Art Design - dev.wright20.com · edition of 50 printed by Hidalgo Arnéra and published by Galerie...

Art Design 26 February 2015 noon cst

Chicago 1440 W Hubbard St Auction Highlights 17 – 26 February 2015, 10 am – 5 pm Monday – Saturday, Sunday by appointment

New York 980 Madison Ave Selections from the Auction 17 – 26 February 2015, 11 am – 5 pm Tuesday – Saturday

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Art Design 26 February 2015 noon cst Chicago Auction Highlights 17 – 26 February 2015, 10 am – 5 pm New York Selections 17 – 26 February 2015, 11 am – 5 pm

Art Design 26 February 2015 noon cst The Walter & Dawn Clark Netsch Collection Lots 100 – 181 Chicago Preview 3 – 6 February 2015

Living with Art The Walter & Dawn Clark Netsch Collection

182 Billy Al Bengston b. 1934

TOM, 1968

lacquer and polyester resin on stenciled aluminum | 26 h × 25 w inches

Signed and numbered to verso ‘B.A.B. 38/50’. Titled, numbered and dated

to original studio label applied to verso ‘TOM 38/50 1968’. This work is number

38 from the edition of 50.

$ 8,000 – 10,000

Provenance Alan Koppel Gallery, Chicago

183 Billy Al Bengston b. 1934

Untitled, 1969

lacquer and polyester resin on stenciled aluminum | 36 h × 34 w inches

Signed and numbered to lower edge ‘B.A.B. Artist Proof’. This artist proof

is a unique variation aside from the edition of 20.

$ 15,000 – 20,000

Provenance Alan Koppel Gallery, Chicago

184 Pablo Picasso 1881 – 1973

Femme aux Cheveux flous, 1962

linocut on Arches paper | 16 h × 12.5 w inches

Signed and numbered to lower edge ‘28/50 Picasso’. This work is number 28 from the

edition of 50 printed by Hidalgo Arnéra and published by Galerie Louise Leiris, Paris.

$ 40,000 – 60,000

Literature Pablo Picasso, Volume I: Catalogue of the Printed Graphic Work

1904 – 1967, Bloch, pg. 225, pl. 1079

185 Jesús Rafael Soto 1923 – 2005

Petite Double Face, 1970

lacquered wood, enameled steel, aluminum, monofilament line

25.5 h × 16 w × 27 d inches

Signed and dated to edge ‘Soto 1970’.

$ 20,000 – 30,000

186 Rosemarie Trockel b. 1952

Untitled, 1986

glass, brass, hair, monofilament line | 61.25 h × 22 w × 21 d inches

$ 50,000 – 70,000

Literature Rosemarie Trockel, Stich and Sussman, pg. 45 illustrates this artwork

Exhibited Rosemarie Trockel, 28 September – 10 November 1991, Museum

of Contemporary Art, Chicago

Provenance Collection of Belle Ziegler | Private collection, New York

Private collection

187 Christian Marclay b. 1955

Sound Holes (suite of twenty-one works), 2007

photogravure on paper | 8.75 h × 7 w inches

Stamped signature and date to verso of each example ‘GS 1481 copyright 2007

Christian Marclay Graphicstudio, USF’. This suite is number 3 from the edition

of 12 published by Graphicstudio/USF.

$ 20,000 – 30,000

Provenance Michael Benevento, Los Angeles | Private collection, Los Angeles

188 Günther Förg 1952 – 2013

Untitled, 1976/1987

copper over wood | 27.75 h × 19.75 w × 1.5 d inches

Signed, numbered and dated to accompanying studio

label ‘12/12 Forg 87’. This work is number 12 from the edition

of 12 published by Galerie Ralph Wernicke, Stuttgart.

Literature Günther Förg, The Complete Editions: 1974-1988, pg. 162, no. III.4

$ 5,000 – 7,000

189 Günther Förg 1952 – 2013

Mr. Green, Mr. Orange, Mr. Blue, Mr. Brown (four works), 2002

tempera on copper | 15.75 h × 11.75 w inches

Signed and numbered on applied label to verso of each example

‘Forg 10/30’. These works are number 10 from the edition of 30 printed

and published by Har-El Printers & Publishers, Jaffa Port, Israel.

$ 10,000 – 15,000

190 Claire Falkenstein 1908 – 1997

Untitled (Fusion), c. 1970

welded copper, fused glass | 11 h × 6.75 w × 6 d inches

$ 12,000 – 15,000

Provenance Gift of the artist to a member of the Falkenstein

Estate Board | Private collection, California | Rago, Modern,

28 October 2007, Lot 44 | Stahr Collection, Barrington, IL

191 Bernard Buffet 1928 – 1999

Untitled, 1958

oil pastel and graphite on paper | 29.25 h × 21.5 w inches

Signed and dated to lower right ‘Bernard Buffet 58’.

$ 20,000 – 30,000

Provenance Galerie David et Garnier, Paris

Galerie Dresdnere, Montreal | Private collection, Chicago

194 Zoran Antonio Music 1909 – 2005

Ombre sul carso, 1957

oil on canvas | 21 h × 25 w inches

Signed and dated to lower edge ‘Music 1957’. Signed,

titled and dated to verso ‘Music Ombre sul carso 1957’.

$ 20,000 – 30,000

Provenance Acquired directly from the artist in 1960

Private collection, Florida


Bearded Man medallion, 1949

18 karat gold | 1.5 dia × .25 h inches

Impressed mark to verso ‘Madoura Empreinte Originale De Picasso’.

$ 9,000 – 12,000

Literature Picasso: Catalogue of the Edited Ceramic Works 1947 – 1971,

Ramié, pg. 56, pl. 90 illustrates ceramic version


Woman’s Face pendant, 1949

18 karat gold | 1.25 dia inches

Impressed mark to verso ‘Madoura Empreinte Originale De Picasso’.

$ 7,000 – 9,000

Literature Picasso: Catalogue of the Edited Ceramic Works 1947 – 1971,

Ramié, pg. 56, pl. 92 illustrates ceramic version

196 Sorel Etrog b. 1933

Study after Ingres’ Turkish Bath, 1970

pastel on paper | 17.25 dia inches (image)

Signed and dated to lower edge ‘Etrog 70’.

$ 1,000 – 1,500

Provenance Hokin Gallery, Palm Beach, FL

Private collection

195 Ibram Lassaw 1913 – 2003

pendant, c. 1970

gold-plated bronze | 3.5 h × 3 w × 1 d inches

Incised signature to verso ‘Lassaw’.

$ 2,000 – 3,000

197 Robert Mangold b. 1937

Frames & Ellipses B, 1988

soft ground etching and aquatint on Fabriano paper | 21.25 h × 29.25 w inches

Signed and numbered to lower margin ‘R. Mangold 40/50’. This work is number


$ 1,000 – 1,500

199 Theaster Gates b. 1973

Untitled, c. 2001

glazed stoneware | 14.75 h × 9 w × 2 d inches

Impressed signature to lower left ‘TG’.

$ 15,000 – 20,000

Provenance The Nevica Project, Chicago | Private collection

198 Robert Loughlin 1949 – 2011

Untitled, Our First President and Phisters Mother (three works), c. 2002

acrylic on canvas, acrylic on board | 42 h × 31.5 w inches

Signed to lower left of one work ‘RL’. Signed to lower right ‘Rob L’ and signed,

titled and dated to verso of one work ‘Our First President Robert Loughlin 2002’.

