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Academic WritingYear 1
Elaine Mc Carthy
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Outline
The Question
Research & Planning
Writing
Proofng
Reerencing
Time management
Stress management
Contemporary Art Archive 2by
Lyndall Jones
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Review Essay
50%o LPP Module
800 1!000ords
!ue " #$%am 'riday11th"# $ecemer
Where " (ard co)y to
Theresa Mc*enna
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What am & eing as'edt" d"(
Re+ie an e,hibition in detail
C"nte)tualisethe artor- rom a s"cial.
culturaland hist"rical)ers)ecti+e
/,)lore techni0ues em)loyed
Short bibliogra)hy 1at least 5 s"urces2
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Essay *uesti"n
*ey ords
3nderstand directive w"rds" 4lossary
htt)5667$le$ac$u-6o8ces6ld6resources6riti
ng6riting9resources6essay9terms What is your t"+ic:
Who is your audience:
What is your aim:
http://www2.le.ac.uk/offices/ld/resources/writing/writing-resources/essay-termshttp://www2.le.ac.uk/offices/ld/resources/writing/writing-resources/essay-terms7/24/2019 Academic Writing - 1st Years
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,earning Outc"mes
Research;nalysis
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Active Research
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Reading
SQ%R htt)s566$youtube$com6atch:+=dhcSP>My?g
https://www.youtube.com/watch?v=0dhcSP_Myjghttps://www.youtube.com/watch?v=0dhcSP_Myjg7/24/2019 Academic Writing - 1st Years
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-lan
4et se.uenceo ideas in )lace
*ee) research and riting #"cused
@dentiy hat is relevantand hat isnAt (el)s build anargument
/+enly distribute w"rd c"unt
Reduce stress
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/rea' it d"wn
@ntroduction " B ordsPoint B " 7C ords
Point 7 " 7C ords
Point % " 7C ords
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Essay C"nstructi"n
Y"ur c"nclusi"n is the r""# "#y"ur argument4 &t seals y"uressay4
he "dy c"ntains the main
themes4 ,i'e the r""ms "# ah"use! they are c"nnected uteach has a dierent +ur+"se4
he intr"ducti"n is the 6rst
layer
Re#erences #"rm the #"undati"n
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-aragra+h 7tructure
/ach )aragra)h
&ntr"duce
/ac'u+ with evidence
7ummarise
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Write
4et startedD
'ollo your structure Reer bac- to the research 0uestion
Wor-s)ace5 consistent. comortable &
organised Refne and reassess later
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Academic
Writing /,)ress yoursel clearly
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Academic writing is
n"ta"ut Long com)licated ords6sentences
See)ing statements
Re+olutionary original ideas
H)inion )ieces
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Education is not the filling of a pail,
but the lighting of a fire.
W. B. Yeats
Hr Plutarch
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/eing Critical
Put orard a 0uestion or argument
/,)lore and e+aluate
Limitations6shortcomings6ea-nesses Reerence e,)erts
Ma-e a c"nstructivesuggestion
Remember be res)ectul
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Art Review
!escribe F+isual actsG
/+aluate
@nter)ret
-lease see 9writing a review:guidelines "n
W"rd-resswesite htt)s566l))ncad$ord)ress$com6
https://lppncad.wordpress.com/readings/writing-a-review/https://lppncad.wordpress.com/https://lppncad.wordpress.com/https://lppncad.wordpress.com/readings/writing-a-review/7/24/2019 Academic Writing - 1st Years
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7truggling(
(a+e a chat ith classmates aboutyour to)ic$ Kou ill soon fnd youha+e an o)inion or stance to ta-e$
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;ey -hrases&ntr"ducti"n
The "
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;ey -hrases Main /"dy
@t is arguedthat
@t is +r"+"sedthat
The authors +"sitthat
The authors assertthat
&n additi"n.$
>urtherm"re.
7igni6cantly
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-r""# and Edit
Rele+ant to to)ic:
ac- u) )oints 9 bring in e,)ert o)inions:
S)elling. 4rammar & Punctuation
'ormatting
Reerencing
Strategies5 S)ell9
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Rememer
3se 3* s)elling rather than 3S s)ellinge$g$ c"l"urrather than c"l"r
$"ule s+aceyour riting
!onAt o+er rely on 0uotes 3se ont si?e 1@
Re#erence
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CA$ Re#erencing7ystem
Barvard 7tyle
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Why Re#erence(
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-lagiarism
MARK AIRS/ISTOCKPHOTO.COM
Eeed to cite and reerence all inormation that is notyour intellectual )ro)erty$ This includes )ara)hrasedinormation. i$e$ inormation you ha+e )ut in your onords$
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rustw"rthy
7"urce(
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Reliale Evidence and7"urces
E
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!onald Judd 1B#NO2 Complete writings, 1975 - 1986
/indho+en5 an ;bbemuseum$
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The authorAs nameThe yearit as
)ublishedThe title
Wh" +ulished itWhereit as+ulished
-agesyou used
hings t" n"te
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F@t ta-es a great deal o
time and thought toinstall or- careully$This should not alaysbe thron aay$G
'rom5 !onald Judd1B#NO2 Completewritings, 1975-
1986./indho+en5 an;bbemuseum )$ BBB
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Quote
To directly use anothersor-6ords and ac-noledgethe source
Rule Short 0uotations 1less than % lines2 in
Fin+erted commasG ithin the te,t Long 0uotations 1o+er % lines2 indented in
a se)arate )aragra)h ith no Fin+ertedcommasG
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Paraphrase
To e,)ress anotherAs or-6ords
in your on ords andac-noledge the sourceRule
Ee+er use 0uotation mar-s;lays cite
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*u"teF@t ta-es a great deal o time and thought toinstall or- careully$ This should not alays bethron aay$ Most art is ragile and someshould be )laced and ne+er mo+ed againG1Judd. B#NO. )$ %C2$
-ara+hrasingJudd )laced a great im)ortance on the curationo or-. remar-ing that this )rocess should
ta-e a large amount o time and thought to bedone correctly 1B#NO. )$ %C2$
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Citati"ns in the e)t
;uthor
Kear
Page Eumber
1Smith. B##. )$ 7C)
Image cortesy o!introvertspring.com
To authors" 1Smith and la-e. 7. )$O2
More than three authors" 1Smith et al$ B###.)$B2
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'ig$ 7 Piet Mondrian "roa#way "oogie $oogie1B#79%2 Hil on can+as.
