Portfolio
Hugo Kooymans
Architecture Portfolio Bachelor and Master - Delft University of Technology [ January 2016 ]
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Architecture Portfolio
Curriculum Vitae 5
Basketball bridge 6
Soda factory 10
Redesign Nirwana 14
Art Gallery Rotterdam 16
Sneakerstore Filling Pieces 20
Extension Faculty of Architecture 22
Modelling studies 24
House with a studio 26
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Curriculum Vitae
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PERSONALIA
Name Henri Hugo Kooymans Nationality Dutch Born 30/06/1992, Arnhem, NL
Current address Ekebergabacken 4 123 63 Farsta Sweden Tel +46762862163 Mail [email protected] Websites
EDUCATION2015 to date Master 2 - Elective courses KTH Royal Institute of Technology (Stockholm)
2015 to date Master of Architecture, Urbanism and Building Sciences Delft University of Technology
2012 - 2014 Honours Programme Bachelor Delft University of Technology
2010 - 2014 Bachelor of Architecture, Urbanism and Building Sciences Delft University of Technology
examyear 2009 - 2010 VWO (Nature & Technology and Nature & Health) Arentheem College
EXPERIENCE01/01/2015 to date Co-founder Fier Design Delft
08/09/2014 - 02/10/2014 Project employee ABF Research Delft
01/09/2013 - 11/06/2015 Teamcontact Monsterscore Amsterdam
05/04/2013 - 01/09/2013 Employee VES Executive Service Arnhem
05/03/2012 - 11/06/2015 Promotor Monsterscore Amsterdam
31/01/2011 - 28/02/2011 Intern Archivolt Architecten bv Amsterdam
01/10/2010 - 28/01/2011 Intern Fons Kooymans Interieurarchitect bni BV Arnhem
05/07/2007 - 26/06/2010 Employee Albert Heijn Arnhem
OTHER ACTIVITIES25/04/2015 to date Editor Pantheon // Committee (writing about architecture) Delft University of Technology
2007 - 2008 Player for the Dutch National Basketball Team U16
SKILLSComputer Rhino, Autocad, Revit, Sketchup, Photoshop, Illustrator, Indesign
Physical Sketching, Physical modelling, 3D printing, Laser cutting
Languages Dutch (native), English (professional working proficiency), German (elementary proficiency)
INTERESTSBasketball, running, fitness, cooking
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BASKETBALL BRIDGE Location Hallunda-Norsborg, SwedenYear 2015Project duration 5 weeksSubject PavilionTutors Tor Lindstrand and Karin Matz
The aim of this project is trying to find a representation for the Swedish social movements called ‘Folkrörelser’ in public space. In reality these asso-ciations could be sports -, cultural-, or educational organizations. These associations can be found in all neighbourhoods, but mostly with a poor visible and spacial representa-tion in the public space. My project was about the sportsassociations in Hallunda Norsborg. I created a sportspavilion in the form of a bas-ketball court which is connected to an existing bridge. I chose this loca-tion because its the entry for people coming from the nearby Fittja, its
visible from the highway and con-tains a spiralramp for pedestrians. The addition of an extra spiral ramp and a basketball court gives this bridge new program in an econom-ically viable way. The volume of the pavilion is big but at the same time there is not much material used. The pavilion works as a representation of the sportassociations by showing the program, the basketball court, di-rectly. Users of the bridge can use the spiral ramp down to continue there way or go up and play basketball. Also for people who are running, the pavilion can be a stop to do excercis-es and then continue there run.
Existing situation... Make place to play basketball or doing excercises...
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Southwest facade
1:500 location model 1:200 3D printed model
Northwest facade 7
BASKETBALL BRIDGE | MASTER PROJECTS
physical site model 8
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BASKETBALL BRIDGE | MASTER PROJECTS
SODA FACTORY Location SchiedamYear 2015Project duration 10 weeksSubject Heritage & Architecture
How to deal with an old soda facto-ry? What kind of program would fit? The soda factory in Schiedam exists out of two old warehouses called ‘Lijfland’ and ‘Coerlandt’. They were built around 1800 and were used for storage during the successful period of the alcohol industry in Schiedam. Later the buildings were transformed into a soda factory which is still visible in the historical traces. For example the wooden load bearing construction is damaged. In 2012 the warehouses were saved from demol-ishing and bought for 1 euro by the sodafactory cooperative association.
