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anonymous/3Q september 2011
anonymous/3Q september 2011
Our interpretation of anonymous is based on human behaviour. Humans have the urge and the need to act in certain ways that sometimes requires the shelter of anonymity, whatever it is by changing apearence, being invisible or using the environments to obtain this shelter. We wanted do discover and tell the story’s of what usually passes you by but you might not notice or think about. We want to tell the storys of the people you usually never see.
Interactive Basics with JEREMY ABBETTMiami Ad School Europe 2011
My first stop: Hamburg Berliner Tor. The dull and industri-al atmosphere from outside changes directly after you step into “superbude”. Hip T-shirts and colourful hippy dress-es, I-macs, skate and art magazines, candy cherrys for ten cents. “We are the cool guys, your friends in the fore-ground with professionalism behinde.” Julian Piontek ex-plains me in the hotel’s own cinema about the concept of “superbude”. About a Hotel/Hostel that owns rooms with a lot of beds, where friends can stay the hole night together or strangers meet new people. No matter if the guests are under sixteen or over ninety. We are taking a walk around the house. The rooms on the first floor come in green, the second in pink and the sixth in grey. I see little kids with their parents, hard rock metal fans dressed in black and a hung-over group of youngsters. “The people who are coming are mainly tourist, but we also have some business people com-ing.” More small details appear: chalk boards for messages in the hallways, mouse taps as magazine holders, crates of beer transform into stylish stools and downstairs a kitchen where people cook together and sit on long tables. The only visible anonymity is transferred into small walls in each room to guarantee a bit of privacy for changing clothes in the morn-ing. Additionally to that the professionalism in the background makes sure that a guests story stays with him and doesn’t spread to other guests to guarantee privacy. “Personality begins with the wish for a second pillow”, ex-plains Elena Wassermann to me. She works at the reception of the luxury Empire River Side Hotel Hamburg, my second station to ask for anonymity. She is a friendly woman with a big smile on her face, dressed in a black suit that looks like a uniform. From the outside the Hotel with its glass and met-al feels like a skyscraper, an alien element in the colourful and trashy Reeperbahn harbour atmosphere. Gigantic slid-ing doors open to the even bigger lobby. The hotel rooms: a bed, a TV, mini bar, a couch, a bathroom. The only variety is between the corner rooms of the hotel and the ones that just have a view in one direction. The simple, sleek and modern design of the hotel fits to its strict requirements about the anonymity of their guests. The answer is no.
SOMEONE HASSLEPT IN MY BEDFACELESS LONG HALLWAYS, IDENTICAL DOORS. NO DOORBELLS, NO NAMESIGHNS. IN RED, WHITE, CARPETS OR PARQUET, OLD ,MODERN, CHEAP OR EXPENSIVE. HOTELS ARE PLACES WERE OUR IDENTIFICATION IS REDUCED TO A NUMBER ON THE DOOR. BUT HOW ANONYMOUSE HOTELS REALLY ARE? COMING FROM THIS QUESTION, I TOOK A LOOK IN TWO DIFFERENT HOTELS.
anonymous/3Q by Anne-Grit Maier
Furthermore one cannot contact a guest if he left something in the room, no matter if it is a Rolex watch or shower gel. “It could also be a surprised wife on the phone, thinking that her husband is out of town rather spending nights in the ho-tel with...” From the outside unapproachable, from the inside welcoming: on the other hand, especially the business guest, who spend most of their time in hotels beds appreciate being called by their names and being recognized and the staff re-membering their preferences in the hotel. This feels at least a little bit like being at home. What happens in a hotel stays in the hotel. When a celebrity checks in to the hotel the mem-bers of the Riverside staff are not allowed to talk about it with their friends or family. Nevertheless, a funny or crazy story about guests doesn’t need more time then a day to spread in the whole hotel employee world. Anonymity in hotels? We should turn it into the question: how anonymous do the guest want to be? Do we want to be alone and anonymous in a single bed room or do we want to meet new people? It depends on the reasons why we are staying at a hotel. Because we have to? Like the business guests who are used to it or the tourists who are excited about going to hotels. Moreover there are guests who want to have the ben-efit of hiding in a hotel. Affair-couples, prostitutes, criminals. Nobody can contact you, nobody can find you. No matter if you pay twenty euros a night in a six bed room at superbude or up to two hundred euros at the Empire River Side, in the end it is the same. You trust the employees like you trust your doctor’s duty to maintain confidentiality. What happens in a hotel, stays in the hotel. It’s like a small universe. The perfect example for this is that no other hotel has allowed me to take a look behind their closed doors to maintain the anonymity of their guests. In the end it is the cleaning lady, the person who sees how we leave the rooms that knows exactly after a minute what kind of guest was there. That means even if we think we are anonymous and the employees maintain this idea for us, we already recovered ourselves and became un-anonymous.
