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“The Modern Hep! Hep! Hep!”: George Eliot, Philo-Semitism, and the Interpretation of Theophrastus Such By Rachel Taylor January 2014 Submitted in partial fulfillment of the requirements for the Master of Arts in History Dual-Degree Program in History and Archives Management Simmons College Boston, Massachusetts The author grants Simmons College permission to include this thesis in its Library and to make it available to the academic community for scholarly purposes. Submitted by ____________________________ Approved by: __________________________ __________________________ © 2014, Rachel Taylor
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Page 1: “The Modern Hep! Hep! Hep!”: George Eliot, Philo-Semitism ...€¦ · George Eliot and Emanuel Deutsch Page 49 V. Theophrastus Such and Page 54 “The Modern Hep! Hep! Hep! Hep!”

“The Modern Hep! Hep! Hep!”: George Eliot, Philo-Semitism, and the

Interpretation of Theophrastus Such

By

Rachel Taylor

January 2014

Submitted in partial fulfillment of the requirements for the

Master of Arts in History

Dual-Degree Program in History and Archives Management

Simmons College

Boston, Massachusetts

The author grants Simmons College permission to include this thesis in its Library and to make it

available to the academic community for scholarly purposes.

Submitted by

____________________________

Approved by:

__________________________ __________________________

© 2014, Rachel Taylor

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1

Table of Contents

Acknowledgements Page 2

About “The Modern Hep! Hep! Hep!” Page 3

I. Introduction Page 12

II. George Eliot and Jews in her earlier writing Page 16

III. Jews in pre-1880 Victorian England Page 38

IV. George Eliot and Emanuel Deutsch Page 49

V. Theophrastus Such and Page 54

“The Modern Hep! Hep! Hep! Hep!”

VI. Conclusion Page 82

Bibliography Page 87

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Acknowledgements

I would first like to deeply thank Mom, Dad, Molly and Alden for their love and tireless support

during this process. Your motivational energy and faith in me got me through the writing of this

thesis as well as through graduate school as a whole. Thank you for being there for me and for

your reassurances during even the most stressful times. It goes without saying that I could not

have done it without you. I love you all!

I would also like to thank my first advisor, Dr. Sarah Leonard, for her constant advice, invaluable

feedback, and continuous patience during these last twelve months. This thesis would not have

existed, much less become what it is, without your indispensable knowledge and guidance. The

inspiration for this paper came from your excellent Fall 2012 seminar HIST 367 “Memory and

the Holocaust,” which, in addition to giving me a much more sensitive understanding of one of

the most important and horrific events in human history, also catalyzed my interest in historic

literature about Jewish issues. This project came to fruition because of your involvement in it.

Many thanks also to my second adviser, Dr. Trevor Coates, for his thorough and much-

appreciated feedback on the very first draft of this paper. Without your assistance, this would

have been a very different paper indeed! Your thoughtful advice and recommendations helped

me make this thesis a far better project than it was in its earlier stages. I am so grateful that you

saw and suggested things that I might otherwise never have thought of.

I am also grateful to the following other members of the Simmons History Department, whose

perspectives, endless knowledge and wonderful classes made my experience while earning my

History M.A. an incredibly stimulating and valuable experience: Dr. Laura Prieto, Dr. Zhigang

Liu, Dr. Stephen Berry, Dr. Ulli Ryder, Dr. Laurie Crumpacker and my adviser, Dr. Stephen

Ortega. I would also like to thank LIS professor Dr. Jeannette Bastian, who, with Professor

Crumpacker, changed the way I look at archives’ role in history in their Fall 2012 LIS 443 class

“Archives and Collective Memory.” A great thanks also to History Department Administrative

Assistant Brenna Doyle, who patiently and kindly guided all of us through this process.

Also, I would like to thank the Simmons College Interlibrary Loan Department staff at Beatley

Library for their many efforts on my behalf. I know I was a demanding patron during my years

here, and you were helpful to me in every possible way. I think almost everyone who has ever

written a thesis of any kind at Simmons College owes you a considerable debt of gratitude.

Finally, to my many fellow students in the Simmons GSLIS Archives and History Dual Degree

program: your amazing perspectives and senses of humor truly enriched my education and my

life during my time in graduate school. I wish each of you the very best in the future, and I will

remember my graduate school years fondly because of you.

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About the Modern Hep! Hep! Hep!

The nineteenth-century British writer George Eliot has frequently been identified by

modern scholars as the quintessential Philo-Semitic writer and novelist of her generation, an

author deeply concerned with the plight of Jews in Victorian England and critical of the

discrimination with which they often met. In some ways this is a fair assessment of her legacy.

At a period in the nineteenth century when it was acceptable for novelists such as Charles

Dickens and Anthony Trollope to portray Jewish characters as crooks and amoral capitalists in

books like Oliver Twist and The Way We Are Now, her work distinguished itself with its humane

treatment of Jews. Her final novel, Daniel Deronda, published in 1876, was something of a

groundbreaking work in Victorian literature in that it focused on a Jewish character as its

protagonist and portrayed Jews in England as sympathetic and, in certain instances, more

morally aware than their gentile counterparts. Eliot’s last published work, Impressions of

Theophrastus Such (1879), a collection of philosophical essays by the titular character

Theophrastus, concluded with a final chapter entitled “The Modern Hep! Hep! Hep!” in which

Theophrastus explored the reasons for anti-Jewish persecution and criticized Christians for their

hostility. He also examined different nations’ senses of cultural pride and proposed as a future

for the Jewish community a separate country where they could live, as Jews, in peace.

Daniel Deronda was highly controversial at the time of its publication. Eliot’s writing

about Jews contrasted noticeably with that of other contemporary English writers and she was

praised by Jewish intellectuals for her compassionate view of the Jewish people.1 The interest in

her fictional writing about Jews has remained steady up until the present day, and to an extent

1 Nancy Henry: “Introduction,” in Impressions of Theophrastus Such, by George Eliot, ed. by Nancy Henry

(University of Iowa Press, Iowa City, 1994), vii-xxxvii.

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she is still considered a writer whose strong interest in Jewish history and religion and

sympathetic depictions of the British Jewish community was in many ways pioneering and

culturally progressive. A great deal of this study has remained focused on Daniel Deronda. A

novel of two story arcs, the second plot focused on the eponymous Deronda, the adopted son of a

British aristocrat, who, after a long foray into Jewish culture, discovers that he is in fact Jewish

by birth. When faced with the choice of marrying a gentile widow or proceeding with his life as

a Jew, Daniel elects to marry a young Jewess and live a Jewish life with her in the “Promised

Land.”

As K.M. Newton has related in his article “George Eliot and Racism: How One Should

Read “The Modern Hep! Hep! Hep!,” Edward Said’s seminal 1979 essay “Zionism from the

Standpoint of its Victims” caused a re-examination of Daniel Deronda, as Said argued that Eliot

ignored the contemporary inhabitants of Palestine and therefore condoned colonialism in her

novel.2 Some modern intellectual historians and literary scholars have been mostly positive in

their assessments of Eliot’s writings and apparently pro-Jewish mentality despite these

criticisms.3 However, other scholars and historians from the past three decades, influenced by

Said, have since pointed to the cultural stereotypes in her later fiction, as well as the strong anti-

Jewish feeling evident in George Eliot’s earlier letters and writings.4 These letters, journals and

2 K.M. Newton, “George Eliot and Racism: How should one read “The Modern Hep! Hep! Hep!?” Modern Language

Review 103 (2008): 654-665, Edward W. Said, “Zionism from the Standpoint of its Victims,” Social Text 1 (1979): 7-58 3 These authors and their works include but are not limited to Gertrude Himmelfarb, The Jewish Odyssey of George

Eliot (Encounter Books, New York and London, 2012) 14-154, William Baker, George Eliot and Judaism (University of Salzburg Press, Salzburg, 1975) 10-230, and Ruth Wisse, The Modern Jewish Canon (The Free Press, New York, 2000) 237-266. 4 These authors and their works include but are not limited to Brenda McKay, George Eliot and Victorian Attitudes

to Racial Diversity, Colonialism, Darwinism, Class, Gender, and Jewish Culture and Prophecy (Edwin Mellen Press, Lewiston, NY, 2003) 3-547, Susan Meyer, “Safely to their Own Borders: Proto-Zionism, Feminism, and Nationalism in Daniel Deronda,” ELH, 60 (1993): 733-758, Mikhal Dekel, The Universal Jew: Masculinity, Modernity, and the Zionist Movement (Northwestern University Press, Evanston, IL, 2010) 3-224, Bryan Cheyette, Constructions of “the

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essays, which have become instrumental to this thesis, give us a much more in-depth

understanding of Eliot’s life from her late teens until her death and provide tremendous insight

into her mentalities. The interest in Eliot’s attitudes about Jews has produced many studies of the

development of Eliot’s feelings about Jews during her life. As a young woman, she was clearly

hostile to Jews as a religious people, yet when she wrote Daniel Deronda, she had ostensibly

undergone a transformation in her attitudes towards the Jewish community. Many biographers of

Eliot, especially Valerie Dodd, have cited her reading of great European scholars of religion and

humanism as the impetus behind her progressive thinking.5

However, many literary scholars have criticized Eliot for encouraging nationalism,

colonialism, and separatism in her published writings, especially for her apparent endorsement of

proto-Zionism. They are also skeptical of her as an author who supposedly promoted Philo-

Semitism, a phenomenon best described as the love of or respect for Jews and the Jewish

community’s influence in the world. Among others, Brenda McKay, Mikhal Dekel, Susan

Meyer, and Bryan Cheyette (the latter two who Newton also cites in his essay) have evaluated

Eliot as a writer whose work was in many ways a product of Victorian-era British jingoism.

Because she supported proto-Zionism and featured cultural tropes and stereotypes in her work,

these authors have argued that she was complicit in colonialism, imperialism, anti-Semitism, and

even sometimes racism.6 They have also discussed at great lengths the presence of the theme of

anti-miscegenation in many of Eliot’s fictional works, something about which she clearly had

strong feelings and objections. Impressions of Theophrastus Such, Eliot’s last book, an

Jew” in English Literature and Society: Racial Representations, 1875-1945 (Cambridge University Press, Cambridge, 1993) 13-54. 5 Valerie Dodd, George Eliot: An Intellectual Life (St. Martin’s Press, New York, 1990) 9-315.

6 McKay, George Eliot and Victorian Attitudes to Racial Diversity, Colonialism, Darwinism, Class, Gender, and Jewish

Culture and Prophecy, 211-321, Dekel, The Universal Jew,” 3-155, Meyer, “Safely to their Own Borders,” 733-758, Cheyette, Constructions of “the Jew” in English Literature and Society, 13-54.

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experimental work of fiction which concluded with a “Philo-Semitic” essay entitled “The

Modern Hep! Hep! Hep!,” has been somewhat neglected in overviews of Eliot’s body of work. It

is sometimes treated as a sort of coda to her writing career, with little academic interest in it

beyond that.

However, many of the same scholars who have studied Daniel Deronda for its themes of

nationalism and Jewish separatism have also analyzed her essay, “The Modern Hep! Hep! Hep!,”

for its similar themes. Eliot’s treatment of proto-Zionism and British anti-Jewish sentiment in the

concluding chapter of Impressions was far more confrontational than it was in Daniel Deronda.

Her narrator, Theophrastus Such, discusses historical persecution of Jews with regards to the

negative qualities they have, according to him, been forced to develop at the hands of Christians.

The vices which Theophrastus lists are among the most negative and pervasive stereotypes

associated with Jews at that time and indeed up until this day. Rather than debunk them, he

implicitly accepts their validity when he defends Jews for developing them after decades of

enforced social isolation. He also puts forth an argument for a Jewish return to the East, a

philosophical stance which would later be termed Zionism. Consequently, scholars such as

Meyer and Cheyette have argued that this essay, like Deronda, promotes Jewish stereotypes and

nationalism in its themes.7 “[When deprived of a nation] They would cherish all differences that

marked them off from their hated oppressors, all memories that consoled them with a sense of

virtual though unrecognised superiority; and the separateness which was made their badge of

ignominy would be their inward pride…Doubtless such a people would get confirmed in vices”

7 Meyer, “Safely to their Own Borders,” 733-758, Cheyette, Constructions of “the Jew” in English Literature and

Society, 13-54.

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Theophrastus at one point opines about Jews, implying that their “vices” (which he insinuates are

real) are the result of being disconnected from their homeland.8

Other recent authors have argued for a less literal interpretation of the work. Scholars of

George Eliot such as Nancy Henry, the editor of one of the most recent editions of Impressions

and the writer of its introduction, and K.M. Newton have proposed that the character of

Theophrastus Such, an intellectual of nebulous origins and timespan, has been treated too much

as a mouthpiece for or alter-ego of Eliot herself. Newton specifically argues that Theophrastus’

opinions, as expressed through the essays collected in the book, are in fact intended to be situated

in the imagination of a fictional character with his own persuasions and not meant to be taken

literally as the perspectives of Eliot herself.9 Newton and Henry also argue that a true

understanding of the book has been limited because Theophrastus has been so little analyzed as

his own persona. The character of Theophrastus, the fictional author of the essays in

Impressions, is a reference to the Classical Greek intellectual Theophrastus, author of the

philosophical treatise Moral Characters (a work after which Impressions is clearly modeled). It

is possible, due to Eliot’s Theophrastus having such a vague yet extensive personal history, that

he is meant to be an incarnation of the original Theophrastus. He is, however, certainly an

eccentric and to some extent a humorous personage, and, according to Henry, is not intended to

be simply George Eliot (or rather, Mary Ann Evans) under yet another name.

K.M. Newton, pushing even further, has proposed a “postmodern” approach to the essay,

meaning that scholars should treat the work more skeptically rather than assuming that its

contents reflect the absolute truth of the author’s mentality. Specifically, he has argued that the

8 George Eliot, Impressions of Theophrastus Such, by George Eliot, ed. Nancy Henry (University of Iowa Press, Iowa

City, 1994), 151. 9 Newton, “George Eliot and Racism,” 654-659.

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opinions expressed in the final chapter of Impressions are not to be taken as Eliot’s actual

mentality towards Jews at that time of her life, when she was, he asserts, much more

sophisticated in her thinking than she was as a young woman.10

Rather, he argues, she presented

the typical perspectives of and attitudes towards Jews of her fellow countrymen through the

fictional mind of Theophrastus Such (who is ostensibly an Englishman) and then allowed the

character to argue against them. (Although Newton uses the terms “race” and “racism” in his

essay to describe the accusations about Eliot’s attitude towards Jews, I will be discussing the

matter more in terms of culture and religion to reflect her conception of them – the word “race”

did not have the same meaning in the nineteenth century as it does today.) In this way, Newton

posits, Eliot was persuading her audience to re-evaluate their own prejudice through a persona to

whose mentality they could relate. Understanding more about Jews and anti-Jewish sentiment in

England during the Victorian era, as well as the historiography about these subjects, is clearly

relevant to this point.

Historical writing about Jews in England in the nineteenth century has often focused on

the issue of Jewish Emancipation, a movement which attempted to achieve the removal of civil

disabilities for all eligible Jewish men.11

At the beginning of the century, any Englishman who

did not religiously conform to the Church of England (this included Catholics, Unitarians,

Dissenters, freethinkers, and Quakers, as well as Jews) consequently suffered civil disabilities.

However, by 1829 all groups of non-Anglican Christians had attained legal emancipation which

removed their disabilities and allowed them to vote and hold offices at all political levels. Of all

the religious groups in England, this left only the Jewish community with civil disabilities.

10

Newton, “George Eliot and Racism,” 658. 11

M.C.N. Salbstein, The Emancipation of the Jews in Britain (Associated University Presses, Inc., New Jersey, 1982) 175-198.

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Geoffrey Alderman and M.C.N. Salbstein have noted that the Relief Acts for Jewish

emancipation in 1830 and 1833 were both stymied by a lack of support from most British

politicians.12

When Lionel de Rothschild ran for the House of Commons in 1847, his attempts to

take his seat as a Jew with a Jewish oath were repeatedly thwarted by the House of Lords until

1858. Historians do disagree about to what degree Rothschild’s frustrations were influenced by

social anti-Semitism; however, legal emancipation would not become official for all Jews until

1866, and they would continue to face other legal prohibitions until much later.

Historians on the other hand agree that Jews in England faced a political and social

climate much less hostile than in the Eastern European countries from which many of them came

or could trace their lineage. Michael Polowetzky, an independent scholar of Jewish issues in the

Victorian era, has noted that in England, anti-Jewish pogroms and enforced Ghettoization did not

exist as they did in places such as Russia and Germany, and British Jews were able to move

about freely and marry and work as they chose.13

However, they did still experience some

discrimination. Although some of the anti-Semitism leveled at Jews in England was religiously

driven, much more of it was rooted in socio-economic stereotyping. Although prejudice was not

nearly as virulent in England as it was in Russia and Germany, it did manifest itself in some

ways in English culture. Polowetzky and Himmelfarb have both written about the anti-Jewish

stereotypes often used in criticism of prominent Jewish statesmen, philanthropists and politicians

such as Benjamin Disraeli, Sir Moses Montefiore, the Rothschild family, and Sir Francis Henry

Goldsmid. They have also manifested in English literature, as Cheyette, Meyer, and many other

scholars have observed. Among other writers, Charles Dickens, William Makepeace Thackeray,

12

Salbstein, The Emancipation of the Jews in Britain, 175-195, Geoffrey Alderman, Modern British Jewry (Clarendon Press, Oxford, 1992) 49. 13

Michael Polowetzky, Jerusalem Recovered (Praeger Publishers, Connecticut, 1995) 23-59.

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Anthony Trollope and, later on, Rudyard Kipling and T.S. Eliot are often cited for the anti-

Semitic tropes in their work, as well as for the themes of classism and colonialism. The former

three, Dickens, Thackeray and Trollope, were contemporaries and acquaintances of George Eliot

with whom she sometimes corresponded.

“The Modern Hep! Hep! Hep!, published as it was as the final essay in a book which

received considerably less popular and critical attention than Eliot’s previous works, did not stir

up the controversies of Daniel Deronda despite sharing many of the same provocative themes.

