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Amplitude Compression: Timing is Everything Andrea Pittman Arizona State University Funded by a grant from Oticon A/S © 2013 Andrea Pittman All Rights Reserved
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Page 1: Amplitude Compression: Timing is Everythingpedamp1.asu.edu/wp-content/uploads/2013/09/Oticon... · Funding –Oticon Professional Assistance –Kamilla Angelo –Thomas Behrens –Michael

Amplitude Compression:

Timing is Everything

Andrea Pittman

Arizona State University

Funded by a grant from Oticon A/S© 2013 Andrea Pittman All Rights Reserved

Page 2: Amplitude Compression: Timing is Everythingpedamp1.asu.edu/wp-content/uploads/2013/09/Oticon... · Funding –Oticon Professional Assistance –Kamilla Angelo –Thomas Behrens –Michael

20 40 60 80 100

Input (dB SPL)

60

80

100

40

Ou

tpu

t (d

B S

PL)

Wide Dynamic Range Compression

© 2013 Andrea Pittman All Rights Reserved

Page 3: Amplitude Compression: Timing is Everythingpedamp1.asu.edu/wp-content/uploads/2013/09/Oticon... · Funding –Oticon Professional Assistance –Kamilla Angelo –Thomas Behrens –Michael

Wide Dynamic Range Compression

20 40 60 80 100

Input (dB SPL)

60

80

100

40

Ou

tpu

t (d

B S

PL)

© 2013 Andrea Pittman All Rights Reserved

Page 4: Amplitude Compression: Timing is Everythingpedamp1.asu.edu/wp-content/uploads/2013/09/Oticon... · Funding –Oticon Professional Assistance –Kamilla Angelo –Thomas Behrens –Michael

The Problem with Slow-Acting Compression

SLOW:

FAST:

© 2013 Andrea Pittman All Rights Reserved

Page 5: Amplitude Compression: Timing is Everythingpedamp1.asu.edu/wp-content/uploads/2013/09/Oticon... · Funding –Oticon Professional Assistance –Kamilla Angelo –Thomas Behrens –Michael

The Problems with Fast-Acting Compression

30

50

70

90

110

Level (d

B S

PL)

-20

0

20

Gai

n (d

B)

Time

Fast Compression

© 2013 Andrea Pittman All Rights Reserved

Page 6: Amplitude Compression: Timing is Everythingpedamp1.asu.edu/wp-content/uploads/2013/09/Oticon... · Funding –Oticon Professional Assistance –Kamilla Angelo –Thomas Behrens –Michael

The Problems with Fast-Acting Compression

30

50

70

90

110

Level (d

B S

PL)

-20

0

20

Gai

n (d

B)

Time

Slow Compression

30

50

70

90

110

Level (d

B S

PL)

-20

0

20

Ga

in (

dB

)

Time

© 2013 Andrea Pittman All Rights Reserved

Page 9: Amplitude Compression: Timing is Everythingpedamp1.asu.edu/wp-content/uploads/2013/09/Oticon... · Funding –Oticon Professional Assistance –Kamilla Angelo –Thomas Behrens –Michael

Adaptive Compression (SpeechGuard)

• Slowly follows gradual input changes

• Quickly reacts to large increases in input

• Quickly reacts to large decreases in input

Slow SlowFast

© 2013 Andrea Pittman All Rights Reserved

Page 10: Amplitude Compression: Timing is Everythingpedamp1.asu.edu/wp-content/uploads/2013/09/Oticon... · Funding –Oticon Professional Assistance –Kamilla Angelo –Thomas Behrens –Michael

Adaptive Compression (SpeechGuard)

• Rapidly reduce gain for high-level sounds

• Rapidly re-establish gain for lower-level sounds

• Better preserve the shape ofthe acoustic waveform

• Optimize the signal-to-noise ratio

© 2013 Andrea Pittman All Rights Reserved

Page 11: Amplitude Compression: Timing is Everythingpedamp1.asu.edu/wp-content/uploads/2013/09/Oticon... · Funding –Oticon Professional Assistance –Kamilla Angelo –Thomas Behrens –Michael

Purpose

Determine the benefits of adaptive compression to children’s and adult’s ability to manage complex listening environments.

