_ACADEMIC[2006 - 2014]...................................................................................................................................................................................Architecture diploma from San Pablo CEU University, Madrid.[2010 - 2011]........................................................................................................................Exchange Programme - Instituto Tecnológico de Monterrey campus Estado de México. Mexico City.[July 2012]................................................................................................................................................................................................Architecture Diploma from CEU - SAN PABLO - Madrid.

_PROFESSIONAL EXPERIENCE

_COMMUNITY WORK

_ACHIEVEMENTS

_RESEARCH

CURRICULUM VITAE.

ADRIANA CABELLO PLASENCIA-selected works-

[2013 - 2016]........................................................................................................................................................................................... Architectural assistant in Izaskun Chinchilla Architects.[2013 - 2016]...........................................................................................................................................................................................................................Professor assistant at IED. Madrid. Instituto Europeo di Design de Madrid. Interior Design.Title of the Short Course: Proyecto Disruptivo.(3rd year Interior Design).[summer of 2009 and 2010]......................................................................................................................................................................................................Quantity surveyor assistant at site.

[2015].....................................................................................Collaborated for ideas to develop cycling routes and the Struga main square. Workshop:City that never sleeps, Struga, Macedonia.[2014]..........................................................................................Collaborated with HD_Lab: Habitability and Development Laboratory (San Pablo Pablo CEU University)- in Makeni. Sierra Leone.[2011].............................................................................................................................................................................Participated in Cemex-TEC`11 Competiton: Transforming Communities.[2010]...................................................................................Collaborated in developing a proposal a for school and shelter project for native children in La Florida Ixmiquilpan, Hidalgo-Mexico.

[2015]........................................................................................................................Winner of IBERFLORA FINAL PROJECT COMPETITION. Category C : Equipment for Landscape Architecture.[2014]......................................................................................................................................................................................Student development award (2013). CEU San Pablo University.[2014].................................................................................................................................................................................................................Finalist: Portfolio Speed Dating at Roca, Madrid.[2010]....................................................................................................................................................First prize: EXPO ON Competition. Best year project. Instituto Tecnologico de Monterrey.

[2016]...........................................................................................................................................................................ARF. Architecture Research Funding. Bartlett School of Architecture, UCL.Cradle to cradle logic applicated to VIProom ARCOmadrid project .

[2016]..................................................................................................................................................................................APF. Architecture Projects Fund.Bartlett School of Architecture, UCL.Eco-Packaging project prototyping at the Bartlett.

[2014 - 15]........................................................................................................................................................................................................................Bartlett Visiting Research Fellow. UCL.Cycle to School Project, part of Izaskun Chinchilla Public Engagement Fellowship.

_BIOAdriana Cabello Plasencia....................................................................................................................................................................................................adrianacabelloplasencia@gmail.com

+44 (0)7341426700

_PUBLICATIONS

[2012]...................................................................FUTURE ARQUITECTURAS 39/940. Publication of Seal Museum Project in Xixi Wetlands, Hangzhou- China (Architectural Design VIII project).

_SKILLS

SOFTWARE

AutoCAD Adobe Photoshop Adobe Illustrator Adobe Indesign Rhino VRay 3d max

LANGUAGESSpanish English

ADDITIONAL SKILLSTeamworker, contributor,good at solving problems, look for constant learning, ambitious, responsible.

_REFERENCES

ABOUT ME_I am an architect and researcher whose work is concerned with innovation, sustainability and collaborative practice. Adriana has experience within professional practice with a strong focus on design visualisation and fabrication, and has used these skills within a teaching and workshop environment to facilitate the construction of exhibitions.

IZASKUN CHINCHILLAPrincipal partner Izaskun Chinchilla Architects.Senior Teaching Fellow and Senior Research Associate, Public Engagement Fellow.The Bartlett School of Architecture. UCL.zaszaskun@yahoo.es

CARLOS JIMENEZSummer Studio Coordinator, The Bartlett School of Architecture.Design Tutor MArch U22.piss2mil@gmail.com

_Colaborator in Izaskun Chinchilla Architects._LOCATION: Ifema, Madrid, Spain._USE OF THE BUILDING: Temporary installation. Rest and food area._DESIGN PERIOD: February 2016.

_SURFACE: 1,200 sqm._CLIENTS: ARCOmadrid, IFEMA El Corte Inglés._PRIZE: Winner of VIP ARCOmadrid 2016 Competition._ROLE: design team member, fabricaton management, protyping.

ARCOmadrid VIP ROOM 2016.

