Acquisitions

The Smithsonian Institution

AcquisitionsSource: Archives of American Art Journal, Vol. 16, No. 1 (1976), pp. 27-32Published by: The Smithsonian InstitutionStable URL: http://www.jstor.org/stable/1556878 .Accessed: 16/06/2014 05:26

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Constance Lebrun Crown. All Lebrun papers, including a series of transcribed interviews, will eventually be preserved at the Archives. Peter Krasnow has given a first group of papers documenting his career from 1920 to 1975. Born in the Ukraine, he emigrated to the United States in 1907, finally settling in Los Angeles, where he built a house next to his friend Edward Weston. Krasnow has lived there since 1922. Emerson Woelffer moved West in 1959 and quickly estab- lished himself as one of the area's lead- ing Abstract Expressionist painters. His loan consists of correspondence with Robert Motherwell, Buckminster Fuller, and Paul Jenkins, among others. In con- trast, Louis Goodman, a little-known Los Angeles artist, was a pioneer of the California assemblage movement. In addition to papers relating to his art, this gift includes material on Goodman's inventions and his association with the American Rocket Society. Jose Moya del Pino was a prominent San Francisco artist in the 1930s and '40s. Born in Spain, he was commissioned to copy forty-one Velazquez paintings for an official tour of America. With the fall of the Spanish government in 1927, the tour was abandoned and Moya settled in California. Though much of his correspondence deals with this project, also included are sketchbooks and prelim- inary drawings for murals.

Also of note are two groups of his- torically interesting catalogs and bro- chures. One group, once part of the reference library of San Francisco's Grabhom Press, includes twenty-four catalogs documenting early exhibitions given by the San Francisco Art Associa- tion, the Portland Art Association, and the Los Angeles Modem Art Society. The Otis Art Institute in Los Angeles has given a small group of material published during its first six years (1918- 1924). This represents a first effort to document the history and contribution of West Coast art schools.

Washington, D. C. Garnett McCoy A conference was held in November at Glassboro, New Jersey, to examine the state of research in the federally spon- sored cultural programs of the 1930s. At- tended by some twenty scholars, cura- tors, and others, including a representa- tive from the Archives, the meeting devoted two days to intensive analysis of ongoing work, needs, and opportuni-

ties in this field of study, with particular emphasis on the WPA programs- the Federal Art Project, the Federal Theater Project, and the Federal Writers Project. Since the Federal Art Project is the best- known and most popular one among researchers, and since the Archives has a vast store of documentation on it, the discussion and the informal exchange of information were both useful and en- couraging. Among the recommendations agreed on was a decision to hold a simi- lar conference in a year or two and to prepare a general guide to research materials in various repositories throughout the country.

Like the clothing industry, historical research has its changing fashions. For a few years, individuals and/or eras will seize the imagination of graduate students and their mentors on a seem- ingly mass basis, only to be replaced by new and equally popular topics. One artist of enduring interest to scholars, how- ever, is Mary Cassatt, whose character and work have been subjected to detailed examination for a full generation. The Archives has a very good selection of her papers in several collections and, through the efforts of Mrs. Frances Weitzenhoffer, is currently engaged in a systematic search in France and Amer- ica for additional material. A major ac- quisition in this connection was re- cently donated to the Archives by Nancy Hale, Mary Cassatt's latest biographer. Hale's notes, correspondence, and other data relating to her study form an im- portant source of information that will be most helpful to future investigators.

Acquisitions

Patricia Johanson (b. 1940) Gift of Patricia Johanson, 1975 Papers, 1964-1974, 25 items, including biographical material, clippings, exhibition catalogs and announcements, writings, and photographs.

