNS TOWARD FG. PUSH IN ON HIM. HE TALKS ON CELL PHONE.

KOZLOW (INTO PHONE)-Tuscarora Pike. Route fifteen.

4-83 KOZLOW (TO THE SWEATER)-Tuscarora Pike. Route 15.

715.06 720.05 4.15

95 720.08INT. THE KOZLOW’S CAR. DAYCU SIDE ANGLE THE SWEATER L, FACES R. HE HOLDS CELL PHONE. HE SETS IT DOWN. HE DRIVES. KOZLOW (VO) (CONT) (FILTERED THROUGH PHONE)-You’re very close to them.

4-84ITAL

*

KOZLOW (TO THE SWEATER)-You’re very close to them.

720.10 722.11 2.01

96 726.05EXT. STREET. DAYLS KOZLOW’S CAR. TRACK IT AS IT MOVES TOWARD FG.


97 729.09EXT. HARRISBURG TRAIN STATION PARKING LOT. DAYMS HIGH ANGLE NATHAN’S CAR. TRACK IT AS IT MOVES TOWARD FG. IT STOPS. FG KAREN ENTERS. SHE GETS OUT OF CAR. SHE WALKS TOWARD L. SHE EXITS. BG NATHAN ENTERS. HE GETS OUT OF CAR. HE WALKS TOWARD L. HE EXITS.

98 754.10MS ABOVE WAIST LFG NATHAN. TRACK HIM AS HE WALKS TOWARD FG. RBG KAREN. TRACK HER AS SHE WALKS TOWARD FG. GILLY ENTERS SIDE ANGLE L, FACES R. TRACK HIM AS HE TURNS AND WALKS TOWARD FG.

GILLY (OS)-Dude!

NATHAN-(QUIETLY) Hey, man.

GILLY (CONT)-These guys came to my house

asking questions. I had to sneak

out back. This is some deep,

deep shit.

4-85*

(OPTIONAL)NATHAN (TO GILLY)-Hey, man.

757.09 758.09 1.00

4-86 GILLY (TO NATHAN)-These guys came to my house asking questions.

758.14 761.11 2.13

4-87 GILLY (TO NATHAN)-I had to sneak out back. This is some deep shit.

762.00 766.01 4.01

99 766.04MLS NATHAN ENTERS SIDE ANGLE R, FACES L. TRACK HIM AS HE WALKS TOWARD L. GILLY ENTERS SIDE ANGLE R, FACES L. HE WALKS TOWARD L. HE TURNS TOWARD R. HE PULLS OUT FAKE ID’S. KAREN ENTERS SIDE ANGLE R, FACES L. SHE WALKS TOWARD L. PUSH IN ON THEM. NATHAN-You bring what I asked for?

GILLY-Uh, yeah, three different IDs in

three different states. (DELETED)

4-88 NATHAN (TO GILLY)-You bring what I asked for?

766.06 768.06 2.00

4-89*

GILLY (TO NATHAN)---Yeah, 3 different IDs in 3 different states.

NATHAN (TO GILLY)---That works.

768.11 772.07 3.12

4-90 -/ GILLY (TO KAREN)-Karen, I went through all your Facebook photos.

772.12 776.12 4.00


SAME SHOT CONT.

NATHAN-Yeah, that works.

GILLY-Karen, I went through all your…

100 774.13CU PAST GILLY ON NATHAN’S HANDS. HE TAKES FAKE ID’S. TILT UP ON HIM. HE TURNS TOWARD R. KAREN ENTERS R. SHE MOVES TOWARD FG. PUSH IN ON NATHAN. HE TURNS TOWARD L.

GILLY (OS) (CONT)-Facebook photos. I chose the one

of you from that pep rally last

month, cuz I… thought you looked

really good in it. But I mean, I

could use the one from the beach

if you like.

KAREN (OVERLAPPING)-These'll be…

KAREN (OS) (CONT)-fine. Thanks, Gilly.

MALE POLICE DISPATCHER (VO FILTERED THROUGH RADIO)-(MUFFLED, NOT MEANT TO BE

UNDERSTOOD)

GILLY (OS)- Cool.

4-91 GILLY (TO KAREN)-I chose the one of you from that pep rally last month…

777.01 780.01 3.00

4-92 GILLY (TO KAREN)-cuz I thought you looked really good in it.

780.06 783.01 2.11

4-93 GILLY (TO KAREN)-But I could use the one from the beach…

783.06 785.03 1.13

4-94 KAREN (TO GILLY)-These'll be fine. Thanks, Gilly.