Recently, the presentation of these provocative elements have been re-examined and defended by

the scholars who have argued for a more skeptical reading of the essay and a more sophisticated

interpretation of the character of Theophrastus himself. According to this argument, the essay

should be seen as the words and opinions of Theophrastus rather than Eliot, and Theophrastus

should not merely be seen as an alter-ego of Eliot but as a realized character with his own mind

independent of the author’s. To a certain degree, I believe that this interpretation of the final

chapter and method of approaching it are valid, and I will discuss the aspects of Theophrastus’

character which I believe deserve a closer examination.

However, in this thesis I will argue strongly against a mostly postmodern interpretation of

the essay and its themes of Philo-Semitism, Jewish stereotyping and anti-miscegenation. I will

analyze these themes as presented in Impressions of Theophrastus Such and contextualize them

within the opinions about Jews that Eliot expressed through many of her early private letters and

writings, which I feel have heretofore been given a less granular and thorough examination in the

arguments for a skeptical reading of the essay. I will attempt to argue that the essay does in fact

reflect Eliot’s own perspectives by referring to her own writings, including several of her other

published works. In doing so, I will also attempt to demonstrate that Eliot’s opinions of Jews,

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both when they were hostile and when they were friendly, were intrinsically bound to her

subscription to Christianity (defined here as simply any organized or non-organized form of faith

in Christ’s teachings) and her perception of Judaism’s influence on and relationship with it. It is

my intention to situate Eliot’s life, writings, and her final essay in the historical context of

contemporary Jewish political and social affairs, thus setting her writings, works and opinions

within the issues and events which informed them. In doing so, I will additionally explore the

idea of Eliot as a “Philo-Semite,” a term for which Eliot had a rather religiously-charged

interpretation. Finally, I will argue that the chapter, in addition to being Eliot’s last word to the

public, is also a self-revealing essay in which Eliot presented her true feelings about the Jewish

community, frankly expressed her opinions about nationality and proto-Zionism, launched her

final argument against miscegenation, and proposed what she saw as a suitable future for the

Jewish nation.

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I. Introduction

With her final work, Impressions of Theophrastus Such (1879), George Eliot concluded

both the book and her literary career in its last chapter, a politicized essay on the historical

treatment of Jews both in England and abroad entitled “The Modern Hep! Hep! Hep!.” This

essay also brought to its conclusion Eliot’s complex, lifelong relationship with Judaism as far as

it was expressed in her writing. The book was markedly different from Eliot’s previous works.

Over the course of her career as an author of fiction from 1858 to 1876, Eliot had established

herself as a writer of (mostly) bucolic novels with heavy moral undertones, often concerning the

consequences of unchecked pursuits of passion that spring from the sacrifice of filial duty. By

the 1870s, she had become a widely respected, well-known and popular author whose work was

read prolifically both in England and throughout the world. Impressions of Theophrastus Such,

her final offering, would become something of a footnote to her writing career. Although it sold

moderately well due to Eliot’s strong reputation, Nancy Henry has asserted that its eccentric

narrator, unconventional format, demanding prose, and lack of recognizable plot somewhat

alienated its readers.14

Eliot’s most recent publication before Impressions was an 1876 novel, published in

serials, entitled Daniel Deronda. It would prove the most controversial work of her career. Its

dual plots concerned Daniel Deronda, the novel’s moral center and a young man unaware of his

Jewish heritage, and Gwendolen Harleth, a spoiled young woman recently married to a cruel

aristocrat but in love with Deronda. The “Jewish half” of the novel followed Deronda as he

discovers that he himself is a Jew by birth, given up by his mother (a lapsed Jewess) and raised

by one of her wealthy gentile lovers. At the novel’s conclusion, Daniel reverts to Judaism,

14

Henry, “Introduction,” xiii-xiv.

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marries his Jewish charge Mirah instead of the newly widowed Gwendolen, and plans to leave

for Palestine with his wife.15

According to Henry, Deronda received far more attention than Impressions, which was

and is not a highly accessible work of fiction. Eliot deliberately made it a rigorous and

challenging book for her audience and furthermore wrote it in an experimental form: it was

arranged as a collection of essays authored by her fictional creation, the moralistic author

Theophrastus Such.16

In the book, Theophrastus, an intellectual descendant of the Classical

philosopher Theophrastus, presents a series of chapters, each of which explore a certain moral

quandary as demonstrated through an anecdote, an exegesis or the actions of a character who

personifies a particular problem in contemporary English society. In the final essay entitled “The

Modern Hep! Hep! Hep!,” he launches a defense of the Jewish people from anti-Jewish

prejudice, criticizes Christians for their persecution of them over the centuries, and proposes a

new life for the Jews overseas, in the Promised Land, where they would be separate from

gentiles and finally able to unite their language, their religion, and their people into a single

nation.

The essay, despite having themes which would have been considered unpopular at the

time, is ostensibly quite compassionate to the Jewish people, for whom Eliot had displayed

sympathy in Daniel Deronda and a few of her other works as well. However, the true “Philo-

Semitism” of the chapter is somewhat dubious. In “The Modern Hep!,” Theophrastus reiterates

many longstanding, deeply negative stereotypes about Jews, including their isolationism, their

near-hubristic pride in their own religion, their avarice and their mercantile natures, as well as

15

George Eliot, Daniel Deronda (Oxford University Press, Oxford, 2009) 3-692. 16

Henry, “Introduction,” xiii-xiv.

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their willingness to give up what is sacred to them for worldly gain through assimilation.

Theophrastus defends the Jews for having these characteristics, asserting that they have taken on

these vices as a result of having lived among gentiles either as assimilated denizens or in

insulated communities; this has caused them to develop undesirable qualities which have come

to define them.17

Theophrastus also blames past Christian persecutions of Jews for the Jewish hatred of

Christian peoples, which he claims is very virulent and has led to further isolation between the

two communities while exacerbating the Jews’ already superior sense of cultural and religious

exceptionalism. He extols on the virtues of different nations and reminds his readers that they,

too, take pride in their culture and dislike seeing it diluted by foreigners who trespass upon it. It

is here that he suggests that immigration and miscegenation often serve to sully the greatest

aspects of individual cultures, and that this in turn serves to generate greater tension between

national communities. Theophrastus finally argues that the miscegenation of peoples should be

stopped as much as possible (as long as it does not prevent those seeking haven from obtaining

it), and that this would be helped in the Jews’ situation by creating an international movement

back to their homeland in what he refers to as “Israel.”18

Theophrastus, despite the vagueness of his background, is certainly a character unto

himself who is narrating each essay in the book. However, “The Modern Hep!” is a somewhat

different case. The final chapter in some ways departs from the rest of the book’s chapters in that

it does not center on a character or anecdote personifying one of Theophrastus’ quandaries

whose story demonstrates the moral message. It is instead, simply, a mostly straightforward

17

Eliot, Impressions of Theophrastus Such, 143-165. 18

“Israel” was not Israel then but a part of Palestine under the Ottoman Empire. Arnold Blumberg, Zion before Zionism, 1838-1880, (Devora Publishing, Israel, 2007) 159.

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essay and an exegesis on the state of the Jews in the world without any fictional elements other

than the voice of Theophrastus himself. Furthermore, the opinions expressed by Theophrastus

about miscegenation and stereotypical Jewish “vices,” so provocative to the modern reader, are

extremely similar in form to the perspectives expressed by Eliot herself as a younger woman and

are consistent with the messages in her later published works, even including earlier chapters of

Impressions itself, discouraging miscegenation and assimilation to any great degree. When the

writings of Eliot, both private and published, are closely examined, it becomes clear that the

attitudes presented in “The Modern Hep! Hep! Hep!” is very much her own. It also becomes

clear that her feelings about Jews were, throughout her life, frequently and deeply influenced by

her own religious beliefs.

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II. George Eliot and Jews in her earlier writing

George Eliot’s perspectives on Jews were evident in her writings even from 1838, one of

the earliest years from which any of Eliot’s correspondence survives. A very noticeable

evolution in her attitudes towards the Jewish community manifests in her letters and diaries up

until 1858, the year Eliot made a second trip to Germany and visited several important Jewish

religious sites. By tracing this evolution, it is possible to diagnose and analyze Eliot’s mentality

towards Jews from the time she was nineteen to December of 1859, when she was forty years

old.

Eliot’s surviving personal correspondence during these years seems to have been written

fairly regularly. She wrote monthly and sometimes weekly letters to friends, neighbors, relatives,

mentors, acquaintances and, later on, to publishers and colleagues, and even occasionally to

established writers such as Charles Dickens. Her letters became increasingly prolific as she

launched her writing career and widened her social circle. In her earliest surviving writings,

however, her attitude about Jews was rather hostile, an attitude she, according to Polowetzky,

likely internalized from the more anti-Jewish elements of British society.19

In one of her letters to

her former governess and mentor Maria Lewis, dated to November of 1838, she described

hearing a Jewish man singing the lyrics of a Christian hymnal song: “…for my part, I consider it

to be little less than blasphemy for such words as ‘Now then we are ambassadors for Christ’ to

be taken on the lips of such a man as Braham (a Jew too!)” she wrote.20

By calling Mr. Braham’s

recitation of what was essentially Christian prayer “blasphemy” in part because of his being a

Jew Eliot was in effect equating his Jewish identity with moral and spiritual inferiority. In

19

Polowetzky, Jerusalem Recovered, 23-59. 20

GE to Maria Lewis, Griff, November 6-8, 1838, in The George Eliot Letters, Vol. 1, ed. Gordon Haight (New Haven, Yale University Press, 1954) 13.

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addition to criticizing him for belonging to a religion which she viewed as corrupt, she deemed

him hypocritical for what she viewed as a pantomime of her own, more morally righteous

religion. Eliot’s knowledge of the way Jewish history paralleled with Christian history likely

fueled this. As a teenager, she read Daniel Defoe’s 1726 work The Political History of the Devil,

which, according to William Baker, contains a long exegesis on Jewish history as it relates to the

Bible; she also read Josephus’ History of the Jews, which chronicles several characters and

events which appear in the Old Testament.21

Her simultaneous curiosity about and disdain for

Jewish belief hinted at a quiet dislike of the role Judaism played in the formation of Christianity,

as well as a possible resentment of the fact that Jews did not acknowledge Jesus as their Savior.

She would express this distaste more explicitly in coming years.

At the time of writing this letter (November 1838) she was nearly twenty years old, a

traditionally-raised, deeply religious Anglican woman influenced by the evangelicalism to which

Miss Lewis, whose letters from Eliot comprise the majority of the latter’s correspondence until

about 1842, had introduced her at the experimentally evangelical boarding schools she attended

as a youth. Her 1838 letter to Lewis conveyed her evangelical ardor: “I do think that a sober and

prayerful consideration of the mighty revolutions ere long to take place in our world would by

God’s blessing serve to make us less grovelling, more devoted and energetic in the service of

God.”22

However, the content of her letters over the next few years moved away from the tenets

of Evangelicalism, and she would go on to display an increased personal preoccupation with

individual morality and with attempting to diagnose and conform to God’s idea of righteousness

and good behavior.

21

William Baker, “Judaism” from The Oxford Reader’s Companion to George Eliot, ed. John Rignall (Oxford University Press, Oxford, 2000) 184-186. 22

GE to Maria Lewis, Griff, November 6-8, 1838, in The George Eliot Letters, Vol. 1, ed. Gordon Haight (New Haven, Yale University Press, 1954) 12.

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Eliot’s personal writings from 1839 through 1841 show a woman very concerned with

morality, the correctness of her life in the eyes of God, and with self-examination. Her letters to

her friends and family members were frequently occupied with detailing her efforts to serve God

to the best of her ability while demonstrating an impressive knowledge of Scripture and Biblical

verse. Her spiritual life was in a sense very extroverted, as her inner dialogue about her moral

shortcomings, her belief in God’s teachings and her attempts to perfect herself was completely

accessible in her letters. She appeared to see her correspondents both as her spiritual confidants

and as confederates in her quest towards moral and religious absolution. However, she also wrote

of her wide-ranging and analytical reading about religion, including many essays on Church

history, Christian history and philosophy, various sermons and lectures, and Biblical

commentary.23

Additionally, she mentioned her study of sciences, such as geology and mathematics, and

languages such as Italian, German, and even Latin. She also mentioned reading of the works of

Shakespeare and Voltaire, poets like Lord Byron and Sir Walter Scott; and Classical works by

authors such as Aesop, Cicero, and Phaedrus.24

It is very likely that her reading of these authors

(as well as her impressive knowledge of the sciences of natural world and the languages in which

those sciences were written) took her further away from Evangelicalism. The ideas she

encountered in her reading of romantic humanism challenged traditional religious conformity

23

George Eliot relates to Maria Lewis some of her religious readings, GE to Maria Lewis, Griff, August 12, 1840, in The George Eliot Letters, Vol. 1, ed. Gordon Haight (New Haven, Yale University Press, 1954) 62-64. 24

George Eliot lists to Martha Jackson some of the subjects she is learning on her own, GE to Martha Jackson, Griff, February [?] 1840, in The George Eliot Letters, Vol. 1, ed. Gordon Haight (New Haven, Yale University Press, 1954) 38.

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and promoted the study and even the worship of the natural world, philosophies which would

influence (although not dictate) her later religious beliefs.25

In February of 1842, at the age of twenty-two, she wrote a letter to her father Robert

Evans from where she was staying in Foleshill, England, informing him of her newfound

apostasy.26

The letter contained her explanation for leaving the Church of England, which

pertained to her objection to certain “Jewish notions:”

“As all my efforts in conversation have hitherto failed in making you aware of the real

nature of my sentiments, I am induced to try if I can express myself more clearly on

paper so that both I in writing and you in reading may have our judgements unobstructed

by feeling, which they can hardly be when we are together. I wish entirely to remove

from your mind the false notion that I am inclined visibly to unite myself with any

Christian community, or that I have any affinity in opinion with Unitarians more than

with other classes of believers in the divine authority of the books comprising the Jewish

and Christian Scriptures. I regard these writings as histories consisting of mingled truth

and fiction, and while I admire and cherish much of what I believe to have been the moral

teaching of Jesus himself, I consider the system of doctrines built upon the facts of his

life and drawn as to its materials from Jewish notions to be most dishonourable to God

and most pernicious in its influence on individual and social happiness.” 128-130

Eliot had also written a month earlier (about the same time she began refusing to accompany her

father to Mass) to her friend and neighbor Mrs. Abijah Hill Pears that she wished “to be among

25

Himmelfarb, The Jewish Odyssey of George Eliot, 49-57 26

George Eliot, GE letter to Robert Evans, Foleshill, February 28, 1842, The George Eliot Letters, Vol. 1, ed. Gordon Haight (New Haven, Yale University Press, 1954) 128-130.

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the ranks of that glorious crusade that is seeking to set Truth’s Holy Sepulchre free from a

usurped domination.”27

Her language in both letters is revealing of her interpretation of

Judaism’s influence on Christianity as a corrupting one. Her letter to Mrs. Pears indicated a clear

dissatisfaction with Protestantism and specifically Anglicanism, which was the implied “usurped

domination.” In addition to hinting at her increased leanings towards religious freethinking, it is

clear from her letter to her father that the “usurping” element was both Christian and Jewish

Scriptures. She reiterated her opinion of Jewish Scripture as being inherently corrupt or at least

misleading when she wrote that Jewish “notions” not only go against the will of God but are

insidious to the welfare of society as a whole. This demonstrated that her opinion of Judaism was

indeed bound to the nature of the relationship she believed it to have with Judaism; Theophrastus

Such makes a similar connection between the two religions in “The Modern Hep! Hep! Hep!”

and thus establishes a mental and spiritual link between himself and Eliot.28

Eliot’s defection from organized religion was the result of her years of reading, personal

reflection, and, most recently, her acquaintance with the religiously nonconformist Bray family,

whom she met in Foleshill in November of 1841. The father of the Bray family, Charles Bray,

was a positivist, believing that the only true knowledge is derived from scientific study. The

Hennells, a closely related family who were also friendly with Eliot, were highly intellectual

Unitarians whose son Charles Hennell wrote An Inquiry concerning the Origins of Christianity, a

book proposing that no miracles had been present in the creation of Christianity (something

which the early Jewish and Christian writings contradicted). Scholar Gordon Haight argues that

27

GE to Mrs. Abijah Hill Pears, Foleshill, January 28, 1842, in The George Eliot Letters, Vol. 1, ed. Gordon Haight (New Haven, Yale University Press, 1954) 125. 28

Eliot, Impressions of Theophrastus Such, 143-165.

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Eliot’s reading of this book had a profound effect on her and her perception of religion.29

Gertrude Himmelfarb furthermore posits that the members of the agnostic Bray family

encouraged Eliot, with their own example, to break away from traditional religion and explore it

in a more secular sense by studying religious texts.30

When encouraged to take the opportunity to

explore her own religious beliefs more deeply, she seized upon it to learn more about the

religious relationship between Judaism and Christianity, thus demonstrating that this information

potentially held a strong interest for her in the way of her religious beliefs. As evident in Eliot’s

letters, the books that she read during this period tellingly had an impact on both her perspective

on organized Christianity and her sentiment towards Jews and Judaism.

As seen in her 1838 letter describing Mr. Braham’s “blasphemy,” her feelings about the

Jewish religion and its interactions with Christianity were dismissive well before she met the

Brays in 1841 and began to explore religious non-conformity. After reading the Jewish texts

which informed Christian thought, doctrine and theology, her anti-Jewish sentiments were even

stronger. Her citation of “Jewish notions” as elements which could do harm to Christian society

demonstrated that she did blame Judaism at least in part as the foundation of the flaws she saw in

her own religion. Eliot’s decision to leave the Church of England, criticize Judaism, and indeed

reject all organized religion was certainly affected by her radical interests and her reading of a

variety of humanist texts and religious skepticism. She wrote that the early Scriptures of both

Christianity and Judaism were “of mingled truth and fiction;” this showed that she believed that

the nature of the corruption of Christianity lay in early religious mythologies which misled its

29

Gordon Haight, “George Eliot and her Correspondents,” in The George Eliot Letters, Vol. 1, ed. Gordon Haight (New Haven, Yale University Press, 1954) lv-lvi. 30

Himmelfarb argues that this led Eliot to read works such as the Talmud, the writings of the Medieval Jewish philosopher Maimonides, and German Biblical criticism that included some very subversive exegeses about the two Testaments. Himmelfarb, The Jewish Odyssey of George Eliot, 51.