Albert Kahn Gift of Mrs. Lydia Winston Malbin, Mrs. Rosalie Butzel, and Dr. Edgar A. Kahn, 1974

Papers, c. 1920-1970, 8 boxes, including personal letters to Kahn and letters from him to Emrnestine Kahn; magazines, catalogs, other printed material, and manuscripts; citations, honors, and awards; a guestbook, 1929-1937, a scrapbook and 4 sketchbooks; photograph albums and loose photographs, including some of Kahn and his drawings.

Adaline Kent (1900-1957) Gift of Robert Boardman Howard, 1974 One thousand fifteen items including correspondence, photographs, diaries, manuscript notes, business papers, and printed material, 1931-1961.

Elizabeth Klavun Gift of Elizabeth Klavun, 1973 About 100 items including letters, photographs, newspaper clippings, catalogs, other printed material, and sketches, c. 1952-1975.

Lucien Labaudt Art Gallery Gift of Marcelle Labaudt, 1975 Papers, 1945-1975, 206 items, including correspondence relating to the Gallery, Lucien Labaudt, and Marcelle Labaudt; photographs (many undated and uniden- tified) of a gallery opening (1950), of Max Huges, of 2 paintings by Fred Martin and 2 by R. Kaess; manuscript material; business material; biographical material of artists who exhibited at the Gallery; and catalogs, announcements, printed material, and clippings.

Frances Kent Lamont (1899-1975) Gift of Charlotte Austin Kent, 1975 Correspondence and other papers, 1909- 1970, 500 items, including sketches and drawings; notes; 1 anatomy notebook; photographs of the artist and of herwork; articles and clippings about her and her career as sculptor, actress, and designer; catalogs; and other printed material.

Laurel Gallery Gift of Chris Ritter, 1974 Papers, 1946-1952, 100 items, including letters to Gallery director Chris Ritter and codirector Grace Borgenicht; biographical and autobiographical writings on Milton Avery, Gabor Peterdi, and Leonard Pytlak; financial records and account books, 1946-1951; exhibition materials, scrapbook of clippings, photographs of works by Claude Bentley, George Constant, Ibram Lassaw, Mi- chaelLenson, Walter Pach, and Madeline Tourtelot.

Percy Leason (1889-1959) Gift of Max A. Leason, 1974 Papers, 1934-1973, c. 238 items, including correspondence, c. 1950-1956, 94 items; a scrapbook, 1934-1973, containing clippings, catalogs, speeches, articles, and miscellany; 2 account books, 1939- 1947; 36 photographs and 86 slides, mostly of his works; 4 diaries (1938- 1939; 1945; 1948-1954; 1956-1959); 6 sketches; and printed material. Eleanor Le Maire (1897-1970) Gift of Louis Britwitz, 1970 Papers, 1929-1970, 1 carton, consisting mainly of the records of her interior de-


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28

sign firm, biographical data, photographs of her, inter-office memoranda, addresses, clippings, and miscellany. Le Maire orig- inated the term "interior designer," and had design projects throughout the world (California, Finland, Illinois, Latin America, Massachusetts, Mexico, Mu- inch, Paris, and Rome, to name but a few places). One of her commissions involved working on the colored bleachers for the St. Louis baseball team.

Edgar Levy Gift of David C. and Joel C. Levy, 1975

Papers, c. 1928-1975, of Edgar Levy and Lucille Corcos, 10 boxes, including correspondence, clippings, notes, financial records, original manuscripts, and photographs.

Reverend Andrew Longacre (1831-1906) Lent for filming by Fred Longacre, 1975 Six items, including 5 sketchbooks, c. 1861-1894, containing landscapes, inte- riors, monogram designs, and sketches made in the United States, France, Italy, North Africa, Spain, and the Near East. In addition, there is a memoranda book kept by Longacre, c. 1890.