Among the multitude of beautiful objects that interior design has provided to the history of Architecture, the folding screen is highlighted as formal and spatial inspi-ration for our proposal. The VIP room is structured around a series of folding screens that become the leitmotif of the space. The they are organized inside the room offers a homely and welcoming character to the space. Our foldings screen do not tell tell the stories of heroic journeys and scenes in leafy gardens, but the lifes of contemporary families and their cities. Our space has been witnessed of hundreds of moments: optimistic young couples who used these ladders to install their first homes and hundreds of families who saw their children grow through their windows. The VIP room not only recreate domestic memories of many houses, but it allow us to invite the visitors to a journey: a tribute to worldwide known streets where people still negociate, converses, rest, and enjoy long business or pleasure lunches and also lends hospitality to visitors.

[FROM LEFT TO RIGHT, UP TO DOWN] Folding screen-wardrove view • VIP room plan • Chill out folding screen axonometric view • Restaurant folding screens types axonometric view.

[FROM LEFT TO RIGHT, UP TO DOWN] Folding screen-wardrove view • Chill out folding screen axo-nometric view • Restaurant folding screens types axonometric view • VIP room plan.

_Colaborator in Izaskun Chinchilla Architects._LOCATION: Ifema, Madrid, Spain._USE OF THE BUILDING: Stall._DESIGN PERIOD: February 2016.

_SURFACE: 31 sqm._CLIENTS: G’Vine._MAIN MATERIALS: Recycled balcony, wood and laminated metal._ROLE: design team member, fabricaton management, protyping.

STALL FOR G’VINE. ARCOmadrid 2016.

G’vine stand for ARCOmadrid 2016 offers visitors the classic art challenge of many times: try to distinguish reality from fiction and the material and the physic from day dreams and desires. Visitors get into the stand persuaded, by distant appearances, by the interior of a cozy urban apartment. But when they are inside, it is difficult to distinguish if they are inside an apartment or watching others privacy from outside through a window. As for the balcony, they are not sure if it allows warm air flows from the inside to the city or is that what makes the curtains blow from the outside bringing fresh air from branches, filling in the interior with botanic essences. The same effect the bar creates, visitors can not ensure whether they are watching, a small greenhouse just behind the bar, or they inside the greenhouse

[FROM LEFT TO RIGHT, UP TO DOWN] G´Vine stall photograph • G´Vine stall eleva-tions and plan • G´Vine stall photograph.

_Colaborator in Izaskun Chinchilla Architects._LOCATION: Hay Festival, Segovia, Madrid._USE OF THE BUILDING: Stall._DESIGN PERIOD: April 2016.

_SURFACE: 3 sqm._COLABORATION WITH: Juan Mari and Elena Arzak._MAIN MATERIALS: Recycled wood._ROLE: design team member, 3d modeling, rendering.

THE WINDOW TO ARZAK UNIVERSE.

It is a collaboration between the inspirators, Juan Mari Arzak and Elena, and the designers Izaskun Chinchilla Architects. The aim is that the designer turn into an object the inspirator tangible dream. Our object proposes a window for each of the two main characters in Arzak space: the chef and the commensal. The chef finds in window all needed. The window shutters hold spoons, strainers and sieves, among others. Just under the countertop the chef finds pans, fountains and food canned... as in the old kitchens.The instruments do not occupy space on the table, they move with the chef through robot arms. Commensal, meanwhile, has its own window. In the shutters chefs have left their instruments that users can explore freely. Some video players let users view food elem-nets and their nutritional properties. The countertop can turn into a table and that invites commensal to test the food and in this case, the playful robot arms provide napkins and pepper to the commensals.

[FROM LEFT TO RIGHT, UP TO DOWN] Elevations • double window device view • dou-ble window device view • window detail view.

_Colaborator in Izaskun Chinchilla Architects._LOCATION: Governors Island. New York, U.S.A._USE OF THE BUILDING: Pavilion for outdoors activities._DESIGN PERIOD: Octover-November 2014.

_SURFACE: 93 sqm._CLIENTS: FIGMENT - ENYA - SEAoNY._PRIZE: Winner of the 2015 City of Dreams Pavilion Competition._ROLE: design team member, 3d modeling, prototyping.

ORGANIC GROWTH PAVILION.