785.08 788.05 2.13

4-94a -/*

(OPTIONAL)GILLY (TO KAREN)-Cool.

788.10 789.11 1.01

101 789.09MLS POV NATHAN ON SIDE ANGLE TWO MALE SECURITY GUARDS R, FACE L. THEY WALK TOWARD L. ZOOM IN ON THEM.

MALE POLICE DISPATCHER (VO) (CONT) (FILTERED THROUGH RADIO)-(MUFFLED, NOT MEANT TO BE

UNDERSTOOD)


102 791.03CU NATHAN. HE MOVES TOWARD R. HE EXITS.

NATHAN-Let's move.

4-95 -/ NATHAN (TO KAREN AND GILLY)-Let's move.

792.03 793.04 1.01

103 793.02LS HIGH ANGLE GILLY ENTERS R. TRACK HIM AS HE WALKS TOWARD FG. HE TURNS TOWARD R. NATHAN ENTERS R. TRACK HIM AS HE WALKS TOWARD FG. KAREN ENTERS R. TRACK HER AS SHE WALKS TOWARD FG. NATHAN (OS) (CONT)-We should…

NATHAN (CONT)-get going now. This isn't safe for

any of us.

GILLY-I'm sorry about your parents.

Listen…

4-96 NATHAN (TO KAREN AND GILLY)-We should get going now.

793.09 795.13 2.04

4-97 NATHAN (TO KAREN AND GILLY)-This isn't safe for any of us.

796.02 799.05 3.03

4-98 GILLY (TO NATHAN)-I'm sorry about your parents.

800.11 803.05 2.10

4-99 -/ *

GILLY (TO NATHAN)-Listen (DELETED)…

806.14 808.12 1.14

104 807.05MCU OTS ON NATHAN. HE MOVES TOWARD L. PUSH IN ON HIM.

GILLY (OS) (CONT)-uh, if there's anything else…

4-100 -/ GILLY (TO NATHAN)-if there's anything else I could do for you.

809.01 811.05 2.04

105 810.08MCU OTS ON GILLY. TRACK HIM AS HE MOVES TOWARD FG.

GILLY (CONT)-I could do for you. If you need…

4-101 -/ GILLY (TO NATHAN)-If you need cash or…

811.10 814.11 3.01


106 812.11MCU OTS ON NATHAN. TRACK HIM AS HE MOVES TOWARD FG. PUSH IN ON HIM.

GILLY (CONT)-cash or…

NATHAN-We're okay. See ya, Gilly.

4-102 NATHAN (TO GILLY)-We're okay.

815.00 816.15 1.15

4-103 NATHAN (TO GILLY)-See ya, Gilly.

819.15 822.01 2.02

107 822.14MCU PAST KAREN AND NATHAN ON GILLY. HE MOVES TOWARD R. KAREN WALKS TOWARD R. SHE KISSES GILLY.

NATHAN (OS) (CONT)-Thanks, man.

GILLY-See ya.

4-104 NATHAN (TO GILLY)-Thanks, man.

823.00 824.09 1.09

4-105 GILLY (TO NATHAN)-See ya.

824.14 826.12 1.14

108 831.15MS LOW ANGLE LFG NATHAN. HE WALKS TOWARD L. HE EXITS. RFG SIDE ANGLE GILLY R, FACES R. HE TURNS TOWARD L. BG SIDE ANGLE KAREN R, FACES L. SHE WALKS TOWARD L. SHE EXITS.

109 835.08EXT. HARRISBURG TRAIN STATION. DAY. MS THE SWEATER. HE DRIVES CAR. TRACK HIM AS HE MOVES TOWARD L. PUSH IN ON HIM. HE TURNS AND DRIVES TOWARD L. HE EXITS.

MALE SERBIAN HENCHMAN (VO FILTERED THROUGH PHONE)-(SPEAKS SERBIAN)


110 841.13INT. HOTEL SUITE. DAYMCU KOZLOW. HE TALKS ON CELL PHONE. TRACK HIM AS HE WALKS TOWARD FG.

MALE SERBIAN HENCHMAN (VO) (CONT) (FILTERED THROUGH PHONE)-(SPEAKS SERBIAN)

KOZLOW (INTO PHONE)-Tell me where you have him.

4-106 -/ *

KOZLOW (TO MALE SERBIAN HENCHMAN)-Tell me where you have him.

