+ All Categories
Home > Documents > ART HISTORY SENIOR SYMPOSIUM - Hollins University · ART HISTORY SENIOR SYMPOSIUM Elise Schloff Le...

ART HISTORY SENIOR SYMPOSIUM - Hollins University · ART HISTORY SENIOR SYMPOSIUM Elise Schloff Le...

Date post: 16-Oct-2020
Category:
Upload: others
View: 0 times
Download: 0 times
Share this document with a friend
1
Nora Bolte Edward Beyer’s Landscapes: A Romantic Portrayal of Antebellum Virginia SATURDAY, APRIL 20, 2019 1 PM Richard Wetherill Visual Arts Center, Room 119 Reception to follow ART HISTORY SENIOR SYMPOSIUM Elise Schloff Le Monde en Rose: Reclaiming Courbet for the Contemporary Lesbian Audience Hayley Harrington Exhuming the Fragmented Legacy of Abstract Expressionism and the Cold War: Juxtaposition and Political Oppression Laurence López Reclaiming Home: Amalia Mesa-Bains’ Ofrendas as Aztlan Emily Copeland- Fish A Trickster Narrative: e Role of the Coyote in the work of Julie Buffalohead and Jaune ick-to- See-Smith Gina Wiese Dorothy Gillespie: A Forgoen Chapter of the Women’s Art Movement
Transcript
Page 1: ART HISTORY SENIOR SYMPOSIUM - Hollins University · ART HISTORY SENIOR SYMPOSIUM Elise Schloff Le Monde en Rose: Reclaiming Courbet for the Contemporary Lesbian Audience Hayley Harrington

NoraBolte

Edward Beyer’s Landscapes: A Romantic Portrayal of

Antebellum Virginia

SATURDAY, APRIL 20, 2019 • 1 PMRichard Wetherill Visual Arts Center, Room 119 Reception to follow

ART HISTORY SENIOR SYMPOSIUM

Elise Schloff

Le Monde en Rose: Reclaiming Courbet for the Contemporary

Lesbian Audience

Hayley HarringtonExhuming the Fragmented

Legacy of Abstract Expressionism

and the Cold War: Juxtaposition and

Political Oppression

Laurence López

Reclaiming Home: Amalia Mesa-Bains’ Ofrendas as Aztlan

Emily Copeland-

FishA Trickster

Narrative: The Role of the Coyote in the work of Julie Buffalohead and Jaune Quick-to-

See-Smith

Gina Wiese

Dorothy Gillespie: A Forgotten Chapter of the Women’s Art

Movement

Recommended