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adherents with false teachings. Newton’s arguments do not address Eliot’s preoccupation with

Christianity and the purity of her religious beliefs, which is crucial to understanding her

mentality about Jews. The connection between Jews and her own Christian beliefs would arise

again and again, each time establishing a relationship between how she felt about the two

religions and the Jewish role in the advent and promulgation of Christianity.

In 1843, Eliot began reading the works of Baruch Spinoza, the Austrian-Jewish

philosopher who had written critically about what he perceived as the arrogance of the Jews for

considering themselves the “Chosen People” of God, a belief which he claimed only discouraged

the unity of nations.31

She also began translating German theologian David Strauss’ The Life of

Jesus in January 1844, which Himmelfarb asserts caused her to have an increasingly “acerbic”

attitude towards Judaism and Christianity.32

This is plausible, as Strauss’ book attributed many

of the historical inconsistencies in the writings in the Gospels about Jesus’ life to the influence of

Jewish religious myths and prophecies about the messiah.33

Eliot absorbed many of Strauss and

Spinoza’s ideas, and her rhetoric about Jews in her letters became more severe than it had been

before. When writing to her friend Mary Sibree in May of 1847, she related her distaste for

Benjamin Disraeli’s recently published novel Tancred, which she believed insinuated the

superiority of Jews over Christians: “This is the impertinent expression of d’Israeli, who writing

himself much more detestable stuff than ever came from a French pen can do nothing better to

bamboozle the unfortunates who are seduced into reading his Tancred than speak superciliously

31

Information on Spinoza’s writings from Elizabeth Deeds Armath, entry “Spinoza, Baruch (Benedict de)” from The Oxford Reader’s Companion to George Eliot, ed. John Rignall (Oxford University Press, Oxford, 2000) 398-399 32

Himmelfarb, The Jewish Odyssey of George Eliot, 55. 33

Information on Strauss from John Rignall, entry “Strauss, David Friedrich” from The Oxford Reader’s Companion to George Eliot, ed. John Rignall (Oxford University Press, Oxford, 2000) 403-404.

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of all other men and things”34

Disraeli, a baptized Anglican who had been born Jewish, was at

this time an aspiring politician, a recent candidate for the House of Commons and a British

novelist well-known for his “Young England” novel trilogy. In essence, Eliot saw Disraeli as

promoting a false idea of Jewish exceptionalism which to her was not only arrogant but contrary

to reality.

Eliot did not initially resent Disraeli; when writing to Mrs. Cara (Charles) Bray in May of

1845 she described her mixed feelings about his political work: “I am not utterly disgusted with

D’Israeli. The man hath good veins, as Bacon would say, but there is not enough blood in

them.”35

She also expressed that she had enjoyed the first two books in the trilogy, Coningsby

and Sybil. However, the Philo-Semitic nature of his Tancred so bothered her that in February of

1848, she indicated her distaste for his philosophies in a letter to John Sibree, Jr.36

In it, she

expounded on her own beliefs as well:

“As to his theory of ‘races’ it has not a leg to stand on, and can be buoyed up by such

windy eloquence as ‘You chitty-faced squabby-nosed Europeans owe your commerce,

your arts, your religion to the Hebrews – nay the Hebrews lead your armies’ in proof of

which he can tell us that Massena, a second-rate general of Napoleon’s, was a Jew whose

real name was Manesseh. Extermination up to a certain point seems to be the law for the

inferior races – for the rest, fusion both for physical and moral ends. It appears to me that

the law by which privileged classes degenerate from continual intermarriage must act on

a larger scale in deteriorating whole races. The nations have been always kept apart until

34

GE to Mary Sibree, Foleshill, May 10, 1847, in The George Eliot Letters, Vol. 1, ed. Gordon Haight (New Haven, Yale University Press, 1954) 233. 35

GE to Mrs. Charles Bray, Foleshill, May 25, 1845, in The George Eliot Letters, Vol. 1, ed. Gordon Haight (New Haven, Yale University Press, 1954) 192-193. 36

GE letter to John Sibree, Jr., Foleshill, February 11, 1848, The George Eliot Letters, Vol. 1, ed. Gordon Haight (New Haven, Yale University Press, 1954) 245.

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they have sufficiently developed their idiosyncrasies and then some great revolutionary

force has been called into action by which the genius of a particular nation becomes a

portion of the common mind of humanity…The fellowship of race, to which D’Israeli

exultingly refers the munificence of Sidonia, is so evidently an inferior impulse which

must ultimately be superseded that I wonder even he, Jew as he is, dares to boast of it.

My Gentile nature kicks most resolutely against any assumption of superiority in the

Jews and is almost ready to echo Voltaire’s vituperation. I bow to the supremacy of

Hebrew poetry, but much of their early mythology and almost all their history is utterly

revolting. Their stock has produced a Moses and a Jesus, but Moses was impregnated

with Egyptian philosophy and Jesus is venerated and adored by us only for that wherein

he transcended or resisted Judaism. The very exultation of their idea of a national diety

into a spiritual monotheism seems to have been borrowed from the other oriental tribes.

Everything specifically Jewish is of a low grade.” 245

Eliot seemed to have meant this final line to be applied not only to the religion itself, but to

anything and anyone pertaining to Jewish thought or culture. K.M. Newton posits in “George

Eliot and Racism” that this letter, despite its discriminatory outlook about Jews, did not

demonstrate that Eliot believed Jews to be, as an ethnicity, inclined towards evil; he also argues

that it does not reflect the way Eliot thought about Jews later in her life.37

I do agree with

Newton that Eliot did not believe Jews to be bad in by nature or that negative traits were

inherently bound to Jews as an ethnicity. I do not agree, however, that Eliot entirely dispensed

with this perception of Jews, even as she came to like them better.

37

Newton, “George Eliot and Racism,” 654-665.

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In the letter, Eliot rather presciently expressed the outlook she would later reiterate in The

Impressions of Theophrastus Such. Theophrastus, in “The Modern Hep! Hep! Hep!,” describes

what he sees as Jews’ tendency towards arrogance about their religion, to which he states that

they are inclined as a result of being educated to their own superiority.38

Furthermore,

Theophrastus’ attitudes bear very close resemblance to what Eliot wrote to Sibree in the above

letter about the “degenerate” consequences of amalgamation. “The tendency of things is towards

the quicker or slower fusion of races. It is impossible to arrest this tendency; all we can do is to

moderate its course so as to hinder it from degrading the moral status of societies by a too rapid

effacement of those national traditions and customs which are the language of the national genius

which are the language of the national genius – the deep suckers of healthy sentiment”

Theophrastus writes about the amalgamation of peoples.”39

Thus Eliot and Theophrastus shared

a very similar mentality about miscegenation, one that Eliot, through Theophrastus, was

reiterating in Impressions as an argument for the safety and welfare of peoples by means of

physical and cultural separation.

The younger Eliot explained this to Sibree in her own words. Fusion, or national, cultural,

and intellectual miscegenation, would result in the decline of the better “races,” in a way she

compared to the intermarriage between the wealthier members of society with the less privileged

leads to the dilution of an entire group on a more microcosmic level. (By “races” she presumably

meant “peoples” – groups organized into cultural, ethnic and religious demographics.) The

integration of “races,” she argued, prevents nations of peoples to evolve their characteristic better

qualities, or “genius,” which eventually will become beneficial to the whole of humanity but will

only be cultivated by careful separation from other cultures. The “fellowship of race,” she made

38

Eliot, Impressions of Theophrastus Such, 143-165. 39

Eliot, Impressions of Theophrastus Such, 143-165.

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clear, was not something to be desired. (Indeed, even to attempt any form of fraternity with a

people that was not one’s own was, to Eliot, a symptom of inferiority.)

In Eliot’s mind (at this time), simply to suggest that Jews were superior was tantamount

to hubris, and while she acknowledged the sophistication of poetry in the Hebrew language, she

completely dismissed Jews’ other literary accomplishments (their historical and mythological

literature were among the same writings which she believed were responsible for the inherent

flaws of Christianity). Perhaps most damningly, she deprived the Jews of the distinction of

having produced both Moses and Jesus, prophets whose divine authority she still recognized.

Moses, she claimed, benefited from his Egyptian education, and Jesus’ very genius lay in the fact

that he had created a religion which reversed the moral poverty of the one into which he was

born. Even the act of turning what was once a tribal religion into a delocalized, transcendental

worship of a single God was credited to the Jews’ neighbors in the East.40

In this letter, Eliot

condemned not only the religion of Judaism but the entire culture, literary heritage and history of

the Jewish people as inferior as well.

The outlook concerning Jews Eliot voiced in her 1848 letter was consistent with the

attitudes she displayed in the rest of her correspondence during most of the mid-to-late 1840’s,

particularly in regards to the Jewish nature of Christ. Although she no longer practiced any form

of organized Christianity, Eliot was still spiritually Christian insofar as she still regarded Jesus as

the one true prophet and practiced his teachings and his principles. She would continue to show a

preoccupation about the Jewish nature of Christ throughout her life; indeed, how she felt about

the fact that Jesus was born a Jew defined her attitude towards Jewry in general. In one

September 1847 letter to her companion Sara Sophia Hennell in which she was discussing the

40

GE to Sibree, Jr., 245.

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philosophical nature of Jesus, Eliot wrote that “to say ‘Jewish philosopher’ seems almost like

saying a round square, yet those two words appear to me the truest description of Jesus.”41

This

was the first time in her personal writings that she distinguished Jesus from his Jewishness by

praising his superior qualities, an action meant both to acknowledge his Jewish upbringing and

recognize that he had overcome and transcended it. She echoed this same attitude to Sibree much

more explicitly, even to the point of completely rejecting any Jewish aspect of Jesus’ life or

legacy. Her rejection of Jesus as a Jewish figure reinforced that her discomfort with Jews was

firmly lodged in her belief that the original corruption of Christ’s religion lay with Jewish

teachings, and that she saw Jews as committing an immoral act by affiliating themselves with a

profane religion. Furthermore, she continued to establish her belief in the inferiority of Jewish

ideas with her quip about a “Jewish philosopher” being oxymoronic. Jewish intellectuals to her

were of dubious credibility, unless they had, like Spinoza, renounced their own Jewishness and

moved away from the religion whose false “notions” had compromised Christianity.

In the early 1850’s Eliot seemed to have been at least tenuously supportive of the idea of

Jews converting to Christianity, despite her own defection from Anglicanism and organized

religion. This may have demonstrated that she had relaxed her objections to Christianity slightly.

As she would later indicate in a May 1853 letter to her friend Sarah Sophia Hennell, she

supported the missions of the London Society for Promoting Christianity Amongst the Jews; she

evidently saw Jewish people as improved by a move towards conversion. In March 1851, she

wrote to Mrs. Charles Bray about a new acquaintance, “On Friday we had a new man – a Mr.

Louis, born a Jew – believing in Christianity” as his body of philosophical principles. She wrote

warmly about his musical abilities on the piano and appeared impressed by him. Her respectful

41

GE to Sara Sophia Hennell, Foleshill, September 16, 1847 in The George Eliot Letters, Vol. 1, ed. Gordon Haight (New Haven, Yale University Press, 1954) 237.

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reaction to him seemed to indicate that she approved of his religious beliefs, constituted as they

were of a change from Judaism to the religion of Christ.

In 1854, Eliot made a trip to Germany with her (married) companion, George Henry

Lewes, the first of many foreign ventures the two would go on together. Lewes, a philosopher

and positivist who was, like Eliot, an agnostic, was married to a woman named Agnes Jervis

from whom he was estranged. According to the law of the Church of England, Lewes could not

officially leave her, as on multiple occasions he had sanctioned her adultery and thus forfeited

his right to a divorce.42

Consequently, he and Eliot lived as husband and wife without a marriage

license. Their trip to Germany was simultaneously intended to be a time for intellectual

stimulation, an opportunity for Lewes to research the life of Johann Wolfgang von Goethe, and

also an escape from the intense criticism the couple was receiving from prominent Englishmen

for their out-of-wedlock relationship.43

By 1853, the year that she officially entered a

relationship with Lewes (a noted Philo-Semite in his own right whom she had known since

1851), her opinion of Jews was less hostile than it once had been; she had not made a negative

mention about Jews in either her letters or her diaries since the time she met him. Her personal

writings during her time with Lewes in Germany, and the subsequent four years after it, would

show a decidedly more respectful attitude towards Jewish individuals; it was evident that he had

had a benevolent effect on her perception of Jews.44

The trip to Germany lasted eight months from July to March of 1854, during which Eliot

wrote letters and maintained a journal. In August of 1854, she and Lewes together visited the

Judengasse, or Jewish Ghetto, of Weimar, which Eliot in her diary remarked was “a striking

42

Haight, “George Eliot and her Correspondents,” lv-lvi. 43

Dodd, George Eliot: An Intellectual Life, 240-241. 44

Polowetzky, Jerusalem Recovered, 78-79.

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scene!”45

From Weimar, where they toured the sites of Goethe’s life, they continued to Berlin.

While there in November of 1854, Eliot and Lewes saw a performance of “Nathan the Wise,” a

German play by Gotthold Ephraim Lessing about a sympathetic Jewish merchant named Nathan

who lives in Jerusalem and finds religious affinity with a Christian Templar and a Muslim

Sultan. Eliot later wrote to Charles Bray praising the play (remarking that its sentiments might

not be as well received in England, which Eliot regarded as less cosmopolitan than Europe) and

expressing her approval for its message of religious tolerance.46

(She did not, however, mention

the play’s strong Jewish elements.)

Interestingly, however, the circle of intellectuals with whom she and Lewes kept

company during the time they were in Berlin differed greatly from one another in their views of

Jewish people and Judaism. The family of Professor Otto Gruppe, a scholar of literature and

philosophy, made abundantly evident their derogatory opinions of Jews.47

When Eliot was a

guest at his home one night, Gruppe performed sections of The Merchant of Venice with his

family with Eliot as their audience. Eliot recalled in her diary that while his wife recited the

“Hath not a Jew eyes” speech, she “turned round to us and said ‘They don’t feel – they don’t care

how they are used.’”48

Eliot also remarked that Frau Gruppe and her sister seemed to have the

same attitude about Shylock as Gratiano, the anti-Jewish friend of Shylock’s nemesis Antonio.

Eliot expressed amusement at the woman’s comments in her diary.

45

George Eliot, The Journals of George Eliot, ed. Margaret Harris and Judith Johnston (Cambridge University Press, Cambridge, 1998) 18. 46

GE to Charles Bray, Berlin, November 12, 1854, in The George Eliot Letters, Vol. 2, ed. Gordon Haight (New Haven, Yale University Press, 1954) 185. 47

Gerlinde Röder-Bolton, George Eliot in Germany, 1854-55: “Cherished Memories” (Ashgate Publishing Limited, Aldershot, 2006) 143. 48

Eliot, Journals, 39.

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By contrast, however, Eliot had great praise for Eduard Magnus, a highly accomplished

portraitist and a Jewish-German artist with whom she spent time in Germany. Eliot wrote

warmly of him, calling him “an acute intelligent kind-hearted man, with real talent in his art.”49

Another Jewish artist she met, albeit one of a different vocation, was Ludwig Dessoir, a

distinguished German actor of whom Eliot wrote “[H]e created in us a real respect and regard for

him not only by his sincere devotion to his art but by [his] superiority of feeling which shone

through…Of lowly birth and entirely self taught, he is by nature a gentleman.”50

(Her comment

about his lowly birth referred to his father’s having been a craftsman, not to his Jewish heritage.)

She also socialized with Adolf Stahr, a (gentile) German literary scholar, and his wife, Fanny

Lewald, an established German writer and proto-feminist who converted from Judaism to

Christianity at the age of seventeen.51

Eliot seemed to prefer her to her husband: “Fanny

Lewald…is a Jewish looking woman, of soft voice and friendly manners. She seems to have

caught or to have naturally something of the literary egoism which is apparent in Professor Stahr,

but, this apart, she is an agreeable person.”52

Perhaps one of the most striking acquaintances Eliot made in Berlin, however, was that of

Karl August Varnhagen von Ense, a German biographer who was married to the German

salonnière Rahel Varnhagen before her death. Rahel Varnhagen, née Rahel Levin, was a

prominent public intellectual who was born Jewish but felt an extreme distaste for her religious

identity, at one point writing to a friend: “it is as if some supramundane being, just as I was

thrust into this world, plunged these words with a dagger into my heart: ‘Yes, have sensibility,

49

Eliot, Journals, 247. 50

Eliot, Journals, 249. 51

Gisela Brinker-Gabler, "Fanny Lewald." Jewish Women: A Comprehensive Historical Encyclopedia. 1 March 2009. Jewish Women's Archive. http://jwa.org/encyclopedia/article/lewald-fanny (Accessed on January 1, 2014.) 52

Eliot, Journals, 247.

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see the world as few see it, be great and noble, nor can I take from you the faculty of eternally

thinking. But I add one thing more: be a Jewess!’ And now my life is a slow bleeding to

death.”53

She converted to Christianity shortly before her marriage to Varnhagen. In a letter to

Sara Sophia Hennell the following year, Eliot mentioned in a postscript Varnhagen’s relationship

with “Rahel, the greatest of German women.” It is likely that after having met Rahel’s husband,

Eliot admired her for her intellectual career and intelligence; she did not, however, discuss

Rahel’s religious background.

According to Eliot scholar Gertrude Himmelfarb, Eliot during her stay in Germany began

voraciously reading the works of great German religious philosophers and humanists such as

Karl Wilhelm Friedrich Schlegel, Gotthold Ephraim Lessing, and Johann Christoph Friedrich

von Schiller, who were famed for their advocacy of religious tolerance, humanism, and religious

skepticism as well as the German-Jewish poet and essayist Heinrich Heine.54

Lewes’ interest in

Goethe, on whom he then was writing a biography, doubtlessly encouraged her to also read the

works of the German politician and writer, whom she studied while Lewes progressed on his

biography. Goethe promoted both Christianity and religious tolerance, two systems of belief that

Theophrastus himself would himself endorse in “The Modern Hep!” when he objected to those

who “insist on a Christianity that disowns its origin, that is not a substantial growth having a

genealogy [with other religions], but is a vaporous reflex of modern notions.”55

Eliot took to

Goethe strongly. She also continued to work with Spinoza, beginning a translation of his

philosophical work Ethics.