Signed, titled and dated to verso of one work ‘Phisters Mother RL 2002’.

$ 3,000 – 5,000

Important Works by Harry Bertoia from a Private Collection

200 Harry Bertoia 1915 – 1978

Untitled (Sonambient), c. 1970

beryllium copper and brass | 59.75 h × 6 d × 17.75 w inches

This work features a single row of twenty rods. Sold with

a title of authentication from Bertoia Studio.

$ 70,000 – 90,000

Provenance Robert Miller Gallery, New York

Private collection, Lake Forest, IL



beryllium copper and brass | 50.5 h × 12 w × 12 d inches

This work features sixteen rods in a four by four configuration.

Sold with a title of authentication from Bertoia Studio.

$ 60,000 – 80,000

Provenance Maxwell Davidson Gallery, New York




beryllium copper, brass | 12 h × 6 w × 6 d inches


$ 10,000 – 15,000

Provenance Christie’s, New York, Twentieth Century Decorative Arts,

1 October 2002, Lot 236 | Private collection, Lake Forest, IL



beryllium copper and brass | 45 h × 9 w × 9 d inches

This work is comprised of thirty-six rods in a six by six configuration.


$ 50,000 – 70,000

Provenance Acquired directly from the artist | Wright, Modernist

20th Century, 22 May 2005, Lot 422 | Private collection, Lake Forest, IL


Untitled (Bush Form), 1977

welded copper and bronze with applied patina | 24 dia × 12.5 h inches


$ 50,000 – 70,000

Exhibited Living with Art: The Segal Collection, May – August 1984,

Arthur Ross Gallery, University of Pennsylvania, Philadelphia

Provenance Acquired from the artist in 1977 | Private collection

Christie’s, Post War and Contemporary Art, 23 September 2003, Lot 35




beryllium copper and brass | 32.5 h × 7.75 w × 7.75 d inches

This work features sixteen rods in a four by four configuration.


$ 40,000 – 60,000

Provenance Wright, Modern Design, 16 March 2003, Lot 288



Untitled (Sonambient), 1968

brass, cupro-nickel and monel | 70 h × 8 w × 8 d inches

This work features four rods in a two by two configuration.


$ 50,000 – 70,000

Provenance Mary-Anne Martin Fine Art, New York



Untitled (Bush Form), c. 1970

welded copper and bronze with applied patina | 12.5 h × 11 dia inches


$ 20,000 – 30,000

Provenance Maxwell Davidson Gallery, New York


208 Paul P. b. 1977

Untitled, 2003

oil on canvas | 8 h × 10 w inches

Signed and dated to verso ‘Paul P. 03’.

$ 2,500 – 3,500

Provenance Marc Selwyn Fine Art, Los Angeles

Private collection, Los Angeles

210 George Rickey 1907 – 2002

Untitled (Balancing Form), 1994

aluminum, stainless steel | 8 h × 4 d × 4.75 w inches

Signed, numbered and dated to base ‘23 Rickey 1994’.

This work is number 2 from the edition of 3.

$ 7,000 –9,000


Tête de béliers, 1945

lithograph on Arches paper | 11.75 h × 16.5 w inches

Signed and numbered to lower edge ‘29/50 Picasso’.


$ 3,000 – 5,000

Literature Pablo Picasso, Volume I: Catalogue of the Printed

Graphic Work 1904 – 1967, Bloch, pg. 108, pl. 382

Provenance Jean and Roger Grossman, Chappaqua, NY

212 American

collection of thirty-three sports team photos, c. 1900 – 1930

vintage photographs | 11 h × 14 w inches (largest)

$ 5,000 – 7,000

211 Rashid Johnson b. 1977

George (from the Seeing in the Dark series), 1998 – 99

Van Dyke Brown print on paper | 30 h × 22.5 w inches

Signed and numbered to edge ‘AP Rashid Johnson’. This work

is an artist proof aside from an unknown edition size.

$ 7,000 – 9,000

213 After Victor Vasarely

Untitled

Finland, c. 1970 | Oy Finnrya AB

wool tapestry | 64 w × 65 d inches

Woven signature to lower edge ‘V’. Signed and numbered on fabric manufacturer’s

label to reverse ‘Edition Limitee No. 4/250 Creation De Oy Finnrya AB Hiekkaharju

Finland’. This work is number 4 from the edition of 250.

$ 5,000 – 7,000

215 Sean Scully b. 1945

Sotto Voce, 1988

spit-bite aquatint etching on wove paper | 41 h × 51.5 w inches

Signed, titled, numbered and dated to lower edge ‘31/40 Sotto Voce Sean Scully

88’. This work is number 31 from the edition of 40 published by Crown Point Press,

Oakland.

$ 5,000 – 7,000

Provenance D & J Bittker Gallery Ltd., Bloomfield Hills, MI | Private collection

214 Henry Moore 1898 – 1986

Reclining Nude (from Sketchbook 1980), 1980

intaglio on paper | 14.75 h × 11.75 w inches

Signed and numbered to lower margin ‘Moore V/X’. This work is number 5 of 10

artist proofs aside from the edition of 75 published by Raymond Spencer Company

for The Henry Moore Foundation, Much Hadham, United Kingdom.

$ 2,000 – 3,000


Les Deux femmes nues, 1946

lithograph on Arches paper | 12.75 h × 17 w inches

Signed and numbered to lower edge ‘28/50 Picasso’.


$ 10,000 – 15,000

Literature Pablo Picasso, Volume I: Catalogue of the

Printed Graphic Work 1904 – 1967, Bloch, pg. 111, pl. 390


217 Ross Bleckner b. 1949

Untitled, 1989

monotype on paper | 14 h × 10.25 w inches

Signed and dated to lower margin ‘Ross Bleckner 1989’.

$ 2,000 – 3,000

216 Francesco Clemente b. 1952

Untitled, c. 1990

watercolor on paper | 16 h × 12.25 w inches

$ 9,000 – 12,000

219 Andy Warhol 1928 – 1987

Volkswagen Lemon (from the Ads Series), 1985

screenprint in colors on Lenox Museum board | 38 h × 38 w inches

Signed and numbered to lower right ‘Andy Warhol III/X’. This work is Roman

numeral 3 from the edition of 10 aside from the edition of 190 printed by Rupert

Jasen Smith, New York and published by Ronald Feldman Fine Arts, Inc., New York.

$ 20,000 – 30,000

Literature Andy Warhol Prints: A Catalogue Raisonné 1962 – 1987, Feldman,

pg. 147, pl. 11.358

221 Andy Warhol 1928 – 1987

Marilyn (Castelli Graphics Invitation), 1981

offset lithograph on paper | 12 h × 12 w inches

Signed to left margin ‘Andy Warhol’. This work is from the unknown edition

size published by Colour Editions, Inc. This invitation was created for the

exhibition Andy Warhol: A Print Retrospective 1963-1981 held at Castelli

Graphics, New York, 21 November – 22 December 1981.

$ 7,000 – 9,000

220 James Brown b. 1951

Untitled VIIVII (four works), c. 1985

etching on paper | 21 h × 19 w inches

Signed and numbered to lower margin of each work ‘James Brown

VIIVII 4/35’. Each work is number 4 from the edition of 35.

