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WORK EXPERIENCE _ Designer at Brook Landscape // New York, NY — Current
Adesignbuildfirmthatspecializesindesigningoutdoorspaces.
_ Extern at Young & Ayata // New York, NY — Spring 2016
Experimentationwithaccelerationinarchitecturerepresentation.‘Futuristic’montages.
_ Extern at SHoP Architects // New York, NY — Spring 2015
Schematicdesign,sitedocumentation,digitalmodeling,renderings,diagramming,digital
montages.
_ ProjectManageratWoods Contractors // Louisville, KY — 2014 - 2016
Construction,projectmanager,drawingsets,materialcosts,jobbidding,residentialand
commercialrenovations,residentialandcommercialroofing.
_ Extern at Brooks + Scarpa // Los Angeles, CA — Spring 2014
Schematicdesign,constructiondocuments,digitalmodeling,grasshopper,animations,
renderings,digitalmontages.
_ Directorof Beaux Arts Ball Foundation // Lexington, KY — 2013 - 2014
Teamleader,organizedmeetings,eventplanning,recruitedsponsors,responsibleforthe
coordinationandconstructionofthedesigninstallations,andsetupfortheevent.
EDUCATION _ Undergraduate : University of Kentucky // Lexington, KY — 2011 - 2014
BachelorofArtsinArchitecturefromtheCollegeofDesign.
_ Graduate : University of Kentucky // Lexington, KY — 2014 - 2016
MastersofArchitectureinArchitecturefromtheCollegeofDesign.
SKILLS _ Fabrication : Modelbuilding,3Dprinting,CNCmill,Lasercutter,andDesignInstallations.
_ Computersystems : Apple,Microsoft,Google,andLinux. _ Selectedprograms : AdobeSuite,Rhinoceros,Maxwell,V-Ray,andGrasshopper.
_ Web design : Webandgraphicdesignexperience.
TYLER [email protected]
tylerabell.com
// Work 001 _ cosmic + tipper art
002 _ lava + painting
003 _ lava new york
003 _ rusty new york
001 _ selected cosmic
002 _ selected lava 002 _ montage lava + painting002 _ paintingcredit: Mark O’Bryan
001 _ tipper art 001 _ montage cosmic + tipper
001 _ site outline 002 _ surface family 003 _ surface part a 004 _ surface part b 005 _ surface part c 006 _ surface part d 007 _ surface part e 008 _ vector family 009 _ vector selected operation 010 _ vector selected operation 011 _ vector plan 012 _ vector selected 013 _ vector selected operation
014 _ object family 017 _ object-04 operation016 _ object-02 operation 025 _ object-11 operation024 _ object-10 operation021 _ object-08 operation020 _ object-07 operation 015 _ object-01-03 operation 026 _ object-12-13 operation 019 _ object-06 operation018 _ object-05 operation 023 _ object-09 operation022 _ object-08 operation
001 _ first surface deletes site 002 _ remaining site 003 _ second surface deletes site 004_ remaining site 005 _ introduction of object 006 _ development 007 _ 008 _ 009_ 010 _
011 _ 012 _ 013 _ introduction of vector 014 _ development 015 _ 016 _ 017 _ 018 _ 019 _ 020 _ paused
systems_ surface, object, vector
material__ texture mapping, photo-glitch, montage
process _ evolution
001 _ cosmic + tipper art
002 _ lava + painting
003 _ lava new york
003 _ rusty new york
001 _ selected cosmic
002 _ selected lava 002 _ montage lava + painting002 _ paintingcredit: Mark O’Bryan
001 _ tipper art 001 _ montage cosmic + tipper
001 _ site outline 002 _ surface family 003 _ surface part a 004 _ surface part b 005 _ surface part c 006 _ surface part d 007 _ surface part e 008 _ vector family 009 _ vector selected operation 010 _ vector selected operation 011 _ vector plan 012 _ vector selected 013 _ vector selected operation
014 _ object family 017 _ object-04 operation016 _ object-02 operation 025 _ object-11 operation024 _ object-10 operation021 _ object-08 operation020 _ object-07 operation 015 _ object-01-03 operation 026 _ object-12-13 operation 019 _ object-06 operation018 _ object-05 operation 023 _ object-09 operation022 _ object-08 operation
001 _ first surface deletes site 002 _ remaining site 003 _ second surface deletes site 004_ remaining site 005 _ introduction of object 006 _ development 007 _ 008 _ 009_ 010 _
011 _ 012 _ 013 _ introduction of vector 014 _ development 015 _ 016 _ 017 _ 018 _ 019 _ 020 _ paused
systems_ surface, object, vector
material__ texture mapping, photo-glitch, montage
process _ evolution
SPRING 2016 / INSTRUCTOR: MARTIN SUMMERS
GLITCH HOUSE : DISRUPTIVE CONTINUITY
SPRING 2016 / INSTRUCTOR: MARTIN SUMMERS