The Museum o Modern ;rt. Ee Kor-
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'P%et Mon!r%an(s #or Broadway Boogie Woogie *+,-+-0)*1%2. )34
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/ili"gra+hy
List A,,material consulted
Placed at the end o your essay
List it al)habetically by authorAs name
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/ili"gra+hy /""'
Auth"r6edit"rs name2. 1year "#+ulicati"n in +arenthesis2. Title inItalics.-lace "# +ulicati"n5 +ulisher$
Poyner. R$ 1B##N2 %esign withot "on#aries.
London5 ooth9
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/ili"gra+hyCha+ter with $ierent
Auth"rsAuth"r. 1year in +arenthesis2. title "#cha+ter "r essayA then rite inA olloedby name initial "# edit"rD"verall
auth"r. Title inItalics. -lace "#+ulicati"n5 +ulisher. +age numersF$
Smith. P$ J$ 1B##O2 ritish ;rt in the B#Nsand B##sA in Mur)hy. $ 1ed2.Art !rom"ritain.Sidney5 Museum o
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/ili"gra+hyWe Res"urce
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-ulicati"n5 -ulisher i# ascertainaleF4Availale #r"m HR, Accessed dateF
(olland. M$ 172 &i#e to Citing Internet'orces. Poole5 ournemouth 3ni+ersity$
;+ailable at5htt)566$bournemouth$ac$u-$library6using6guide>to>citing>internet>sources$html 1;ccessed5 Eo+ember 72
/ili h
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/ili"gra+hyI"urnal Article
Auth"r. 1year "# +ulicati"n2. title "#articleA. title of journal in italics.v"lume numer +art numerF. +age
numers "# article$
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/ili h
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/ili"gra+hy>ilm
Title of lm1year "#distriuti"n2 $irect"rVMaterial designati"n$
-lace "# distriuti"n5$istriuti"n C"m+any4
(ac)eth1B#N2 !irected by HrsonWelles V'ilm$ 3S;5 Re)ublic Pictures
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7"me E)ce+ti"ns
Eo )age number 1?ust lea+e it outD2 ;nonymous or- 9 use title o or- 1Treasures
o ;rt. B##. )$N2
Eo author or year 1ebsite2 9 use title asauthor and n$d$ or year
@ no main author 1+ideo or flm2 use the title
/,act year un-non 1ca$ BOC2 or 1n$ d$2
More than one )ublication 9 use letters todistinguish and list chronologically in
bibliogra)hy 1Smith. B#NNa. )$B2
Wh t >i d th
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Where t" >ind theJuidelines(
E
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C"mm"nMista'es
!id not anser 0uestion
Eo clear introduction
Poor structure H+erly descri)ti+e
Written in the frst )erson F@G. FmyG
Misuse or absence o )unctuation
Poor reerencing
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'uchsiaMacaree
Where are y"u wasting
y"ur time(
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What is ma-ing you stri+e toards)erectionism:
@deals are directions. not absolutes
'ocus on your end goal and donAt obsess o+erdetail
!elegate " you cannot do e+erything$
1es)ecially im)ortant hen or-ing ithin
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ime Management
Hrganise5 notes. or-s)ace. emailsThe Hrganised Student
htt)566theorganisedstudent$tumblr$com6)rintables
Prioritise ith to do lists
Timetabling
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7tay >"cused
Pomodoro Princi)le 9Tomato Timerhtt)566tomato9timer$com6
@5 mins "# w"r' and 5 mins rea' )KF
@0 min rea' Limit !istractions
Website bloc-er 9
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74M4A4R44 J"als
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E)am+le
7+eci6c" egin introduction
Measurale" @ ill rite B ords
Attainale" @ can manage B ords Relevant" Wor-ing toards deadline
ime"rientated" Tonight O9#)m
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7tress Management
Stress and the brainhtt)566ed$ted$com6lessons6ho9stress9aIects9your9brain9madhumita9murgia
/,ercise
Social Su))ort Meditation5 Mindulness
'ree Meditation !onloads
The 'ree Mindulness Pro?ecthtt)566$reemindulness$org6
3
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*uesti"ns(
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eed Bel+(
O+ening B"urs 3am5+m M"nday t">riday
Email learningsu++"rtLsta4ncad4ie