Complex Environments:

– Speech perception

– Perception of environmental sounds

– Visual task

© 2013 Andrea Pittman All Rights Reserved

Page 12: Amplitude Compression: Timing is Everythingpedamp1.asu.edu/wp-content/uploads/2013/09/Oticon... · Funding –Oticon Professional Assistance –Kamilla Angelo –Thomas Behrens –Michael

Participants

Children

20 with normal hearing7-12 years

15 with hearing loss7-12 years

Adults

21 with normal hearing21-30 years

26 with hearing loss50-65 years

66-78 years

© 2013 Andrea Pittman All Rights Reserved

Page 13: Amplitude Compression: Timing is Everythingpedamp1.asu.edu/wp-content/uploads/2013/09/Oticon... · Funding –Oticon Professional Assistance –Kamilla Angelo –Thomas Behrens –Michael

Amplitude Compression Parameters

• Single compression model

• 4 channels

• Compression ratio = 3:1

• Knee point of 40 dB SPL

• Timeconstants– Slow: attack ~20ms, release ~800ms

– Fast: attack ~10ms, release ~40ms

– Adaptive: Speech Guard

© 2013 Andrea Pittman All Rights Reserved

Page 14: Amplitude Compression: Timing is Everythingpedamp1.asu.edu/wp-content/uploads/2013/09/Oticon... · Funding –Oticon Professional Assistance –Kamilla Angelo –Thomas Behrens –Michael

Auditory Stimuli

Target

Playground Noise

+10 dB

+4 dB

Trigger

© 2013 Andrea Pittman All Rights Reserved

Page 15: Amplitude Compression: Timing is Everythingpedamp1.asu.edu/wp-content/uploads/2013/09/Oticon... · Funding –Oticon Professional Assistance –Kamilla Angelo –Thomas Behrens –Michael

Non-overlapping Overlapping

Auditory Stimuli

Target

Playground Noise

Trigger

© 2013 Andrea Pittman All Rights Reserved

Page 16: Amplitude Compression: Timing is Everythingpedamp1.asu.edu/wp-content/uploads/2013/09/Oticon... · Funding –Oticon Professional Assistance –Kamilla Angelo –Thomas Behrens –Michael

Door

Cough

“Apple”

Auditory Stimuli

“Dog” Target

Playground Noise

Trigger

Words Environmental Sounds

© 2013 Andrea Pittman All Rights Reserved

Page 17: Amplitude Compression: Timing is Everythingpedamp1.asu.edu/wp-content/uploads/2013/09/Oticon... · Funding –Oticon Professional Assistance –Kamilla Angelo –Thomas Behrens –Michael

Complex Task

ThingAnimal Person ??

Person AnimalFood ??

© 2013 Andrea Pittman All Rights Reserved

Page 18: Amplitude Compression: Timing is Everythingpedamp1.asu.edu/wp-content/uploads/2013/09/Oticon... · Funding –Oticon Professional Assistance –Kamilla Angelo –Thomas Behrens –Michael

ADAPA: VarR: Var

FASTA: 10 msR: 40 ms

SLOWA: 20 msR: 800 ms

FASTSLOWADAP

© 2013 Andrea Pittman All Rights Reserved

Page 19: Amplitude Compression: Timing is Everythingpedamp1.asu.edu/wp-content/uploads/2013/09/Oticon... · Funding –Oticon Professional Assistance –Kamilla Angelo –Thomas Behrens –Michael

Listening Conditions

SPEECHENVIRONMENTAL

SOUNDS

FAST SLOW ADAP FAST SLOW ADAP

NON-OVERLAPPING

18 18 18 18 18 18

OVERLAPPING 18 18 18 18 18 18

36 36 36 36 36 36

© 2013 Andrea Pittman All Rights Reserved

Page 20: Amplitude Compression: Timing is Everythingpedamp1.asu.edu/wp-content/uploads/2013/09/Oticon... · Funding –Oticon Professional Assistance –Kamilla Angelo –Thomas Behrens –Michael