Longacre Family Lent for filming by Mrs. Andrew Longacre, 1975

Papers, c. 1810-1951, 509 items, including biographical notes on James Barton Longacre (1794-1869); an autobiography of Andrew Longacre (1831-1906); poetry and other writings by James; 2 accounts by Andrew of a trip to Egypt; financial documents relating to income tax, James' estate, etc.; watercolors, sketches, and sketchbooks by James, Andrew, and Lydia E. Longacre (1870-1951), including designs for coins by James; miscellaneous items including a subscription book for a portrait of Charles Carroll engraved by James, and a copy of James' commis- sion as Engraver of the U.S. Mint, Philadelphia.

Longacre Family Lent for filming by Mrs. Andrew Longacre, 1975 Five hundred fifty-three letters, 1812- 1952, including correspondence between James Barton Longacre and his wife Eliza; letters from James to his son Andrew mentioning seeing Abraham Lincoln in Philadelphia, February 1861, and describing events of the Civil War; letters from Andrew to his father, many written from Europe during the Civil War; letters from Lydia E. Longacre to her parents, written from Europe, 1899-1900; James' official correspondence as Engraver of the U. S. Mint, Philadelphia; letters to James from John Fanning Watson; letters, 1922, from Theodore Bolton to Mrs. James M. Long- acre (daughter-in-law of James) about in-

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James Henry Moser diary, 1908. James Henry Moser Papers, Archives of American Art.

cluding her father-in-law in Bolton's book Early American Portrait Draughts- men in Crayons.

Longacre Family Lent for filming by Mrs. Andrew Longacre, 1975

Twenty-eight photographs, undated, including 1 of a portrait of James Barton Longacre, 1 of a portrait of Andrew Long- acre painted by Lydia E. Longacre, 1 of Lydia, and of her miniature paintings.

Marcia Marcus (b. 1928) Gift of Marcia Marcus, 1975

Correspondence, 1971-1975, c. 200 items, including catalogs, announcements, and other printed material, photographs, miscellaneous writings, 3 tape recorder cas- settes, and 1 high school yearbook dated 1943.

Fred Martin (b. 1927) Gift of Fred Martin, 1975

Papers, 1949-1975, 730 items, including correspondence, mainly from Martin to Sam Haddad and Royal Marks of the Royal Marks Gallery, 1964-1972, and also with many artists and people involved with the arts; manuscript, business, and printed materials; catalogs and announcements; clippings; 2 small works; 20 photographs, 1957-1966, of

works by Martin, Jeremy Anderson, Jay De Feo, Richard Diebenkomrn, Sam Fran- cis, Sonia Gechtoff, Wally Hedrick, Ivan Majdrakoff, David Park, Sam Richard- son, and Joseph White; and 1 photograph of Wally Hedrick with a painting.

William McVey (b. 1905) Lent for filming by William McVey, 1973

Correspondence and papers, 1932-1974, c. 1500 items, including curriculum vitae; files on 26 commissions executed between 1938 and 1973; 2 scrapbooks; printed articles by McVey; sketches, drawings, clippings, and photographs. Correspondents include Chaim Gross, Zoltan Sepeshy, Boyer Gonzales, Clif- ford West, and John Canaday, among others.

James Henry Moser (1854-1913) Lent for filming by James M. Fetherolf, 1975 Two hundred ninety-four photographs, 1877-1910, including 8 of Moser's stu- dios in Washington, D. C., Atlanta, Georgia, and Columbus, Ohio; 1 of the artist at work in Conway, New Hamp- shire; 1 of him [at the Salmagundi Club]; 1 of a group of 35 artists includingMoser; 217 of his works; an album containing 63 pictures of his works; and miscellaneous photographs.



29

Otis Oldfield, right. Otis Oldfield Papers, Archives of American Art.