53

Barbara Hahn. "Rahel Levin Varnhagen." Jewish Women: A Comprehensive Historical Encyclopedia. 1 March 2009. Jewish Women's Archive. http://jwa.org/encyclopedia/article/varnhagen-rahel-levin (Accessed on January 1, 2014). 54

Dodd, George Eliot: An Intellectual Life, 267. 55

Eliot, Impressions of Theophrastus Such, 164.

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Himmelfarb, in her book The Jewish Odyssey of George Eliot, has pointed out that in

January of 1856, two years after her return from Germany, Eliot published an article in the

Westminster Review entitled “German Wit: Heinrich Heine.” Himmelfarb argues that by

identifying Heine as “half a Hebrew,” Eliot thus somewhat misrepresented Heine’s religious

background.56

(Heine was in fact born to two Jewish parents and converted to Protestant

Christianity at the age of twenty-seven.) The article was interesting, however, for Eliot’s praise

of Heine, especially where she called him “a German born with the present century, who, to

Teutonic imagination, sensibility, and humour, adds an amount of esprit that would make him

brilliant among the most brilliant of Frenchmen.”57 Heine was a political radical who, after a

series of controversies in Germany related to his writing, emigrated to France, where he wrote

rather presciently about different kinds of revolutions leading up to the actual revolutions of

1848 in Vienna, Berlin, Budapest, Naples and Milan.58

Eliot may have intended that last line as a

statement that in part because of his political work, Heine was not only one of the greatest minds

in his native Germany but in his exiled home of France, as well.

The sentence containing the bit about him being “half a Hebrew” read as follows: “True,

this unique German wit is half a Hebrew; but he and his ancestors spent their youth in German

air, and were reared on Wurst and Sauerkraut, so that he is as much a German as a pheasant is an

English bird, or a potato an Irish vegetable.”59

Although it is true that Eliot appeared to be both

understating Heine’s Jewish heritage and treating it as if it served to somehow make him less of

a German, she was also praising him in the article as one of his country’s greatest minds. Eliot

56

Himmelfarb, The Jewish Odyssey of George Eliot, 59. 57

George Eliot, “German Wit: Heinrich Heine,” Westminster Review LXV (January 1856): http://www.laits.utexas.edu/farrell/documents/HeinrichHeine.pdf. 58

Ritchie Robertson, Heine (Halban Publishers, London, 2005) Kindle Edition. 59

Eliot, “German Wit: Heinrich Heine.”

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also wrote three other articles on him during the same time, including one in which she

emphasized his declination to affiliate himself with any political or religious identity. (It was a

decision to which she clearly could relate.)

Significantly, the Jewish intellectuals with whom Eliot associated both during and

immediately after her sojourn to Germany were, with the exception of Magnus and Dessoir, all

converts to Christianity. This is perhaps not surprising. Heine expressed in his lifetime that his

conversion was made on the grounds that it was the only way to access cultural and intellectual

life in Europe even though he did not believe in Christianity as a religion any more than he

believed in Judaism (he grew to regret the conversion).60

It is clear from Rahel Varnhagen’s

writing that, as a Jewish woman, she felt that her intellectual experiences were being both limited

and suppressed because of her religious identity.61

Spinoza, one of Eliot’s philosophical

companions for the previous seven years, repudiated his own Jewishness to become a

freethinker.62

Lewald, who along with Rahel and Karl Varnhagen knew Heine personally,

converted to Christianity at the encouragement of a theology student with whom she had a

romantic understanding; like Heine, she would later regret the decision.63

All converted, although some more reluctantly than others, as a result of feeling that they

did not have access to something to which their Jewishness was the obstacle. This is telling in

that intellectual life, particularly on the continent, was very much defined by its participants’

religious identities. Jews, being in the minority, were largely cut off from the (Christian)

mainstream. Polowetzky has argued that Eliot’s later championship of the Jewish people was

60

Robertson, Heine, Kindle Edition; John Rignall, entry “Heine, Heinrich” from The Oxford Reader’s Companion to George Eliot, ed. John Rignall (Oxford University Press, Oxford, 2000) 151-152. 61

“Rahel Levin Varnhagen.” 62

Armath, entry “Spinoza, Baruch (Benedict de),” 398-399. 63

“Fanny Lewald”

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driven largely by her interactions with foreign Jews.64

This is probably true in many ways, as

Eliot personally knew few English Jews before her first trip to Germany and her time there

finally allowed her to better know and understand Jewish individuals. Although she did not

directly comment on the differences between English Jews and central European Jews, even after

returning to England she continued to associate with expatriated German Jewish intellectuals

rather than Jewish individuals from her community. It is likely that she found the plight of

foreign Jews in many ways more intriguing than that of those in England.

However, Eliot’s interactions with foreign Jews in 1854 were also important in that

through them, she exhibited a somewhat changed attitude towards Jews, and in particular Jewish

intellectuals, in general. In Berlin she showed herself to be inspired by the idea of religious

tolerance; in the home of Otto Gruppe, however, her reaction to Frau Gruppe’s anti-Jewish

remarks was rather ambiguous. About a decade earlier, she had rejected Jewish intellectualism

out of hand; she had now enthusiastically associated with several prominent German intellectuals

who happened to be Jewish. Both during the trip to Berlin and afterwards, when she interacted

with Jewish people who were frequently converts, she praised their intelligence or profundity

rather than their conversions. She did, however, de-emphasize the Jewishness of Heine in her

later article, and for the most part (with the exception of Lewald) she did not mention in her

letters or diaries the fact that any of these individuals were Jewish.

The second of the two visits to Germany, also significant in Eliot’s relationship with

Judaism, came in 1858, when she and Lewes went to Munich and Dresden and then to Prague for

another of their many foreign trips together. In July 1858 in Prague, she and Lewes visited the

alter Friedhof, the Jewish cemetery, which she described in an essay titled “Recollections of Our

64

Polowetzky, Jerusalem Recovered, 23-59.

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Journey From Munich to Dresden” in her diary: “The most interesting things we saw were the

Jewish burial-ground (the alter Friedhof) and the old Synagogue. The Friedhof is unique – with a

wild growth of grass and shrubs and trees and a multitude of quaint tombs in all sorts of positions

looking like the fragments of a great building, or as if they had been shaken by an earthquake.

We saw a lovely dark eyed Jewish child here, which we were glad to kiss in all its dirt. Then

came the somber old Synagogue with its smoked groins, and lamp for ever burning. An

intelligent Jew was our cicerone and read us some Hebrew out of the precious old book of the

Law.”65

Here, Eliot’s attitude towards her experience with Judaism was once again changed, this

time from what it had been four years earlier. Whereas during the 1854 trip and in the years

immediately afterwards she seemed to understate or ignore the Jewish elements in the

intellectuals and works of German culture which she met or experienced, in Prague she was

actively seeking to explore the sites of Jewish heritage for the very sake of what they were, and

to learn about Jewish history and custom out of curiosity and respect. Although to modern eyes it

reads as something of an odd qualifier, her mention of the “intelligent Jew” who acted as their

guide was meant to praise the man and seemed to unite the ideas of Jewishness and intelligence.

Her remembrances of the cemetery, the Synagogue and the Hebrew book of Law were all

respectful. Her description of the “lovely dark eyed Jewish child…in all its dirt” was both a

sympathetic, even pitiable illustration of a young Jew by Eliot and a subtle acknowledgement on

her part of Jewish hardship, especially in European countries. In this passage, Eliot demonstrated

that she not only did she like and have affection for European Jewry, she now actively sought out

65

Eliot, Journals, 324.

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and promoted (rather than de-emphasized) the “Jewishness” of her new acquaintances and

surroundings.

This fondness for Judaism, no doubt catalyzed in part by Lewes, could be also explained

by Eliot’s softened feelings towards her own native religion. Although she was still an agnostic,

she had come to have an affection for Christianity which she related in a December 1859 letter to

her friend Francois D’Albert-Durade: “I have no longer any antagonism towards any faith in

which human sorrow and human longing for purity have expressed themselves; on the contrary, I

have a sympathy with it that predominates over all argumentative tendencies. I have not returned

to dogmatic Christianity – to the acceptance of any set of doctrines as a creed, and a superhuman

revelation of the Unseen – but I see in it the highest expression of the religious sentiment that has

yet found its place in the history of mankind, and I have the profoundest interest in the inward

life of sincere Christians in all ages.”66

Eliot’s returning love for and appreciation of Christianity

(despite her preference for independence) demonstrated that she no longer saw Christianity as

somehow poisoned by Judaism. This having happened, she must also have ceased to think of

Judaism as a corrupter of Christianity. Her connections with Lewes and with the intellectuals she

encountered in Germany, as well as her readings of Goethe and Lessing (among others)

doubtlessly helped to predispose her to a new relationship with the Jewish religion, one which

became much more apparent in years to come.

Eliot’s diary essay from Prague, considering its date, seems deeply relevant to the events

concerning Jews in England. In July 1858, the same month that George Eliot described in her

diary trip with the Lewes to the alter Friedhof cemetery and Synagogue in Prague, Lionel de

66

GE to Francois D’Albert-Durade, Wandsworth, December 6, 1859, in The George Eliot Letters, Vol. 3, ed. Gordon Haight (New Haven, Yale University Press, 1954) 231

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Rothschild, a Jewish politician and a son of the aristocratic Jewish banking Rothschild family,

finally took his oath of office to enter the Parliamentary British House of Commons as a sworn-

in, fully recognized Member as a result of the newly approved Jewish Disabilities Bill. This was

a major event in the nineteenth-century Jewish struggle for political rights known as

Emancipation, which indeed was for much of Eliot’s life the dominating issue for Jews in

England.67

67

Himmelfarb, The Jewish Odyssey of George Eliot, 33.

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III Jews in pre-1880 Victorian England

The history behind the major events concerning Jews in England during the pre-1880

nineteenth century, which happened both before and during Eliot’s lifetime, better contextualize

the attitude she displayed towards Jews throughout her lifetime; it also offers a window into what

Jews in England were experiencing during the same era.

The 1858 election, in addition to its significance to Emancipation, was also the

conclusion of Rothschild’s fourth attempt to successfully take a seat as a Member of the House,

having been denied this position the previous three due to the refusal of the House of Lords to

part with tradition.68

Although Jewish men could hypothetically run for Parliament and win, they

could not take their seats as Jews, or at least not as Jews unwilling to disavow their religion,

because the oath of swearing in required them to pledge to perform their duties with “the true

faith of a Christian.”69

Rothschild participated in three elections to become a Member of

Parliament on behalf of the City of London constituency, in 1847, 1849, and 1852, respectively,

and won in the General Election all three times. The Prime Minister, Lord John Russell,

attempted to create an exemption for Rothschild after his success in 1847 by proposing a “Jews

Relief Act.” This Act was voted down by 144 votes to 108 after one Lord Shaftesbury, an

influential member of the House of Lords, argued that the Jews did not need full citizenship, “for

a nation they [already] are,” and would continue to be regardless of their physical placement.70

Although Rothschild’s fellow members in the lower house of Parliament, including then-

Member Benjamin Disraeli, supported the Act, it was ultimately overruled by the vote of the

more powerful House of Lords. Twice more, in 1850 and 1852, Rothschild ran successfully and

68

Salbstein, The Emancipation of the Jews in Britain, 175-198 69

Himmelfarb, The Jewish Odyssey of George Eliot, 33-36 70

Salbstein, The Emancipation of the Jews in Britain, 180-181

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both times he was refused official entry; the second time, he was once more supported by a new

iteration of the Relief Act, which was also denied. When in 1858, the two houses finally agreed

to allow each to observe their own oaths, Rothschild was able to take his seat after pledging his

faith upon Jehovah’s name.71

This was not the beginning or the end of the matter for English

Jews, however. They had acquired the rights to run for municipal offices in the 1840’s, and many

become mayors and other local officials. However, after Catholics and Dissenters, two other

major non-Anglican religious groups in England, were granted their own emancipatory rights in

1829, a movement on behalf of Jewish civil rights was catalyzed by Thomas Babington

Macauley when he proposed, in a speech in support of the Jews, that similar measures be taken

by Parliament for Jewish rights.72

The bill failed twice in the House of Lords and was not

revisited until 1847 when Lionel de Rothschild campaigned as a Jewish politician.

Even after 1858, when the Jewish Disabilities Bill was finally passed, civil rights

problems for Jews continued to be pervasive in England. It was not until 1866 that the Jewish

Disabilities act became official for all male Jewish residents of England and not just for

exceptional cases like Rothschild. It was also not until 1867 that a final Reform Act was

established, allowing all adult men, regardless of creed, to vote in elections. No Jewish candidate

would enter the House of Lords until 1885, when Lionel de Rothschild’s son was finally raised

from the House of Commons.73

Furthermore, Jews, like the various groups of dissenters and non-

Anglican Christians, could not attend schools or colleges that were under the jurisdiction of the

Church of England. This applied to both Oxford and Cambridge, England’s two premier

71

Himmelfarb, The Jewish Odyssey of George Eliot, 33-46 72

M.C.N. Salbstein, The Emancipation of the Jews in Britain (Associated University Presses, Inc., New Jersey, 1982) 175-198 73

W.D. Rubinstein, A History of the Jews in the English Speaking World: Great Britain (St. Martin’s Press, New York, 1996) 36-93

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universities, meaning that (male) Jews were excluded from the schools that could have provided

them with the best possible education and professional choices. This did not change until 1871,

when the Universities Tests Act was finally passed after a series of similarly thwarted

propositions.74

Part of the reason that the Emancipation movement in England failed to quickly gain

traction amongst gentile politicians was that Jews in England were still an extreme minority.

V.D. Lipman confirms that there were about 36,000 Jews in England in 1858 (the year

Rothschild finally took office), a number that was in fact a moderately significant increase from

the population at the beginning of the century.75

English Jews during the first five decades of the

century were indeed a tiny minority. The total population of England according to the 1861

British census (which was then taken once every ten years) was slightly over eighteen million,

three-hundred and twenty-five thousand people. This meant that the Jewish population in

England comprised less than two tenths of one percent of the overall population of England

during the late 1850’s and early 1860’s.76

However, Geoffrey Alderman posits that the fact that they were only a tiny fraction of the

population had not stopped them from developing their own communities, which tended to

congregate mostly in London and other large urban areas. Although they were not officially

barred from entering any careers or professions, Jews, like other non-Anglicans, could not enter

public schools or universities until the 1870’s. This lack of available education options meant

that they frequently established their own schools, as well as their own businesses, charitable

74

Israel Finestein, Anglo-Jewry in changing times; studies in diversity, 1840-1914 (Vallentine Mitchell, London, 1999) 102-133 75

V.D. Lipman, A History of the Jews in Britain since 1858 (Holmes & Meier, New York, 1990) 12-13 76

GB Historical GIS, University of Portsmouth, “England through time – Population Statistics – Total Population: A Vision of Britain through Time.” http://www.visionofbritain.org.uk/unit/10061325/cube/TOT_POP (Accessed on January 1, 2014).

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organizations, and newspapers. The Jewish Chronicle, the most prominent and successful Jewish

publication in the nineteenth century, was established in 1841 and became the primary source of

information for Jewish affairs in Great Britain.77

However, according to Alderman, this self-reliance also served to make the Jewish

community even more insulated than before. Despite not being legally barred from the majority

of jobs, most Jewish men felt uncomfortable pursuing careers in fields dominated by non-Jews

and consequently entered the same financially-related professions that Jews were historically

known for entering in Eastern Europe. Alderman argues that this somewhat helped to reinforce

the idea of the Jew as a usurer and money-lover.78

This stereotype dominated most of what anti-

Jewish sentiment was present in England, something that often came out in invectives against

prominent Jewish statesmen and philanthropists of the early to middle decades of the nineteenth

century. These included Sir Francis Goldsmid, Sir Moses Montefiore and Lionel de Rothschild,

all of whom came from great banking families or had become bankers themselves.79

England was in fact in many ways a much less hostile place for Jews than most of

Eastern Europe. Michael Polowetzky has noted that England, unlike Russia or Germany, had no

ritualized pogroms or Jewish Ghettoes, or any laws prohibiting Jews from intermarrying with or

living amongst gentiles.80

This was probably due in part to the fact that for centuries since the

Jewish expulsion from Britain in 1290, they had been a very small and hidden minority in

England until their official re-entry in the seventeenth century, and fewer major sanctions

developed to limit their abilities. In 1656, Jews were officially granted re-entry from Oliver

77

Alderman, Modern British Jewry, 49 78

Alderman, Modern British Jewry, 2-50 79

Himmelfarb, The Jewish Odyssey of George Eliot, 28-48 80

Polowetzky, Jerusalem Recovered, 23-59

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Cromwell, and although they did face some limited abilities during the eighteenth century (for

example, they could not become naturalized citizens without converting before the Jewish

Naturalization Act in 1753) these issues were usually resolved relatively quickly.81

The country

was also unusual in the fact that it did not have any laws governing Jews as a particular

demographic; they were simply grouped with all non-Anglicans.