anonymous/3Q by Anne-Grit Maier
She told me to come back on a Sunday at 5, “ The bar is quite empty then so we can talk” I thanked her and left the crowded bar in St Pauli where she works as a bouncer on the weekends. Sunday came and as I was walking down the Repeherbahn, one of Hamburgs most famous streets I realised that I never saw it so empty and tired looking. The street is usually crowded with annoying drunk tourist, prostitutes and bouncers. The statement that sex sells seams to be true because the Repherbahn is lined up with sex-shops, shows, strip-clubs, bars, clubs, brothels and everything else covering the topic sex attracts all kinds of people and is the main tourist attraction in Hamburg. The bar Janina works for lies on a street just right of the Rep-herbahn. Its the one of the oldest transvestite bars in Germany. I stepped into the empty bar and I asked the small very tanned bartender Juan if Janina was there “ She is chaining her clothes and will be out in a second” he said and started to dance to an old Celine Dion hit from the late 90´s while he was polishing the wine glasses. After 5 minutes of observing the bartender a tall, blond, powerfully build transvestite enters the bar. Dressed in a small red latex dress and high heels she walks uncomfortable to the bar and buys me
her voice is, not like many other transvestites who choose to talk in a higher pitch then usual in order to sound more feminine. We small talk and cover all the classic “ get to know echoer questions” and after that we agree that I will come to her house tuesday the following week. I thank her again, waved to Juan that had exchanged the Celine Dion to funky latin beats and advanced hip movements and then I left.When the tuesday arrives the rain is poring down and I found myself stand-ing on a buss station in a small suburban area 45 min outside of Hamburg. I had no idea of where to go, Janina said she would pick me up at the station with the car. I then realised that the person that was supposed to pick me up
wasn’t really Janina. It was in a way another person that I never saw before and I had no idea of how she would look.Then Janina calls me and tells me she’s waiting outside the supermarket. There was just one person standing outside in the poring rain. A man in his mid 40´s with short brown hair and dressed in the typical construction worker uniform. “Tanya!, lets run to the car!” The only thing I could recog-nise from the Janina I knew was the voice. We drove to a quiet street of row houses.”This house is actually for a family so its to big for me, Im all alone here.I used to be married once, but still I didnt stop transforming to Jania, it was doomed to end “she said and laughedJanina made us coffee and we sat down to talk. Janina told me that she started to cross dress when she was 18. When I ask where her name comes from she tells me that she took it from her godchild. Her family does not know anything about her double life and her father is old now she says “he would never understand, he’s from a different world, it would kill him if I told him now” When she was younger she was considering plastic surgery and hormones to become more feminine, but now she happy just chaining her appearance. “ I actually want to be a women for 24 h a day, but I cant, I need my job as a metal-construction worker in order to pay my loan for the house, working at the bar is just a hobby for me, its a way to meet other transvestites. We are all like a small family in a way and we help each other and we care about one-another, but transvestites are also one of the worst backstabbing bitches ever” she says and laughs. She excused herself and told me she needs to take a shower after work and then she she is going to get dressed and take me out on the repherbahn. I waited in the living room and after 10 minutes Janina comes down again, this time she was not wear-ing her working clothes but had changes into small black leather shorts and a tight black top “ lets go to the bathroom she said and I will do my make-
JANINABY CHAINING YOUR APPEARANCE AND LOOKS YOU ARE ABLE TO TRANSFORM YOUR SELF INTO ANONYMOUS PERSON. WHEN
YOU CHOOSE TO REMOVE IT, IT ALSO STOPS EXISTING. THE FREEDOM LIES IN THE FACT THAT YOU ARE STILL YOU, BUT AS
NOBODY ELSE MIGHT RECOGNISE YOU, YOU ARE THERFORE MORE FREE TO ACT OUT AND BEHAVE IN A WAY THAT YOU OTHER-
WISE WOULD NOT. FOR JANINA ITS THE OPPOSITE, WHEN SHE TRANSFORMS HERSELF SHE FEELS AND ACTS LIKE THE PERSON
SHE WANTS TO BE AND HER REAL APPEARANCE IS HER ANONYMITY AND INVISIBILITY. WITHOUT CHAINING HER APPEARANCE
SHE FEELS LIKE A WHITE PIECE OF PAPER SHE TELLS ME. HER REAL APPEARANCE IS NOT THE CORRECT REFLECTION OF
HER PERSON. SINCE THE AGE OF 18 SHE HAS TRANSFORMED HER APPEARANCE AND LIVED TWO LIVES WITH TWO IDENTITIES.
