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Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

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Art in New York The Seventies – Body Art – Earth Art – Conceptual Art
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Page 1: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Art in New York

The Seventies – Body Art – Earth Art – Conceptual Art

Page 2: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Eva Hesse, Portrait.

Page 3: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Eva Hesse, Untitled, 1970, latex over rope, string, wire.

Page 4: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Eva Hesse, Studio on the Bowery, 1969.

Page 5: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Eva Hesse, Hang up, 1966.

Page 6: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Eva Hesse, Accession II, 1967 (fiberglass and plastic tubing).

Page 7: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Eva Hesse, Accession II, 1967 (fiberglass and plastic tubing).

Page 8: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Eva Hesse, Sans II, 1968.

Page 9: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Eva Hesse, Expanded Expansion, cheesecloth, 1969.

Page 10: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Eva Hesse, Contingent,, 1969, fiberglass and latex over cheesecloth.

Page 11: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Eva Hesse, Repetition Nineteen III, 1968 , Fiberglass and resin.

Page 12: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Mel Bochner, Portrait of Eva Hesse, 1966.

Page 13: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Bruce Nauman, Self-Portrait as a Fountain, 1966, photograph of performance.

Page 14: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Marcel Duchamp, Fountain, 1917.

Page 15: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Vito Acconci, Trademarks, 1970.

Page 16: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Vito Acconci, Trademarks, detail, 1970.

Page 17: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Vito Acconci, Trademarks, detail, 1970.

Page 18: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Vito Acconci, Seedbed, 1972.

Page 19: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Vito Acconci, Seedbed, 1972.

Page 20: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Richard Serra, Splashing,1968.

Page 21: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Vito Acconci, Following Piece, October, 1969, New York.

Page 22: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Vito Acconci, Conversions, 1970.

Page 23: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Vito Acconci, Blindfold Catching, 1970.

Page 24: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Chris Burden, Shoot, 1971.

Page 25: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Chris Burden, Shoot, detail, 1971.

Page 26: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Chris Burden, Trans-Fixed, 1974.

Page 27: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Chris Burden, Five-Day Locker Piece, 1971.

Page 28: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Rudolph Schwartzkogler, Aktionen, 1965-67.

Page 29: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Hermann Nitsch-Viennese Actionists group.

Page 30: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Bruce Nauman, The True Artist Helps the World by Revealing Mystic Truths, 1967, neon tube lights.

Page 31: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Bruce Nauman, 100 Live and Die, 1966-1967, neon tube lettering.

Page 32: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Bruce Nauman, Live / Taped Video Corridor, 1970, wallboard, video camera and monitors, video tape, 12‘ X 32‘ X 1‘ 8“.

Page 33: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Robert Morris, Untitled (Pink Felt), 1970.

Page 34: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Robert Morris, Untitled, 1968.

Page 35: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Robert Morris, Untitled (Threadwaste), 1968.

Page 36: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Robert Morris, Untitled, 1967.

Page 37: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Richard Serra, Belts, 1966-1967, industrial rubber belts and neon tube lights on a wall, 6‘ X 18’ X 20“.

Page 38: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Richard Serra throwing lead, Castelli Warehouse, New York 1969.

Page 39: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Richard Serra, Casting, 1969, lead.

Page 40: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Richard Serra, Prop, 1968, sheets of lead, 84" high.

Page 41: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Richard Serra, One Ton Prop (House of Cards), 1969, lead.

Page 42: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Richard Serra, 2-2-1: To Dickie and Tina, 1969-94, lead.

Page 43: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Richard Serra, Tilted Arc, 1981, Cor-Ten steel, 10‘ X 120‘ X 3", Federal Plaza, New York City (demolished in 1989).

Page 44: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Richard Serra, Tilted Arc, 1981 (removed in 1989), hot-rolled steel, Federal Plaza, New York.

Page 45: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Richard Serra, Sculptures, Steel, Guggenheim Museum, Bilbao, Spain.

Page 46: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Richard Serra, Between the Torus and Sphere , 2003-2005, Guggenheim Bilbao Museum.

Page 47: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Richard Serra, Open Ended, 2007-2008, Gagosian Gallery in London.

Page 48: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Richard Serra, Two torqued toruses of weatherproof steel, 2007-2008, Gagosian

Gallery in London.

Page 49: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Walter de Maria, Lightning Field, 1971-77, near Quemado, NM, 400 stainless steel poles placed into soil, each is approx. 20‘ 7" high, Dia Art Foundation, New Mexico.

Page 50: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Walter de Maria, Lightning Field, 1971-72, Nevada, New Mexico.

Page 51: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Walter de Maria, Lightning Field, 1971-72, Nevada, New Mexico.

Page 52: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Michael Heizer, Double Negative, 1969-70-Mormon, Nevada.

Page 53: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Michael Heizer, Double Negative, 1969-70-Mormon, Nevada.

