ABSTRACT EXPRESSIONISM COLOR FIELD
“ART AS ART”
Ad Reinhardt
Ad Reinhardt, Abstract Painting, 1960. Oil on canvas
Frank Stella - The Marriage of Reason and Squalor, II, 1959, Enamel paint on canvas, 91 x 133 in.
Hollis Frampton, #3 (28 painting Getty Tomb), from The Secret World of Frank Stella, 1958–62.
Frank Stella, Empress of India, 1965, metallic powder in polymer emulsion on canvas.
Ellsworth Kelly's 'Colors for a Large Wall' (1951), a painting
“HARD EDGE PAINTING”
Robert Ryman, "Winsor 34", 1966.
ABSTRACT EXPRESSIONISM COLOR FIELD
“ART AS ART”
Ad Reinhardt
Ad Reinhardt, Abstract Painting, 1960. Oil on canvas
Composition 2, 1922 - Piet Mondrian
Caspar David Friedrich Vista dallo studio del pittore 1805-6
Odilon Redon 1891
Martin, Agnes (1912-2004): Friendship, 1963. New York,
jasper Johns Gray numbers, 1958
Peter HalleyYellow Prison with Underground Conduit , 1985
Gerhard Richter Strip, 2011 187 x 207 cm © Gerhard Richter 2017 Private Collection
Dan Flavin, The Diagonal of May 25, 1963
”Monument” 1 for V. Tatlin, 1964 - Dan Flavin
The Art of the Real, MoMA, 1968
Donald Judd 1968-69
“specific objects”
Robert Morris, Green Gallery installation, floor beam, corner beam, cloud, 1964
Robert Morris, Untitled (L-Beams), originally plywood, later versions made in fiberglass and stainless steel, 8 x 8 x 2 feet, 1965(Lavoro esposto in “Primary Structures”, Jewish Museum, 1968)
Tony Smith (1912–1980). Die, 1962. Steel, (183.8 × 183.8 × 183.8 cm).Whitney Museum of American Art, New York;
Tony Smith Die, 1962. Steel, (183.8 × 183.8 × 183.8 cm).Whitney Museum of American Art, New York
Andy Warhol, Brillo box, 1964
Robert Morris, Column, 1961
Stanley Kubrick, 2001 Odissea nello spazio, 1968
Andy Warhol, Brillo box, 1964