anonymous/3Q by Tanya Mokdadanonymous/3Q by Tanya Mokdad
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,.&.0)&/7`ab +0!4,.0,!]&-(,(anonymous/3Q by Tanya Mokdad
Some people say that there are limits to what money can buy.Living in a world where money defines the power of one in-dividual among the others, how far is a person ready to push those limits, and what is a person ready to do for money? In the Arab world, this power has pushed some rich men to offer, women or men, a big amount of money in exchange of sexual pleasure for one night only. This habit has been highly witnessed in my country Lebanon, that tends to be less conservative than the surrounding countries, where girls can freely wear bikinis to the beach, and revealing dress-es to the parties which is actually forbidden in most of the other Middle-Eastern and Gulf countries, but still where most of the people claim never selling their bodies for money.Yet, the imaginary numbers offered, especially for boys, has led many of them to doubt their beliefs and find themselves in a dilemma between money and honor.
The night comes and goes. It is not the hard part. The hard part remains in the conscious of the people and their reputa-tion in a society that watches them, one day struggling for a living, and the next day driving a Ferrari, wearing the most expensive brands and going to the fanciest places. It’s even harder when this major problem is exposed to the whole world through the rise of Lebanese singers and actors that found fame as the best chance of getting bought by rich Arabs for a night, making even more money and becoming more famous, dragging the reputation of the country down with them.Still, the number of people who accept this offer keeps on increasing despite the difficulties that it leads to, putting a whole society in question, and sometimes making people live their whole life with regret and self-disgust. It is indeed sur-prising how persuasive and powerful money can be when it allows you to buy people into becoming something they’re not.But who’s to blame in this situation? A young girl or boy se-duced by a big amount of money and by this feeling of se-curity that only money can provide you with or a man who has the power to control a person’s beliefs or even a whole society’s standards and values.
Lebanese stereotypes: “The Girl who became a singer and the guy who bought a Cadillac overnight”.Photography by Tarek Moukaddem
ARE YOU FOR SALE?MONEY AND ITS PERSUASIVE POWERWE ALL CHASE MONEY EVERY DAY. IN FACT, MONEY IS A REQUIREMENT FOR A RESPECTFUL LIFE. BUT WHAT IF YOU GET OFFERED THE OPPORTUNITY TO BECOME RICH? WHAT IF YOU HAVE THE CHANCE TO CHANGE YOUR LIFE IN EXCHANGE FOR ONE NIGHT WITH A RICH WEALTHY ARAB MAN?
anonymous/3Q by Fanny Abou Rached
anonymous/3Q by Fanny Abou Rached
These statistics were conducted on people of different ages and nationali-ties. The graphs show how they answered the question “If a rich arab man came to you and offered you a certain amount of money to spend the day with him (sex included), what would your answer be?”
