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ARCHITECTURE 1200 - NOW
• What is its purpose to the society?
• How does the design express the meaning of that purpose?
• What technical innovations allow for that expression?
Interior of the Cornaro Chapel, Santa Maria della Vittoria, Rome, Italy
Gianlorenzo Bernini
DramaStagingMaterials
Aerial view of Saint Peter’s, Vatican City, Rome, Italy. Piazza designed by GIANLORENZO BERNINI
Aerial view of Saint Peter’s, Vatican City, Rome, Italy. Piazza
Francesco Borromini Facade of San Carlo alle Quattro Fontane, Rome, Italy1665–1676
Francesco Baromini , Chapel of Saint Ivo, College of the Sapienza, Rome, Italy begun 1642. p. 656 ch. 24 Gardners, 13th ed.
Fra Andrea Pozzo Glorification of Saint Ignatius, ceiling fresco in the nave of Sant’Ignazio, Rome, Italy
Hyacinthe Rigaud
Louis XIV
1701
Claude Perrault, Louis le Vau, and Charles Le Brun
Galerie des Glaces (Hall of Mirrors), palace of Versailles, Versailles, France
Jules Hardouin-Mansart and Charles le Brun
Francois Girardon and Thomas Regnaudin
Jules Hardouin-Mansart
Royal Chapel, with ceiling decorations by ANTOINE COYPEL, palace of Versailles, Versailles, France
Sir Christopher Wren
New Saint Paul’s Cathedral, London, England 1675–1710
Taj Mahal, Agra, India
1632–1647
Momoyama period, ca. 1582
Taian teahouse (interior view), Myokian Temple, Kyoto, Japan
SEN NO RIKYU
Eastern facade of the Katsura Imperial Villa, Kyoto, Japan,
TANGE KENZO
National indoor Olympic stadiums, Tokyo, Japan
Showa period, 1961–1964
GERMAIN BOFFRANDSalon de la Princesse, with painting by CHARLES-JOSEPH NATOIRE and sculpture by J. B. LEMOINE, Hôtel de Soubise, Paris, France1737–1740
FRANÇOIS DE CUVILLIÉS
Hall of Mirrors, the Amalienburg, Nymphenburg Palace park, Munich, Germany
early 18th century
BALTHASAR NEUMANN
Interior of the pilgrimage church of Vierzehnheiligen, near Staffelstein, Germany
1743–1772