RESULTS

© 2013 Andrea Pittman All Rights Reserved

Page 21: Amplitude Compression: Timing is Everythingpedamp1.asu.edu/wp-content/uploads/2013/09/Oticon... · Funding –Oticon Professional Assistance –Kamilla Angelo –Thomas Behrens –Michael

NORMAL HEARING

HEARING LOSS

Words

SLO

W

FAST

AD

AP

SLO

W

FAST

AD

AP

SLO

W

FAST

AD

AP

SLO

W

FAST

AD

AP

© 2013 Andrea Pittman All Rights Reserved

Page 22: Amplitude Compression: Timing is Everythingpedamp1.asu.edu/wp-content/uploads/2013/09/Oticon... · Funding –Oticon Professional Assistance –Kamilla Angelo –Thomas Behrens –Michael

NORMAL HEARING

HEARING LOSS

Words

SLO

W

FAST

AD

AP

SLO

W

FAST

AD

AP

SLO

W

FAST

AD

AP

SLO

W

FAST

AD

AP

© 2013 Andrea Pittman All Rights Reserved

Page 23: Amplitude Compression: Timing is Everythingpedamp1.asu.edu/wp-content/uploads/2013/09/Oticon... · Funding –Oticon Professional Assistance –Kamilla Angelo –Thomas Behrens –Michael

Sounds NORMAL HEARING

HEARING LOSS

SLO

W

FAST

AD

AP

SLO

W

FAST

AD

AP

SLO

W

FAST

AD

AP

SLO

W

FAST

AD

AP

© 2013 Andrea Pittman All Rights Reserved

Page 24: Amplitude Compression: Timing is Everythingpedamp1.asu.edu/wp-content/uploads/2013/09/Oticon... · Funding –Oticon Professional Assistance –Kamilla Angelo –Thomas Behrens –Michael

NORMAL HEARING

HEARING LOSS

Sounds

SLO

W

FAST

AD

AP

SLO

W

FAST

AD

AP

SLO

W

FAST

AD

AP

SLO

W

FAST

AD

AP

© 2013 Andrea Pittman All Rights Reserved

Page 25: Amplitude Compression: Timing is Everythingpedamp1.asu.edu/wp-content/uploads/2013/09/Oticon... · Funding –Oticon Professional Assistance –Kamilla Angelo –Thomas Behrens –Michael

Words Sounds

NORMAL HEARING

HEARING LOSS

FAST

AD

AP

SLO

W

FAST

AD

AP

SLO

W

FAST

AD

AP

SLO

W

FAST

AD

AP

SLO

W

FAST

AD

AP

SLO

W

FAST

AD

AP

SLO

W

FAST

AD

AP

SLO

W

FAST

AD

AP

SLO

W

© 2013 Andrea Pittman All Rights Reserved

Page 26: Amplitude Compression: Timing is Everythingpedamp1.asu.edu/wp-content/uploads/2013/09/Oticon... · Funding –Oticon Professional Assistance –Kamilla Angelo –Thomas Behrens –Michael

Conclusions

Listeners with hearing loss had difficulty with:

– Partial acoustic information

– Fast-acting compression

– Environmental sounds

Adaptive compression

– Improved recognition of speech and environmental sounds

© 2013 Andrea Pittman All Rights Reserved

Page 27: Amplitude Compression: Timing is Everythingpedamp1.asu.edu/wp-content/uploads/2013/09/Oticon... · Funding –Oticon Professional Assistance –Kamilla Angelo –Thomas Behrens –Michael

Funding– Oticon

Professional Assistance– Kamilla Angelo

– Thomas Behrens

– Michael Nilsson

Research Assistants– Ashley Pederson

– Madalyn Rash

– Amanda Willman

– Tia Mulrooney

Local Facilities– Phoenix Children’s Hospital

– Children’s Rehabilitative Services

– Mesa School District

– ASU Speech and Hearing Clinic

Thanks to…

© 2013 Andrea Pittman All Rights Reserved


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