However, anti-Jewish sentiment still did exist, and often manifested itself as socio-

economic resentment. Napoleon’s imperialist efforts resulted in eventual legal emancipation for

Jews in many parts of Europe throughout the course of the nineteenth century. However, this

freedom brought with it dangerous new prejudices against Jewish people, especially those who

became successful in business ventures. This was particularly related to the beginnings of anti-

capitalism, a sentiment born in central and Eastern Europe during the nineteenth century in

opposition to the rise of free market economies. This particular movement gave rise to its own

brand of anti-Jewish resentment, for specific reasons. Those who subscribed to it believed that

capitalism could be overcome by stripping power from those who were indispensable to it;

namely, the bankers, who were frequently Jewish. This led to the vilification of Jews and the

resurgence of popular stereotypes of Jews as money-grubbers and crooks. (It was also fueled by

Catholic propagandists, who positioned themselves in opposition to the growth of capitalism and

portrayed Jews as the curriers of moral degradation.)82

Although the movement against Jewish

people, particularly against Jews in any position to benefit from free trade and laissez-faire

economies, originated in countries like France, Germany and Austria, it existed in England as

81

Rubinstein, A History of the Jews in the English Speaking World: Great Britain, 36-93 82

Michele Battini, “The Anti-Judaic Tradition and the Birth of an Anti-Jewish Anti-Capitalism,” under Italian Academy for Advanced Studies in America, Columbia University, 1-20, http://hdl.handle.net/10022/AC:P:10053 (Accessed on January 1, 2014)

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well, especially among those who resented the wealth of (Jewish) banking families like the

Rothschilds.

This was particularly clear in the literature of the time. Several of Eliot’s contemporaries

are now well-known for the negative portrayals of Jews in their fictional works; this was true of

no one more so than Charles Dickens. In his 1837 novel Oliver Twist, Dickens created probably

the most controversial depiction of a Jew in modern English literature in the character of Fagin,

referred to mostly as “the Jew” throughout the text. Fagin, who exploited homeless boys by

turning them into his personal thieves, was also unhesitant to resort to murder in order to protect

his “business.”83

William Makepeace Thackeray, in his 1843 novel Vanity Fair, described a

wealthy character called Rhoda Swartz as “the black princess” whose father “was a German Jew

– a slave-owner they say – connected with the Cannibal Islands in some way or other.”84

Rhoda,

a child of mixed black and Jewish heritage, is portrayed as the spoiled benefactress of the

vaguely corrupt Caribbean slave-trade her Jewish father headed. (The fact that he fathered her

with a black woman was likely intended to further illustrate his debased personality.)

Anthony Trollope, another contemporary English novelist, depicted Jews negatively in

several of his works but most notably in The Way We Live Now, published in 1875, in which

wealthy Jewish financier Augustus Melmotte ruins himself and nearly his daughter as well

through his dishonest business dealings.85

Trollope, who detested Disraeli, was also said to have

based some of his least-flattering Jewish characters on him in his earlier novels.86

Eliot was

acquainted with all three authors personally; she socialized with Thackeray, Dickens and

83

Charles Dickens, Oliver Twist (Wildside Press, Pennsylvania, 2007) 10-385. 84

William Makepeace Thackeray, Vanity Fair (Barnes and Noble Classics, New York, 2003) 196. 85

Anthony Trollope, The Way We Live Now (Bobbs-Merrill Company, Inc., New York, 1974) 3-810. 86

Himmelfarb, The Jewish Odyssey of George Eliot, 28-48.

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Trollope and corresponded with the latter two from time to time. She did not, however, discuss

Jews in her letters to them, and it is not known if the subject came up between them. The

significance of the characterization of Jews in Dickens, Thackeray and Trollope’s works,

whether their Jewish characters were rich or poor, was their deceptive and grasping natures, and

that their vice and cunning lay primarily in their amoral methods of attaining wealth or their

Machiavellian ways of maintaining it.

However, socio-economic prejudice against Jews existed alongside religious prejudice of

Jews, and there were palpable efforts from English Christians to “save” them. Many

evangelicals, of whom Eliot was one during her youth, counted among their duties the

conversion of the Jews to Christianity. In 1809, Anglican evangelicals formed the London

Society for Promoting Christianity Amongst the Jews. Their rhetoric about Jews emphasized

their isolation among God’s creatures and made a religious glorification of their own mission. In

“The Obligations of Christians to Attempt The Conversion of the Jews,” their official pamphlet,

the Presbyter of the Society presented their mission as one of redeeming the Jew (called in it an

“Israelite”) from an otherwise sinful existence.87

Conversion, they believed, would bring him

back into the good graces of God by means of an introduction to Christianity:

“But amidst the general anxiety to bring sinners from darkness to light, and the utmost

parts of the heathern to an inheritance for our adorable Redeemer, one object has been

overlooked – has been overlooked for many centuries, as if it formed no part of christian

duty or exertion, though that object, above all others… urges claims on the christian

world far more binding than any other – I mean, THE CONVERSION OF THE JEWS.

87

Presbyter of the Church of England, London Society for Promoting Christianity Amongst the Jews. The Obligations of the Christians to Attempt the Conversion of the Jews (United States, Nabu Public Domain Reprints) 5

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The Hindoo, the Musselman, and the grosser idolater, all at one time or other, have been

blessed with missionary labours; but the poor Israelite has been neglected – his

ignorance, his profligacy, his wretched alienation from the God of his fathers, have

excited no pity – have drawn forth no zeal, no labour of love.” 5

Their official view of Jews was clearly a paternalistic one. “Israelites,” placed on par with

Hindus, Muslims, and other peoples that the Society regarded as godless and culturally

subhuman, were depicted as barbaric and untouched by human civilization. However, their

mission of conversion, as was evident in their rhetoric, extended beyond the boundaries of

England and even the British colonies and was meant include Jews of all nationalities.88

The

unflattering depiction of Jews in the pamphlet appeared to assume their foreignness, yet Jews

within England were not exempt from their purpose. George Eliot herself at least tenuously

followed and supported their efforts, as she indicated in her May 1853 letter to Sara Sophia

Hennell when she wrote that the only and very meagre good news she had to share was that the

Society had managed to convert a single Jew over the past year.89

Indeed, English Jews of the pre-emancipation era who wished to escape their civil

disabilities, as well as some of the social prejudice that followed them around, had the option of

converting. As unpleasant as the evangelizing rhetoric about Jews may have been, conversion,

and through it cultural assimilation, allowed Jews greater access to gentile culture and politics.

Relatively few Jews chose to convert, although many did undergo at least some degree of

assimilation. Cultural assimilation, however, did nothing to change their legal status, pre-

Emancipation. Becoming members of the Church of England allowed Jewish men to attend

88

Agnieszka Jagodzińska,“’For Zion's Sake I Will Not Rest’: The London Society for Promoting Christianity among the Jews and its Nineteenth-Century Missionary Periodicals” Church History 82 Issue 2 (2013): 381-387. 89

GE to Hennell, 102.

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University, pursue political careers and move more freely within English society. For Jewish

women, conversion would not allow them to pursue higher education or participate in civil life in

any way as they were still bound by their gender; becoming Anglican gentlewomen would do

little to change their social mobility. It did, however, have the potential to broaden the marriage

prospects for both sexes. The Marriage Act of 1835, as discussed by Israel Finestein in his book

Jewish Society in Victorian England, did interfere to some extent with Jewish marriage customs

with regards to the issue of marital consanguinity, which was prohibited to an extent under

English law but not to the same degree under Jewish religious law.90

However, there were no

laws prohibiting intermarriage between Jews and gentiles either before or after a Jew’s

conversion to Christianity.

Benjamin Disraeli was arguably the most famous Jewish convert to Anglicanism during

the nineteenth century. He was baptized at the insistence of his father, Isaac Disraeli, an English

Jew by birth and accomplished historian who had, despite his religion, won an honorary degree

from Oxford College for his biography of King Charles I. Michael Polowetzky, also a biographer

of the Disraeli family, posits that Isaac had become resentful of his Jewishness due to the

limitations it placed on his and his children’s lives.91

As a result, he insisted on having all of his

children baptized in the Church of England. Although he was converted at the age of twelve, the

younger Disraeli clearly harbored great sympathy towards the Jewish community. As both a

Member of Parliament and then as Prime Minister (as which he served briefly in 1868 and then

again from 1874 to 1880), Disraeli established himself as a highly distinguished orator who very

frequently spoke on behalf of the Jewish people.92

He also used his career as a novelist to honor

90

Israel Finestein, Jewish Society in Victorian England (Vallentine Mitchell, London, 1993) 54-71 91

Polowetzky, Jerusalem Recovered, 23-27. 92

Polowetzky, Jerusalem Recovered, 37-59.

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his Jewish heritage. Tancred, the final novel in his “Young England” trilogy and the book which

Eliot criticized so severely in her 1848 letter to John Sibree, was concerned with the fractured

relationship between Christianity and Judaism. Eliot, of course, found what she saw as the

themes of Jewish exceptionalism offensive; however, she would write warmly about his Jewish

characters later in her career as she was publishing Daniel Deronda, even esteeming them above

her own. “Doubtless the wider public of novel-readers must feel more interest in Sidonia than in

Mordecai” she stated in a February 1876 letter to her publisher John Blackwood, “But then, I

was not born to paint Sidonia.”93

Her feelings about Disraeli, both concerning his political work

and his novels, came full circle from strong distaste to admiration in her later years.94

However, in some ways Disraeli’s life could be interpreted as a model of Jewish

assimilation into gentile culture. Because of his childhood conversion, Disraeli was able to

become a Member of Parliament to the House of Commons in 1837, long before any non-

defected Jews were able to attain such an office. He married a Christian woman, Mary Anne

Lewis, who was the widow of the also Christian Wyndham Lewis, another Member of

Parliament and a close colleague of Disraeli’s. He was able to ascend to the superior House of

Lords as a result of his wife’s ennoblement, and was later created the Earl of Beaconsfield, a rare

granting of a peerage to a man of Jewish origins, in his own right. He was the first and remains

the only person of Jewish descent to have held the office of Prime Minister of England. He

would not have had the same political career, nor in all likelihood the same marriage, had he

remained a Jew by religious identity. Jews, as men like Rothschild and Sir Francis Goldsmid

93

GE letter to John Blackwood, London, 25 February 1876, in The George Eliot Letters, Vol. 6, ed. Gordon Haight (New Haven, Yale University Press, 1954) 223. 94

Information on Eliot’s feelings about Disraeli from William Baker, “Disraeli, Benjamin” from The Oxford Reader’s Companion to George Eliot, ed. John Rignall (Oxford University Press, Oxford, 2000) 93-94.

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proved, could achieve highly in their lifetimes without converting to Christianity, but their

careers were not what they might have been if they had religiously assimilated.

Eliot grew up in a culture in which Jews were not able to vote or hold office, even after

other religious nonconformists were granted their rights. She was seventeen when Dickens’

Oliver Twist, a highly popular work that was also damning in its portrayal of a working-class

Jew, first began to be published in serials. Furthermore, Napoleon’s granting of civil rights to the

Jews, which was controversial and caused resentment and persecution of Jews long after his

downfall, affected British society’s attitudes as well.95

Eliot in all likelihood internalized her

culture’s perception of Jews, which would have explained some of her earlier resentment of

them. It was after she encountered Jewish intellectuals on the continent, many of whom had

often felt obliged to convert, that she began to exhibit more respect towards Jews. She began to

believe that the vices she perceived in Jews were in part the result of years living amongst

gentiles who did not welcome them. After she became mostly reconciled with Christianity

(although still a freethinker), Eliot began to love Judaism as well. She also began to see it as

responsible for giving the world Jesus Christ, and possibly also for creating the circumstances

which allowed his rise. It was in particular one Jewish man, both a foreigner and an intellectual,

whose presence in Eliot’s life helped solidify her love for Judaism and turn it into a cause for

her. Emanuel Deutsch, a German Rabbi and intellectual living in England at the time Eliot

returned from her second trip to Germany, would initiate Eliot into both an intensely theological

and linguistic study of Judaism. His teachings truly made the protection and championship of the

worldwide Jewish population a personal matter for her, which would noticeably affect the works

she produced after meeting him.

95

Battini, “The Anti-Judaic Tradition,” 1-20.

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IV George Eliot and Emanuel Deutsch

Eliot’s writings between 1858 and 1874, the years leading up to the writing and

publication of Daniel Deronda, reveal her attitudes towards and interactions with Jews during

that period. They also provide a better understanding of various Jewish intellectual’s

relationships with her, and how these relationships catalyzed her interest in proto-Zionism which

manifested in her later works.

By and after 1858, Eliot had made a great transformation in her opinions about Jews

since she wrote her inflammatory letter about Disraeli and his people ten years earlier. In the four

years after returning from Germany for the second time, Eliot published three novels (1859’s

Adam Bede, 1860’s The Mill On The Floss, and 1862’s Romola). Romola, Eliot’s lone historical

novel, featured the titular character tending to – and even converting the orphan of – a group of

sympathetic, plague-stricken Jews in fifteenth-century Florence.96

Perhaps most significantly,

she began forming friendships with German-Jewish scholars and intellectuals at home in

England. In May of 1865, she entertained Theodor Goldstücker, a German-Jewish political

refugee and Professor of Sanskrit, in her house alongside Nicholas Trübner, one of Goldstücker’s

German students and the man whose personal library Eliot would use to perform her research on

Judaism for Daniel Deronda.97

She also became friendly with Frederick Lehmann, a German

immigrant of Jewish descent and an eventual politician, as well as his wife Nina, and invited him

to play violin for her and Lewes in April 1866.98

96

George Eliot, Romola (Penguin Books, London, 1980) 640-649. 97

Gordon Haight gives information on Goldstücker and Trübner in a footnote. GE to Mrs. Charles Bray, London, May 22, 1865, in The George Eliot Letters, Vol. 4, ed. Gordon Haight (New Haven, Yale University Press, 1954) 194. 98

GE to Frederick Lehmann, London, April 19, 1866, in The George Eliot Letters, Vol. 4, ed. Gordon Haight (New Haven, Yale University Press, 1954) 240.

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However, her most significant acquaintance during those years was Emanuel Deutsch, a

German-Jewish scholar from the British Museum she met through Lehmann in 1866 who truly

introduced her to Judaic studies. It was under him that Eliot earnestly began studying Hebrew,

the lessons for which she recorded in her diary, and Eliot in turn edited his essay The Talmud

(which she called “the glorious article” in a letter to a friend.99

) She also used her influence to

help get it published in the October 1867 edition of the British publication The Quarterly Review.

When the article was met with hostility from some gentile readers because of its discussion of

Christian persecution of Jews, she wrote to Deutsch in reassurance: “We have been thinking of

you much since you parted from us yesterday, and have made ourselves all the more indignant at

the buzzing and stinging which is tormenting you…The ill-nature and nonsense you are suffering

from can have no permanent influence against you except by your allowing it to determine

you…you must be ultimately judged by the knowledge, the ideas, the power of any sort that you

give positive evidence of.”100

Eliot was now in fact defending and supporting the pro-Jewish work of an accomplished

Jewish author from the public. Additionally, she also wrote to many of her friends in praise of

the article and encouraged them to read it in the Quarterly Review as soon as possible. She

praised Deutsch as well, calling him “one of the greatest Oriental scholars, the man living among

men who probably knows the most about the Talmud.”101

Indeed, in a letter to her husband in

January 1867, Nina Lehmann remarked to Frederick that Lewes and Eliot considered Deutsch

99

GE to Mme Eugene Bodichon, London, November 16(?,) 1867, in The George Eliot Letters, Vol. 4, ed. Gordon Haight (New Haven, Yale University Press, 1954) 399. 100

GE to Emanuel Deutsch, London, December 16, 1867, in The George Eliot Letters, Vol. 4, ed. Gordon Haight (New Haven, Yale University Press, 1954) 409. 101

GE to Sara Sophia Hennell, London, October 12, 1867, in The George Eliot Letters, Vol. 4, ed. Gordon Haight (New Haven, Yale University Press, 1954) 390.

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“the brightest German (always excepting you, I trust and believe) they ever saw;” it seems that

Eliot made little effort to hide her enthusiasm for him even among her other German friends.102

In 1868 Eliot published a work of poetry entitled The Spanish Gypsy, which featured,

among other interesting characters, Salomo Sephardo, a sympathetic Spanish Jew whose religion

is threatened by the insidious conversion efforts of the Spanish Inquisition. In this work, Eliot in

fact vilified those attempting to convert Jews to Christianity. It appears that at that point, six

years after the publication of Romola, conversion of the Jews had become in her mind an act of

ignorance and discrimination. It is likely that through her association with Deutsch, she had in

fact come to wholly reject the idea of Jewish conversion, which in her mind now constituted a

type of assimilation. Deutsch, a steadfast and dedicated Jewish scholar and Rabbi, had helped to

educate Eliot in the details of Jewish thought, history, practice and custom, and she had come to

believe, as she would later reveal in “The Modern Hep! Hep! Hep!,” that Jews’ constant

guardianship of their own religion was not only acceptable but a praiseworthy practice which had

allowed the Jewish-born Jesus, while using the tenets of Jewish thought, to build his seminal

faith, which in Eliot’s mind had been the salvation of mankind.

This is a sentiment that Theophrastus himself exhibited when he wrote that “Pagans in

successive ages said, ‘These people are unlike us, and refuse to be made like us: let us punish

them.’ The Jews were steadfast in their separateness, and through that separateness Christianity

was born.”103

(This of course reiterates Eliot’s earlier expression to Sibree that “the nations have

been always kept apart...and then some great revolutionary force has been called into action by

which the genius of a particular nation becomes a portion of the common mind of humanity.”

102

Mrs. Frederick Lehmann to Frederick Lehmann, Pau, January 22, 1867, in The George Eliot Letters, Vol. 4, ed. Gordon Haight (New Haven, Yale University Press, 1954) 334. 103

Eliot, Impressions of Theophrastus Such, 164

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Now, in Eliot’s mind, separatism like the one the Jews practiced in turn gave rise to the genius of

Christ.) Furthermore, Eliot believed that if Jews did convert, it would be an act of miscegenation,

which led to the degradation of those who allowed themselves to be assimilated.