Our pavilion states the ‘city of dreams’. We have carefully studied natural structures that can grow up and down to adapt context and time circumstances. Mophead flowers are large round flower heads resembling domes. The number of mophead flowers that can be found in a plant depends on the age, orientation, humidity, light or quality of the soil among others. The plant grows keeping a good balance with the environment. Shouldn’t the ‘city of dreams’ do the same? Architecture has to learn to adapt to uncertain budgets, social changing requirements and ecological dynamics. The philosophy of an organic growth: keeping ideas flexible so that can be adapted to real necessities, beco-mes crucial. Learning from nature helps taking care of human wellbeing naturally, beautifully and intuitively. CRADLE TO CRADLE LOGIC. We have only considered materials with an environmentally friendly production. All the pieces included in this design can be already used before assemble. Broken umbrellas, old stools or crashed bicycle wheels are all useful. We think reusing isolated elements is much more viable than reusing the pavilion as a whole and that’s also why our design is formed by self supported smaller units.

[FROM LEFT TO RIGHT, UP TO DOWN] Pavilio photograph • Pavilion interior photograph • pavilion photograph.

[FROM LEFT TO RIGHT, UP TO DOWN] Tripods structure reinforced bars detail • Elevation and plan pavilion • Kick Starter donors rewards • Opening poster.

_AUTHOR: Izaksun Chinchilla Public Engagement Fellow._LOCATION: Sommers Town, London._USE OF THE BUILDING: Research._DESGIN PERIOD: 2014-2015.

_COLABORATION WITH: UCL Public Encagement Unit, The Bartlett School of Architecture, Camden Council, Space Syntax Laboratory._DESIGN ELEMENTS: Cycling routes, way-finding signals and gateways._ROLE: Research Assistant.

CYCLE TO SCHOOL - UCL PUBLIC ENGAGEMENT FELLOWSHIP.

The role that children play in the urban space has been concerning the office during the last cople of years. The research aims to empower the urban and domestic legacy of the 2000-2010 generation. We are a team developing a combined activity as designers, researchers, space syntax team and public engagement fellows. We develop together these fields because we think that’s the best way to improve the city, create social opportunities and to increase the quality of our designs. As part of Izaskun Chinchilla Public Engagement fellowship, in colaboration with The Bartlett School of Architecture, UCL Public Engament Unit and Camden council we have been working in a project to ecourage children to go cycling to school. Key aims of this Cycle to School Partnership are to encourage the community to discover their borough´s unique and often unrecognised heritage features and to discover the spatial and multicultural richness of their borough. We propose a number of routes that will feature a series of WAY-FINDING SIGNALS and GATEWAYS that will allow children to navigate the city with more independence.

[FROM LEFT TO RIGHT, UP TO DOWN] 1/1 Way-Finding Signal prototype • Cycle routes and way-finding signals location • Previous proposal for the way-finding signals.

[FROM LEFT TO RIGHT, UP TO DOWN] Workshop at Cumberland Market Square. August 2015. 1/10 scale models map activiy. • Workshop at Cumberland Market Square. August 2015 • Pilot Workshop at Plot 10 Community Centre. November 2014.

_WAY-FINDING SIGNALSAs an important part of the cycling and walking routes, we designed way-finding signals. They act as three-dimensio-nal signals to orientate children and parents whilst walking or cycling within the city. The signals are designed through a participatory process and reinforce official definitions of heri-tage. These elements is designed to spread research insights, allowing people to become familiar with different definitions of what is a landmark and what is a resilient city.

_Colaborator in Izaskun Chinchilla Architects._LOCATION: Ibiza/London._USE OF THE BUILDING: Pavilion for outdoors activities._DESGIN PERIOD: January 2015.

_SURFACE: 10-80 sqm._PROPORAL FOR: ARCH_TRIUMPH pavilion 2016 and privet clients._MAIN MATERIALS: Ladders, plastic terapeutic balls, nets, and slides._ROLE: design team member, 3d modeling, rendering.

SMALL OUT-DOORS INSTALLATIONS.

We propose several outdoor installations inspired in natural shapes. Our playful pieces aim to make both, adults and children be aware about the energy aspects. Because energy is not visible, it is difficult to understand we can save or waste it. . That’s why our design addresses one of the first findings that help us understand what energy is: leaves transform solar light into sap. This connection with childhood, help us in a re-education process that do not intend learning the hard way. While energy is starting to be associated for many with cost, restrictions and even guilty, we want visitors to rediscover energy as a source of beauty, life and comfort. This vision of energy is still possible when we take it from the cleanest and most renewable source: the sun. To contribute to energy awareness we have thought about some other invisible phenomenon everybody is aware of: Wi-Fi signal. Many of us keep checking in around wherever you are whether there is Wi-Fi connection. Additionaly, balls networks on which the body rests produce the therapeutic effects of a massage, offering an integral experience of wellness. They are prefabicated structures, easy to assembly and easy to be transportated, designed for outdoor environments .