844.07 846.15 2.08

111 846.12EXT. HARRISBURG TRAIN STATION. DAYMS ABOVE WAIST LFG NATHAN. TRACK HIM AS HE WALKS TOWARD FG. HE TURNS TOWARD BG. RBG KAREN. TRACK HER AS SHE WALKS TOWARD FG.

(DELETED)

112 852.10INT. HARRISBURG TRAIN STATION PLATFORM. DAYMS PLATFORM CEILING. TILT DOWN ON TRAIN. IT ENTERS PLATFORM. TRACK IT AS IT MOVES TOWARD FG. NATHAN ENTERS SIDE ANGLE R, FACES L. TRACK HIM AS HE WALKS TOWARD L. KAREN ENTERS SIDE ANGLE R, FACES L. TRACK HER AS SHE WALKS TOWARD L.

113 870.05MS TOP OF TRAIN. TILT DOWN ON MALE PORTER. HE TAKES TICKET FROM MALE PASSENGER. PAN R ALONG LINE OF MALE AND FEMALE PASSENGERS. RBG NATHAN ENTERS. RBG KAREN ENTERS. THEY STAND IN BACK OF LINE. PUSH IN ON THEM.

(TRAIN PASSENGER WALLA)

4-107ITAL

MALE TRAIN STATION ANNOUNCER (TO MALE AND FEMALE PASSENGERS)-Amtrak train 29, the Capitol Limited…

871.12 876.01 4.05

4-108ITAL

MALE TRAIN STATION ANNOUNCER (TO MALE AND FEMALE PASSENGERS)-from Pittsburgh to Omaha is now boarding on track 7.

876.06 882.07 6.01


SAME SHOT CONT.

MALE TRAIN STATION ANNOUNCER (VO FILTERED THROUGH PA SYSTEM)-Amtrak train twenty-nine, the Capitol Limited from Pittsburgh to Omaha is now boarding on track seven.

114 884.12MS MALE SECURITY GUARD. HE GESTURES TOWARD FG.

MALE SECURITY GUARD-Step this…

4-109 -/ MALE SECURITY GUARD (TO MALE PASSENGER)-Step this way, please.

885.02 887.05 2.03

115 885.14MCU PAST MALE SECURITY GUARD ON MALE PASSENGER. HE WALKS TOWARD FG.

MALE SECURITY GUARD (OS) (CONT)-way, please.

116 887.08MS ABOVE WAIST LFG NATHAN. HE TURNS TOWARD R. RBG KAREN. SHE TURNS TOWARD R.

117 889.06MCU OTS ON MALE PORTER. HE TAKES TICKET. HE TURNS TOWARD L. HE TURNS TOWARD FG.

MALE PORTER-Thank you. Enjoy the trip.

ELDERLY FEMALE PASSENGER (OS) (OVERLAPPING) -I will.

4-109a*

MALE PORTER (TO ELDERLY FEMALE PASSENGER)-Thank you.

889.08 891.08 2.00


118 891.12MS ABOVE WAIST FG REAR ANGLE MALE PASSENGER. HE HOLDS OUT ARMS. RBG MALE SECURITY GUARD. HE HOLDS WAND. HE WAVES IT AROUND MALE PASSENGER.

119 894.07MCU PAST KAREN ON NATHAN. TRACK HIM AS HE WALKS TOWARD FG.

120 898.14MCU REAR ANGLE THE SWEATER. TRACK HIM AS HE WALKS TOWARD BG. HE ENTERS PLATFORM.

121 901.09MS ABOVE WAIST FG REAR ANGLE MALE PASSENGER. HE HOLDS OUT ARMS. RBG MALE SECURITY GUARD. HE GESTURES TOWARD R. MALE PASSENGER WALKS TOWARD R.

122 904.12MCU PAST KAREN ON NATHAN. TRACK HIM AS HE WALKS TOWARD FG.

MALE TRAIN STATION ANNOUNCER (VO FILTERED THROUGH PA SYSTEM)-(VERY MUFFLED) Capitol

Limited, Pittsburgh to Omaha…

4-110ITAL

(OPTIONAL)MALE TRAIN STATION ANNOUNCER (TO MALE AND FEMALE PASSENGERS)-Capitol Limited, Pittsburgh to Omaha…

905.04 908.13 3.09

123 909.00MCU OTS ON MALE PORTER. HE HOLDS CLIPBOARD. HE LOOKS AT IT. HE LOOKS UP. HE NODS.