Her letters over the following years showed the evidence of her studies of Judaism and

Hebrew, as well as of her wholly changed attitude about Judaism in general. In a March 1872

letter to Harriet Beecher Stowe, with whom she kept a correspondence, she used the word

“Rabbi” as a term invoking peace and tranquility.104

In March of 1874, she wrote a letter to Cara

Bray in which she criticized the (Anglican) method of frightening people into correct behavior

by portraying God as strict, unyielding and unforgiving: “It is really hideous to find that those

who sit in the scribes’ seats have got no farther than the appeal to selfishness which they call

God. The old Talmudists were better teachers. They make Rachel remonstrate with God for his

hardness, and remind him that she was kinder to her sister Leah than He to his people – thus

correcting the traditional God by human sympathy. However we must put up with our

contemporaries since we can neither live with our ancestors nor with posterity.”105

In this letter, Eliot displayed a strong respect for traditional Jewish moral teachings and

preferred the practice of ascribing to God ideas of human justice and compassion than the

method of creating a threatening “appeal to selfishness” which creates fear but not a relatable

sense of justice. Deutsch, whose public lectures she had attended over the past several years and

with whom she had maintained a correspondence even after his departure for a sabbatical in

Italy, had truly made her love and appreciate Judaism, and had made the Jewish return to

104

GE to Mrs. Harriet Beecher Stowe, London, March 4, 1872, in The George Eliot Letters, Vol. 5, ed. Gordon Haight (New Haven, Yale University Press, 1954) 252. 105

GE to Mrs. Charles Bray, London, March 25, 1874, in The George Eliot Letters, Vol. 6, ed. Gordon Haight (New Haven, Yale University Press, 1954) 32.

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Palestine a cause for her. In August 1874, Lewes mentioned in his diary Eliot’s “exhausting”

Hebrew and Oriental studies, and Eliot’s diaries from the same time mention her rigorous

Hebrew lessons, which she was teaching herself at that point. It was these studies and

preparations which would lead her to writing Daniel Deronda, and, eventually, “The Modern

Hep! Hep! Hep!.”

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V. Theophrastus Such and “The Modern Hep! Hep! Hep!”

The perspectives and opinions expressed by Eliot’s eponymous character Theophrastus in

her final book Impressions of Theophrastus Such are the subject of comparison with Eliot’s own

personal views and mores, precisely because they were and are so controversial. Determining the

extent to and the circumstances in which teasing Eliot’s beliefs apart from those of Theophrastus

Such is necessary and appropriate is a task which requires close readings of the two author’s

personal philosophies. Eliot’s writing regarding miscegenation, Jewish separatism and

specifically proto-Zionism in the book’s final chapter, “The Modern Hep! Hep! Hep!,” also

reveal her mentality and implicate her feelings about these subjects at the end of her life.

In October of 1876, Eliot wrote a letter to Harriet Beecher Stowe expressing that the

“Jewish element” in her novel Daniel Deronda, published in serials beginning in February of the

same year, seemed to have been met with less aversion than she had expected from the non-

Jewish public. (This was most likely at least in part because Lewes was protecting her as much

as possible from the most antagonistic criticism from gentile readers.106

) Nonetheless, it was

surprising: Eliot must have already had (realistically) low expectations for the way the book

would be received. She wrote to her friends and associates about the “grumbled” response she

got from anti-Jewish readers, and remarked in one letter to her publishing partner John

Blackwood that one reader, in the midst of the latest serial, wrote to her with enthusiastic

certainty that Mirah, the Jewish heroine of the novel, would soon be dead. “I suppose [he] will be

106

Lewes mentions in several different letters and diary entries from 1876 his protection of Eliot from the worst of the gentile reaction to the “Jewish element,” in particular in a letter to Blackwood in which he wrote: “Don’t allude to the disappointment [with the Jewish portion] in any letters to me – she only knows that Judaism is unpopular, not what is said otherwise about the book.” George Henry Lewes letter to John Blackwood, London, November 22, 1876 in The George Eliot Letters, Vol. 6, ed. Gordon Haight (New Haven, Yale University Press, 1954) 312.

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disgusted at her remaining alive” she remarked dryly to Blackwood in her letter.107

(Blackwood

himself did not think much of the subject of Jews in literature. In March 1876 he wrote to Lewes

that “the whole tribe of Israel should fall down and worship [Eliot]!” in gratitude for depicting

them sympathetically.108

A few months earlier, while in the process of promoting the work, he

asserted in another letter to Lewes that “Jews are not generally popular pictures in fiction”.109

)

However, Eliot also wrote that an overwhelming amount of the non-Jewish feedback

focused on Gwendolen, the gentile protagonist of the book and the moral foil for both Mirah and

Deronda himself. Even professional critics often lavished more attention on Gwendolen’s portion

of the book than Daniel’s: one review in the British newspaper The Times from June 5, 1876

focused almost entirely on the subject of Gwendolen’s story, dwelling on Deronda just long

enough to pose a few questions about his fate: “Is he really the son of Sir Hugo Mallinger, as

appearances and probabilities conspire to persuade us? Or is there more meant than shows on the

surface in that strange impulse of the ancient Hebrew who is resolved to claim him as one of the

peculiar people?”110

(Manifestly, the Jewish element of the novel was not popular among gentile

readers, who seemed to be hoping that the Jewish characters were simply unpleasant digressions

from the main storyline.)

Meanwhile, the “peculiar people” the critic described had a similar “strange impulse” to

embrace Deronda: Eliot received myriad letters from Jewish readers not only in England but

abroad as well praising her and her portrayal of Jews. Jewish intellectuals such as the Jewish

107

GE to John Blackwood, London, April 18, 1876, in The George Eliot Letters, Vol. 6, ed. Gordon Haight (New Haven, Yale University Press, 1954) 240-241. 108

John Blackwood to George Henry Lewes, Edinburgh, March 2, 1876, in The George Eliot Letters, Vol. 6, ed. Gordon Haight (New Haven, Yale University Press, 1954) 227. 109

John Blackwood to George Henry Lewes, Edinburgh, March 11, 1876, in The George Eliot Letters, Vol. 6, ed. Gordon Haight (New Haven, Yale University Press, 1954) 249-250. 110

Anonymous Author, “Recent Novels” from The Times, June 5, 1876, page 5.

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Chronicle editor Abraham Benisch and Rabbi Hermann Adler wrote to Eliot expressing their

esteem of her work. Adler in particular told Eliot of his “warm appreciation of the fidelity with

which some of the best traits of the Jewish Character have been depicted” and wrote an article on

the book for the Jewish Chronicle.111

This newspaper, which Eliot at that point read regularly,

published over thirty pieces in 1876 and 1877 which discussed Deronda enthusiastically or

promoted either the book itself or an event about it.112

(The wide-ranging and very positive

Jewish reaction the book received was a likely indication of how low Jews’ expectations were

about their treatment at the hands of English novelists.)

Nevertheless, Eliot was surprised that the reception to the “Jewish” work was not even

more hostile than it already appeared to be, and she wrote in the same letter to Stowe her own

explanation for why she had as low expectations as she did.113

This explanation revealed some

criticisms of her countrymen about their treatment of Jews:

“But precisely because I felt that the usual attitude of Christians towards Jews is – I

hardly know whether to say impious or more stupid when viewed in the light of their

professed principles, I therefore felt urged to treat Jews with such sympathy and

understanding as my nature and knowledge could attain to. Moreover, not only towards

the Jews, but towards all oriental peoples with whom we English come in contact, a spirit

of arrogance and contemptuous dictatorialness is observable which has become a national

disgrace to us. There is nothing I should care more to do, if it were possible, than to rouse

111

Quotation of Hermann Adler by George Eliot, GE to John Blackwood, London, September 2, 1876 in The George Eliot Letters, Vol. 6, ed. Gordon Haight (New Haven, Yale University Press, 1954) 274-275. 112

On December 15th

, 1876, The Jewish Chronicle featured an article about Dr. Adler’s lecture on Daniel Deronda. Anonymous Author, “The Rev. Dr. Hermann Adler on “Daniel Deronda,” The Jewish Chronicle, December 15, 1876, 586. 113

GE to Mrs. Harriet Beecher Stowe, London, October 29, 1876, in The George Eliot Letters, Vol. 6, ed. Gordon Haight (New Haven, Yale University Press, 1954)

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the imagination of men and women to a vision of human claims in those races of their

fellow-men who most differ from them in customs and beliefs. But towards the Hebrews

we western people who have been reared in Christianity, have a peculiar debt and,

whether we acknowledge it or not, a peculiar thoroughness of fellowship in religious and

moral sentiment. Can anything be more disgusting than to hear people called “educated”

making small jokes about eating ham, and showing themselves empty of any real

knowledge as to the relation of their own social and religious life to the history of the

people they think themselves witty in insulting? They hardly know that Christ was a Jew.

And I find men educated at Rugby supposing that Christ spoke Greek. To my feeling, this

deadness to the history which has prepared half our world for us, this inability to find

interest in any form of life that is not clad in the same coat-tails and flounces as our own

lies very close to the worst kind of irreligion. The best that can be said of it is, that it is a

sign of the intellectual narrowness – in plain English, the stupidity, which is still the

average mark of our culture.” 301-302

This letter is interesting for several different reasons. First, Eliot in it explicitly condemned the

British attitude of imperialism towards foreign peoples. It is the letter in which she most clearly

expressed her disapproval of the English’s patronizing treatment of “oriental peoples” outside of

her fiction, a sentiment which, rather paradoxically, seems to have led to her support of proto-

Zionism. It is also, in terms of her attitude about Jews, nearly the antithesis of the letter she wrote

to Sibree in 1848. She acknowledged in her letter to Stowe the “debt” that Western Christians

have towards Jews in their values and their religion, demonstrating that since she wrote to

Sibree, she had come to see the role of Judaism in Christianity as something for which to be

grateful rather than to censure and condemn.

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It is evident that Eliot’s connections with German and English-German Jews and

specifically her friendship with Emanuel Deutsch made her very sympathetic to the causes of

Jews in England. K.M. Newton argues that this seeming repudiation of her former beliefs and her

censure of those who mocked or demeaned both Jews and foreigners marked a transformation of

her way of thinking and signaled that much of the jingoistic rhetoric from the last chapter of

Impressions of Theophrastus Such, her final and other significantly Philo-Semitic work, was in

fact not representative of Eliot herself but merely the words of the character Theophrastus.

Newton argues that Eliot invested Theophrastus with the mentality of the common British man in

order to better communicate with her audience.114

This is a not an implausible explanation, but

the sentiments she expressed to Stowe, particularly in regards to her criticism of English patriotic

chauvinism, are in fact very similar to many of the opinions that Theophrastus gives in “The

Modern Hep! Hep! Hep!.” Also, the fact that Eliot was at this point sympathetic to the Jewish

people did not mean that she no longer believed the negative stereotypes of them she earlier

described to be grounded in truth. The perspectives Theophrastus voices in “The Modern Hep!”

certainly recall some of the beliefs that Eliot held about Jews as a younger woman, suggesting

that despite the empathy Eliot displayed for Jews in her letter to Stowe, it is likely that she still

believed the negative stereotypes of them were founded in reality, and that to some extent her

concern for the community had become one very much influenced by her own religious

concerns.

Eliot began writing Impressions of Theophrastus Such in June of 1878 when she was

fifty-eight years old. At this point in her career she was quite well-established as a writer and

popular among critics and readers alike, having published seven successful novels including

114

Newton, “George Eliot and Racism,” 654-665.

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Daniel Deronda. Impressions was Eliot’s most experimental project; it was the only work of

fiction she authored which had no true storyline or plot other than Theophrastus’ musings. It was

published commercially like her other books; its intended audience was also much the same as it

had been for her novels: relatively educated, middle class (likely Anglican) English people with

common views of religion and society. Her reputation was enough to sell the book, which sold

moderately well despite the fact that it was arguably the least accessible of her published works.

Critics, however, did not receive the book very well, as Eliot rather acidly observed to William

Blackwood, the brother of John Blackwood: “Theophrastus seems to be really welcomed by the

public thought not by the [literary publication] Athenaeum…but I think I have known other

books succeed in impressing the public without the sanction of that “literary organ.”115

This

critical response was somewhat ironic, as Eliot had intended it only for the most dedicated and

educated readers.

The book was written to be as rigorous as possible for her audience; this is in part

because of the erudition of its narrator. Theophrastus Such himself is of untold age and origins:

he is, based on both his own description of himself and his criticism of contemporary Britain, a

citizen of England; however, he never reveals his own full history to his reading audience. What

he does tell about himself, in the first chapter of the book titled “Looking Inward,” is that he is a

lifelong bachelor and “an attentive companion to myself, flattering, my nature agreeably and on

plausible occasions, reviling it rather bitterly when it mortified me, and in general remembering

its doings and sufferings with a tenacity which is too apt to raise surprise if not disgust at the

careless inaccuracy of my acquaintances, who impute to me opinions I never held…Surely I

ought to know myself better than these indifferent outsiders can know me, nay, even better than

115

GE to William Blackwood, Witley, June 12, 1879, in The George Eliot Letters, Vol. 7, ed. Gordon Haight (New Haven, Yale University Press, 1954) 165.

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my intimate friends, to whom I have never breathed those items of my inward experience which

have chiefly shaped my life.”116

However, Theophrastus also states that while he observes (and takes amusement from)

the misdoings of others, he feels an affinity with the “blunderers” rather than a superiority to

them because he shares their faults and recognizes them. He explains that it is difficult for him to

write “an unreserved description” about his own character, as self-bias – and bias towards others

– almost always creates an inaccurate portrait in any human autobiography. He prefers instead to

provide, “in an apologetic light,” a few examples of his own shortcomings, and to be critical of

himself instead of experiencing the censure of others. Theophrastus relates that he has been

unlucky in love, that he has done his country no especial services, and has been largely a failure

as a writer and is not well-off. Although his self-description is vague, he makes clear that he is

not good-looking, and rather easy to overlook. (He also remarks that on occasion, something

clever he has said or written has been ignored when it came from himself but was met with great

approval when “appropriated” by a more outwardly appealing person.)

Theophrastus claims to have done inadvertent harm to causes by speaking on behalf of

them, and realizing in hindsight that he ought to have taken a counter position in order to see his

real cause strengthened. He recognized, however, after a period of self-commiseration, that he is

not in fact wiser or better than those of his friends who are praised and well-compensated, and

that there is no philosophical advantage to being ignored than there is to being appreciated. Any

attempt to ameliorate one’s ego only “fattens” it, he says. He writes all this in preparation for the

other anecdotes in his book, each comprising a single chapter, in which he discusses and

declaims upon the follies of his friends. His intention is not to mock or condescend, but merely,

116

George Eliot, Impressions of Theophrastus Such, 3-13.

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as he puts it, “to show that in noting the weaknesses of my acquaintances I am conscious of my

fellowship with them.”117

The proceeding chapters of the book, as he states, do center on past friends and

acquaintances of Theophrastus and their mishaps, each intended as a lesson for the reader in

maintaining one’s personal morality and self-awareness, among other things. The characters

Such describes often have Classical names, and in some cases are perhaps meant to be the

original historical, literary or legendary figure itself. Theophrastus, based on his descriptions of

the sights he has seen and the people he has encountered, is quite well-traveled, and if he has

indeed met the ancient characters he describes, may also be somehow immortal or able to yoke

time. Nancy Henry argues that Theophrastus, if not simply a time-traveling intellectual

descendant of the original Classical Theophrastus, may in fact be a sort of English-born

reincarnation of the Greek Theophrastus himself.118

Theophrastus, a student of Plato and a

companion of Aristotle, was also a philosopher and the author of, among many other works, the

book Moral Characters, a collection of essays parsing and criticizing the personifications of

different weaknesses of human character.119

The parallels between the work of the fictional

Theophrastus and the writings of the original Classical Theophrastus are clear.

The contemporary Theophrastus’s characters (including, sometimes, Theophrastus

himself) are like each other in that they are often somehow lacking in self-awareness, or

awareness of either the role they play in the world or how they have played it, or simply have a

morally inconsistent character which somehow render invalid the role (or good service) they

intended to perform. More specifically, they are occasionally also guilty of transcending (or

117

Eliot, Impressions of Theophrastus Such, 3-13. 118

Henry, “Introduction,” xvi-xx. 119

Henry, “Introduction,” xvi-xx

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attempting to transcend) or changing their own natures. As Henry describes in her introduction to

Impressions, the first of his characters, Proteus Merman, the subject of the chapter “How We

Encourage Research,” is a lowly lawyer and occasional journalist who, when attempting to

elevate himself by associating with several extremely erudite individuals, is shown his own

inferiority.120

Likewise, Mixtus from the ninth chapter, “A Half-Breed,” is a deeply pious, studious

young man interested in social reform and in supporting the poor; however, when he falls in love

with Scintilla, a wealthy and seemingly sophisticated woman preoccupied with the finer things,

he loses his good nature by following her example after their marriage.121

These characters’

stories carry the message that moving away from one’s true self, and attempting to emulate those

whom one is not like, carries with it a misfortune, loss of values, embarrassment, humiliation,

and often unfortunate ramifications for others as well. In short, any type of assimilation or

miscegenation is harmful to the individual and unhealthy for society, whether in small or large

degrees. (These are sentiments which, as shall later be discussed, were foreshadowed in

Deronda.)

It is a similar message that one reads in “The Modern Hep! Hep! Hep!,” the final chapter

of the book. The title of the piece was a reference to the imprecation that anti-Semitic peasants

shouted while rioting Jewish villages during the infamous 1819 “Hep-Hep” pogroms throughout

Germany.122

The essay, while professedly supportive of Jews, is in many ways an argument

against miscegenation and its apparent vicissitudes. The chapter begins with Theophrastus’

120

Henry, “Introduction,” xix-xxxv 121

Henry, “Introduction,” xix-xxxv 122

The Jewish Encyclopedia, “Hep! Hep!,” http://www.jewishencyclopedia.com/articles/7578-hep-hep (accessed January 1, 2014)

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defense of the Jews’ preservation of the history of their culture. He points out that the legacy of

Greece and Italy, despite the wrongdoings of some of both its modern and historical political

characters, is held in great esteem nonetheless due to the accomplishments of its superior artists

and intellectuals; he also reminds his readers of the admiration Englishmen bear towards their

conquering Nordic ancestors and their gratitude for the labors they underwent which provided

the modern British with a common identity.

Theophrastus reminds his readers that despite coming to the British isle centuries after

the death of Christ and long after the advent of Christianity, they were themselves not Christians.