$ 3,000 – 5,000

223 Alan Davie b. 1920

Untitled, 1959

oil on paper mounted to board | 16.25 h × 20.75 w inches

Signed and dated to upper right ‘Alan Davie 59’.

$ 10,000 – 15,000

222 Tejo Remy

You Can’t Lay Down Your Memories

The Netherlands, c. 1991 | Droog

vintage drawers, maple, jute, steel | 57 w × 24 d × 52 h inches

Measurements are approximate and vary with installation. Signed and stamped

to reverse of one drawer case ‘Tejo Remy’ with stamped manufacturer’s mark to

interior of each case ‘No. 088 Droog Design Atelier Schelling & Boraboom Den

Haag’. This example is number 88 from the edition of 200.

$ 10,000 – 15,000

224 Donald Sultan b. 1951

Apples and Red Pears (two works from the Fruits and Flowers portfolio), 1989

screenprint on paper | 23 h × 22 w inches

Signed, titled and numbered to margin of one work ‘Apples Donald Sultan 47/125’.

Signed, titled and numbered to margin of one work ‘Red Pears Donald Sultan 47/125’.

Each work is number 47 from the edition of 125 published by Parasol Press,

Portland, Oregon.

$ 2,000 – 3,000

225 Marc Newson

Wicker chair

Australia/Japan, 1990 | Idée

wicker, aluminum | 26.5 w × 36 d × 30 h inches

$ 4,000 – 6,000

Literature Marc Newson, Rawsthorn, ppg. 60, 213 Marc Newson,

Morgan, ppg. 164 – 165, 172

228 Yayoi Kusama b. 1929

collection of twenty-seven books, 1998

printed paper | 12.75 h × 9.75 w × 1 d inches

Complete list of titles is available online.

$ 4,000 – 6,000

227 Leon Polk Smith 1906 – 1996

Untitled, 1949

collage on paper | 39.75 h × 32 w inches

Signed and dated to lower edge ‘Leon Polk Smith 49’.

Sold with a photocopy of the original invoice.

$ 3,000 – 5,000

Provenance Hoffman, Friedberg, Germany | Private collection

226 Leon Polk Smith 1906 – 1996

Untitled, 1952

collage on paper | 32.5 h × 26 w inches

Signed and dated to lower edge ‘Leon Polk Smith ‘52’.

Sold with a photocopy of the original invoice.

$ 3,000 – 5,000

Provenance Hoffman, Friedberg, Germany | Private collection

231 Roy Lichtenstein 1923 – 1997

Industry and the Arts, 1969

screenprint on C.M. Fabriano 100/100 Cotone paper | 21 h × 18.25 w inches

Signed, dated and numbered to lower edge ‘Roy Lichtenstein 69 18/250’. This work

is number 18 from the edition of 250 published by Gabriele Mazzotta Editore, Milan.

$ 6,000 – 8,000

Literature The Prints of Roy Lichtenstein: A Catalogue Raisonné 1948 – 1997,

Corlett, pg. 108, no. 86

230 Sam Falls b. 1984

Life Size, 2012

bound printed paper with hand-coloring | 12.25 h × 9.25 w × 1 d inches

Signed and numbered to interior ‘S. Falls 7/25’. This example is number 7

from the edition of 25 in a hardcover bound in hand-dyed fabric cut from original

artworks. Text features poems by Jamie Kanzler. Published by Karma, New York.

$ 600 – 800

Provenance Karma, New York | Private collection

229 Claire Falkenstein 1908 – 1997

Untitled (Fusion), c. 1970

welded copper, fused glass | 4.5 h × 6 w × 5 d inches

$ 3,000 – 5,000

Provenance Stahr Collection, Barrington, IL

232 Marc Newson

Helice floor lamp

Australia/Italy, 1993 | Flos

enameled aluminum | 14.5 dia × 75 h inches

$ 2,000 – 3,000

Literature Mark Newson, Rawsthorn, ppg. 74 – 77, 213

233 Nancy Dwyer b. 1954

Over Here, No Over Here (diptych), 1989

acrylic on canvas | 70 h × 101.5 w inches

$ 5,000 – 7,000

Provenance Wright, Living Contemporary,

26 September 2013, Lot 145 | Private collection

235 Ernest Trova 1927 – 2009

Falling Man Series, Black no. 16, c. 1963

acrylic on canvas | 36 h × 36 w inches

Signed to verso ‘Trova’.

$ 2,000 – 3,000

Provenance Pace Gallery, New York

Private collection

234 Nassos Daphnis 1914 – 2010

S-12-67, 1967

acrylic on paper mounted to board | 12 h × 12 w inches

Signed and titled to verso ‘N. Daphnis S-12-67’.

$ 2,000 – 3,000

237 Ernest Trova 1927 – 2009

Study/Falling Man (Green Sun), 1978

etching and aquatint on paper | 33.75 h × 29.5 w inches

Signed, numbered and dated to lower edge ‘58/90 E. Trova 78’.

This work is number 58 of the edition of 90.

$ 600 – 800

Provenance Hokin Gallery, Palm Beach, FL | Private collection

236 Ernest Trova 1927 – 2009

Falling Man Study, 1967


Signed, titled, dated and inscribed to verso ‘Study 1967

For Grace Hokin Very Best Wishes Ernest Trova’.

$ 900 – 1,200

Provenance Grace Hokin, Palm Beach, FL | Private collection

238 Ernest Trova 1927 – 2009

Abstract Variation Manscape, 1984

enameled steel, bronze, acrylic | 9.25 h × 4.5 d × 6.5 w inches

Signed, titled, numbered and dated with studio mark to underside ‘E. Trova A.V.

Manscape 32/50 Pace Editions Inc 1984’. This work is number 32 from the edition

of 50 published by Pace Editions, Inc., New York.

$ 900 – 1,200

239 Ernest Trova 1927 – 2009

Falling Man Study No. 196, 1972

pewter and silver alloy | 6.5 h × 6 d × 24 w inches

Impressed studio mark with date to underside ‘72’.

$ 15,000 – 20,000

Provenance The Pace Gallery, New York

Private collection

241 Tom Friedman b. 1965

Untitled, 2004

relief print | 19.5 h × 11.5 w inches

Signed and numbered to verso ‘Tom Friedman AP II’. This work is an artist

proof aside from the edition of 12 published by Island Press, St. Louis.

$ 15,000 – 20,000

240 Ernest Trova 1927 – 2009

Standing Wrapman, 1986

stainless steel, acrylic | 16.25 h × 5 d × 5 w inches

Numbered and dated with studio mark to underside ‘6/8 1986’.


$ 9,000 – 12,000

242 Jenny Holzer b. 1950

Inflammatory Essays (set of ten), c. 1982

offset print on paper | 10 h × 10 w inches

$ 1,500 – 2,000

Literature Jenny Holzer, Waldman, ppg. 62 – 69

243 Tauba Auerbach b. 1981

Mesh Moire IV, 2012

soft ground etching on paper | 31.5 h × 23.75 w inches

Signed, dated and numbered to lower edge ‘14/40 Tauba

Auerbach 2012’. This work is number 14 from the edition

of 40 published by Paulson Bott Press, Berkeley.

$ 5,000 – 7,000

244 Karel Appel 1921 – 2006

Oiseau et Garçon, 1969

acrylic on paper mounted to linen | 19.5 h × 24.75 w inches

Signed and dated to lower right ‘Appel 69’. Signed, titled and

dated to verso ‘No. 15 Oiseau et Garçon Paris 1969 Appel’.