Page 54: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Michael Heizer.

Page 55: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Michael Heizer, City, ongoing project, Nevada Desert.

Page 56: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Michael Heizer, City, City, ongoing project, Nevada Desert.

Page 57: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Robert Smithson, A Non-Site, Franklyn, NJ, 1968.

Page 58: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Robert Smithson, Non-Site, 1968.

Page 59: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Robert Smithson, Spiral Jetty, 1970, black rock, salt crystal, and earth, spiral 1500' long, Great Salt Lake, Utah.

Page 60: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Robert Smithson, Spiral Jetty, 1970.

Page 61: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Robert Smithson, Spiral Jetty, 1970.

Page 62: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Robert Smithson, Spiral Jetty, 1970.

Page 63: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Christo & Jeanne-Claude, Running Fence, 1972-76, plastic fabric 24.5 miles long, Sonoma and Marin Counties, CA.

Page 64: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Christo and Jeanne Claude, Running Fence, Sonoma and Marin Counties, California, 1972-76.

Page 65: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Christo and Jeanne Claude, Running Fence, Sonoma and Marin Counties, California, 1972-76.

Page 66: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Christo and Jeanne Claude, Valley Curtain, Rifle, Colorado, 1970-72.

Page 67: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Christo and Jeanne Claude, Valley Curtain, Rifle, Colorado, 1970-72.

Page 68: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Christo and Jeanne Claude, Surrounded Islands, 1980-83, Biscayne Bay, Greater Miami, Florida.

Page 69: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Christo and Jeanne Claude, Umbrellas, Japan-USA, 1984-91.

Page 70: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Christo and Jeanne Claude, Umbrellas, Japan-USA, 1984-91.

Page 71: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Christo and Jeanne Claude, Umbrellas, Japan-USA.91.

Page 72: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Christo and Jeanne Claude, The Pont Neuf Wrapped, Paris, 1975-85.

Page 73: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Christo and Jeanne Claude, Wrapped Reichstag, Berlin, 1971-95.

Page 74: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Christo and Jeanne Claude, Wrapped Reichstag, Berlin, 1971-95.

Page 75: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Christo and Jeanne Claude, The Gates, Central Park, NYC, 1979-2005.

Page 76: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Christo and Jeanne Claude, The Gates, Central Park, NYC, 1979- 2005.

Page 77: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Christo and Jeanne Claude, The Gates, Central Park, NYC, 1979-2005.

Page 78: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Gordon Matta Clark, Splitting, 1974, Englewood, NJ.

Page 79: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Gordon Matta Clark, Splitting, 1974, Englewood, NJ.

Page 80: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Gordon Matta Clark, Splitting, 1974, Englewood, NJ.

Page 81: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Maya Lin, Vietnam War Memorial, 1981-84, 2 polished black granite walls, each 246' long, Washington, D.C.

Page 82: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Maya Lin, Vietnam War Memorial, 1981-84, detail, 2 polished black granite walls, each 246' long, Washington, D.C.

Page 83: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Maya Lin, Vietnam War Memorial, 1981-84, 2 polished black granite walls, each 246' long, Washington, D.C.

Page 84: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Joseph Kosuth (1945-, American), One and Three Chairs, 1965, wooden folding chair, photograph of chair, and photo enlargement of dictionary definition of chair, MoMA, NY.

Page 85: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Joseph Kosuth, One and Three Hammers, 1965. Hammer, Photograph of a hammer, Photostat of the definition of hammer, 24 X 53 3/8”.

Page 86: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

John Baldessari, What Is Painting, 1966-1968, acrylic on canvas, 67 ¾” X 56 ¾”.

Page 87: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Hans Haacke, MoMA Poll, 1970.

Page 88: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Lawrence Weiner, Primary secondary tertiary, 2002, Language, materials referred to. Project of the installation at 52nd International Art Exhibition La Biennale di Venezia.

Page 89: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Lawrence Weiner, Primary secondary tertiary, 2002.

Page 90: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Lawrence Weiner, Primary secondary tertiary, 2002.

Page 91: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Art in New York

Multiculturalism

Page 92: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Judy Chicago, The Dinner Party, 1973-1979, mixed-media installation, 48‘ X 48‘ X 48‘.

Page 93: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Betye Saar, The Liberation of Aunt Jemima, 1972, mixed-media assemblage, 12” X 8” X 3“.

Page 94: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

David Hammons, Blizzard Balls Sale, 1983, performance / installation, New York City.

Page 95: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Andres Serrano, Piss Christ, 1987, photograph of plastic Crucifix in the artist’s urine.

Page 96: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Jean-Michel Basquiat, Charles the First, 1982, screenprint, 61“ X 48“.

Page 97: Art in New York The Seventies – Body Art – Earth Art – Conceptual Art.

Bill Viola, The Crossing, 1996, video installation.


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