[FROM LEFT TO RIGHT, UP TO DOWN] Piece installed in a forest view • Detailed view • Proposal for ARCH_TRIUMPH pavilion 2016 view.[FROM LEFT TO RIGHT, UP TO DOWN] Gateway view • Gateways prototype details photographs Gateways prototypes at Brill Place, Somers Town • Gateways prototypes at Cumber-land Market workshops • Diagram showing tge evolution of design after workshops.

_CYCLE-BUS GATEWAYSThe Gateways are movable structure designed to be located at the start and end of each rou-te. They are designed as a bench for waiting and can be trasfor-med into table for childrens´ workshops. Their canopy formed of kite-surfing kites works as a shelter where the children can wait until the monitor arrives. The Gateway will also feature maps and models that will help the parents and children to plan their trip.

_Colaborator in Izaskun Chinchilla Architects._LOCATION: Dublin, Ireland._USE OF THE BUILDING: Play and skate park._DESIGN PERIOD: October 2015.

_SURFACE: 2,500 sqm._PROPOSAL FOR: The playpark Ballyfermot competition._ MAIN MATERIALS: Bricks, Recycled materials and playgorund elements._ROLE: design team member, 3d modeling, rendering.

BALLYFERMOT PLAYPARK.

Our design will be defined through the work of 4 focus groups. This methodology allows controversial aspect to be integrated in the design. Our park design includes a set brick constructions that resemble, both Dublin and Ballyferont landmarks. To select these landmarks we will form a working group of citizens ca-lled WE LOVE OUR AREA. We hope this list will contribute to extend both official and personal definition of heritage including multicultural background. A second working group that we will call WE VALUE CHILDHOOD. We will invite children, young adults and other members of the community to redesign the original landmarks and to reproduce them in a way in which they become playful scale down constructions. The third working group will be called WE WELCOME EVERYONE. We will work with sports and playground industry partners that will teach us the security reason behind average design and help us go beyond it. Inside the brick construction users we will find all sorts of amenities. To build them out of recycle materials we will create the group WE WANT TO PARTICIPATE. We will learn with them new possibilities for recycled material and be able to record the collective intelligence that is behind many self built elements.

_Colaborator in Izaskun Chinchilla Architects._LOCATION: Barcelona, Spain._USE OF THE BUILDING: Museum._DESIGN PERIOD: May 2015.

_SURFACE: 6,300 sqm._PROPORAL FOR: Refurbishment of Cosmocaixa Science Museum Com-petition._ROLE: design team member, 3d modeling, rendering.

PROPOSAL FOR REFURBISHMENT OF COSMOCAIXA SCIENCE MUSEUM.

INCORPORATION OF NEW SPACES: MOVING TOWARDS THE PARADIGM OF PARTICIPARORY SCIENCE. Our proposal specially emphasizes the social values of science: the transmission of knowledge is made through people who share their knowledge, reflect together to learn through sharing. This social science perspective leads us to propose some new spaces and exhibition devices. The participatory forums are small amphitheaters with large mobile working tables for demostrations including projection screens. The contents of the exhibition modules are related to each other and are contextualized in this spaces, immersive areas, in which the visitors can enter and feel part of a space-landscape. The experience is multi-sensory and encourages physical action: the visitor discovers through moving, jumping or digging. We propose an easy to follow ittineray that makes significant the order of the visit. Each of the 3 main exhibition areas: Inert Materia, Live Material and Biomedicine are organized around 3 centers with radial structure resembling the shape of 3 natural objects: a tree, a cloud and a net. The shape are natural elements and figures used to explain knowledge structures.

[FROM LEFT TO RIGHT, UP TO DOWN] Playpark Hejduck perspective. • Working process diagram • Skatepark view • Playground view. FROM LEFT TO RIGHT, UP TO DOWN] Installation exhibitors view. • View of theThinkering area • View of the CosmoLab area• View of the CosmoLab area.

_Colaborator in Izaskun Chinchilla Architects._LOCATION: Daegu, South Korea._USE OF THE BUILDING: Gymnasium._TIME PERIOD: August 2014.

_SURFACE: 4,517 sqm._PROPROSAL FOR: Dalseong Citizen’s Gymnasium Competition._PRIZE: Honourable mention._ROLE: design team member, 3d modeling, rendering.