$ 15,000 – 20,000


246 Ross Bleckner b. 1949

Untitled, 2009


Signed, dated and inscribed to verso ‘RB5860 RB 2009

For Jose with love Ross B 6/10’.

$ 7,000 – 9,000

245 Damien Hirst b. 1965

Spin Painting, 1995

watercolor and acrylic on paper | 5.75 h × 3.5 w inches

Signed and annotated to verso ‘Damien Hirst DHS 2377’. This work is unique.

$ 5,000 – 7,000

Provenance Gvesner Fine Art, London | Private collection

247 Dave Muller b. 1964

Diaristic, 2001 – 2004

acrylic on paper | 4 h × 3.5 w inches (each)

This lot is composed of 100 works on paper. A selection of these

works will be included in a forthcoming publication by Dave Muller

that will feature his Polaroid-sized paintings.

$ 70,000 – 90,000

Provenance Blum & Poe, Los Angeles | Private collection, New York

250 Edward Ruscha b. 1937

Every Building on the Sunset Strip, 1966

offset print on paper, silver Mylar | 7.25 h × 5.75 w inches

This work is from the true first edition of 1,000 published by the artist.

$ 2,000 – 3,000

Literature Edward Ruscha: Editions 1959 – 1999, Catalogue Raisonné,

Engberg, vol. 1, ppg. 84 – 85 and vol. 2, pg. 124, no. B4

249 Sam Falls b. 1984

Val Verde, 2011

bound printed paper with hand-coloring | 10.25 h × 8 w inches

Signed and numbered to interior ‘S. Falls 5/30’. This example is number

5 from the edition of 30 (one of three colors) in a special hardcover bound

in hand-dyed and sun-exposed fabric cut from original artworks. Text features

poems by Jamie Kanzler. Published by Karma, New York.

$ 400 – 600

Provenance Karma, New York | Private collection

248 Man Ray

Les grands trans-Parents (from Ultramobile series)

USA/Italy, 1971 | Simon Gavina

screenprint on mirror | 71 h × 31 w inches

Printed signature to lower edge ‘Man Ray’.

$ 3,000 – 5,000

Literature Simon Gavina, manufacturer’s catalog, pg. 21 Dino Gavina:

Ultarazionale Ultramobile, Orsini, ppg. 147, 149, back cover The Adventure

of Design: Gavina, Vercelloni, pg. 139

251 John Baldessari b. 1931

Crowds with Shape of Reason Missing, Example 3, 2012

Mixografia on hand made paper | 25 h × 38.75 w inches

Signed to studio label to verso ‘Baldessari’. This work is number

33 from the edition of 60 published by Mixographia, Los Angeles.

$ 4,000 – 5,000





33 from the edition of 60 published by Mixographia, Los Angeles.

$ 4,000 – 5,000





33 from the edtion of 60 published by Mixographia, Los Angeles.

$ 4,000 – 5,000

255 Michelangelo Pistoletto b. 1933

Frattali, 1999 – 2000

acrylic on mirrored glass | 21.75 h × 30.25 w × .25 d inches

Signed, titled and dated to verso ‘Pistoletto 1999/2000 Frattali’.

$ 6,000 – 8,000


Whaam! (Diptych), 1963

offset lithograph on paper | 25 h × 29 w inches

Signed to lower edge of right panel ‘Roy Lichtenstein’. Printed manufacturer’s mark to

lower edge of each ‘Published by The Tate Gallery, London. Reproduced and Printed in

Great Britain by Lautrec Photo Litho Ltd. Leeds, 2M68’. This work is from the edition of

2000 printed by Lautrec Photo Litho Ltd. and published by the Tate Gallery, London.

$ 7,000 – 9,000

Literature The Prints of Roy Lichtenstein: A Catalogue Raisonné 1948 – 1997,

Corlett, pg. 325, app. 7

256 Bruno Munari 1907 – 2003

collection of twenty-nine books, 1942 – 2003

printed paper | 11.25 w × .75 d × 9.25 h inches

Complete list of titles is available online.

$ 2,000 – 3,000

258 Raymond Pettibon b. 1957

Untitled (Is there anything…), 2002

ink and watercolor on paper | 17.25 h × 11 w inches

Signed and dated to verso ‘Raymond Pettibon 02 RaP 5403’.

$ 7,000 – 9,000

Provenance Regen Projects, Los Angeles | Private collection

257 Yoon Hyon-Kun 1928 – 2007

Umber – Blue ‘87 #21, 1987

oil on paper | 37 h × 25 w inches

Signed and dated to lower edge ‘H K Yoon ‘87’.

$ 3,000 – 5,000

260 Sam Francis 1923 – 1994

Untitled, c. 1977

monotype on paper | 24 h × 19 w inches

Signed to lower right corner ‘Sam Francis’.

$ 10,000 – 15,000

259 Tom Wesselmann 1931 – 2004

Monica Sitting with Mondrian, 1989

screenprint on paper | 50.75 h × 37 w inches

Signed, numbered and dated to lower edge ‘Wesselmann 89 85/100’.

This work is number 85 from the edition of 100 published by International

Images, Inc., Putney, Vermont.

$ 10,000 – 15,000

263 Keith Haring

No. 1 Spirit of Art tea service

USA/Germany, 1991 | Villeroy & Boch

bone china | 8.75 w × 5 d × 9 h inches

Signed with printed manufacturer’s mark to underside of each ‘No 1 Spirit of Art Keith

Haring The Estate of Keith Haring 1991 Villeroy & Boch Germany’. This work is number

290 from the edition of 500. Sold with a certificate of authenticity issued by Villeroy &

Boch and the Keith Haring Estate. Service includes six teacups, six saucers, six plates,

one serving plate, teapot, sugar bowl and creamer.

$ 2,000 – 3,000

261 Keith Haring 1958 – 1990

Popshop IV, 1989

screenprint on paper | 11.25 h × 14.25 w inches

Signed, dated and numbered to right margin ‘K. Haring 89 18/200’. This work is number

18 from the edition of 200 published by Martin Lawrence Limited Editions, Inc.

$ 5,000 – 7,000

Provenance Martin Lawrence Modern, New York | Private collection

262 Keith Haring 1958 – 1990

Untitled, 1988

India ink on paper | 12 h × 9 w inches

Signed and dated to front ‘K. Haring 88’.

$ 5,000 – 7,000

Provenance Martin Lawrence Modern, New York | Private collection

264 Sol LeWitt 1928 – 2007

Irregular, Angular Brushstrokes, 1997

color sugar lift aquatint on Somerset Textured White paper | 39.5 h × 29.75 w inches

Signed and numbered to lower margin ‘LeWitt 19/25’. This work is number 19 from the

edition of 25 printed by Crown Point Press, San Francisco.

$ 3,000 – 5,000

Provenance Wright, Modern Design, 7 October 2007, lot 586

Stahr Collection, Barrington, IL

266 Gaetano Pesce

conference table from TBWA/Chiat/Day, New York

Italy, 1994

resin, steel, plastic | 124 w × 38 d × 28 h inches

$ 7,000 – 9,000

Literature Gaetano Pesce, Bartolucci, ppg. 84 – 87 illustrate and discuss project

Time-based Architecture, Heyden, Leupen, Heijne and von Zwol, ppg. 144 – 147

discuss project

Provenance TBWA/Chiat/Day, New York | Wright, Modern Design, 12 October

2010, Lot 346 | Private collection, New York

265 Robert Heinecken 1931 – 2006

Jane Pauley/NBC/Today, 1982

videogram, six-color lithograph on paper | 20 h × 22 w inches

Signed and numbered to lower edge ‘Heinecken 1982’.


