Date post: | 20-Jun-2015 |
Category: |
Education |
Upload: | malloryscrimger |
View: | 2,507 times |
Download: | 1 times |
ABSTRACTIONISM
PRE-WWI • THROUGH THE 1920s • POST-WWI
The Origins of Abstractionism
Influenced by: Impressionism: Making the present
permanent/ insignificant events or subjects are made important
Post-Impressionism: use of planes overlapping/shifting color to indicate form and shape
Fauvism: use of color from exactly what the eye sees and abstract shapes and subjects
Cubism: explorations of geometric simplifications and reduced series of overlapped planes
POST-IMPRESSIONIST INFLUENCES
Orchard at Pontoise- Cezanne 1877
The Orchard-Cezanne 1882
Vision After the Sermon- Gauguin 1888
MOVING TOWARD ABSTRACTIONISM
The Café Terrace on the Place du Forum Arles, at Night- Van Gogh
1888
Winter Landscape- Kandinsky 1909
CUBISM INFLUENCES
Two Figures- Popova 1913Composition VII- Kandinsky 1913
OTHER INFLUENCES
Influenced by discoveries in other areas: Chemistry and physics Philosophy Psychology Poetry Music
What is abstractionism?
Abstractionism is “a kind of representational art in which the representational meanings of the work are
minimized by the artist.” –Brettell
“The abstract artist receives his inspiration not from any piece of nature you please, but from the nature as
a whole, from its most multifarious manifestations; which accumulated in him and used to the work of art.”
–Kandinsky
GEOMETRIC ABSTRACTION
composition No. 11- Mondrian 1913
COMPOSITION NO. 10- MONDRIAN 1915
Oval Composition- Mondrian 1914
FORMATION OF “ABSTRACT”
Widened stream of cubism/ non-figurative geometric abstraction. Intellectual Structural Architectonic Geometrical Dependent upon logic and calculation
GEOMETRIC ABSTRACTION
NON-GEOMETRIC ABSTRACTION
In the grey- Kandinsky 1919
Gauguin and Fauvism flowing into non-geometric abstraction. Institutional Emotional Organic/biomorphic Curvilinear Decorative Romantic (as opposed to classical) Focuses on mystical
FORMATION OF “ABSTRACT”
Non-Geometric PAINTINGS
Composition VIII-Kandinsky 1923
KANDINSKY
His focus in abstract paintings: Spiritual desire Devotion to inner beauty Color and form Expressive methods for his emotional perceptions
Non-representational
The Sluice- Kandinsky 1901
Untitled (first abstract watercolor)- Kandinsky 1910
Improvisation 30 (CANNON)- Kandinsky 1913
Composition IX- Kandinsky 1936
Composition X -Kandinsky 1939
COMPARISON PRE/POST WAR
Soft pressure- Kandinsky 1931
Romantic landscape- Kandinsky 1911
Black Square on a White Ground- Malevich 1915
Composition in black, white, and red painting NO. 9 – Mondrian 1939-42
MONDRIAN
His focus in abstract paintings: Irregular movement of verticals and
horizontals Discover an underlying structure of the
world Mathematically elemental Removing clutter/revealing clearest form Natural forces defining shape and
purpose
TREES BY THE GEIN AT MOONRISE - MONDRIAN 1908
Sea at sunset- Mondrian 1909
Apple tree in flower- Mondrian 1912
Composition with red, yellow, blue and black –Mondrian 1921
Lozenge – Mondrian 1921
Self Portrait – Mondrian 1900/1918
Oriental Poppies- O’Keeffe 1928
O’ KEEFFE
Her focus in abstract paintings: Abstract, 2D style removed from
imitation of nature Use of simple, clear forms- bring out
the essential meaning/context Emphasized balance and harmony Applied paint in dense, invisible
strokes Descriptive of single colors
The Specials – O’Keeffe
Red Mesa – O’Keeffe 1917
Music, Pink and Blue No. 2 –O’Keeffe 1918
Plums- O'Keeffe 1920
Shelton With Sunspots- O’Keeffe 1926
Two Calla Lilies on Pink – O’Keeffe 1928
White Iris – O’Keeffe 1930
From the Far Away Nearby- O’Keeffe 1938
Rams skull, white hollyhock and little hills- O'Keeffe 1935
MOVING TOWARD SURREALISM
ABSTRACT INTO THE MODERN WORLD
FURNITURE
fashion
architecture