MALE TRAIN STATION ANNOUNCER (VO) (CONT) (FILTERED THROUGH PA SYSTEM)-is now boarding on…

MALE PORTER (OVERLAPPING)-Go…

4-111 -/ ITAL

*

(OPTIONAL)MALE TRAIN STATION ANNOUNCER (TO MALE AND FEMALE PASSENGERS)---is now boarding on track 7.

MALE PORTER (TO UNKNOWN PASSENGER)---Go ahead.

909.02 912.11 3.09


124 911.03MS ABOVE WAIST PAST MALE SECURITY GUARD ON NATHAN. HE MOVES TOWARD L.

MALE PORTER (OS CONT)-ahead.

MALE TRAIN STATION ANNOUNCER (VO) (CONT) (FILTERED THROUGH PA SYSTEM)-track seven.

125 915.13MS ABOVE WAIST MALE SECURITY GUARD. HE HOLDS WAND. PUSH IN ON HIM.

126 917.12MCU NATHAN. HE MOVES TOWARD R. PUSH IN ON HIM.

127 921.11MCU PAST MALE PORTER ON FG SIDE ANGLE KAREN R, FACES L. SHE WALKS TOWARD L. SHE EXITS. BG NATHAN. HE MOVES TOWARD L.

128 924.03MS HIGH ANGLE RFG KAREN. SHE TURNS AND WALKS TOWARD L. SHE GETS ON TRAIN. SHE EXITS. LBG NATHAN. HE TURNS AND WALKS TOWARD L. HE EXITS. TILT UP ON RBG THE SWEATER. HE ENTERS. HE STANDS ON PLATFORM. PUSH IN ON HIM.

MALE TRAIN STATION ANNOUNCER (VO FILTERED THROUGH PA SYSTEM)-Once again, Amtrak train twenty-

nine now boarding on track seven.

MALE PORTER (OVERLAPPING)-Have a nice trip.

4-111a *

MALE PORTER (TO NATHAN AND KAREN)-Have a nice trip.

924.05 926.05 2.00

4-112ITAL

MALE TRAIN STATION ANNOUNCER (TO MALE AND FEMALE PASSENGERS)-Once again, Amtrak train 29 now boarding on track 7.

926.10 931.13 5.03


129 943.13EXT. TRAIN. DAYELS HIGH ANGLE TRAIN. TRACK IT AS IT MOVES TOWARD BG.

130 948.04INT. TRAIN – ROOM 42. DAYMS NATHAN ENTERS. HE OPENS DOOR. RBG KAREN ENTERS. SHE WALKS TOWARD FG. NATHAN CLOSES DOOR.

KAREN-(SIGHS)

131 967.00MCU THROUGH GLASS DOOR NATHAN. HE MOVES TOWARD FG. HE CLOSES CURTAIN.

NATHAN-Good thing it's only one night.

4-113 NATHAN (TO KAREN)-Good thing it's only one night.

968.05 971.08 3.03

132 972.02MS RFG KAREN. TRACK HER AS SHE WALKS TOWARD R. SHE SITS. LBG REAR ANGLE NATHAN. HE TURNS AND WALKS TOWARD R WINDOW.

KAREN-Mm hm.

NATHAN-(SIGHS)

KAREN-Hm. Do you remember that

summer when, um, our families

were both staying at Canadohta

Lake?

NATHAN-After eighth grade.

KAREN-In the boathouse, when we, um,

skipped the canoe trip.

4-114 KAREN (TO NATHAN)-Do you remember that summer when…

989.00 992.01 3.01

4-115 KAREN (TO NATHAN)-our families were both staying at Canadohta Lake?

992.06 997.00 4.10

4-116 NATHAN (TO KAREN)-After eighth grade.

999.11 1002.03 2.08

4-117 KAREN (TO NATHAN)-In the boathouse…

1002.12 1005.02 2.06

4-118 KAREN (TO NATHAN)-when we…

1005.07 1007.07 2.00

4-119 KAREN (TO NATHAN)-skipped the canoe trip.

1008.01 1010.13 2.12

4-120 NATHAN (TO KAREN)-Yeah.

1013.14 1015.11 1.13


SAME SHOT CONT.

NATHAN-Yeah. I remember. Kinda.

4-121 NATHAN (TO KAREN)-I remember.

1016.14 1018.13 1.15

4-122 -/ NATHAN (TO KAREN)-Kinda.