The program of the new design consists of rentable space for creative entrepreneurs, flexible spaces and a cafe restaurant. To make a ‘third life’ of the warehouses possible, the warehouses need a catalyst. Thats why I proposed an investment in the space around the building to make the warehouses visible and attain-able. Secondly also an investment in the infrastructure of the warehouses itself. The spaces are dark, low height and only reachable by small wooden stairs. The diagrams below explain the spatial intervention. The connec-tion that is created between the
buildings by removing the inner facades is an important step to create more open floorplans. To let people go up and down easily, provide daylight and create space for meeting each other, the first beech of ‘Lijflandt’ is opened. For this space I designed a steel staircase which con-sists of elevation points and crossing points. The big staircase functions as the new infrastructure of the build-ing. The plans on the right page show the restaurant on the ground floor and the connection to the outdoor space. The rentable studios are visible in the plan of the second floor.
Inner facades not visible...
Creating connection between warehouses byremoving these facades...
Putting back this opening for not affecting the image of the building...
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A B C
Werkplaats 80 m2
Fietsenstalling
Aanlegplaats boten 80 m2
Ingang Ateliers
Ingang Cafe Restaurant
Cafe 80 m2
Terras 40 m2
Pop-up store 85 m2Technische ruimte 27 m2Counter
Groente wassen
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Koude keuken
Spoelkeuken
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UitgifteWarme keuken
Centrale hal
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Studio a 50 m2 Studio b 33 m2 Studio c 33 m2
Studio d 60 m2 Studio e 50 m2 Studio f 90 m2
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Werkkast
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On the left - groundfloor with restaurantOn the right - second floor with studios
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SODA FACTORY | MASTER PROJECTS
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Detail - 60 mm prewall and swivel window
Section AA Section BB
Studio F in detail
The studios are insulated by Faay PG - 60 elements and swivel windows on the inside. The old wooden floors are re-moved from the construction. The new floor exists of lana mineral insulation (25mm), ‘lewisplaten’ with floor heating (16mm) and a layer of 40 mm concrete.
RENOVATION AND CLIMATEThe supply of fresh air comes through the outermost walls, just like the electricity for the studios and the watersupply for the toilets on the studio floors. The air extraction is placed in the middle of the opened up beech above the steel staircase. The diagram on the right page explains this system.
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active thermal �oors
central air extractor
technical wall
technical wall
heat and cold storage from single source with underground exchanger
heat and cold storagecontrol in technical room
heating with radiators
heatingexhaust airsupply air
thermisch actieve vloeren
centrale afzuiging
technische wand
technische wand
WKO monobron met ondergrondsewisselaar
Regelkast WKO in technische ruimte
verwarming met radiatoren
verwarmingafvoer luchttoevoerlucht
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SODA FACTORY | MASTER PROJECTS
REDESIGN NIRWANA Location The HagueYear 2015Project duration 5 weeksSubject Building Technology
This project is focused on building technology in wood. The study case is the flat Nirwana in the Hague. It’s the highest concrete building in the Netherlands when it was built. The question was to redesign this apart-ment building with the possibilities of building technology today. My choice was to build in wood and add a second skin to the building to make the climate more comfortable during summer and winter and reduce the noise from the adjacent freeway. Together with my classmates Tom Scholten and Tijs Niessen, we decid-ed to make the second skin in re-use material.
Tom used taurpalin from trucks, Tijs used old wooden window frames and I decided to use glass panels from office buildings that are not recyclable because of the permanent coating. The exploded view draw-ing on this page shows the concept of the construction. The floors are made of CLT wood (cross laminated timber), the columns and beams are glulam. To re-use the glass panels (coated) I had to design a system which could carry the panels as a facade and which would allow dif-ferent sizes. After all, the glass panels are not suitable for cutting.
To carry the glass panels and allow overlap I designed stainless steel profiles. They are attached to the outermost glulam beams and are visible as big buttons on the facade. The glass panels are carried from below and are locked up by another button from above. The drawings on the right page are showing how the buttons are attached. Also the details of the wooden construction are more visible in the drawings.