PRIORITISING PUBLIC SPACE- Creating a social hub is the main objective of this design. Open outdoor spaces have been proved to be more important than buildings to make people gather. For this reason, we place special emphasis in creating outdoor squares, paths and courts.The importance of public space is emphasised by the presence of a main square with water games in the centre of the block. It has a recognizable shape, a strong character, a clear and attractive program and great connectivity with public transport, bike paths and existing streets. The square is also connected with Dalseong Sport Complex Park acting as an outdoor lobby for both facilities. The importance of this network is not only related to the building scale but to a wider urban scale. REASSEMBLING LOCAL LANDSCAPE- Most of the images and old etchings describing Dalseong feature a valley, surrounded by mountains and inhabited by small houses that reflect a good balance between natural and human activity. An intervention like this is not only the opportunity to create a building, but also the opportunity to regenerate part of richness of lost landscapes. In the logic of Wendel Berry’s essay ‘Solving for Pattern’, we have to think our site is not an isolated fragment but a key piece of a tessellated environment.

[FROM LEFT TO RIGHT, UP TO DOWN] Gymnasium view. • Rooftop axonometric detail •.Construction detail • Interior view. [FROM LEFT TO RIGHT, UP TO DOWN] Construction axonometric view • Plan •.Section • Main square view.

THE PEACEFUL VALLEY.

_Colaborator in Izaskun Chinchilla Architects._LOCATION: Cuenca, Spain._USE OF THE BUILDING: Refurbishment including Public Media Library (Outdoor cinema, bookstore, cafeteria, Visual Library and Music Library).

_SURFACE: 2,078 sqm._DESIGN PERIOD: 2002-2003- CONSTRUCTION PERIOD: 2010-2016.__PRIZE: Winner of Refurbishment of Garcimuñoz Castle Competition._ROLE: Construction details correction.

REFURBISHMENT OF GARCIMUÑOZ CASTLE.

The objective of this project is the rehabilitation of the Castle of Garcimuñoz in the province of Cuenca and the introduction of new uses to ensure both, preservation and social utility. Different historical, social and cultural circumstances have made the Castle of Garcimuñoz a space formed by a multitude of incomplete fragments. The proposal works as an orthographic system: the new architectural pieces are so small and light as dots and commas of a text. Placement helps to understand the intricate historical legacy. Different strategies and materials allow groups to, perceptually, separate elements from different eras, contributing to the clarity of the historical dates. Almost all the elements included in the project can be carried by two people and all of them can be dismantled. This is a completely reversible project. From the point of view tectonics, the intervention was more like a furniture attached to the property than new construction. This allows not only a future incorporation of other uses, but also future upgrades of equipment, with significant presence of digital-use and transfer of obsolete items to other locations.

[FROM LEFT TO RIGHT, UP TO DOWN] Interior photograph • Stair photograph • Main space photograph • Satairs detail photograph.

[FROM LEFT TO RIGHT, UP TO DOWN] Sction • Plan • Elevator and outdoors small cinema photograph.

[FROM LEFT TO RIGHT, UP TO DOWN] Longitudinal section • Solar chimneys and umbrellas photograph• Ruins level phoyograph. [FROM LEFT TO RIGHT, UP TO DOWN] Tribute tower detailed section • Rooftop photograph • Rooftop photograph • Rooftop photograph.

_Final project. San Pablo CEU University. Madrid._LOCATION: Xixi Wetlands, Hagzhou, China._USE OF THE BUILDING: Residential, working spaces and exhibitions areas.

_SURFACE: 20,000 sqm._PRIZES: Winner of IBERFLORA FINAL PROJECT COMPETITION. Category C : Equipment for Landscape Architecture._MAIN MATERIALS: Bamboo, Wood and glass.

ARTISTS COMMUNITY.

This project streess a deep research in architecture in natural environments and its caducity. In ancient China philosophy, the artist, also known as wise, is the one capable of transmitting the nature changing state through art. Based on this idea, project proposes an architecture in complete harmony with nature. The architecture is developed as a construction system that varies depending on established laws regarding the environment. It results in a rich and complex architecture with a high level of adaptability. The main materials used are wood and bamboo. They are renewable, recyclable and biodegradable materials. Both the structural design and the construction are designed for the architecture to be reused, when the water level reach the plot, all cabin will be dismantled and donated to local communities with different necesities.The facilities of each cabin are independet and are designed to minimize consumption of both energy and water, they have photovoltaic panels and water collector incorporated, being, in this way self-sufficient.

[FROM LEFT TO RIGHT, UP TO DOWN] Residential plot view. [FROM LEFT TO RIGHT, UP TO DOWN] Axonometric cabin view • View of the coworking cabins. Autumn season (Caqui tree blossom) • Model • Cabin detailed section • Rseidential plot longitudinal section.