James Henry Moser (1854-1913) Lent for filming by James M. Fetherolf, 1975

Papers, 1868-1968, 811 items, including biographical material; correspondence, c. 400 items, 1877-1961 and undated, between Moser and his family, and many letters from other artists; a volume of letters to his wife describing his Euro- pean trip in 1896; 3 diaries, 1891, 1896- 1897, and 1904; 3 journals: "Art Notes and Subjects," 1896, Society of Wash- ington Artists "Mem. and Notes," 1898, and "Pictures Sold after Nov. 1913"; a centennial sketchbook, 1876; articles and stories written by Moser; c. 340 clippings, 1880-1914; exhibition catalogs, announcements, price lists, printed material; a copy of a typescript by Moser's

daughter, Mrs. James M. Fetherolf, en- titled "James Henry Moser: His Brush and His Pen"; and miscellany.

New Orleans Scrapbook Gift of Carolyn Berry Becker, 1975 A scrapbook of clippings, 1926-1928, documenting the art and society of New Orleans.

Anne Lisabeth von Nutzhorn (1909-1972) Gift of Tom Brunk, 1975

Papers, 1942-1972, c. 230 items, including business correspondence, photographs, catalogs, and clippings relating to the collection of Von Nutzhom's late uncle, Jens Gjem, which included the works of artists Francis de Erdely, John Coppin, Zubel Kachadoorian, and War-

ren Simpson. Von Nutzhom assumed the business operation of the collection after Gjem's death in 1958, and continued to exhibit and sell the artists' works.

Otis Oldfield (1890-1969) Lent for filming by Helen Oldfield, 1975

Papers, 1910-1975, 62 items, including business correspondence; manuscript material; 2 financial logbooks, 1927- 1974, kept by Oldfield and his widow; 3 photograph albums; 1 with pictures of Oldfield, Ralph Stackpole, and Homer Groninger, and 2 albums of pictures of works, 1924-1948; loose photographs of works, and of Oldfield, Yun Gee, Ralph Stackpole, Rinaldo Cuneo, Helen Old- field, Marcel Roche, and others, 1921- 1957; 3 scrapbooks, 1910-1940, including catalogs, announcements, manuscript and printed material, clippings, and correspondence with Beatrice Judd Ryan, Mildred Taylor, Alice Chittenden, Lu- cien Labaudt, and Maynard Dixon; clippings and miscellany.

Pewabic Pottery Lent for filming by Michigan State University, 1975 Records of the Pewabic Pottery, 1891- 1973, founded by Mary Chase Perry Stratton. Included are correspondence, files on commissions, consignments, and exhibitions; daybooks (16 vols.), order books (4 vols.), ledgers, legal documents, guest books, inquiries, recipes, and tests for clays and glazes; photographs; information on the Pewabic Pottery building; and miscellany. In addition there are records and daybooks of Revelation Kiln, owned by Mary Stratton, and some personal papers of Stratton's, including a scrapbook, teaching records, tax returns, and property documents.

Willis Polk (1867-1952) Lent for filming by the California Historical Society, 1975 Five scrapbooks of clippings, 1908-1924, documenting Polk's career in San Fran- cisco, local events, and controversies. In- cluded are clippings about buildings de- signed by D. H. Bumrham & Co. (whose San Francisco office became Willis Polk & Co., c. 1911), many of them relating to the reconstruction of San Francisco after the earthquake of 1906, and clippings concerning the controversy over building a Civic Center and the plans for the Panama-Pacific Exposition of 1915.

Arthur Polonsky (b. 1925) Gift of Arthur Polonsky, 1972 Eleven items, 1959-1971, including exhibition catalogs, announcements, and invitations.

Chris Ritter (b. 1909) Gift of Chris Ritter, 1974

Papers, 1907-1972, c. 500 items, includ-



30

ing correspondence, diaries (1937-1943), biographical data, transcripts of lectures, writings, 5 sketches, exhibition material, clippings, and photographs of Ritter, his work, and his family.

Charles Rosen Lent for filming by Katherine Rosen Warner, 1975 Letters received, 1924-1939 and undated, 19 items, including 2 letters from George Bellows, and 16 letters and 1 card from Eugene Speicher.