1020.14 1022.13 1.15

133 1022.11MCU KAREN. SHE MOVES TOWARD R.

KAREN-Well, when we came back to

school that year, how come you

never asked me out?

4-123 KAREN (TO NATHAN)-When we came back to school that year…

1023.02 1027.02 4.00

4-124 -/ KAREN (TO NATHAN)-how come you never asked me out?

1028.15 1031.08 2.09

134 1031.06MCU NATHAN. HE MOVES TOWARD R. PUSH IN ON HIM.

NATHAN-I don't know. I just thought

summer was summer. And…

4-125 NATHAN (TO KAREN)-I don't know.

1031.13 1033.11 1.14

4-126 NATHAN (TO KAREN)-I just thought summer was summer.

1037.00 1040.12 3.12

4-127 NATHAN (TO KAREN)-And…

1042.05 1044.02 1.13


136 1051.01MCU NATHAN. HE TURNS TOWARD R. HE TOUCHES HAIR.

NATHAN (CONT)-(SIGHS)


KAREN-Are we gonna die, Nathan?

4-128 KAREN (TO NATHAN)-Are we gonna die?

1057.07 1059.13 2.06

138 1060.02CU NATHAN. HE MOVES TOWARD R.


139 1063.05MCU REAR ANGLE NATHAN. TRACK HIM AS HE TURNS AND MOVES TOWARD L.

NATHAN-No.

4-129 NATHAN (TO KAREN)-No.

1067.00 1068.09 1.09

140 1069.00MS ABOVE WAIST LFG SIDE ANGLE KAREN L, FACES R. SHE SITS. SHE STANDS. RBG SIDE ANGLE NATHAN R, FACES L. HE MOVES TOWARD L. THEY HOLD HANDS.

141 1076.03MCU LFG SIDE ANGLE KAREN L, FACES R. RBG SIDE ANGLE NATHAN R, FACES L. HE TOUCHES HER. THEY KISS.

NATHAN-I won't let that happen.

KAREN-(LAUGHS) Wow.

4-130 NATHAN (TO KAREN)-I won't let that happen.

1076.11 1079.11 3.00

4-131 -/ KAREN (TO NATHAN)-Wow.

1117.02 1118.08 1.06

142 1118.05CU LFG SIDE ANGLE KAREN L, FACES R. RBG SIDE ANGLE NATHAN R, FACES L. THEY KISS. TILT DOWN ON HIS HANDS. HE GRABS HER.

NATHAN-What?

KAREN-That's better than middle school.

NATHAN-That's cuz I know what I'm doing

now.

4-132 NATHAN (TO KAREN)-What?

1118.13 1120.03 1.06

4-133 KAREN (TO NATHAN)-That's better than middle school.

1121.07 1124.09 3.02

4-134 NATHAN (TO KAREN)-That's cuz I know what I'm doing now.

1133.02 1137.01 3.15

143 1144.15CU LFG SIDE ANGLE KAREN L, FACES R. RBG SIDE ANGLE NATHAN R, FACES L. THEY KISS. KAREN-(SIGHS) And no braces, either.

(LAUGHS)

4-135 KAREN (TO NATHAN)-And no braces, either.

1149.06 1152.09 3.03


144 1159.01MS ABOVE WAIST LFG SIDE ANGLE KAREN L, FACES R. RBG SIDE ANGLE NATHAN R, FACES L. THEY KISS. SHE FALLS TOWARD L. HE CATCHES HER. PUSH IN ON THEM.

KAREN (CONT)-(LAUGHS)

145 1167.09CU LFG SIDE ANGLE KAREN L, FACES R. RBG SIDE ANGLE NATHAN R, FACES L. THEY KISS.

146 1171.08CU PAST KAREN ON NATHAN’S HANDS. HE GRABS HER.

147 1173.08CU LFG SIDE ANGLE KAREN L, FACES R. RBG SIDE ANGLE NATHAN R, FACES L. THEY KISS. SHE MOVES TOWARD R.

148 1177.02MCU FG REAR ANGLE KAREN. BG NATHAN. THEY KISS. TRACK THEM AS THEY MOVE TOWARD R.

149 1178.09CU LFG SIDE ANGLE NATHAN L, FACES R. RBG SIDE ANGLE KAREN R, FACES L. THEY KISS.

150 1183.03MS ABOVE WAIST LFG SIDE ANGLE NATHAN L, FACES R. HE WEARS JACKET. HE REMOVES IT. HE THROWS IT ON FLOOR. HE TURNS TOWARD FG. RBG KAREN. SHE TURNS TOWARD BG. THEY KISS. HE PICKS HER UP.