1 Floors CLT wood
2 Glulam columns
3 First facade
4 Second skin facade re-use glass panels
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1 Fundering
2 Balkon-gevel
3 Vloer-gevel
5 Dakrand
4 Bovenzijde gevel
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Stainless steel gutter with filter
Bolt connection to glulam beam
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PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
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P = +24100Waterproof foil
Plaster 10 mm60 mm wood fibre panel (waterproof)Flax Insulation 200 mmDamp proof course (DPC)Plywood Panel 10mmCLT wood 81 mmKingspan Insulation 75 mm
Rooftrim
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CLT wood 135 mm (Leno Massivbau)
Stainless steel water drainage gutter
Stainless steel profileRubber 5 mmRe-use glass panel 6 (15) 6Re-use glass panel 4 (15) 6
Bolt connection to beam
Stainless steel profileWood fibre insulation 25 mm (sloping)Waterproof foil
(Cleaning)
Timber board 32 mm
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Facade detail 1:5 (reduced)Roof detail 1:5 (reduced) Button 1:5 (reduced)
Facade view 1:20 (reduced) Horizontal facade section 1:20 (reduced)
Vertical section 1:20 (reduced)
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REDESIGN NIRWANA | MASTER PROJECTS
ART GALLERY ROTTERDAMLocation Westzeedijk, RotterdamYear 2014Project duration 8 weeksSubject Designproject 6: building and technology
This project is located on the West-zeedijk in Rotterdam. It is a special lo-cation; the southside of the building touches the dyke and the rest of the building is located in a public park.This building replaces the old art gallery, designed by OMA.The challenge for me was to combine sustainable technology with archi-tecture. I was looking for an element that would contribute to sustainable technolgy but also would provide interesting architectural possibilities.Inspired by the use of water in mu-seums of Tadao Ando and the use of the element water in the Walterbos Complex en University Building ‘Minn-aert’ of architect Michiel Riedijk, I
designed a new art gallery. In terms of sustainable technology the use of water in the building provides natural cooling of the building and the re-use of rainwater. In terms of architectural possibilities the water is a unique element that is perceptible by the senses in different ways. As ex-ample: it makes noise and it reflects light. For this art gallery it also could be used as a special way to exhibit sculptures outside.This means the roof of the art gallery can collect rainwater that can be used for cleaning, toilet flushing and watering. In the summer the roof cools the lower spaces.At the same time the roof is used
as an architectural element. Sculp-tures can be exhibited in the 70 cm high water storage. The construction of the building is made of concrete BubbleDeck floors to carry the extra weight of the water. The building is heated by thermally active floors and cooled by individ-ual air handling units per space to provide a constant temperature and humidity rate.The ‘skin’ of the building is made of small rings of stainless steel. These small rings are covering the whole building to filter the light.
location West-zeedijk first floor16
ground floor
second floor
roof view
roof top
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ART GALLERY ROTTERDAM | BACHELOR PROJECTS
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Zaal 3, 18 - 25 graden, relatieve luchtvochtigheid 45-55 %, 25 m3/h per persoon
Entreehal, minimaal 15 graden, 25 m3/h per persoon
Foyer auditorium, 20 - 28 graden, 25 m3/h per persoon
Ventilatie inblaasrooster
Afzuigrooster
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Section BB
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Vertical section 1:20 (reduced)
Roof detail 1:5 (reduced)
Facade detail 1:5 (reduced)
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ART GALLERY ROTTERDAM | BACHELOR PROJECTS
SNEAKERSTORE FILLING PIECESLocation -Year 2014Project duration 8 weeksSubject Designproject: retail design
The brand Filling Pieces is founded in 2009 in Amsterdam. The product is a highclass sneaker that bridges the gap between streetwear and high-end fashion. For this brand I designed a store. My inspiration for the concept of the store came from the shoe itself. The designers are always looking for new inspiration all over the world. They travel the world to get inspired by great styles and people. They are ‘discovering’. If you enter this store you will also get the feeling of ‘discovering’. All the elements in this sneakerstore are focused on this concept.
The ‘floor’ of the groundfloor is divid-ed in big concrete plates surrounded by a layer of 50 mmwater. The elevationpoint is in the back of the store and directs to the entrance of the store. It is a main element in the store. The variation in the way the shoes are presented are fitting well in the concept of ‘discov-ering’.The drawing below shows the dif-ferent elements of the sneakerstore. With this design I tried to bring the theme of discovering into a retail design.
Detail shoe presentation 1:5 (reduced)
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Section AA Section BB
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SNEAKERSTORE FILLING PIECES | BACHELOR PROJECTS
EXTENSION FACULTY OF ARCHITECTURELocation Julianalaan, DelftYear 2013Project duration 8 weeksSubject Designproject 4: Small public building
The design of the lecture hall is a part of the design of the extension of the faculty of architecture. The faculty of architecture needed extra program to be ready for the future. The extra program contains a library, study areas and a new lecture hall. The de-sign for this extension was in a team. My responsibility was the design of the new lecture hall. The concept of the extension was to make a glass house with two volumes. One for the library and one for the lecture hall. In this way the rest of the space is flexi-ble. The diagrams below are showing the concept of the glass house with the two volumes. The first diagram shows the two introvert volumes:
in need of silence. The second dia-gram shows that the two volumes can be excluded from daylight. The third diagram shows that there is dif-ference in sound inside the volumes and outside the volumes. The last diagram shows that the volumes are concentrated points and the space around is flexible.I designed the lecture hall as a volume with rounded corners. The outside is sprayed with white lacquer and the inside with liquid rubber. The result is a very abstract and smooth volume.There are three entrances ‘pushed out’ of the volume. One is on the ground floor en two are on the
second floor. Those on the second floor directly lead to the old existing building. To let in daylight, there are two rounded openings in the top of the lecture hall. An important detail is the way you enter the lecture hall. The balustrade is 1,40 meters high so you can only see the head of some-one walking in which allows more rest in the lecture.
