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Art of the Renaissance

Date post: 21-Jan-2016
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Art of the Renaissance. The Italian Renaissance. Leonardo da Vinci 1452-1519. Self-Portrait. The Mona Lisa. The Last Supper. Lady with an Ermine. La Belle Ferronière. Flying Machine. War Machines. da Vinci’s Tank. Propeller. Michelangelo 1475-1564. Self-Portrait. Sistine Chapel. - PowerPoint PPT Presentation
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Art of the Renaissance
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Page 1: Art of the Renaissance

Art of the Renaissance

Page 2: Art of the Renaissance

The ItalianRenaissance

Page 3: Art of the Renaissance

Leonardo da Vinci

1452-1519

Page 6: Art of the Renaissance

The Last Supper

Page 7: Art of the Renaissance

Lady with an Ermine

Page 9: Art of the Renaissance

Flying Machine

Page 10: Art of the Renaissance

War Machines

Page 12: Art of the Renaissance

Propeller

Page 13: Art of the Renaissance

Michelangelo1475-1564

Page 20: Art of the Renaissance

Detail of David Statue

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Page 23: Art of the Renaissance

Raphael1483-1520

Page 30: Art of the Renaissance

Donatello1386-1466

Page 36: Art of the Renaissance

Titian1488/90 - 1576

Page 38: Art of the Renaissance

Ranuccio Farnese

Page 39: Art of the Renaissance

Portrait of a Lady

Page 40: Art of the Renaissance

Man with a Quilted Sleeve

Page 41: Art of the Renaissance

The NorthernRenaissance

Page 42: Art of the Renaissance

Jan van Eyck1385-1441

Page 43: Art of the Renaissance

Man in a Turban - possibly a Self-Portrait

Page 46: Art of the Renaissance

The Ghent Alterpiece – open (center)

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Albrecht Dürer1471-1528

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Self-Portrait

Page 52: Art of the Renaissance

Early

Self-Portrait

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Young Hare

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The Little Owl

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Squirrels

Page 56: Art of the Renaissance

Hans Holbein- The Younger –

1497-1543

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Portrait Miniature

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The Ambassadors

Page 59: Art of the Renaissance

The most notable and famous of Holbein's symbols in the work, however, is the skewed skull which is placed in the bottom centre of the composition. The skull, rendered in anamorphic perspective, another invention of the Early Renaissance, is meant to be a visual puzzle as the viewer must approach the painting nearly from the side to see the form morph into an accurate rendering of a human skull. While the skull is evidently intended as a vanitas or memento mori, it is unclear why Holbein gave it such prominence in this painting.

Artists often incorporated skulls as a reminder of mortality, or at the very least, death. Holbein may have intended the skulls (one as a gray slash and the other as a medallion on Jean de Dinteville's hat) and the crucifixion in the corner to encourage contemplation of one's impending death and the resurrection.

Page 60: Art of the Renaissance

Sir Thomas More

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Lais Corinthiaca

Page 62: Art of the Renaissance

Sir and Lady Guilford

Page 63: Art of the Renaissance

Pieter Brueghel- The Elder –

1525-1569

Page 64: Art of the Renaissance

The Painter and the Connoisseur

– believed to be a self-portrait

Page 65: Art of the Renaissance

The Fall of Icarus

Page 66: Art of the Renaissance

Netherlandish Proverbs

Page 67: Art of the Renaissance

Tower of Babel

Page 68: Art of the Renaissance

Children’s Games


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