MAKING OF “Z” PROJECT“THUS SPOKE ZARATHUSTRA” BY FRIEDRICH NIETZSCHE IS ONE OF THE DEEPEST BOOKS OF MANKIND. HOWEVER, DUE TO IT’S COMPLICATED NATURE AND UNPOPULAR CONTENT, THE BOOK REMAINS ANONIMOUS FOR THE PUBLIC. “Z” PROJECT, USING VARIOUS SOCIAL MEDIA, AIMS TO RAISE AWARENESS OF THIS MASTERPIECE, BY CREATING COMPELLING ILLUSTRATIONS.
anonymous/3Q by George Bokhua
Sketch #1. Experiments with composition and symbolism
Sketch #3. Final composition Sketch #4. List of visual symbols from each section of the prologue. Drawings of the Si-lavaplaneree mountains in Switzerland (the
place where nietzsche’s thought of “eternal recurance” was born)
Sketch #2. List of visual symbols and quo-tations of those symbols from the prologue.
anonymous/3Q by George Bokhua
Sketch #5. Siant in the forest and a bear “why not be like me - a bear amongs bears”
Goat Heard Man (Prologue, Sec.3) - “and all the people laughed at Zarathustra”
Sketch #7 Saint in the forest (Prologue, Sec.2) - “why not be like me - a bear amongs bears”
Bosche’s composition style as a usefull reference.
Sketch #6 Serpent (Prologue, Sec.10) - “wisest animal under the sun” (Experiments with frame forms)
Henri Rousseau’s style as a usefull refer-ence
Men literally taking a look at the other side of the closet do not want to masquerade or live out fantasies but the freedom to dress individually without being tied to feminine or masculine standards. Many men feel that they cannot express them-selves through jeans and t-shirt or a suit. So some pioneers went looking for new inspirations and found them in women’s clothing which delivers a wider field of possibilities. Women’s fashion constantly plays with gender roles. Andro-gyne style elements such as boyfriend pants, military jackets or a men’s denim shirt have found its way into every fashion-able girl’s wardrobe. But men using female attributes still have a gay connotation for most people.
Although skinny jeans and low cut shirts have already reached the wide masses, anything which further resembles female clothing still causes a small sensation on the street. Until the french revolution so considered „feminine attributes“ such as skirts displayed wealth and power and originated from men. The persian cavalry for example invented high heels to provide them with more grip in the stirrups.So how come now with gender roles mixing up in almost every aspect of our life, society is so keen on keeping the „right“ clothes on the right gender, at least concerning men?
Men wearing make up - nothing new on the runway but still very unusal on the street.
THE NEW EDGE -GOING PUBLIC? A NEW SENSE OF FEMININITY EVOLVES IN MAN FASHION. NOT LONGER ONLY GAY MEN WEAR FEMALE CLOTHING, BUT ALSO SOME STRAIGHT, NOT AT ALL FEMININE MEN EXPERIMENT WITH FEMALE ATTRIBUTES SUCH AS HIGH HEELS OR MAKE UP.
anonymous/3Q by Sinya Horwedel
Right: Men should not feel like they have to wear a mask when experimenting with different styles and angles.
“Women’s clothing offers a larger range of possibilities to express oneself. Why not take advantage of that?”
anonymous/3Q by Sinya Horwedel
When asked about the sensation he had when he is out there, making graffiti in the streets of Hamburg, Dr. Duckfame told us that it is like being Batman. When he is doing his work he forgot about the art student or the guy who dreams to have his own brand. He is now a caracter that helps the city creates it´s own identidy. He is one of the very talented artists from now a days that makes us pass by the train stations, caffees, brothels and ask: “What the fuck is this duck doing here?”
Street art is about freedom of speech and like a superheroe, to create something good, sometimes you have to hide yourself to be protected. From police, family or society itself, maybe people are not ready yet to understand the porpose of putting some colors and draws where the gray tunnels, bridges and buildings take place. Püppikuka, another new raising artist from Hamburg, agrees with it and adds “It is the feeling of getting anonymous, to obtain a second identidy.”
INCOGNITOSUPER HEROESOF STREETS.LIKE IN THE COMICS, STREET ARTISTS HAVE THEIR OWN MISSION AND VISION TO ACCOM-PLISH. THEY RISK THEIR TRUE IDENTITY AND FACE ANY KIND OF DANGER SEEKING ONLY ONE GOAL: FREEDOM TO PASS THEIR HIDDEN MESSAGES TO SOCIETY.
anonymous/3Q by Amanda Brencys & Catharina Sonnenberg
The works of Dr. Duckfame (above) and Püppikuka (draw and pole).
Dr. Duckfame
anonymous/3Q by Amanda Brencys & Catharina Sonnenberg
“It feels like beingBatman.”