$ 2,000 – 3,000

Provenance Acquired directly from the Robert Heinecken Trust | Private collection


Crying Girl mailer, 1963

offset lithograph on wove paper | 17 h × 23 w inches

This print is from the unknown edition size printed by Colorcraft,

New York and published by Leo Castelli Gallery, New York.

$ 2,000 – 3,000

Literature The Prints of Roy Lichtenstein: A Catalogue Raisonné

1948 – 1997, Corlett, pg. 282, pl. II.1

268 Jesús Rafael Soto 1923 – 2005

Óvalo en el Rojo (from Serie Sintesis), 1979

screenprint on Plexiglas with metal rods | 15.25 h × 15.25 w × 5.5 d inches

Signed, titled and numbered with applied paper gallery label to reverse ‘Jesus Soto

46/110’ and signed by the artist ‘Soto’. This work is number 46 from the edition of 110.

$7,000–9,000

269 Studio Simon

Omaggio ad Andy Warhol, set of four stools (from Ultramobile series)

Italy, c. 1973 | Simon International

enameled steel, upholstery | 12 dia × 18 h inches

Signed with decal manufacturer’s label to top of each

‘Omaggio A: Warhol Ultramobile Simon Bologna Italy’.

$ 3,000 – 5,000

Literature 1000 Chairs, Fiell and Fiell, pg. 477 Das Abenteuer

des design Gavina, Vercelloni, figs. 130 – 132

270 Alex Katz b. 1927

Sweatshirt II (from Alex and Ada, the 1960s to the 1980s portfolio), 1990

screenprint on Arches paper | 36 h × 28.63 w inches

Signed and numbered to lower left ‘Alex Katz 32/150’. This work is number

32 from the edition of 150 printed by Styria Studio, New York and published

by Gaultney-Klineman, New York.

$ 2,000 – 3,000

Literature Alex Katz Prints: Catalogue Raisonné 1947 – 2011, Schröder,

no. 248, pg. 179

271 Robert Mangold b. 1937

A Red, 1979

aquatint on paper | 40.5 h × 40.5 w inches

Signed, titled and numbered to lower edge ‘48/50 A Red R. Mangold’.

This work is number 48 from the edition of 50 printed by Hidekatsu

Takada and published by Crown Point Press, San Francisco.

$ 2,000 – 3,000

Provenance Cantor/Lemberg Gallery, Birmingham, MI | Private collection

273 Barbara Kruger b. 1945

You’re Right (And You Know It And So Should Everyone Else), 2010

lithograph on paper | 9 h × 24 w inches

Signed, numbered and dated to verso ‘BK 47/200 2010’. This work is number


$ 2,000 – 3,000

274 Kay Rosen b. 1949

Cut Out, 1993


Signed, titled, numbered and dated to verso ‘Kay Rosen Cut Out 30/30 93’.

This work is number 30 from the edition of 30 printed by Anchor Graphics, Chicago.

$ 1,000 – 1,500

272 Victor Vasarely 1906 – 1997

Untitled (Geometric Composition), c. 1975

serigraph on paper | 25 h × 22.25 w inches

Signed and numbered to lower edge ‘195/250 Vasarely’.


$ 500 – 700

275 Terence Main b. 1954

Untitled, 1989

aniline-dyed plywood, cowhide | 57 h × 20.25 w × 27 d inches

Carved signature and date to lower edge ‘Main 89’.

$ 3,000 – 5,000

276 Jean Dubuffet 1901 – 1985

Marche en campagne, 1975

screenprint on paper | 31 h × 28 w inches

Signed, dated and numbered to lower edge ‘J.D. 75 48/70’. This work is number

48 from the edition of 70 published by Pace Editions, Inc., New York.

$ 3,000–5,000

Provenance Hokin Gallery, Palm Beach, FL | Private collection

278 Blinky Palermo 1943 – 1977

Fünf Miniaturen (five works), 1972

foil embossing on paper | 5.75 h × 1.5 w inches

Signed and dated to lower edge of each example ‘Palermo 72’. These works

are from the edition of 75 published by Galerie Heiner Friedrich, Munich.

$ 10,000 – 15,000

277 Emerson Woelffer 1914 – 2003

Untitled, 1991

oil on canvas | 11.5 h × 8.5 w inches

Initialed and dated to lower edge ‘E.W. 91’. Signed, dated

and inscribed to verso ‘Woelffer 91 for Rachelle 2-26-92’.

$ 3,000 – 5,000

281 Marc Newson

Wooden Chair

Australia/Italy, 1988/c. 1992 | Cappellini

bent beech wood | 33 w × 41 d × 27.25 h inches

Signed with applied manufacturer’s label to interior ‘Cappellini’.

$ 5,000 – 7,000

Literature Marc Newson, Rawsthorn, ppg. 34 – 37, 212

Marc Newson, Morgan, pg. 173

279 After Alexander Calder

Circus Tapestry

USA, 1975 | C.A.C. Publications/Bon Art

hand-woven maguey fiber | 84 h × 57 w inches

Woven signature, date and number to lower edge ‘68/100 Calder 75’. This work is

number 68 from the edition of 100 published by C.A.C. Publications and Bon Art.

$ 3,000 – 5,000

280 After Alexander Calder

Balloons Tapestry

USA, 1974 | C.A.C. Publications/Bon Art

hand-woven maguey fiber | 70 h × 49 w inches

Woven signature and date to lower right ‘CA 74’. This work is from the edition

of 100 published by C.A.C. Publications and Bon Art.

$ 3,000 – 5,000

282 Frank Stella b. 1936

Egyplosis (from Imaginary Places II), 1996

color etching with relief on paper | 32 h × 32 w inches

Signed, numbered and dated to lower margin ‘32/36 F. Stella 96’. This work

is number 32 from the edition of 36 published by Tyler Graphics, Ltd., New York.

$ 3,000 – 5,000

283 Frank Stella b. 1936

Swan Engraving Blue (from Swan Engraving series), 1983

color etching with relief on paper | 38.5 h × 31.5 w inches

Signed, numbered and dated to lower edge ‘21/30 F. Stella 83’. This work

is number 21 from the edition of 30 published by Tyler Graphics Ltd., New York.

$ 7,000 – 9,000

286 John Sennhauser 1907 – 1978

Untitled, 1945

ink and gouache on paper | 13.5 h × 18.5 w inches

Signed and dated to lower margin ‘John Sennhauser 1945’.

$ 1,500 – 2,000

285 Helen Frankenthaler 1928 – 2011

Variation II on ‘Mauve Corner’, 1969

lithograph on paper | 19.75 h × 25 w inches

Signed, dated and numbered to lower margin ‘Helen Frankenthaler 69 10/21’.

This work is number 10 from the edition 21 published by ULAE, New York.