151 1197.01MCU LFG SIDE ANGLE KAREN L, FACES R. RBG SIDE ANGLE NATHAN R, FACES L. THEY KISS. TILT DOWN ON THEM AS THEY SIT. KAREN (OS)-(SIGHS)

KAREN (CONT)-We should get some food.

NATHAN-Yeah. I'm starvin'.

4-136 KAREN (TO NATHAN)-We should get some food.

1213.03 1216.03 3.00

4-137 NATHAN (TO KAREN)-Yeah.

1219.07 1221.03 1.12

4-138 NATHAN (TO KAREN)-I'm starving.

1222.14 1225.03 2.05

152 1225.06MS LFG SIDE ANGLE KAREN L, FACES R. RBG SIDE ANGLE NATHAN R, FACES L. HE SITS IN CHAIR. SHE SITS ON HIM. THEY STAND.

KAREN-(SIGHS) I'll go.

NATHAN-(WHISPERS) Okay.

4-139 KAREN (TO NATHAN)-I'll go.

1231.14 1233.11 1.13

4-140 NATHAN (TO KAREN)-Okay.

1236.10 1238.08 1.14

153 1239.00MCU LFG SIDE ANGLE KAREN L, FACES R. RBG SIDE ANGLE NATHAN R, FACES L. THEY KISS. SHE TURNS AND EXITS LFG. TILT DOWN ON HIM AS HE SITS. PUSH IN ON HIM. HE LAUGHS. KAREN-(SIGHS)

KAREN (OS) (CONT)-Um…

KAREN (CONT)-I'll knock twice before keying in.

NATHAN-Alright. (SIGHS) (LAUGHS)

4-141 KAREN (TO NATHAN)-I'll knock twice before keying in.

1246.14 1250.05 3.07

4-142 NATHAN (TO KAREN)-Alright.

1251.14 1253.09 1.11

154 1274.03EXT. TRAIN. DAYMLS TRAIN. TRACK IT AS IT MOVES TOWARD FG.


155 1277.09INT. TRAIN HALLWAY. DAYMCU THE SWEATER ENTERS. HE MOVES TOWARD L. HE TALKS ON CELL PHONE.

THE SWEATER (OS) (INTO PHONE)-I'm on a…

THE SWEATER (CONT) (INTO PHONE)-train. Heading south of the city.

4-143 THE SWEATER (TO KOZLOW)-I'm on a train. Heading south of the city.

1277.15 1281.15 4.00

156 1282.02INT. KOZLOW’S CAR. DAYMCU KOZLOW. HE RIDES IN CAR. HE TALKS ON CELL PHONE. TRACK HIM AS HE TURNS TOWARD L.

KOZLOW (INTO PHONE)-Very good.

THE SWEATER (VO) (FILTERED THROUGH PHONE)-We’re coming up on the Cincinnati station.

KOZLOW (INTO PHONE)-We'll be waiting at the next stop.

4-144 KOZLOW (TO THE SWEATER)-Very good.

1282.04 1284.01 1.13

4-145*

THE SWEATER (TO KOZLOW)-We’re coming up on the Cincinnati station.

1284.14 1287.15 3.01

4-146 KOZLOW (TO THE SWEATER)-We'll be waiting at the next stop.

1288.04 1290.13 2.09

157 1291.00INT. TRAIN – DINING CAR. DAYMCU KAREN ENTERS L. SHE WALKS TOWARD R. SHE CARRIES TRAY. SHE PUTS FOOD ON TRAY.

(MALE AND FEMALE PASSENGERS WALLA)

KAREN-I'm so hungry. (SIGHS) He might

like that.

4-147 KAREN (TO HERSELF)-I'm so hungry.

1295.08 1298.01 2.09

4-148 KAREN (TO HERSELF)-He might like that.

1302.15 1305.06 2.07

158 1308.08MS REAR ANGLE KAREN. SHE PICKS UP TRAY. SHE TURNS AND WALKS TOWARD L. ZOOM OUT ON THE SWEATER. HE ENTERS LFG REAR ANGLE. HE WATCHES KAREN.


159 1314.14MS THROUGH DOOR THE SWEATER. ZOOM IN ON HIM.