Geluid buiten masssa
Geluid binnen massa
Introvert functions... Exclude daylight...
Difference in noise level... Flexible versus programmed...
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EXTENSION FACULTY OF ARCHITECTURE | BACHELOR PROJECTS
MODELLING STUDIESProject The wallYear 2012Project duration 1 weekSubject Modelling study: the wall
This wall is based on measurements and proportions derived from the se-ries of Fibonacci. For that this wall is 19 cm high and 32 cm long. My inspi-ration for the design of this wall is the factor of scale. A wall can be just a wall between two spaces. But for this model I used a different scale. The wall becomes a 3D object instead of a separation between spaces. It is now possible to walk through, in between or on the wall. The compo-sition of the wall is based on certain sizes (Fibonacci). As example, the side of the ‘wooden stairs’ is built up from the series of Fibonacci 1, 2, 3, 5, 8, 13. The wooden wall, the opening, the first wooden step, the second
wooden step and then the sum of the third wooden step, the opening and the grey wall. All the other sizes in this model are also derived from the Fibonacci serie.As regards the materials I used MDF, perspex and grey cardboard. In this way the wall becomes a recital of different elements instead of a single wall. To me the result is a new way to look at the architectural ‘wall’. The wall now becomes a 3D object and can be used on different scale levels. As an example it is possible to use this wall as a theatre decor.
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Project Composition and constructionYear 2012Project duration 1 weekSubject Modelling study: composition and construction
This composition exists of 3 basic elements in architecture. The surface, the volume and the rod. The compo-sition concerns the spatial arrange-ment of these basic elements in terms of size, ratio, rhythm and scale proportions. Besides the composi-tion of the elements, the encounter between the elements is of great importance. The different elements are connected to each other in vari-ous ways. In this way the larger scale of the composition becomes equally important as the detail. A property that every design should have. This relation between composition and detail is, for example, visible in the surface that divides two spaces and is wedged by 4 rods in de picture on the right side of this page.
Project The collageYear 2012Project duration 1 weekSubject Modelling study: the collage
This collage is based on 3 rhythmic paintings of Jan Schoonhoven. Three different paintings both in patern and size. The challenge of this collage is to connect the patterns and adding extra contrast. For the connection between the patterns I used their white base. In this way the patterns are connected. Furthermore I added some contrast to this collage. The grided pattern is higher, but at the same time it connects quite well with the other patterns. Small squares are cut out of the grid and lying on the second pattern. The strip coming out of the third pattern ‘climbs’ against the lower side of the grided pattern. In this way this collage is a bit like architecture in, more or less, 2D.
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MODELLING STUDIES | BACHELOR PROJECTS
HOUSE WITH A STUDIOLocation Paddepad, The HagueYear 2011Project duration 8 weeksSubject Designproject 1: house and context
The concept of this house with a studio is a ‘glass box’ with a skin of wood. The house is located in the dunes, close to the beach. For the residents of the house I wanted an optimal view of the surroundings. That is why I used the glass box. The organic wooden skin provides pri-vacy and is inspirered on the natural shapes of the environment. The second important element of this house is the routing. The eleva-tion points of the house are, from ground level, situated in the wooden skin. If you enter the house, you first walk past the kitchen towards the en-trance in the wooden skin. The stairs is located in the extension of the entrance. It is visible in the floorplan on the right page. The second stairs to the 2nd floor is located on the opposite side of the the house, also in the wooden skin.
If you walk these stairs you end up in the studio of the house. A big space oriented to the north for optimal light conditions. The studio leads to the outside terrace of the house for an optimal view on the dunes.The house also contains a basement with garage and a garden. The house separates the garden in a ‘public’ and ‘private’ part. The side of the main entrance is the ‘public’ part for guests or clients of the artist. The other side of the garden is the private side. The main task for me was to create a house with a studio that fits into its context. It is not only the concept that contributes to it, it is also in the details. For instance the livingroom on the groundlevel is lowered to provide a unique view of the sur-roundings.
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HOUSE WITH A STUDIO | BACHELOR PROJECTS