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The Museum of Modern Art, Kolkata aims at taking artists and art enthusiasts on a visual and educational journey throughout the history of art. What sets the Museum of Modern Art apart is the sheer contrast between the old and the new under one roof.Hence, a visitor would find fine examplesexamples of traditional, contemporary and digital art in the Museum, but can also view how masterpieces are created as provisions are made to display students painting, sculpting or otherwise creating
beautiful works of art.
KOLKATA | WEST BENGAL UNDERGRADUATE THESIS
MUSEUM OF MODERN ART
DIRECT SUNLIGHT
HEAVIER COOLER AIR ENTERING THROUGH
LOUVRES
BENGALI LONG WINDOW WITH KHARKHARI (LOUVRES)
VILLA HOUSE “BONEDI BARI” OF KOLKATA
TYPICAL COURTYARD OF THE HOUSE
The main inspiration of the form has come from traditional Bengali villas called ‘Bonedi Bari’ which are large residences with one ot multiple courtyards, and some
special vernacular architecture. InIn the Museum of Modern Art, the essence of the traditional elements are taken and
modified into modern equivalents.The illustrations show some studies made of the form and elements of the house.
CONCEPT AND FORM
CONCEPT AND FORM
Traditional window modified to full-length louvre windows to keep air circulation natural while light barely enters.
PTFE is a strong material which can withstand extreme tension, heat and reflects most of bright sunlight, allowing only diffused light.TheThe museum/academic block roof is stretched on a series of trusses and struts.
The open-air-theatre affords a grand view of the museum complex. Artists sometimes perform here. The wall at the
back is reserved for graffiti artists.
Modifying the concept of courtyards in Bengali traditional houses, the courtyards in the museum are built so that any rainwater that falls through is absorbed by the grassy ground, while the typical courtyard ventilation is carried on as normal. The courtyard of the main lobby is accessible, the others are not.
Visitors and staff alike can go over to this accessible island where they can relax and interact with others.
The canteen consists of a kitchen, an indoor sitting area and an outdoor ‘self-service’ area (inspired from “rock” or sitting area outside a traditional
house)house)
The museum has six basic parts: The entrance hall, the administration wing, the exhibition wing, the academic wing, the
canteen and the O.A.T.TheThe administration/entrance block is robust, angular and gives off an aura of formality. It has external terracotta
cladding.The academic/exhibition block is more circular and casual. It has a stretched
membrane roof.
VIEW OF THE MUSEUM
STAFF ENTRANCE HALL
ENTRANCE GATE
CURATOR’S ROOM
STAFF ROOM
STORE ROOM
RESTORATION ROOM
MEETING ROOM
OFFICES
EQUIPMENT STORAGE
DIGITAL ART STUDIO
SERVER ROOM
PROJECTOR SCREEN
HOLOGRAM EXHIBITION
DIGITAL EXHIBITION
CONTEMPORARY EXHIBITION
TRADITIONAL EXHIBITION
ENTRANCE LOBBY
VISITOR ASSISTANCE
SOUVENIR KIOSK
VISITOR MAIN
ENTRANCECLOAK ROOM
FIRST AID
LOST & FOUNDTOILETS
OPEN TO SKY LANDSCAPED COURTYARD
EQUIPMENT STORAGE
PAINTING STUDIO
SCULPTURE STUDIO
SPACES IN THE MUSEUM
ENTRANCES
ACADEMIC WING
SITTING AREA
CANTEEN
OPEN AIR THEATRE
ACCESSIBLE ISLAND WITH A CENTRAL TREE
KITCHEN
VISITOR PARKING
ENTRANCE LOBBY
ACADEMIC WING
MUSEUM WING
FLOOR PLAN
The museum exhibition is separated from the academic wing with a glass wall. The tools and techniques used for making works of art is not a very common knowledge among the general people.