160 1319.14INT. TRAIN HALLWAY. DAYCU KAREN’S HANDS. SHE CARRIES TRAY OF FOOD. TRACK HER AS SHE WALKS TOWARD FG. TILT UP ON HER. LBG THE SWEATER ENTERS. HE WALKS TOWARD FG.

161 1326.13MCU THE SWEATER. TRACK HIM AS HE WALKS TOWARD FG. HE TURNS TOWARD BG.

162 1330.14CU FG KAREN. TRACK HER AS SHE WALKS TOWARD FG. LBG THE SWEATER. HE RUNS TOWARD FG. HE GRABS HER. HE COVERS HER MOUTH.

KAREN (OS)-(SCREAMS MUFFLED

THROUGH HAND)

163 1333.07CU KAREN’S FEET. SHE DROPS TRAY OF FOOD. IT LANDS AT HER FEET.

KAREN (OS) (CONT)-(SCREAMS MUFFLED

THROUGH HAND)

164 1334.08CU PAST THE SWEATER ON KAREN. SHE MOVES TOWARD BG. ZOOM IN ON BG THE SWEATER. HE GRABS HER.


THROUGH HAND)


165 1336.10INT. TRAIN – ROOM 13. DAYMS DOOR OPENS. KAREN ENTERS. BG THE SWEATER ENTERS. HE HOLDS HER. HE COVERS HER MOUTH. HE TURNS TOWARD BG. HE CLOSES DOOR. ZOOM IN ON HER. SHE TURNS TOWARD BG.


THROUGH HAND)

THE SWEATER (OVERLAPPING)-Shut up!

4-149 THE SWEATER (TO KAREN)-Shut up!

1340.02 1342.05 2.03

166 1348.13MS LFG REAR ANGLE KAREN. RBG THE SWEATER. HE HITS HER. SHE TURNS AND MOVES TOWARD L. SHE FALLS. PUSH IN ON HIM.

THE SWEATER (CONT)- (GRUNTS)

KAREN (CONT)-(SCREAMS)

167 1349.13MCU REAR ANGLE KAREN. SHE FALLS TO THE FLOOR.

168 1350.08CU THE SWEATER. HE GRABS NOSE.

169 1352.12MCU PAST THE SWEATER ON KAREN. SHE LIES ON FLOOR. TRACK HER AS SHE CRAWLS TOWARD FG. HE KICKS HER. SHE ROLLS OVER TOWARD L.

KAREN (CONT)-(MOANS)


170 1359.08MS LFG KAREN. SHE LIES ON FLOOR. RBG THE SWEATER. HE MOVES TOWARD L.

KAREN (CONT)-(IMPACT GRUNT)

171 1360.02EXT. TRAIN. DAYMCU SIDE OF TRAIN. TRACK TRAIN AS IT MOVES TOWARD FG.

172 1362.10INT. TRAIN – ROOM 42. DAYMS NATHAN. HE SITS. HE MOVES TOWARD FG.

173 1366.02INT. TRAIN – ROOM 13. DAYCU PAST THE SWEATER ON KAREN. SHE CRIES.

(DELETED)

174 1367.06MCU PAST KAREN ON THE SWEATER. HE HOLDS GUN. HE MOVES TOWARD FG. KAREN (OS) (CONT)-(SOBS / PANTS)

175 1369.09CU PAST THE SWEATER ON KAREN. SHE SHAKES HEAD.

THE SWEATER (OS)-Tell me what room he's in.

KAREN-(MUMBLES, VERY MUFFLED)

No, no.

4-150 THE SWEATER (TO KAREN)-Tell me what room he's in.

1369.11 1373.05 3.10

176 1373.08MS FG KAREN. SHE LIES ON FLOOR. BG THE SWEATER. HE KNEELS OVER HER. HER POINTS GUN AT HER. TILT UP ON HIM AS HE STRAIGHTENS UP. HE REACHES IN POCKET.


SAME SHOT CONT.

KAREN (OS) (CONT)-(PANTS)

THE SWEATER-(SIGHS)

177 1377.02EXT. TRAIN. DAYMCU TRAIN. TRACK IT AS IT MOVES TOWARD R.

178 1378.15INT. TRAIN – ROOM 13. DAYCU PAST THE SWEATER ON KAREN. SHE CRIES.

KAREN (CONT)-(CRIES) (MUFFLED) No, no…

4-150a -/*

KAREN (TO THE SWEATER)-No, no, no.