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PLAN 001 _ objects [01, 05, 06, 07, 08, 09, 10] PLAN 002 _ objects [01, 05, 07, 08, 09, 10] PLAN 003 _ objects [01, 05, 07, 08, 09, 10] PLAN 004 _ objects [01, 05, 07, 08, 09, 10]
PLAN 001 _ objects [02, 11, 12] PLAN 002 _ objects [02, 03, 04, 11, 12] PLAN 003 _ objects [02, 03, 04, 11, 12, 13] PLAN 004 _ objects [02, 03, 04, 11, 12, 13]
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SITE PLAN _ 1/`16” = 1’ - 0”N
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SPRING 2016 / INSTRUCTOR: MARTIN SUMMERS
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BB _ objects [01, 06, 07] CC _ objects [01, 05, 06, 08, 11] DD _ objects [01, 04, 06, 08, 11,12 ,13] EE _ objects [01, 02, 03, 04, 08, 11, 12, 13] FF _ objects [01, 02, 03, 04, 08, 11, 12, 13] GG _ objects [01, 02, 04, 09, 11, 12, 13] HH _ objects [01, 02, 04, 09, 10, 11, 12, 13] II _ objects [01, 02, 04, 11, 12, 13]
BB _ objects [01, 06, 07] CC _ objects [01, 05, 06, 08, 11] DD _ objects [01, 04, 06, 08, 11,12 ,13] EE _ objects [01, 02, 03, 04, 08, 11, 12, 13] FF _ objects [01, 02, 03, 04, 08, 11, 12, 13] GG _ objects [01, 02, 04, 09, 11, 12, 13] HH _ objects [01, 02, 04, 09, 10, 11, 12, 13] II _ objects [01, 02, 04, 10, 12, 13]
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SECTION AA _ 1/`16” = 1’ - 0”N
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SPRING 2016 / INSTRUCTOR: MARTIN SUMMERS
SPRING 2014 / INSTRUCTOR: MIKE MCKAY
FIELD DRAWING _ ELASTIC VARIATION ROOF PLAN
GROUND PLAN
LINK : PEDESTRIAN BRIDGE
SPRING 2014 / INSTRUCTOR: MIKE MCKAY
SPECULATIVE, SPECTACULAR! CENTER FOR DANCE AND MUSICKeywords: abstraction, pixelation, distortion, representation shiftThe purpose of a dance and music center allows for one to understand how to dance and express yourself to the world. The concept for this center is to express its interior activities through distortion and pixelation. The actions occurring within the building are partially communicated to the outside, while the occupants views of the world are distorted. This was pursued by using my mask as a form generator and study model. The linear shifting movement and perpendicular rotation of the units were influenced by the site context, and characteristics found in Manhattan. Specifically, the street grids, variations in buildings, commingled traffic systems, and constant variance of activity. The high level of density, continuous livelinesses, and growth in the city provided an appropriate setting for a building of distortion. The intent is to intrigue interest and pull viewers into the dance center. Within the center, they are able to focus and understand dance because the surrounding area is partially controlled and transmitted through the building form and spacial qualities.
FALL 2013 / INSTRUCTOR: AKARI TAKEBAYASHI
FALL 2013 / INSTRUCTOR: AKARI TAKEBAYASHI Above: South ElevationRight: Section A
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FLOWER BED
COURTYARD
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ENTRY LOBBY
WORK SPACE
BATH HOUSE
POOL SPACE
LOUNGE + CAFE
GYMNASIUM
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95’
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SITE PLAN
COMMUNE RETREAT : AGGREGATIONS HOUSING + LANDSCAPE Keywords: cluster, gradient, density, continuity, and integration.
The goal of this studio was to understand the implications of designing an aggregated architectural construct; we developed new architectural “design models” that inherently dealt with form, landscape, housing program, interior spaces, structural typologies and circulation; and we investigated new dynamic relationships between building and landscape and how they formulated a plausible architectural result for our building program and site. I became interested with integrating various systems into a single language, which I applied to the relationship between building, site, retaining walls, and the surrounding trees.
Above: Ground Plane Manipulations — Field Conditions “Cluster”Right: Atmospheric Montage Of A Morning Sunrise
SPRING 2013 / INSTRUCTOR: KYLE MILLER
SECTION A
SECTION B
ELEVATION SOUTH ELEVATION WEST
Above: Atmospheric Montage — Evening Sunset
SPRING 2013 / INSTRUCTOR: KYLE MILLER
Work //