Nor were they monotheists, nor what a modern Briton would call “spiritual”; they had a strong

opposition to the faith of Christ when they first encountered it, and continued to oppose it even

when they were encouraged to take it up. The English, he notes, nevertheless still felt gratitude

for their ancestors, and they do not object to the fact that their progenitors were pagans as well as

colonizers. Indeed, contemporary British citizens could not claim to be persecuted or scattered;

they could, however, acknowledge the resentment felt towards them by the “Red Indians” and

the “Hindoos” as a result of their subjugation, both cultural and religious, by imperial colonial

forces. Yet none of that prevented them from feeling a love for their fatherland and a pride in

their national accomplishments.123

This pride is the mark of a worthy people, Theophrastus goes on to argue, and is

justification for martyrdom and an endurance of great hardship in the name of one’s nation.

While people are not obligated to feel more than appreciation for another culture, their individual

worth is measured by their relationship with and commitment to their own, and this is the same

measure of virtue they therefore must use to judge others. It is here that he truly begins his

123

Eliot, Impressions of Theophrastus Such, 143-146

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“defense” of the Jewish people. Theophrastus starts by justifying their pride and persistence in

their religion, which some call “Zealotry.”124

The fact that the Jews have been a scattered people

has ensured that they have created an identity which has become tantamount to hubris and given

to exclusivity. The arrogance which many (gentiles) cite in reference to the Jews’ use of

Scripture, which points to the many proud moments in Jewish history, to anoint themselves the

Chosen People of God, he argues, is in reality no more arrogant than the beliefs of Calvinists,

who do almost the same. The Jews’ sense of superiority, he posits, is inculcated in them from

birth, and thus they can be excused for their “self confidence.”125

Moreover, he continues, the dispersion of the Jewish people has no true parallels in

Christian history, and has led to many ugly persecutions throughout the world. It is here that

Theophrastus first reiterates the more hackneyed beliefs about the Jewish people to which he

persisted in subscribing; specifically, the idea that Jews were somehow driven by nature to

accumulate wealth and were predisposed by a natural inclination towards “cupidity.” However,

he condemns Christians for using this as a validation for wretchedly mistreating the Jews,

forcibly converting them under threat of death and freely murdering those who refused baptism.

This abuse, carried out by those who believed themselves to be avenging a Messiah who

preached mercy, essentially caused an evolution to occur within the Jewish community which

manifested itself in one of two results: either the Jewish population would assimilate with the

societies around them, eventually losing its identity as a Jewish community altogether, or it

would toughen and develop strengths not possessed by their persecutors. The weaker Jews, he

argues, did the former, the stronger did the latter and became in all ways tenacious and proud in

124

Eliot, Impressions of Theophrastus Such, 149 125

Eliot, Impressions of Theophrastus Such, 150-151

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clinging to their Jewish ancestry.126

This latter faction, however, would also be so insulated that

it would become set in its particular vices, a phenomenon that Theophrastus claims can be seen

in the Jews’ love of usury, especially when employed at the expense of gentiles, and a pride in

“bitter isolation” from all other peoples and nations.127

“No wonder” the Jewish people have become such creatures at their worst, Theophrastus

asserts. The transgressions which Jews, according to him, have made against the Christian faith

over the centuries (he includes spitting on crucifixes and holding Jesus’s name as a profanity

among them), have been encouraged by the cruelty Jews met with from gentiles who deliberately

misinterpreted Christ’s teachings as a license to murder and rampage those to whom they credit

His death. Theophrastus reminds his readers that Christ was Jewish-born, and that His pleas for

mercy for those who are resistant to his message should extend to the Hebrew nation. Here

Theophrastus establishes his own belief in the divinity of Christ when he pleads with his readers

that the Jews’ refusal to worship Jesus as Savior is a mistake made of innocent ignorance which

must be forgiven by Christians.128

Jewish religious martyrdom, Theophrastus says, is doubtlessly

viewed with approval by Christ, unlike the “Christian” persecutions which necessarily create the

martyrs.

Theophrastus then launches a criticism of the supposed intellectuals who hold

Christianity to be in possession of a greater truth than Judaism (a viewpoint about which he

leaves unclear his own sentiments) and persist in believing that Jews hold no true altruistic

interest in any community but their own. These self-proclaimed philosophers often hypocritically

belong to parties which uphold the political interests of Jews, precisely because they wish to be

126

Eliot, Impressions of Theophrastus Such, 152 127

Eliot, Impressions of Theophrastus Such, 153 128

Eliot, Impressions of Theophrastus Such, 154

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in a position to control and mitigate any advantages or rights Jews have earned in their own

favor. Such actions spring from a continued belief that Jews are driven by avarice – an idea

Theophrastus calls “medieval” – and compares this treatment of Jews with the similar treatment

of the Irish, who were, at the time, still publicly barred in England from applying for certain jobs

and professions.129

Theophrastus asserts that when Jews “drop that separateness which is made their

reproach;” in other words, assimilate to the culture in which they reside, they are, he writes,

subject to becoming indifferent to their own history and religion. This apathy that comes from

being separated from one’s heritage in turn leads to moral and ethical debasement, an

unfortunate truth to which the Jews, Theophrastus writes, have been particularly prone due to

their dispersed nature. However, he also states that their overall moral perseverance has been

remarkable and that Jews have, for the greater part, exhibited less hard-heartedness than their

tormentors and that such persistence could not have come from a people without the ancient

significance or familial piety of the Jewish nation. This especially, the good-naturedness and

love of family and tradition that Theophrastus tells his readers any unbiased observer will notice

in studying the worldwide Jewish community, is a distinctive virtue of Jewish families, as is their

care for the weak, the young, the old and the disadvantaged. This charity “overflows the line of

distinction between” Jews and gentiles, he writes.130

Gentiles, Theophrastus goes on to say, are too willing to overlook this due to their ancient

jealousy of Jewish success both in business and in politics, which many believe are, for the

Jewish community, interconnected. Once again, Theophrastus demonstrates that he believes

129

Eliot, Impressions of Theophrastus Such, 154-155 130

Eliot, Impressions of Theophrastus Such, 156-157

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these perceptions are not without foundation. Instead of protesting these ideas, he simply writes

that all races have their vices and other objectionable qualities which have made them at times

distasteful to English minds. (Again, this is “race” in the sense of “people” or “demographic.”)

The English, however, like all peoples, take great pride in their language and dislike hearing it

sullied by foreign tongues. This does not mean that they should turn away those in need of refuge

because of these discriminations. Theophrastus does, however, suggest that it is important to

mitigate (to completely stop would be impossible) the intermingling of different peoples. It is

imperative, he writes, to preserve that essence of every nation through the creation of “more

excellent individual natives,” an interesting way of saying that a culture is best preserved through

those who epitomize its most desirable qualities.131

Theophrastus believes very strongly in the

preservation of the greatness of England. It is also here where he also arrives at the preservation

of the Jews – namely, in the form of proto-Zionism.

It is Theophrastus’s fear that the Jewish people, unlike any other nation, are destined for

an utter “fusion” with the societies in which they dwell due entirely to their lack of a fatherland.

This is a concern which he sees as valid especially because of the Jews’ tendency to monopolize

commerce in whatever country they enter; it is therefore the gentile responsibility, he says, to

ensure that “their incommodious energies” are sent “into beneficent channels.” Many noble

Jews, he says, contrary to popular belief, will arise to the challenge of galvanizing their people to

the migration to a new and permanent hearth and home; these “modern Maccabees” will, by

example, overcome the indifference of the wealthy, indigent settled Jewish men and build a

nation for their people.132

131

Eliot, Impressions of Theophrastus Such, 158-160 132

Eliot, Impressions of Theophrastus Such, 160-163

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The Christianity that Theophrastus sees as fashionable, or in “vogue,” is commonly

inclined to forget its origins and disown the Jewish question as an irrelevant one. This apathy,

Theophrastus writes, is dangerous. The Jews persevered in their faith despite their dispersion;

this willingness to endure and continue is what gave Christianity the opportunity to arise. The

“idiosyncrasy” of Judaism is its persistence, and Theophrastus writes that it is this quality that

should be allowed to create a nation. After all, Jewish inheritance, the artifact of pious ancient

ancestors who have passed on to their future generations the physical and intellectual toughness

to weather all sorts of prejudice and bring promise to a new land, is something to be “cherished.”

By bringing together and embracing the triple identities of Jew, Hebrew and Israelite, the Judaic

people will create a language, religion and country that is at once in keeping with the timeworn

glories of their people and capable of overcoming and repairing the more recent grief and

debasement that the Jewish community has experienced. To deny them the opportunity to do so

would be cruel. Those who do are, writes Theophrastus, educating the world in the falsehood –

what he calls a “superstition” – that human welfare can be manufactured without regard to what

gave rise to human values to begin with.133

It is in some ways clear in this essay, and indeed throughout the book, that Theophrastus

was to an extent a realized character with his own opinions and perception of the world, and that

to marginalize him as little more than a shadow of Eliot is not entirely accurate or fair. Here, the

postmodern argument that both Newton and to some extent Henry propose makes sense, as a too-

literal interpretation of the text – regarding Such as little more than masked version of Eliot –

would be inappropriate. Theophrastus Such indeed has an independent personality. His words are

witty, observational, and at times quite farcical, and his tone in his writing, along with his use of

133

Eliot, Impressions of Theophrastus Such, 163-165

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satire, is somewhat distinct from Eliot’s tone as the omniscient narrator of her novels and as an

essayist in her own right. Eliot was an essayist who certainly made use of humor, but wrote with

somewhat more meditative gravity, on a greater variety of subjects, than Theophrastus does in

his collection of anecdotes and short exegeses. (This is not to say that Theophrastus’

philosophies were not meant by Eliot to be serious or profound, merely that she infused them

with a writing style that was a conscious departure from her own in order to better display

Theophrastus’ very unconventional personality.) Theophrastus describes himself as a younger

man: “When I was a lad I danced a hornpipe with arduous scrupulosity, and while suffering

pangs of pallid shyness was yet proud of my superiority as a dancing pupil, imagining for myself

a high place in the estimation of beholders; but I can now picture the amusement they had in the

incongruity of my solemn face and ridiculous legs. What sort of hornpipe am I dancing now?” 134

His humor, choice of anecdote and colorful language set his writing apart from Eliot’s usual

narrative style. Also, the deliberate inconsistencies which Henry states that Eliot gives

Theophrastus (for example, he criticizes certain personality traits in one character while praising

and justifying them in another) are meant to demonstrate the contradictory natures of all humans

including while not specifically describing herself.135

However, based on what biography there is of Theophrastus in Impressions, important

parallels between him and Eliot can be observed. He is deeply interested in morality and with

chasing moral and spiritual perfection as far as he can; he is also deeply introspective, and

prefers self-criticism to criticism from others. His criticism of others is not meant to be

supercilious, merely the observation of the human condition, and his unprepossessing appearance

and seeming lack of interest in worldly goods are almost certainly references to Eliot’s own self.

134

Eliot, Impressions of Theophrastus Such, 4 135

Henry, “Introduction,” vii-xxxvii.

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Theophrastus is also unmistakably an eccentric, even perhaps an outwardly unpleasant one,

something which Eliot may have considered herself. Most significantly, the underlying moral

messages which Theophrastus condones (for example, the idea that political altruism in a public

leader does not justify or excuse the individual’s mistreatment of his own family) are indeed

Eliot’s own. Eliot’s main agenda in the book was to demonstrate, either through or by

Theophrastus and his writings, her moral outlook of the world.

This is manifestly evident in “The Modern Hep! Hep! Hep!.” K.M. Newton has

suggested that she imbued her narrator with more pedestrian opinions and perspectives in order

to better communicate with her audience.136

In some ways this may be accurate, especially in

Newton’s arguments that Eliot, as Theophrastus, plays on the conceit most English had for their

heritage when attempting to explain Jews’ pride in their own provenance. It is also likely that

Theophrastus’ discussion of British colonialism and its vicissitudes is a critique on Eliot’s part of

the imperialism of British conquest in the nineteenth century, revealing that it is unlikely that she

holistically or uncritically condoned the colonization of foreign lands. She instead saw

imperialistic ventures as ones that carried with them attitude of superiority and discrimination on

the part of the colonizers, as she asserted in her 1876 letter to Harriet Beecher Stowe.

However, a close reading of Eliot’s personal writings and of her fiction reveals that many

of the views her character espouses in this essay are indeed her own as well. Although Newton

argues that the opinions she expressed to Stowe in her letter contrast with and disprove the

sometimes jingoistic writing in “The Modern Hep!,” many of the passages in the chapter in fact

convey extremely similar sentiments to the ones she stated to Stowe.137

Like Eliot in her letter,

136

Newton, “George Eliot and Racism,” 654-665. 137

Newton, “George Eliot and Racism,” 658.

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Theophrastus is practically disgusted by the ignorance and use of crude rhetoric by even

educated Englishmen when it comes to any discussion of the Jews. He writes that “it would be

difficult to find a form of bad reasoning about [the Jews] which has not been heard in

conversation or been admitted to the dignity of print; but the neglect of resemblances is a

common property of dulness [sic] which unites all the various points of view – the prejudiced,

the puerile, the spiteful, and the abysmally ignorant.”138

Theophrastus even acknowledges that such discrimination is common among educated

men, or at least men who think themselves educated, who try to prove their worldliness by

deriding the Jews: “men who consider themselves in the very van of modern advancement,

knowing history and the latest philosophies of history, indicate their contemptuous surprise that

any one should entertain the destiny of the Jews as a worthy subject.”139

Theophrastus’ contempt

for supposedly enlightened men dismissing the significance of Judaism’s relationship with the

future of Christianity mirrors Eliot’s ire at those of her contemporaries who had so little

understanding of the role of Judaism in their religion and their world. This suggests that Eliot

was attempting to communicate the same ideas and emotions when writing Impressions as she

was when she wrote to Stowe.

Theophrastus’ writings about Jews in this chapter also very much reflect Eliot’s own

beliefs about them as recorded in her letters and correspondence from her youth. Most notably, it

is Theophrastus’ discussion of the Jews’ hubristic self-sense of exceptionalism (induced, he

says, by centuries of persecution and no different than other nations and religions’ pride in

themselves) that echoes Eliot’s irritation, expressed with particular intensity in her letter to

138

Eliot, Impressions of Theophrastus Such, 143. 139

Eliot, Impressions of Theophrastus Such, 162.

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Sibree, at what she perceived as any suggestion of Jewish moral and spiritual superiority: “As to

his theory of ‘races’ it has not a leg to stand on, and can be buoyed up by such windy eloquence

as ‘You chitty-faced squabby-nosed Europeans owe your commerce, your arts, your religion to

the Hebrews…My Gentile nature kicks most resolutely against any assumption of superiority in

the Jews…Everything specifically Jewish is of a low grade.”140

Writing to Sibree, she assumed

that a Jew (here Disraeli) who wrote critically of the relationship between Judaism and

Christianity was in fact implying the superiority of the former religion over the latter. This

perceived implication infuriated her at the time, giving way to her insinuation that the Jews were

culturally and religiously inferior to gentiles.

These older sentiments closely resemble Theophrastus’ belief that Jews possess such self-

aggrandizing conceit as revealed in “The Modern Hep!,” in which Eliot wrote, through Such,

that: “At any rate, seeing that the Jews were more specifically than any other nation educated

into a supreme moral value, the chief matter of surprise is that any other nation is found to rival

them in this form of self-confidence.”141

(Theophrastus reiterates Jews’ sense of religious

superiority several times throughout the essay.) Here, Eliot was reasserting her interpretation of

the Jews’ belief in their own spiritual destiny as a type of exceptionalism; in explaining to her

readership why they are how they are she did not discard her former beliefs but reaffirmed them,

only with a more sympathetic explanation for why they had developed such qualities. Had she

moved beyond this outlook through her connection with Deutsch and her other Jewish

acquaintances she could have had Theophrastus confront and debunk those beliefs without

necessarily alienating her (supposedly anti-Jewish) readership. Furthermore, Theophrastus was

already explicitly condemning the anti-Jewish sentiment of modern England as unimaginably

140

GE to Sibree, Jr., 245. 141

Eliot, Impressions of Theophrastus Such, 150-151.

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ignorant; this would have been offensive enough to any bigoted person reading the text and

therefore it does not appear that Eliot was concerned with handling the audience delicately.

Newton has suggested that because Theophrastus was not directly describing his readers

themselves as prejudiced, they therefore need not have taken umbrage at these words.142

However, it seems unlikely that Eliot as the author did not think her audience would make the

connection between such accusations and their own psyches. It would not have been necessary to

have Theophrastus espouse bigoted views she herself no longer held simply to establish him as

his own entity or for effectively communicating with the audience. To argue that Jews were

merely perceived as being arrogant in their religious beliefs, and were not so in reality, without

implying the truth of the accusations of hubris would have been sufficient; Eliot could have

written that the impression was a result of cultural misunderstandings without necessarily

offending her audience. Therefore, it is likely that Theophrastus’ words about Jewish conceit do

reflect Eliot’s own longstanding perception, one for which, instead of condemning it, she now

felt she had a clearer understanding. Her relationship with Jewish intellectuals made her

empathetic towards and even protective of the Jewish nation; however, these friendships did not

truly reform her fundamental ethos in how she thought about Jews. Rather, they simply provided

for her a sympathetic lens through which she could see Jews the way she already saw them.

Newton also posits that Theophrastus’ criticism of heavy immigration (he makes

exception only for people in need of political refuge) is not in fact reflective of Eliot’s views but

also a sort of commiseration with the audience’s fears of foreign immigration overwhelming the

country and its “corporate existence.”143

However, Eliot’s letter to Sibree, as discussed earlier,

142

Newton, “George Eliot and Racism,” 657. 143

Newton, “George Eliot and Racism,” 659.

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also contained direct parallels to the opinions voiced by Theophrastus about how the "tendency

of things is towards the quicker or slower fusion of races. It is impossible to arrest this tendency:

all we can do is moderate its curse so as to hinder it from degrading the moral status of

societies.”144

This strongly echoes Eliot’s phrase to Sibree about such “fusion,” which she

believed acted to destroy entire nations in much the same way that class intermarriage serves to

undermine and degrade social structure. Although it is realistic to believe that, through years of

maturation as well deep study and new acquaintances, Eliot would evolve in her sympathies

towards Jews, it is very unlikely that Eliot had undergone a complete ideological transformation

when she presented the same reasoning for the same issue twice. Eliot, far from investing

Theophrastus with ideas that she did not believe herself, was in fact putting into his mind her

very own opinions about cultural intermingling.