Charles Rosen Gift of Katherine Rosen Warner, 1975

Papers, c. 1920-1960, 2 boxes, including correspondence, scrapbooks, photographs, catalogs, and research material on Rosen.

Emanuel J. Rousuck (d. 1970) Gift of R. S. Rousuck, 1975 About 80 items, including letters, magazine articles, newspaper clippings, printed material (some of it regarding Scott & Fowles, Wildenstein & Co., and the National Museum of Racing, Sara- toga, New York), catalogs, and 10 photographs, 1946-1970.

Aline Saarinen (1914-1972) Gift of Charles Alan for the estate of Aline Saarinen, 1973

Papers, 1891-1962, 2 cartons, including manuscripts, photographs, correspondence, and miscellany relating to Saari- nen's unpublished book on Stanford White, and some Stanford White papers collected by her, including McKim, Mead and White correspondence with clients, a record book listing work done (probably by White), a scrapbook, and miscellany.

Charles N. Sarka (1879-1960) Gift of Mrs. Catherine Jacobs, 1975

Papers, 1902-1968, 53 items, including biographical information, sketches by Sarka, reproductions of his illustrations, clippings, catalogs, and 2 photographs of Sarka.

Charles N. Sarka (1879-1960) Lent for filming by Mrs. Catherine Jacobs, 1975

Biographical information and a copy of a typescript (162 pp.) of an unpublished diary written by the artist during his sojourn in Tahiti and Moorea, 1903.

Marlis Schratter Lent for filming byMarlis Schratter, 1975

Forty-six items including a blueprint of Schratter's pottery kiln, and marketing information, 1960-1975, alphabetically arranged according to names of cus- tomers.

Marlis Schratter Lent for filming byMarlis Schratter, 1975

Papers, 1956-1975, 263 items, including correspondence relating to her work; technical notes; a file on kilns; kiln firing logs; lecture notes; a scrapbook, 1956- 1975, containing clippings and exhibition material; biographical material; and photographs of her pottery.

Everett Shinn (1876-1953) Gift of Howard Lipman, 1964

Correspondence and papers, 1894-1952, 480 items. Most of the letters are from Shinn's friend Poultney Bigelow, and attest to Bigelow's moral and financial support of Shinn's work and subject matter. Other correspondents include George Luks, Clyde Fitch, Elsie de Wolfe, Theodore Dreiser (1 note), Ruth Warrick, Charles "Chic" Sale, Alexander Wooll- cott, Robert Henri, and Ernest Lawson, among others. Also included are sketches by Shinn and a sketchbook of drawings done forDavid Belasco's Stuyvesant The- ater; 2 scrapbooks; writings and notes; 5 photographs of Shinn and a model; printed material, including programs from plays written by Shinn; and clippings.

Lily Shuff Gift of Lily Shuff, 1975 Papers, 1941-1975, 156 items, including letters, scrapbooks, awards, exhibition announcements and catalogs, other printed matter, and photographs.

Violet M. Sigismund Gift of Violet M. Sigismund, 1975 About 40 items including letters, photographs of her work, catalogs, bulletins, and other printed material, 1947-1974.

Alfredo Valente Gift of Mrs. Alfredo Valente, 1975 About 40 items including 1 letter, newspaper clippings, catalogs, other printed material, and 28 photographs of artists, c. 1952-1971.

Vickery, Atkins & Torrey, Inc. Lent for filming by the California Historical Society, 1975 Four small groups of inventories (34 pp.), 1901-1930, of oil paintings, watercolors, porcelain and pottery, including oriental ceramics.

C. Howard Walker Lent for filming by Barbara Brooks Walker, 1975 Pencil sketches, 1877-1926 (14 vols.), and 43 pen and ink drawings, 1881-1924.

Franklin Watkins (1894-1972) Gift of Mrs. Ida Harkness, 1975

Papers, 1918-1972, 10 boxes, including correspondence, scrapbooks, financial

records, photographs, and magazine articles.