TheThe museum aspires to close this rift between those who make art and those
who enjoy viewing artworks.It becomes a fun and educational experience for viewers of all age groups, while the young artists get some exposure
among art connoisseurs.
VISITORS AND STUDENTS
The museum exhibition has all the equipments necessary for proper presentation of all kinds of artworks ranging from large-scale canvas, paper, photograph, sculpture and also installation
art.TheThe museum also sports a hologram room
for display of digital art.
EXHIBITIONS
The hologram room is an one-of-a-kind display still barely introduced in India. It features hologram machines that have been designed to project an image from multiple angles on to a mist column, thereby creating a 360o view of the artwork,
rather like a sculpture.TheThe hologram room will be an enjoyable
attraction in the museum.
HOLOGRAM ROOM
If the rest of the museum is a little formal, this outdoor attraction is anything but. People can sit here, perform, hold casual gatherings, enjoy someone else’s
performance or just relax.BehindBehind the O.A.T is the graffiti wall. Since graffiti is considered ‘defacing’ of property, here, anyone can create graffiti art, with permission for a change. One must bring
their own graffiti tools, however.
O.A.T & GRAFFITI WALL
Aurangabad Cricket Stadium Design was a competition organized by Aurangabad District Cricket Association and MIT, Aurangabad, where the participants are asked to design a cricket stadium upon 8.3 Acres (33906.15 sqm) of bustling urban land. The structure shall “form a landmark
in the skyline of the citin the skyline of the city.”
AURANGABAD | MAHARASHTRA COMPETITION | 3 MEMBERS
AURANGABAD CRICKET STADIUM
Aurangabad is best known for the nearby Buddhist caves of Ajanta and Ellora. Buddhism is entwined with the culture of
Aurangabad. AA very distinct symbol of Buddhism is the lotus flower. It represents purity, calmness and all that is good in the world. Hence the stadium takes inspiration from both the soft petals and the sturdy calyx of the lotus
flower.
CONCEPT
The cricket ground is an 140m diameter circular playing field that will be used for
international cricket matches.The pitch is 22 yards (66 feet or 20.12 m)
long and 10 feet (3.05 m) wide. ItIt is tilted 15o to the pavilion-media box axis for convenient placement of the white
sightscreen.
VIEW OF THE FIELD
The compression ring supports all the compressive force that the trusses exert. It also supports 16 sets of stadium lights.
The PTFE membrane roof keeps the stadium cool, yet lighted during daytime, since PTFE is a translucent membrane.
The V.I.P Box has a capacity of 560 people and boasts a clear view of the whole playng field. The V.I.P box is reserved for important guests, and players’ families. Each V.I.P Box is well-furnished with couch, television and a small bar.
There are two levels of parking- the basement (236 cars) and the subbasement (406 cars), which comes to a total of 642 cars. Both are accessible by cars.
Tier 2 has 7500 seats, and accessed through elevators. The seats are arranged so that there is minimum discomfort while viewing the playing field.
The pavilion is where players are received when they enter through the player’s entrance.This room is well furnished, and players may wait, refresh and relax here. The game can be viewed from this point as well.
Tier 1 can seat 9036 people. It is accessed by stairs.The slope of tier 1 is less steep than the Tier 2 for optimum viewing angle.
The most important area of a cricket stadium is the playing field. The 15000 sqm. playing field is levelled to perfection and has adequate drainage in case of rain.The pitch and the boundary are designed according to ICC guidelines.
PARTS OF THE STADIUM
The design problem was to build a feasible farmhouse for a fictional client in a given small plot having a slight slope and opportunities for waterscaping. Freedom was given as far as bylaws or FSI is
concerned.
NAGPUR | MAHARASHTRA DESIGN-3
FARMHOUSE
The details of kitchen were to be made. All variables were to be assumed, but the design has to be ergonomic and
comfortable for the user.THe client is fictional.
