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CHILDREN AS PHOTOGRAPHERS
YOUR CHILDHOOD EXPERIENCES WITH
PHOTOGRAPHY
CHILDREN’S PHOTOGRAPHY IN THE
PAST
What are some reasons why photography has been seen as a predominantly “adult” activity in the past?
According to market research by Kodak, over three quarters of children aged 6 years and older living in economically developed countries own or have use of a camera
(Sharples et al., 2003)
STUDY BACKGROUND
Attempt to address the gap in research on why children take photographs and how their photographic interests and abilities change with age
Study carried out between April 1 and June 16, 2000
Systematic study of children as photographers at three age levels (7, 11, & 15) across five European countries
France
Poland
Spain
Sweden
UK
(Sharples et al., 2003)
RESEARCH QUESTIONS
What do children at different ages photograph?
What do children like and dislike about photographs?
Why do children take photographs?
What do children intend to do with the photographs they take?
What is the genesis of a child’s photography?
Is there a coherent pattern of photographic development with age?
How do children compare their photography to that of adults?
(Sharples et al., 2003)
METHOD
Camera handout & interviews were carried out in a school
Children were interviewed about their photographs and the process of taking them
2 types of data were produced: the photographs & children’s comments of their favourite photographs
Data was coded using 2 independent coding schemes; one for the content of the photographs and the other for children’s self-reported intentions
(Sharples et al., 2003)
RESULTS
172 children returned their cameras, providing over 4300 photographs and 171 children participating in interviews
http://www.cap.ac.uk/all-search.asp
(Sharples et al., 2003)
WHAT DO CHILDREN TAKE PHOTOS OF?
Children of all ages enjoy the opportunity to take photographs free of adult constraints
Popular categories of subject matter include:
People
Animals
Buildings
Subject matter changes with age
(Sharples et al., 2003)
WHAT DO CHILDREN LIKE/DISLIKE ABOUT
PHOTOGRAPHS?
In general, children of all ages were delighted with their photographs
Children tended to like a photograph if they liked its subject matter
Older children showed increasing sensitivity to the aesthetic properties of the images
(Sharples et al., 2003)
WHY DO CHILDREN TAKE PHOTOGRAPHS?
Increasing with age, children take photographs to:
Capture a moment
Serve as a reminder/momento of something that would not be available in the future
Create an interesting or aesthetic image
Younger children were often perplexed by questions asking why they took a photograph, and sometimes answered by describing the subject matter
(Sharples et al., 2003)
WHAT DO CHILDREN INTEND TO DO WITH THE
PHOTOGRAPHS THAT THEY TAKE?
Popular responses:
Keep the photograph
Put it in an album
Put it on display
Give/show it to a person
http://www.youtube.com/watch?v=4rltyTPnVPA
http://www.youtube.com/watch?v=oHaUc0cFKt0&feature=related
(Sharples et al., 2003)
HOW DO CHILDREN COMPARE THEIR
PHOTOGRAPHY TO THAT OF ADULTS?
Children see their own photography as spontaneous and authentic
It is more important for them to capture a moment, have fun, and show their involvement with the subject matter than to create conventionally posed pictures
(Sharples et al., 2003)
PERSPECTIVES ON CHILDREN’S
PHOTOGRAPHY
Three themes emerged which can be used to help better understand children’s developing use and appreciation of photography and photographs:
Interactional
Socio-cultural
Control
(Sharples et al., 2003)
INTERACTIONAL PERSPECTIVE
Photography is, by nature, an interactional process by which the photographer observes, frames, and captures the environment
7-year-old female, France
SOCIO-CULTURAL PERSPECTIVE
There is a shift with age in the nature of social photography that children engage in, and in the social context in which they do so.
15-year-old male, Spain
CONTROL PERSPECTIVE
As children develop, they become aware of their identity in relation to their surroundings and other people, and their ability to control aspects of their environment
7-year-old female, Spain
LIMITATIONS
Cannot draw general comparisons across countries due to limited number of participants
Rapid technological advances present a challenge for keeping research up-to-date
Different types of cameras may have resulted in different types of photographic practices
Photos children took may differ from what they normally would have taken because they knew the photos were not private; Findings related to how children normally used cameras were not presented
(Sharples et al., 2003; Tinkler, 2008)
LOOKING FORWARD…
The opportunities for children to engage in advanced technologies are constantly increasing. Consider the many forms of portable photographic equipment for children:
Digital cameras (& now “kid-friendly” digital cameras)
Cell phone cameras
Nintendo DSi
Easy-to-use software for photo editing
Can you think of any more? How have the skills necessary for photography changed? What are the implications for children?
KIDS WITH CAMERAS
http://www.kids-with-cameras.org/mission/
BORN INTO BROTHELS
http://www.youtube.com/watch?v=4e7yuSR89QA&feature=related
HEARING THROUGH A LENS
“… a photograph creates an immediate sense of being there that is stronger than most readers will get from reading or listening to interviews”
(Wiedel, 1995, p. 74)
What are your thoughts on this statement?
REFERENCES
Born into brothels [Video]. (2008). Retrieved May 28, 2009, from http://www.youtube.com/watch?v=4e7yuSR89QA&feature=related
Kids with cameras. (2009). Born into Brothels. Retrieved May 28, 2009, from http://www.kids-with-cameras.org/bornintobrothels/film.php
Kids with cameras. (2009). Retrieved May 28, 2009, from http://www.kids-with-cameras.org/home
Sharples, M., Davison, L., Thomas, G., & Rudman, P. (2003). Children as photographers: An analysis of children’s photographic behaviour and intentions at three age levels. Visual Communication, 2(3), 303-330.
Sharples, M., Davison, L., Thomas, G., & Rudman, P. (2003). Children as photographers. Retrieved May 31, 2009, from http://www.cap.ac.uk
Tinkler, P. (2008). A fragmented picture: Reflections on the photographic practices of young people. Visual Studies, 23(3), 255-266.
Wiedel, J. (1995). Being there: Using pictures to see the invisible. In M. Schratz & R. Walker (Eds.), Research as social change: New opportunities for qualitative research. London: Routledge.
Windows Rookies: Adam, Age 8 [Video]. Retrieved May 28, 2009, from http://www.youtube.com/watch?v=oHaUc0cFKt0&feature=related
Windows Rookies: Kylie, Age 4 ½ [Video]. Retrieved May 28, 2009, from http://www.youtube.com/watch?v=4rltyTPnVPA