Helen Joy Weinberg Gift of Helen Joy Weinberg, 1975

Papers, 1950-1975, c. 100 items, including 5 sketchbooks, 12 notebooks of sketches and notes, business papers, miscellaneous clippings, catalogs, and other printed material.

Frank Wilcox (1887-1964) Lent for filming by Mrs. Frank Wilcox, 1975

Papers, 1910-1970, 131 items, including a manuscript of an unpublished autobiography "written primarily to record the circumstances of the Art World in the City of Cleveland during my lifetime and from the point of view of the partic- ipant." In addition, there are essays by Wilcox on art; transcribed letters written to his family from Europe, 1910-1911; an 8-page paper on Wilcox by Paul J. Blanock; magazine articles, reproductions and clippings, 1946-1970; and exhibition catalogs and announcements, 1911-1969.

Willard Gallery Gift of Marian Willard, 1974 Four hundred ninety-six items including a correspondence file on David Smith, 458 letters, 1940-1956, and 1966, among which are correspondence between Mar- ian Willard and Smith, letters to Willard from Smith's wife, Dorothy Dehner, and correspondence with the Gallery relating to Smith. In addition, there are press releases, lists of Smith's works, exhibition catalogs, biographical material, and miscellany.

Esther Williams (b. 1907) Gift of Dr. Peter McKinney, 1974

Correspondence and papers, 1899-1964, 729 items, including lengthy descriptive letters to her parents in which she discusses her painting, her thoughts on various aspects of life, her impressions of current events, and her daily activities; routine business correspondence with galleries, institutions, and associations (for example, the Rockport Art Associa- tion) (in many cases rough drafts of Wil- liams' replies are included); letters to her from artists and friends discussing their work, their daily routines, and referring to world events (1930s) (in some in- stances rough drafts of Williams' replies are included here, also); clippings; printed material, and miscellany. In addition, there are some letters and papers of her mother, Esther Baldwin (Mrs. O. E. Williams).

Womanspace Gallery Gift of Judy Fiskin, 1975

Correspondence and papers, 1972-1974,



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32

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Lo Tak Girls' School, Canton, China. Philip Newell Youtz Papers, Archives of American Art.

3 boxes, including business records, photographs and slides of works by exhibit- ing artists at the Gallery, and printed material.

Grant Wood (1892-1942) Lent for filming by Nan Wood Graham, 1975 Seven scrapbooks, 1900-1962, about Wood's career, including letters, post- cards, photographs, clippings, and miscellany.

Philip Newell Youtz (1895-1972) Gift of Mrs. Philip N. Youtz, 1972

Papers, c. 1920-1972, c. 100 items, con-

sisting mainly of essays and articles on architecture, on architecture education, and on museums. These papers were written in his capacity as an architect, as curator (1930-1932) of the Pennsylvania Museum of Art, as director (1934-1938) of the Brooklyn Museum, as director of the Pacific Area at the Golden Gate Inter- national Exposition in San Francisco (1938-1939), and as dean (1957-1965) of the University of Michigan College of Architecture and Design. In addition there are photographs of his work both here and in China, clippings, and miscellany; and an inventory of material in the Youtz collection, Michigan Historical Collections, Ann Arbor.



Article Contentsp. 27p. 28p. 29p. 30p. 31p. 32

Issue Table of ContentsArchives of American Art Journal, Vol. 16, No. 1 (1976), pp. 1-32Front Matter [pp. 1-1]Alexander Calder: Ambitious Young Sculptor of the 1930s [pp. 2-8]The Firemen's Ball for Brancusi [pp. 8-11]Interview: James Brooks Talks with Dorothy Seckler [pp. 12-20]Graduate Research Projects in American Art [pp. 20-22]The Curator's Report [pp. 22-23]The Oral History Program [p. 23]Regional Office Reports [pp. 23-27]Acquisitions [pp. 27-32]Back Matter

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