ANALISISGALERI KAYA INDONESIA

THIS GALLERY IS LOCATED INSIDE GRAND INDO-NESIA THEREFORE WE CAN VISIT IT EASILY AFTER SHOPPING, DINING, AND WATCHING MOVIES.

BECAUSE GRAND INDONESIA IS ONE OF THE BIG-GEST SHOPPING TOWN, IT ATTRACTS A LOT OF

YOUNG PEOPLE. WE THINK, THE LOCATION OF THE GALLERY WERE MEAN TO ATTRACT YOUNG PEOPLE

TO KNOW MORE ABOUT INDONESIA.

IN THE RIGHT OF THE ENTRANCE WE WERE GREETED BY AN INSTALLATION MADE OF RATTAN,

ONE OF THE MOST UNIQUE MATERIAL FFROM INDONESIA. THE PRESENCE OF THIS INSTAL-LATION REALLY MADE A FEELING OF TRANSATION BETWEEN THE CROWDED SHOPPING MALL TO A

MORE PRIVATE GALLERY.WE FELT LIKE WE’RE IN A WHOLE NEW PLACE.

ASTIDIRA APTIJAILA M

EFRILIANA NIJIKO S

ON THE LEFT, WE CAN SEE A LINE OF SCREEN WITH PEOPLE WEARING DIFFERENT TYPE OF BAJU ADAT FROM ALL OVER INDONESIA. BESIDES THAT, THE VIDEO ALSO GREETS USWITH DIFFERENT LANGUANGES SAYING SEL SELAMAT DATANG. THE REPETITION OF THE AUDIO REALLY CAUGH US. WE EVEN SAW SOME PEOPLE TRYING TO COPY THE SOUND.

ENTRANCE

INTRO

THE CONCEPT OF THE GALLERY THIS GALLERY IS FILLED WITH A LOT OF FLAT SCREEN, TOUCH SCREENS, MOTION RECOGNITION SCREEN, AND I PADS. AS WE CAN SEE, THE CONCEPT OF THIS GALLERY IS DIGITAL INTERRACTION. BY USING GADGETS AS THE MEDIA TO INTER-RACT WITH VISITTORS. THIS GALLERY DOESNT NEED A LOT OF SPACE TO SHOW-CASE EVERY OBJECT AND IT ATTRACTS THE GADGET GENERATION.

THE FIRST TOUCH SCREEN SHOWS A LOT OF INDONESIA’S TRADITIONAL MUSIC INSTRUMENTS.IT ALSO GIVES US AN AUDITORY EXPERIENCE OF HOW

THE INSTRUMENTS SOUNDS LIKE.

TOUCH SCREEN JOURNEY

AFTER THE AUDITORY EXPERIENCE, WE GET TO EXPLORE EVERY INCH OF INDONESIA VISUALLYWITH JUST ONE TOUCH SCREEN. WE ONLY NEED TO TYPE THE NAME OF THE LOCATION AND VOILA!WE WE CAN SEE A 360 VIEW OF THE LOCATION,

ENOUGH WITH THE SENSES, NOW WE GET TO MOVE

AROUND TO PUT ON VARIOUS BAJU ADAT ON US VIRTUALLY.

IN THE BACK, WE CAN FIND A ROW OF IPAD. A LOT OF KIDS ARE STREAMING LIVE VIDEO AND BROWSING IN THIS AREA.

THE CENTERAREA

VISITORS CAN CATCH A BREAK BYPLAYING THIS DIGITAL CONGKLAK. ITS’AN INDONESIAN TRADITIONAL GAME THATS SIMPLE BUT YOU CAN GO ON

PLAYING FOR HOURS. KIDS MIGHT FIND IT INTERESTING PLAYING THIS GAME IN DIGITAL FORM.

THE MOVEMENT CENSOR BIG SCREEN

THIS HUGE SCREEN CAN DETECT MOVEMENT AND MAKES US FEEL

LIKE WE’RE IN A VIRTUAL JOURNEY.WE CAN CONTROL THE SCREEN

WITH OUR MOVEMENT.

THE FUN DIGITAL JOURNEY HAS COME TO AN END. TO SHOW THE TEXTILE AND JEWELLRY OF

INDONESIA. THE GALLERY CHOSE TO SHOW IT INSIDE A GLASS

CABINETTHEREFORETHEREFORE WE CAN ANALYZE

THE REMARKABLE HANDMADE DETAILS WITH OUR OWN EYES. HERE, WE WERE MADE TO LOOK

CLOSER TO THE EXHIBIT.

THE EXIT

THE TEXTILE&JEWELLRY COMMERCIAL AREA

ON OUR WAY OUT, THERE ARE A ROW OF SCREEN THE SAME WAY AS THE ENTRANCE.

THE DIFFERENCE WERE THEY WERE SAYING GOODBYE IN DIFFERENT NATIVE LANGUAGES.

WE THINK THE SAME DISPLAY IN THE ENTRANCE AND EXITWERE MEANT TO EMPHASIZE HOW

RICH OUR CURICH OUR CULTURE AND HERITAGE ARE.

OVERALL ANALYSIS

THE DIGITAL CONCEPT ONLY ALLOWS ONE USER AT A TIME. BUT THAT ACTUAL-LY MAKES THE EXPERIENCE MORE PRO-FOUND AND PRIVAE. THEY CAN FULFILL THEIR CURIOSITY PRIVATELY WITHOUT

OTHERS INTERVENING

CONCEPT

PERCEPTION&INTERPRETATION

CIRCULATION

ATMOSPHERETHE ATMOSPHERE IS DARK&QUIET.

THE DARKNESS IS NEEDED FOR THE DIGITAL

CONCEPT SO THERE’S NO GLARE ON THE SCREENS. AND THE QUIETNESS IS CREATED

BBY THE EFFECT OF INDIVIDUAL USER SO

THERE’S NO DISCUSSION.

THE DIRECTION AND LAYOUT OF THE GALLERY IS VERY ONE WAY. NO ONE CAN GET LOST OR CONFUSED IN THIS GALLERY. WHICH IS GOOD FOR KIDS AND THE CROWD KEEPS MOVING AND CICIRCULATION CAN BE CONTROLLED.

WE DONT THINK THAT THERE WILL BE A MISINTERPRETATION BETWEEN THE INFORMATION AND THE USER BECAUSE THE INFORMATIONS ARE BASIC. BUT, WE DO THINK THAT THERETHERE WILL BE DIFFERENT PERCEPTION AND INTERPRETATION ON HOW TO OPPERATE THESE GADGETS.