1379.04 1381.09 2.05

179 1380.05MCU PAST KAREN ON THE SWEATER’S HAND. HE HOLDS GUN. TILT DOWN ON HIM. HE GRABS HER HAND. HE HOLDS CIGAR CUTTER. HE PUTS IT ON HER FINGER.

KAREN (OS) (CONT)-no, no, no. (CRIES)

(SCREAMS)

THE SWEATER (OS) (OVERLAPPING)-Pretty fingers.

4-150b -/ *

THE SWEATER (TO KAREN)-Pretty fingers.

1383.11 1385.11 2.00

180 1385.05MCU PAST THE SWEATER ON KAREN. SHE LIES ON FLOOR. SHE MOVES TOWARD FG.

KAREN (CONT)-(SCREAMS)

181 1386.12CU THE SWEATER’S HAND. HE HOLDS GUN. HE POINTS IT AT KAREN. TILT UP ON HIM.

KAREN (OS) (CONT)-(SCREAMS)


182 1388.11CU PAST THE SWEATER ON KAREN. SHE CRIES.

KAREN (CONT)-(SOBS)

THE SWEATER (OS OVERLAPPING)-Tell me the room. Now.

4-151*

THE SWEATER (TO KAREN)-Tell me the room. Now.

1388.13 1392.02 3.05

183 1393.03EXT. TRAIN. DAYLS HIGH ANGLE TRAIN. TRACK IT AS IT MOVES TOWARD R.

184 1396.01INT. TRAIN – ROOM 42. DAYMS REAR ANGLE NATHAN. HE TURNS TOWARD FG. PUSH IN ON HIM. HE LOOKS AT WATCH.

185 1401.15CU NATHAN’S WATCH. IT READS 3:20.

186 1403.15MS ABOVE WAIST NATHAN. HE LOOKS AT WATCH. HE LOWERS ARM.

187 1406.01EXT. TRAIN. DAYMCU TRAIN. IT MOVES TOWARD R.

188 1408.09INT. TRAIN HALLWAY. DAYMCU THE SWEATER ENTERS RFG REAR ANGLE. TRACK HIM AS HE WALKS TOWARD BG.

189 1414.06MCU THE SWEATER. TRACK HIM AS HE WALKS TOWARD FG. HE SMILES.


190 1419.13INT. TRAIN – ROOM 13. DAYMCU KAREN. SHE LIES ON FLOOR AS HER ARMS ARE TIED TO CHAIR. SHE WEARS DUCT TAPE OVER MOUTH. PULL OUT ON HER. SHE STRUGGLES TO BREAK FREE FROM CHAIR.

KAREN (OS) (MUFFLED THROUGH DUCT TAPE)-(STRUGGLES)

191 1424.12INT. TRAIN HALLWAY. DAYMCU THE SWEATER. TRACK HIM AS HE WALKS TOWARD FG. HE TURNS TOWARD L. HE KNOCKS ON DOOR.

192 1428.08INT. TRAIN – ROOM 42. DAYMCU DOOR. IT OPENS. BG THE SWEATER ENTERS. HE DRAWS GUN TOWARD FG.

193 1430.01INT. TRAIN – DINING CAR. DAYMS ABOVE WAIST REAR ANGLE NATHAN. TRACK HIM AS HE WALKS TOWARD BG.

(PASSENGER WALLA)

194 1435.14INT. TRAIN – ROOM 42. DAYMCU THE SWEATER. HE MOVES TOWARD R. HE OPENS DOOR. HE DRAWS GUN.

195 1438.06INT. TRAIN – DINING CAR. DAYMCU REAR ANGLE NATHAN. TRACK HIM AS HE TURNS AND MOVES TOWARD FG.

(PASSENGER WALLA)

196 1441.12EXT. TRAIN. DAYMS TRAIN. TRACK IT AS IT MOVES TOWARD FG. IT MOVES TOWARD BG.


197 1447.07INT. TRAIN HALLWAY. DAYMS ABOVE WAIST NATHAN ENTERS R. TRACK HIM AS HE WALKS TOWARD FG. HE TURNS TOWARD R.

198 1456.07INT. TRAIN – ROOM 42. DAYMCU THE SWEATER. TRACK HIM AS HE WALKS TOWARD FG.

THE SWEATER-(SIGHS)

199 1461.00EXT. TRAIN. DAYMS HIGH ANGLE TRAIN. TRACK IT AS IT MOVES TOWARD FG.

1464.04LAST FRAME PICTURE.END OF REEL 4AB

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Abduction CCSL FinalReel4AB

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