$ 3,000 – 5,000

Literature Frankenthaler, A Catalogue Raisonné: Prints 1961 – 1994,

Harrison, no. 17, ppg. 106 – 109

284 Alex Katz b. 1927

Corrine (Four Faces), 1990

woodcut on Mulberry paper | 13.5 h × 52.5 w inches

Signed and numbered to lower left ‘Alex Katz 45/50’. This work is number

45 from the edition of 50 printed by John C. Erickson, New York and published

by International Images Inc., New York.

$ 1,000 – 1,500

Literature Alex Katz Prints: Catalogue Raisonné 1947 – 2011, Schröder, pg. 176, no. 236

289 Kees van Dongen 1877 – 1968

Les Cheveux Courts-1st State, 1924


Signed and numbered to lower edge ‘van Dongen 29/30’. This work

is number 29 from the edition of 30 published by E. Frapier, Paris.

$ 2,000 – 3,000

288 Grisha Bruskin b. 1945

Study, 1990

ink and gouache on paper | 11.5 h × 8.25 w inches

Signed to lower right ‘Grisha Bruskin’.

$ 4,000 – 6,000

Provenance Marlborough, New York | Hokin Gallery, Palm Beach, FL

Private collection

287 Nat Finkelstein 1933 – 2009

Dylan, Warhol, and Elvis, 1967/2010

gelatin silver print | 15 h × 22 w inches

Stamped to verso ‘Estate of Nat Finkelstein’. Signed, dated and numbered by the

estate to verso ‘Finkelstein 2010 8/20’. This work is number 8 from the edition of 20.

$ 2,000 – 3,000

Provenance Eric Firestone Gallery, East Hampton, NY

293 Don Leicht b. 1946

Space Invader, 1981

ink on paper | 8.25 h × 10.5 w inches

$ 2,000 – 3,000



Space Invader, 1981


$ 2,000 – 3,000



Space Invader, 1981


Signed to right edge ‘Don Leicht’.

$ 2,000 – 3,000



Space Invader, 1981


Signed to lower left ‘Don Leicht’.

$ 2,000 – 3,000



Space Invader, 1981


Signed to lower right ‘Don Leicht’.

$ 2,000 – 3,000



Space Invader, 1981


Signed to lower left ‘Don Leicht’.

$ 2,000 – 3,000


290

293

291

294

292

295

296 Edward Allington b. 1951

Roman from the Greek, in America, 1987

lacquered wood, plaster | 45 h × 12 w × 12 d inches (each)

This work is unique.

$ 7,000 – 9,000

Literature Sculpture and its Reproductions, Hughes and Ranfft,

pg. 153 illustrates this work

Provenance Diane Brown Gallery, New York | Private collection

297 Cindy Sherman b. 1954

Untitled (Bathing Suit), 1983/2000

digital c-print | 22 h × 14.5 w inches

Signed, dated and numbered to verso ‘Cindy Sherman 91/100

1983/2000’. This work is number 91 from the edition of 100.

$ 3,000 – 5,000

298 Terence Main b. 1954

collection of five miniature Urban Guerrillas, 1997

cast bronze | 2 h × 3 w × 1.75 d inches (largest)

Impressed signature and date to underside of largest example ‘Main 97’.

$ 1,500 – 2,000

299 Alec Soth b. 1969

Luxora, Arkansas, 2002/2004

c-print | 18 h × 20 w inches

Signed, titled and dated to verso ‘Luxora AR 2002 Alec Soth 2004 7/15’.


$ 5,000 – 7,000

Literature Alec Soth Sleeping by the Mississippi, Hampl and Tucker, unpaginated

300 Nan Goldin b. 1953

James King: Supermodel (portfolio of twelve works),

1994 – 1995

c-print | 15.5 h × 19.5 w inches

Signed, titled, dated and numbered to verso of each

sheet ‘Nan Goldin 4’. This portfolio is number 4 from

the edition of 10.

$ 20,000 – 30,000

Provenance Acquired directly from the artist

Wright, Living Contemporary, 26 April 2012, lot 151

Private collection

303 Gerald Laing b. 1936

Untitled, 1993

oxidized steel, bronze | 10.75 h × 14 w × 7 d inches

Signed, dated and numbered to underside ‘Gerald Laing 1993 6/50’.

This work is number 6 from the edition of 50 published by Multiples,

Inc., New York.

$ 2,000 – 3,000

301 Richard Misrach b. 1949

Baja #2, 1991/2005

c-print | 18.5 h × 23 w inches

Signed, titled, numbered and dated to lower edge ‘16/25 Baja #2 Richard

Misrach 1991/2005’. This print is number 16 from the edition of 25.

$ 2,000 – 3,000

302 Gary Smith

H.C. Westerman Memorial Box, 1982

rosewood, ash plywood, lacquered wood, glass | 13.75 h × 16 w × 9.75 d inches

Inspired after seeing H.C. Westermann’s 1979 exhibit at the Whitney Museum,

artist Gary Smith crafted this wooden box and named it in memory of the

late Westermann.

$ 1,000 – 1,500

306 Iñigo Manglano-Ovalle b. 1961

Untitled (from Oppenheimer), 2003/2004

c-print mounted to acrylic | 30 h × 38 w inches

Signed, titled, dated and numbered to verso ‘Iñigo Manglano-Ovalle 2004 1/5’.


$ 10,000 – 15,000

Literature Iñigo Manglano-Ovalle, Pavelka Peet, ppg. 69, 81 discuss series

Provenance Max Protech Gallery, New York | Private collection

304 Ryan McGinley b. 1977

Untitled, 2003

c-print | 19.5 h × 15.5 w inches

Signed and numbered to verso ‘Ryan McGinley 18/25’.

This print is number 18 from the edition of 25.

$ 3,000 – 5,000

305 Alex Prager b. 1979

Judith, 2011

archival pigment print | 19.25 h × 14 w inches

Signed, titled and dated to verso ‘Judith 4/9 2011 A Prager’.


$ 5,000 – 7,000

308 Pan American

707 Manufacturer’s Promotional Model Airplane, c. 1965

lacquered resin | 75.5 w × 72 l inches

This model was featured in the 2002 film Catch Me If You Can where

it was shown in the office of former Pan American president, Juan Trippe.

$ 3,000 – 5,000

307 Massimo Vitali b. 1944

Courmayeur Mont Blanc (from Landscapes with Figures portfolio), 2006

offset lithograph on 300g Consort Royale paper | 26 h × 33.5 w inches

Stamped publishers mark to verso ‘Massimo Vitali Steidl Verlag, Gottingen

for Brancolini Grimaldi Edition No. 060/120 Sheet No. 34’. This work is number

60 from the edition of 120 published by Steidl for Brancolini Grimaldi.

$ 3,000 – 5,000

Terms & Conditions of the Sale

Each lot in this catalog is offered subject to the following Terms and Conditions of Sale, as supplemented in writing or otherwise by us at any time prior to the sale. By registering to bid at the auction, or by placing a bid through any means, you agree to be bound by these Terms and Conditions of Sale. In these Terms and Conditions of Sale, “we,” “us,” “our,” “Wright” or similar terms mean R. Wright, Inc. and any of its agents, and “you,” “your,” “buyer” or similar terms mean a person bidding on or buying property.

1 Examination of Property

Except as stated under “Limited Warranty” in paragraph 4 below, all property is sold “as is,” with no representation or warranty of any kind from Wright or the consignor. Because buyers are responsible for satisfying themselves as to condition or any other matter concerning the property, they are advised to personally examine any property on which they intend to bid prior to the auction. As a courtesy, condition reports for any lot are available from Wright prior to the sale, but Wright assumes no responsibility for errors and omissions contained in the catalog or in any such report provided at the request of a buyer. Any statements made in this catalog or in any condition report, whether orally or in writing, are intended as statements of opinion only, are not to be relied upon as statements of fact and do not constitute representations or warranties of any kind.