Eliot also expressed to Sibree that countries have traditionally been kept separated in

order to hone their individual characteristics until a “revolutionary force” calls upon the strengths

of a particular country to become part of a greater humanity, thus allowing national segregation

to work in the service of mankind. In her letter to Sibree, Eliot wrote: “It appears to me that the

law by which privileged classes degenerate from continual intermarriage must act on a larger

scale in deteriorating whole races. The nations have been always kept apart until they have

sufficiently developed their idiosyncrasies and then some great revolutionary force has been

called into action by which the genius of a particular nation becomes a portion of the common

mind of humanity.”145

Theophrastus writes that “In meeting the national evils which are brought

upon us by the onward course of the world, there is often no more immediate hope or resource

than that of striving after fuller national excellence, which must consist in the molding of more

144

Eliot, Impressions of Theophrastus Such, 143-165. 145

GE to Sibree, Jr., 245.

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excellent individual natives,” arguing that countries develop their greatest characteristics and

their most meritorious individuals through national separateness, and that in the face of troubles

these individuals will serve to overcome the calamities which come their way.146

Eliot and

Theophrastus together expressed a belief that, by keeping peoples separate, greater individuals

would emerge from these isolated countries whose “genius” would service their nations – and in

turn would benefit humankind as a whole – with its existence.

Newton has also defended her from accusations from other authors of anti-miscegenation

attitudes because of her championship (through Theophrastus) of proto-Zionism and her other

arguments for keeping peoples apart; Theophrastus indeed clearly expresses his disapproval of

cultural intermingling in “The Modern Hep! Hep! Hep!.”147

In the essay, Theophrastus equates

the amalgamation of cultural identities with the contamination of language and cultures (his

rhetoric here is particularly harsh), an unfortunate phenomenon which he asserts should only be

tolerated in the exceptional case of those who are refugees from their lands of origin. He also

writes that Jews have developed their less desirable traits (including their opportunism and their

hatred of Christianity) as a direct result of centuries of Christian persecution, which, in turn, has

also occurred as the result of gentiles and Jews being unable to peacefully coexist in the same

lands. The idea that Eliot was creating a deliberately bigoted character to which her readers could

relate is also problematic here, as these are views again expressed by Eliot not only in her private

writings but in her other fictional works as well.

Eliot’s letter to Sibree certainly contained very similar beliefs about miscegenation. At

the time of writing that letter she did not believe that Jews and Christians were equal in their

146

Eliot, Impressions of Theophrastus Such, 160 147

Newton, “George Eliot and Racism,” 654-665.

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moral rectitude or intellectual accomplishments. Indeed, Eliot’s letters from 1838 to the late

1840’s displayed a clearly negative opinion of Jews. While she did not specifically mention

avarice, anti-Christian sentiment, hypocrisy or isolationism (traits Theophrastus asserts are

characteristics of Jews) as qualities she often ascribed to their people, she repeatedly implied or

stated outright their ideological, moral and spiritual weaknesses. This demonstrates that the traits

Theophrastus describes as being so particular to Jews were the same characteristics, among

others, that Eliot as a young woman believed them to have. Her diary and letters from the early

1850’s to the early 1860’ showed her evolving feelings about, and even empathy towards, the

Jewish people after the beginning of her relationship with Lewes and becoming an advocate for

religious tolerance. (They also chronicled the time during which Eliot became mostly reconciled

to Christianity, and partly through it Judaism as well.)

This sympathy allowed Eliot to see her Jewish acquaintances in a very different light:

although interpreting Jewish behavior as hubristic or self-righteous, she witnessed the cultural

causes of what she perceived as their isolationism. This helped to reform her feelings about

them, albeit without dispensing with the belief that Jews do indeed exhibit such arrogant

behavior. This gave way to her opinion that cultural miscegenation is commonly bad for Jews

and is at the root of all of their most notorious vices. Her relationship with Deutsch solidified

these feelings and furthermore made the championship of the Jewish community a great cause

for her – a cause she believed entailed separating Jews from the gentile communities in which

they had experienced abuse and persecution and creating for them a nation in which they would

have a safe and collective home.

This anti-miscegenation outlook, however, manifested itself in Eliot’s other fictional

works besides “The Modern Hep! Hep! Hep!” Indeed, some of Eliot’s earlier chapters in

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Impressions, including the tales of Mixtus and Proteus Merman, read as caveats against straying

from one’s roots and associating with those unlike one’s self, the consequences for which being

corruption or humiliation. Also, Eliot’s aforementioned narrative poem The Spanish Gypsy

demonstrated the dangers of miscegenation through the story of a young Spanish woman named

Fedalma who lived during the Spanish Inquisition. As Anna McLauchlan relates in her 2005

dissertation “‘Gypsies and Jews: George Eliot's use of ‘race’ in ‘The Spanish Gypsy’ and ‘Daniel

Deronda,’” Fedalma, who is betrothed to marry Don Silva, a Spanish aristocrat with whom she is

in love, discovers that she is in fact the daughter of a gypsy named Zarca. In an act of filial duty,

Fedalma decides to accompany Zarca and his gypsy tribe in their quest for a new home, even

while realizing that this will take her away from Silva. Don Silva eventually slays Zarca when he

realizes that his entanglement with Fedalma and Zarca’s mission has led to the triumph of his

enemies, and Fedalma and Silva part ways forever. Silva, after his loss, devotes himself to the

cause of the Inquisition, while Fedalma continues with her life as part of the gypsy tribe.

(McLauchlan argues that this struggle between “self-fulfillment and self-sacrifice” is

characteristic of Eliot’s work, a theme that also lends itself to duty to one’s people and culture at

the expense of potentially pleasurable assimilation.)148

In The Spanish Gypsy, Eliot depicted the consequences of miscegenation as tragic and

fatal. Because Fedalma and Don Silva were from different social and cultural groups which

meant that they could not be together while simultaneously fulfilling their duties to their own

peoples. When Silva attempts to follow Fedalma into her world, his actions result in grief and

despair for both of them.149

This was all because several different peoples inhabiting the same

148

Anna McLauchlan, “Gypsies and Jews: George Eliot's use of "race" in "The Spanish Gypsy" and "Daniel Deronda” (PhD diss., University of Northern British Columbia, 2005) 43-64 149

McLauchlan, “Gypsies and Jews,” 43-64

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land, including the Jews, whom that the Catholics, waging their own persecution against another

group, were pursuing, and the gypsys, who constituted their own tribe with its own leadership

which sometimes conflicted with the Spanish aristocracy, gave rise to a great deal of strife and

conflict, the message that Eliot was communicating to her audience.

It is Daniel Deronda, however, which carried some of the most interesting depictions of

interactions between members of cultural groups. Newton argues that Eliot was not as

preoccupied with the prevention of miscegenation as scholars such as Bryan Cheyette have

asserted; in fact, he suggests, she allowed miscegenation as long as it followed certain

paradigms.150

The Jewish music teacher Julius Klesmer, an acquaintance of Deronda’s, is

described by Newton as “alienated” from his people, the Jews; in other words, they do not enter

into his self-identity. This kind of alienation, Newton posits, was acceptable to Eliot as long as

one’s energy and personal identity were channeled into something else (in Klesmer’s case, his

music). Klesmer is able to have a happy union with a gentile heiress, Catherine Arrowpoint,

precisely because he is not an “active” participant in Jewish culture.

This is certainly valid; however, it does not establish that Eliot was not still very much

concerned with anti-miscegenation. The central Jewish character, Deronda, refuses the hand of

the widowed gentile Gwendolen, who has fallen in love with him, largely because he wishes to

actively participate in the Jewish “race.” In order to accomplish this, he must marry a Jewish

woman, which he does when he weds his true love, the Jewish Mirah. Klesmer, as Newton points

out, “looks forward to the fusion of races,” something which Eliot, as she made clear in her letter

to Sibree, did not.151

Theophrastus reiterates his distaste for fusion in “The Modern Hep! Hep!

150

Newton, “George Eliot and Racism,” 656. 151

Newton, “George Eliot and Racism,” 662

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Hep!;” these two opinions are strongly consistent with one another and suggest that Eliot had

maintained her mentality about the mixing of cultures. Although Eliot did not punish Klesmer

for his belief in fusion by making his technically mixed marriage an unhappy one, she did test

the commitment of Catherine to the marriage by having her wealthy (gentile) parents initially

reject her as a result of her engagement and deny her any inheritance. Catherine demonstrates

that she is willing to give up not only money but her familial and cultural identities as well in

order to marry Klesmer.152

(Her parents later grudgingly relent and give the couple some money,

partly because they have no one else to leave it to.) In order to enjoy life with one another, they

must first (however willingly) give up their cultural identities so that their union will be made

without any kind of true miscegenation. This apparent allowance of intermarriage is thus not

really what it seems. By contrast, Eliot presented the marriage of Deronda and Mirah as a sort of

ideal: their personal happiness is simultaneously united with their culture, their religion, and

even their country as they prepare for a new life in a Jewish community in Palestine.153

One of the most convincing arguments that Eliot believed miscegenation of cultures led

to the degradation of Jewish morals is that Lapidoth, the greedy, gambling, deceptive, and

faithless father of Mirah who exploits his daughter for money, is extremely consistent with the

Jewish stereotypes that Theophrastus enumerates in “The Modern Hep! Hep! Hep!.” Lapidoth is

an excellent demonstration that Eliot’s idea of Jews becoming corrupted by assimilation

appeared outside “The Modern Hep!” and therefore also existed outside of Theophrastus, whose

position as a representative of Eliot’s true ideas has been under scrutiny. Newton argues that

Lapidoth’s individualism, materialism, gambling nature and lack of national and religious

identity closely resemble several non-Jewish characters in Eliot’s body of work, and that he is

152

Eliot, Daniel Deronda, 200-212 153

Eliot, Daniel Deronda, 646-692.

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therefore not meant to be a negative caricature of a Jew but a symbol of universal human

weakness.154

However, Eliot chose Jews as the vehicles for these traits in both Deronda and

Impressions for a reason: she believed that alienation from a national community causes these

traits. It is probable that she believed that anyone, Jewish or not, would develop the same traits

when separated from a sense of cultural identity; however, she also believed that such alienation

was exceptionally a problem for Jews precisely because of their history of scattered and

assimilated living (something Theophrastus recounts in The Modern Hep!). This leads back to

her argument that Jews, when mingled with gentiles and refused their own sanctioned country,

become negatively and continually affected by miscegenation. Because she believed alienation to

be a specifically (albeit not exclusively) Jewish issue, the alienated Lapidoth can indeed be read

as a culmination of negative Jewish stereotypes, ones which Eliot believed truly existed. For

Eliot, Lapidoth was a warning to her readers of the very deep dangers of assimilation.

Theophrastus concluded “The Modern Hep! Hep! Hep!” with a reminder to his audience

about the role Judaism played in the development of Christianity, and how important it is for

Christians not to forget or disown their religious roots. This is certainly meant as a note of

sympathy for the Jewish community; however, it further links Theophrastus’ (and Eliot’s) Philo-

Semitism and support for the Jews’ return to Israel to their own Christian beliefs. This particular

type of sympathy for the Jewish community was and remains somewhat complicated.

Eliot’s Philo-Semitism is difficult to define. During most of the final three decades of her

life, she thought increasingly well of Judaism and began to genuinely care about the welfare of

154

Newton, “George Eliot and Racism,” 662.

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Jews and their safety in the world. However, her lifelong interest in the influence of Judaism on

Christianity in many ways drove her changing feelings about the Jewish religion and her

eventual sympathy towards its adherents. A lifelong Christian despite her youthful departure

from Anglicanism and all organized religion, she honored Jews later in her life, as she related in

her letter to Stowe, for having been the religious community which originally gave the world

Jesus Christ. (Indeed, her objection to their conversion in later decades was that Jews gave rise to

Christianity by remaining steadfast in their own religion.)

Eliot’s sympathy for Jews, however, was at least in part related to the fact that she

believed that their religion had played an indispensable role in the creation her own Christian

faith. In “The Modern Hep!” she wrote sentimentally about the Jewish nature of Christ: “The

Apostle of the Gentiles had the heart of a Jew.”155

Eliot had once rejected the Jewish nature of

Christ; now she embraced Jews because she believed that their unwillingness to bow to pagan

gods allowed Jesus to be raised a Jew and in turn build his own religion. This kind of Philo-

Semitism was related to the relationship of Judaism with the advent of Christianity; it was not a

secular love of or respect for the Jewish people but one that depended on the relationship

between the (supposed) isolationism of Judaism and the rise of Christ. This makes her personal

Philo-Semitism a complicated matter, especially considering that she continued to believe

throughout her life that the negative characteristics she described in her letter to John Sibree, Jr.

were, while not inherent in or exclusive to, certainly true of and very particular to the Jewish

people.

155

Eliot, Impressions of Theophrastus Such, 165.

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VI. Conclusion

“The Modern Hep! Hep! Hep!” was a culmination of George Eliot’s beliefs about Jews,

the faith of Christ, and about assimilation and miscegenation in general, which had in many and

complex ways remained consistent over the course of the four preceding decades. Throughout

her life, Eliot’s relationship with and opinions about the Jewish religion were somewhat

intertwined with how she felt about Judaism’s role in the creation of Christ’s faith. She had

earlier in her life defected from the Church of England on the “Jewish notions” which she

believed degraded not only Anglicanism but all of Christian religion and society as well. These

sentiments clearly softened over time as she reconciled with Christianity and became an

advocate for religious tolerance. As a result this, as well as her relationships with and study of

various Jewish intellectuals and gentile humanists she in turn began to embrace Judaism as well.

When she met Emanuel Deutsch in 1866, she began to believe that Jews, through their religious

isolationism, had in a way given the world the Christian faith, and thus Jewish separatism and

proto-Zionism became personal causes for her.

To argue, as K.M. Newton does, that Theophrastus’ opinions in “The Modern Hep! Hep!

Hep!” are not to be taken literally as Eliot’s mentality at that time in her life, but rather

interpreted as a condescension on Eliot’s part to the less sophisticated readers who might not be

receptive to a more respectful exegesis on Jews as she would be is certainly an intriguing

argument.156

It does Theophrastus the service of establishing him as his own character rather

than dismissing him as simply a thinly-veiled version of Eliot herself. However, to say that Eliot

did not believe the Jewish stereotypes she promoted in “The Modern Hep! Hep! Hep!” is to

overlook the relationship her Christian beliefs had with her perception of Judaism. Throughout

156

Newton, “George Eliot and Racism,” 654-665.

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her life, the way she felt about Judaism turned on whether she felt it had affected the faith of

Christ negatively or positively. Her feelings about Judaism, both when they were resentful and

when they were appreciative, were not entirely secular.

This was a Philo-Semitism that was somewhat contingent on Judaism’s interactions with

Christianity, of which Eliot still considered herself a part. However, despite the changes Eliot

underwent in her opinions of Jews, it also meant that the lens through which she perceived them

never shifted or changed. Her perceptions about Jews in “The Modern Hep!” were as truly

reflective of her mentality as a younger woman as they were of her mentality at the age she was

when she actually wrote them. She truly believed them to be isolationists who were extremely

proud of their own religion, and whereas she condemned these traits in them before because she

disliked Judaism’s influence on organized Christianity, she condoned and even praised the same

qualities in her later years because she believed them both to be necessary to the establishment of

Christ’s faith (as well as to be characteristics developed over time in defense of Christians’

persecution of them). Eliot and Theophrastus, who were of very similar mentalities when it came

to their ideals, also described the other characteristics they believed Jews to have, including

avarice, opportunism, moral debasement and alienation from their own faith, which they posited

had developed as a result of the Jews’ centuries living among non-Christians. This, of course,

was meant as an exemplar of the dangers of miscegenation, for all peoples but especially for

Jews.

To see that Eliot seriously objected to the idea of miscegenation throughout her life,

which Newton denies that she did, one has only to look at her other works. The Spanish Gypsy

conveyed warnings about the dangers of mingling different peoples with often clashing beliefs,

as well as of the dangers of people attempting to enter a world of which they are, for one reason

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or another, not part. Other chapters of Impressions carried the same message, and Eliot,

throughout her body of work, emphasized the importance of duty, especially filial duty, over the

indulgence of one’s own individualistic desires, and demonstrated the consequences if one

should choose the latter over the former. This, too, worked to discourage miscegenation and

assimilation by emphasizing that one should prize one’s obligation to his people rather than

pursuing any selfish desires amongst another people, which can result in alienation and, in turn,

moral degradation. Daniel Deronda, Eliot’s most famous Philo-Semitic book, is perhaps the

most important example of this. Lapidoth, suffering from the very Jewish problem (as Eliot saw

it) of alienation as a result of the “scattered” nature of the Jewish people, took on the vices

described in “The Modern Hep!” and indeed turned into an example of what Eliot believed Jews

could become if left without their own collective community in the world. Daniel and Mirah, by

contrast, were held up as a glorious example of what happens when one rejects miscegenation

and instead unites duty and nationhood with personal happiness rather than placing them in

opposition to one another.

“The Modern Hep! Hep! Hep!” was indeed meant as a true statement of support for the

Jewish community, and Eliot genuinely believed that Jews would be both safer and less prone to

moral debasement if they were able to return to Palestine (which she presciently calls “Israel” in

the essay). However, because she also truly believed the stereotypical vices of Jews that she

described in “The Modern Hep!” to be, while not inherent to Jews, certainly founded in reality

and in many ways peculiar to the Jewish community, it is difficult to argue that she did not

actively or consciously promote some anti-Jewish tropes in her work; it is also difficult to argue

that she supported the Jewish community without her own religiosity playing a role. Although

the fact that she both felt and wrote sympathetically about Jews at a time when many did not

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should be recognized and appreciated, both Daniel Deronda and “The Modern Hep! Hep! Hep!”

do, to a certain extent, serve to perpetuate negative perceptions about the Jewish community.

Eliot’s Philo-Semitism, being as it was connected with her deeply Christian identity and

interests, could not be described as a modern interpretation of pro-Jewish beliefs and support for

the Jewish people, which should be divorced from religious and all other non-secular interests.

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