NAGPUR | MAHARASHTRA WORKING DRAWING
KITCHEN DETAILS
A temporary structure was to be devised which would seve as a relief camp to
disaster victims.A practical approach was expected, with
proper material and joinery details.
NAGPUR | MAHARASHTRA CONSTRUCTION-8
TEMPORARY REFUGEE CAMP
The main materials used were canvas and steel. A traditional pitched roof tent
approach was used.All the parts are either bolted on or hooked on, giving the structure enough flexibility to be taken apart easily, but only by trained
professionals.
NAGPUR | MAHARASHTRA CONSTRUCTION-8
TEMPORARY REFUGEE CAMP
ELEVATION
PLAN
Nagpur Improvement Trust, or NIT has funded a township project over 9900 sq.m. of land near Mouza, Bhamti in Nagpur. THe project consisted of 1BHK, 2BHK, 3BHK
buildings and two commercial blocks.The entrance gates and guard-houses
were designed as per requirement.TheThe project was under construction as of
summer 2014.
NAGPUR | MAHARASHTRAINTERNSHIP PROJECT
NIT BHAMTI GOVT TOWNSHIP
GATE & GUARDHOUSE DESIGN
The project had four different balcony design for each of 1, 2 and 3 BHK towers. For the working drawing of the balconies, this strip section was made (with other details like parapet details, reinforcement
details, etc.TheThe balconies were simple as per government requirements, with plasterwork being the main aesthetic
element.
NAGPUR | MAHARASHTRAINTERNSHIP PROJECT
NIT BHAMTI GOVT TOWNSHIP
3BHK BALCONY STRIP SECTION
ELEVATION
The Nagpur Municipality Corporation has built a new main building (Ground floor
completed, rest under construction).TheThe structural challange for the front gate was a metres wide canal running parallel to the road. It was later decided that the canal would be covered and a wall would be built over it.The gate itself is made of
wrought iron.
NAGPUR | MAHARASHTRAINTERNSHIP PROJECT
NMC MAIN BUILDING
MAIN GATE FOR NMC BUILDING
The front facade of the main building of the Nagpur Municipal Corporation sports four
RCC columns holding up a portico.NMC deemed the bare RCC columns too plain and requested a classical moulding.
TheThe moulding is made with Glass Reinforced Concrete (GRC). It is a
modified Doric column.
NAGPUR | MAHARASHTRAINTERNSHIP PROJECT
NMC MAIN BUILDING
GRC COLUMN MOULDING
The client, Mr. Paliwal wished to completely convert his residence to his office, without any permanent intervention,
like demolishing a wall.TheThe necessary surveys and measured drawings were carried out. The spaces were re-assigned and this plan was drawn up. There were two floors in the residence.
Both were converted to office.
NAGPUR | MAHARASHTRA INTERNSHIP PROJECT
PALIWAL OFFICE
GRC COLUMN MOULDING
Urbane Woods is a bungalow housing in Nagpur undertaken by Architect V. Khare. The construction was started in late 2013.This is a typical grill detail of the windows
of the project.
NAGPUR | MAHARASHTRA INTERNSHIP PROJECT
URBANE WOODS
GRILL DETAIL
Mr. Shiv Aggarwal’s residence was a small-scale project. It was to be a G+2 structure, including a basement garage, a home theatre, a sauna, a gym, among
other things.This render was produced to the client to show the overall aesthetics of the design.
NAGPUR | MAHARASHTRA INTERNSHIP PROJECT
RESIDENCE, SHIV AGGARWAL
DAY VIEW
FRONT VIEW OF THE FOUNTAIN
A path from the main entrance leads off the front road to a series of steps, with a water fountain to the left. The front door is to the right of the fountain. The path continues to a lavish wooden deck with all the
provisions of a barbeque party.
NAGPUR | MAHARASHTRA INTERNSHIP PROJECT
RESIDENCE, SHIV AGGARWAL
FRONT ENTRANCE OF THE HOUSE