2 Bidding at Auction

All prospective bidders are required to register with us in advance of the sale. We may require photo identification and bank references for registration. By bidding at the auction, a buyer assumes personal responsibility to pay the purchase price bid, plus the buyer’s premium and any additional charges that become due and payable in connection with the purchase of the property. Upon the fall of the auctioneer’s hammer, the buyer assumes all risk of loss and damage to the property, in addition to any obligations, costs and expenses relating to the handling, shipping, insurance, taxes and export of the property.

As a convenience to buyers who cannot be present on the day of the sale, we will use reasonable efforts to execute, on a competitive basis, written absentee bids left with us prior to the sale. We assume no responsibility for a failure to execute any such bid, or for errors or omissions made in connection with the execution of any such bid. If requested prior to the sale, we will use reasonable efforts to contact the buyer by telephone to enable the buyer to participate in the bidding by telephone on the day of the sale, but we assume no responsibility for errors or omissions made in connection with any such arrangement. As a convenience to buyers who cannot be present on the day of the sale, we will use reasonable efforts to execute, on a competitive basis, bids left with us via the Internet, whether by absentee or, if available, a live bidding program. We assume no responsibility for a failure to execute any such bid, or for errors or omissions made in connection with the execution of any such bid.

Buyers are advised that there may be additional terms and conditions governing the use of Internet bidding services including, but not limited to, those providing for additional charges and fees relating to the execution of such bids. Any such additional terms and conditions are hereby incorporated by reference into these Terms and Conditions of Sale as though such terms and conditions were included herein, and buyers are therefore advised to familiarize themselves with any such terms and conditions prior to utilizing any Internet bidding service.

All lots may be offered subject to reserve, which is the confidential minimum price below which the lot will not be sold. The auctioneer may open the bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders.

The auctioneer has the right, in his absolute discretion, to determine the conduct of the sale, including, without limitation, to advance the bidding, to reject any bid offered, to withdraw any lot, to reoffer and resell any lot, and to resolve any dispute in connection with the sale. In any such case, the judgment of the auctioneer is final, and shall be binding upon all participants in the sale.

The sale will be conducted in the following increments:

to $ 1,000 $ 50 increment $ 1,000 – 2, 000 $ 100 increment $ 2, 000 – 3, 000 $ 200 increment $ 3, 000 – 5, 000 $ 250 increment $ 5, 000 – 10, 000 $ 500 increment $ 10, 000+ $ 1000 increment or auctioneer’s discretion

3 Payment for and Collection of Purchases

In addition to the hammer price, the buyer of a lot agrees to pay us a buyer’s premium, together with any applicable sales tax due to the state of Illinois or New York, late payment charges and storage fees. The buyer’s premium on any lot is 25% of the hammer price up to and including $ 100,000, 20% of any amount in excess of $ 100,000 up to and including $ 1,000,000, and 12% of any amount in excess of $ 1,000,000. For internet bidding, an additional 2% is added to the buyer’s premium rates stated above. All purchases will be subject to state sales tax in Illinois or New York unless the buyer has provided us with a valid certificate of exemption from such tax or if interstate commerce tax laws apply coupled with valid certification of the interstate shipment.

Buyers are required to pay for purchases immediately following the auction unless other arrangements have been made in advance of the auction. All payments must be made in US Dollars, in any of the following acceptable forms of payment:

– Cash – Check, with acceptable identification – Visa, MasterCard or American Express, with a 2% surcharge for any such payment.

In the event that the buyer has not made satisfactory arrangements with us for the payment of all amounts owed within five (5) business days after the auction date or has otherwise defaulted in the performance of its obligations under these Terms and Conditions of Sale, we reserve the right to bill the buyer’s credit card in an amount equal to ten percent (10%) of the sum of the hammer price plus the Buyer’s Premium. Any charge made by us under this provision shall be credited against all amounts owed to us by the buyer under these Terms and Conditions of Sale, and shall in no way limit or restrict the exercise of any of our rights and remedies available at law or in equity with respect to payment of all other sums owed to us. We reserve the right to delay delivery of any property until clearance or collection of funds in connection with any payment and, in any event, title to the property shall not pass to the buyer until clearance or collection of funds has occurred.

In any case, as security for full payment to us of all amounts due from the buyer, we retain, and the buyer grants to us, a security interest in the property purchased by the buyer at auction, and in any other property or money of the buyer in our possession or coming into our possession subsequently. We may apply any such money or treat any such property in any manner permitted under the Uniform Commercial Code and/or any other applicable law.

All property not collected within thirty (30) days following the sale date will become subject to storage fees of not less than $5 per day, and property may be moved to alternate storage facilities at the buyer’s risk and expense. A late payment fee equal to 1.5% per month may be assessed on any amounts remaining unpaid thirty (30) days following the date of the sale.

We may, as a courtesy to the buyer, provide or arrange packing, shipping or similar logistical services, or refer the buyer to third parties who specialize in these services. Any such services provided or arranged by us are at the buyer’s sole risk and expense, and we assume no responsibility for any act or omission of any party in connection with any such service or reference.

If a buyer fails to make timely payment as required in this paragraph 3, we shall be entitled, in our discretion, to exercise any remedies legally available to us, including, but not limited to, the following:

– cancellation of the sale of the property to the non-paying buyer, including the sale of any other property to the same buyer;

– reselling the property, at public or private sale, with or without reserve;

– retention of any amounts already paid by the buyer as liquidated damages;

– rejection of any bids by the buyer at future auctions;

– setting-off any amounts owed by us to the buyer in satisfaction of unpaid amounts

– taking any other action we deem necessary or appropriate under the circumstances.

4 Limited Warranty

Subject to the following terms and conditions, Wright warrants, for a period of five (5) years following the date of sale, the authorship and authenticity of any work as set forth unqualifiedly in a heading in Bold type in this catalog. The term “author” or “authorship” means the creator, designer, culture or source of origin of the property, as the case may be, as specifically identified in Bold type in this catalog, and shall not include any supplemental text or information included in the catalog descriptions. Other than as specifically set forth above, Wright provides no warranty regarding any statements made in this catalog or elsewhere, whether orally or in writing, and Wright shall not be responsible for errors or omissions contained in the text of this catalog. Wright’s warranty does not apply to any heading in this catalog that contains a qualified opinion or attribution of authorship, and the warranty is subject to the following:

The benefits of the warranty are only available to the original buyer of the property, and not to any subsequent purchasers, transferees, successors, heirs, beneficiaries or assigns of the original buyer.

The warranty shall not apply to any lot for which the description states that there is a conflict of opinion among specialists as to authorship or origin.

The warranty shall not apply to any lot for which the attribution conforms with the generally accepted opinion of scholars, specialists or other experts on the date of sale, despite the subsequent discovery of information that modifies such generally accepted opinions.

The buyer’s sole remedy, and Wright’s sole liability, under the warranty shall be the cancellation of the sale of the property in question, and the refund of the purchase price originally paid by the buyer in respect of the property (not including any late fees, shipping or storage charges incurred by the buyer).

In no event shall Wright be liable to the buyer or any third party for any special or consequential damages including, without limitation, lost profits or interest.

The buyer must provide written notice of any claim under the warranty to Wright not later than five (5) years following the date of sale, and must return the property to Wright in the same condition as at the time of the original sale. Wright reserves the right to appoint two independent specialists to examine the property and evaluate the buyer’s claim before determining whether to cancel the sale in question.

5 Rescission of Sale by Wright

If we become aware of an adverse claim of a third party relating to property purchased by the buyer, we may, in our discretion, rescind the sale. Upon notice of our election to rescind a sale, the buyer will promptly return the property to us, at which time we will refund to the buyer the hammer price and buyer’s premium paid to us by the buyer in respect of the property. This refund will represent the buyer’s sole remedy against us and/or the consignor in case of a rescission of sale under this paragraph 5.

6 Private Sales

These Terms and Conditions of Sale shall govern, to the extent applicable, any private sale of property by us not made through auction.

7 Copyright Notice

All images and text contained in this catalog or in any other publication by us, in whatever form, shall remain the property of their respective owners, and the buyer shall have no right of ownership, use or reproduction of any such material by virtue of any purchase of property or otherwise.

8 Severability

If any provision of these Terms and Conditions of Sale is held by any court to be invalid, illegal or unenforceable, such provision shall be disregarded and the remaining Terms and Conditions of Sale enforced in accordance with the original document and in accordance with applicable law.

9 Governing law

These Terms and Conditions of Sale shall be governed by and interpreted in accordance with the law of the State of Illinois and, by registering for and bidding in the auction (whether personally, by telephone or by agent), the buyer agrees to submit to the exclusive jurisdiction of the state courts located in Cook County, Illinois in connection with any matter regarding this auction.

Index

A Allington, Edward 296 Appel, Karel 244 Auerbach, Tauba 243

B Baldessari, John 251 – 253 Bengston, Billy Al 182 – 183 Bertoia, Harry 200 – 207 Bleckner, Ross 217, 246 Brown, James 220 Bruskin, Grisha 288 Buffet, Bernard 191

C Calder, Alexander 279 – 280 Clemente, Francesco 216

D Daphnis, Nassos 234 Davie, Alan 223 Dubuffet, Jean 276 Dwyer, Nancy 233

E Etrog, Sorel 196

F Falkenstein, Claire 190, 229 Falls, Sam 230, 249 Finkelstein, Nat 287 Förg, Günther 188 – 189 Francis, Sam 260 Frankenthaler, Helen 285 Friedman, Tom 241

G Gates, Theaster 199 Goldin, Nan 300

H Haring, Keith 261 – 263 Heinecken, Robert 265 Hirst, Damien 245 Holzer, Jenny 242 Hyon-Kun, Yoon 257

J Johnson, Rashid 211

K Katz, Alex 270, 284 Kruger, Barbara 273 Kusama, Yayoi 228

L Laing, Gerald 303 Lassaw, Ibram 195 Leicht, Don 290 – 295 LeWitt, Sol 264 Lichtenstein, Roy 231, 254, 267 Loughlin, Robert 198

M Main, Terence 275, 298 Manglano-Ovalle, Iñigo 306 Mangold, Robert 197, 271 Marclay, Christian 187 McGinley, Ryan 304 Misrach, Richard 301 Moore, Henry 214 Muller, Dave 247 Munari, Bruno 256 Music, Zoran Antonio 194

N Newson, Marc 225, 232, 281

P P., Paul 208 Palermo, Blinky 278 Pan American 308 Pesce, Gaetano 266 Pettibon, Raymond 258 Picasso, Pablo 184, 192 – 193, 209, 218 Pistoletto, Michelangelo 255 Prager, Alex 305

R Ray, Man 248 Remy, Tejo 222 Rickey, George 210 Rosen, Kay 274 Ruscha, Edward 250

S Scully, Sean 215 Sennhauser, John 286 Sherman, Cindy 297 Smith, Gary 302 Smith, Leon Polk 226 – 227 Soth, Alec 299 Soto, Jesús Rafael 185, 268 Stella, Frank 282 – 283 Studio Simon 269 Sultan, Donald 224

T Trockel, Rosemarie 186 Trova, Ernest 235 – 240

V van Dongen, Kees 289 Vasarely, Victor 213, 272 Vitali, Massimo 307

W Warhol, Andy 219, 221 Wesselmann, Tom 259 Woelffer, Emerson 277

Art Design 26 February 2015 noon cst

Chicago 1440 W Hubbard St Chicago IL 60642

312 563 0020

The Walter & Dawn Clark Netsch Collection Preview 3 – 6 February 2015, 10 am – 5 pm

Auction Highlights 17 – 26 February 2015, 10 am – 5 pm Monday – Saturday, Sunday by appointment

New York 980 Madison Ave New York NY 10075

212 585 0200

Selections from the Auction 17 – 26 February 2015, 11 am – 5 pm Tuesday – Saturday

Richard Wright President 312 521 7150 | rwright @ wright20.com

Michael Jefferson Senior Vice President

312 521 7165 | mjefferson @ wright20.com

Brent Lewis Director, New York

212 585 0200 | blewis @ wright20.com

Kelli Thoma Lenox Director of Operations 312 521 7161 | kthoma @ wright20.com

Peter Jefferson Specialist

312 521 7156 | pjefferson @ wright20.com

Cornelia Van Der Geest Specialist

312 521 7151 | cvandergeest @ wright20.com

Meghan McCarthy Associate

212 585 0200 | mmccarthy @ wright20.com

Emilie Sims Editor and Chief Researcher 312 235 4181 | esims @ wright20.com

Clare Meyer Registrar 312 235 4171 | cmeyer @ wright20.com

Melissa Riddle Director, Wright Now 312 235 4179 | mriddle @ wright20.com

Jennifer Mahanay Art Director 312 235 4185 | jmahanay @ wright20.com

Annaka Olsen Graphic Designer 312 563 0020 | aolsen @ wright20.com

Lucas Albrecht Graphic Designer 312 563 0020 | lalbrecht @ wright20.com

Todd Simeone Image Production 312 521 7158 | tsimeone @ wright20.com

Mason Kessinger Web Developer 312 521 7166 | mkessinger @ wright20.com

Devin Ehrenfried Photographer 312 563 0020 | dehrenfried @ wright20.com

Ross Floyd Photographer 312 563 0020 | rfloyd @ wright20.com

Charles Meadows Director of Property and Transport 312 235 4177 | cmeadows @ wright20.com

Denia Garcia Art and Property Handler

312 563 0020 | dgarcia @ wright20.com

Andrew Reichold Art and Property Handler

312 563 0020 | areichold @ wright20.com

Ian Barnard Art and Property Handler

312 563 0020 | ibarnard @ wright20.com

Jordan Brocker Art and Property Handler

312 563 0020 | jbrocker @ wright20.com

Alexa DeTogne Shipping Coordinator

312 521 7159 | adetogne @ wright20.com

Jean Martin Client Accounts

312 521 7169 | clientaccounts @ wright20.com

Contact

Bid Department t 312 563 0020 | f 312 235 4182 bid @ wright20.com

Request Condition Reports t 312 563 0020

condition @ wright20.com

Richard Wright Auctioneer Illinois No. 041000341 © 2015 Wright ISBN 978 0 9862138 2 3

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