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7/25/2019 Arts & Crafts Homes - Winter 2016.pdf
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GARDENSWITH WINTERNTEREST
TodaysMakersof Tile
ART OF THEFIREPLACE
CREATIVE KITCHEN IDEASopen layout & revival motifs
+ Historic & Newnotable details in housesdating to 1915 and 2008!
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800-999-4994 www.crown-point.com
Arts & Crafts. Period.Designed. Delivered. Direct.
Fine Quality Custom CabinetryHandcrafted For Your Entire Home
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llect memories during the 29th annual Arts & Crafts Conference,oudly hosted by The Omni Grove Park Inn, February 19-21, 2016.
s legendary resort has been a haven for Arts & Crafts collectors and
thusiasts for over a century. Visit arts-craftsconference.com for information
how you can be part of what The New York Timescalls the most important
ekend of the year for Arts & Crafts collectors.
0-438-5800 omnihotels.com/grovepark
Discover a place
where time stands still.
For FREE information go to artsandcraftshomes.com/freeinfo
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The most authentic and beau-
tiful carpets in the
Arts & Crafts tradition come
from our looms to your floor.
Call for a dealer in your area
1-800-333-1801
Carpets: front, The Oak Park PC-7B, behind, The Oak Park Border PC-7D Image: Brantewood Estate Helensburugh, Scotland
The Arts & Crafts Carpet
Collection
WWW.PERS IANCARPET .COM
For FREE information go toartsandcraftshomes.com/freeinfo
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Winter 2016 ARTS & CRAFTS HOMES
R E S T O R A T I O N
42 So Worth the WaitA modest, misunderstood 1915 bungalow in San Diegois restored, slowly but surely and largely by its owners,to become the familys forever dream house.
by Thomas and Phyllis Shess |photos by Gary Payne
T H E G U I L D
50 Craftsman TilesThe revival in small-batch art tile has never been morevibrant, as youll see in this contemporary work.
by Mary Ellen Polson
N E W W O R K
54 Falling for a New Craftsman They spent a decade restoring a 1908 house, only to finddelight in a newer Craftsman with period elements.by Donna Pizzi |photos by Blackstone Edge Studios
O U T S I D E
64 Bones of the Winter Garden Find tips on creating a period-inspired garden with
structure and plantings for off-season interest. by Tovah Martin
COVERA breakfast nook in the new kitchen for a mid-century houseremodeled with Craftsman sensibility. PHOTOGRAPH BY RI CMARDER
54
06 Editors Letter08 Art + Craft 14 UpFront 14 News + People 16 Books
Spanish Colonial style.18 Events + Exhibits
20 Pilgrimage Insiders Pasadena tour.
by Sarah Hilbert
25 Utility Spaces Unique layout, revival motifs.
by Patricia Poore
31 Details Creative fireplaces in tile. by Patricia Poore
35 Bringing It Back Fireplace layout precedents. by Mary Ellen Polson
70 Advertiser Index 71 Footnotes80 From the Archives
Cozy corner eclecticism. by Bo Sullivan
contents
WI NTE R 2016
8
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ARTS & CRAFTS HOMES Winter 2016
EDITOR-IN-CHIEF Patricia PooreSENIOREDITOR Mary Ellen Polson
MANAGINGEDITOR Lori Viator
CONTRIBUTINGEDITORS Brian D. ColemanDan Cooper
GROUPCREATIVEDIRECTOR Matthew Bates
ASSISTANTARTDIRECTOR Megan Hillman
DESIGNER Emily Levine
ASSOCIATEPUBLISHER Carol Murray
ACCOUNTEXECUTIVE Becky Bernie
ACCOUNTEXECUTIVE , EVENTS Julia Hite
DETROITSALESMANAGER Keith Cunningham
GROUPPRODUCTIONDIRECTOR Barbara Van Sickle
PREPRESSMANAGER Joy Kelley
PREPRESSSPECIALIST Galen Nathanson
ADVERTISING COORDINATOR Cossette Roberts
SENIORGRAPHICDESIGNER Michelle Miller
DIRECTOROF RETAIL SALES Susan Rose
DIGITALADVERTISINGOPERATIONSMANAGER Ron Goldy
PUBLISHER
Peter H. Miller, Hon. AIASALESDIRECTOR Heather Glynn Gniazdowski
MARKETINGMANAGER Eads Johnson
DIRECTOR OF DIGITALDEVELOPMENT Josh Lewis
ONLINEEDITOR Kristen Hopf
WEB DEVELOPER Bay Tran
DIRECTOR OF DIGITALMEDIA LJ Lindhurst
INFORMATIONSERVICES MANAGER Dorian Henao
EXECUTIVECHAIRMAN Efrem Zimbalist III
PRESIDENT&CEO Andrew W. Clurman
EXECUTIVE VICEPRESIDENT &CFO Brian Sellstrom
EXECUTIVEVICEPRESIDENT OF OPERATIONS Patricia B. Fox
SENIORVICEPRESIDENT , DIGITAL&DATA Jonathan Dorn
VICEPRESIDENT, CONTROLLER Joseph Cohen
VICEPRESIDENT , RESEARCH Kristy Kaus
VICEPRESIDENT , IT Nelson Saenz
V O L U M E X , N U M B E R 5
Copyright 2015 by Cruz Bay Publishing, Inc., El Segundo, CA. All rights reserved.
ACTIVE INTEREST MEDIA
For FREE information go to artsandcraftshomes.com/freeinfoP
For FREE information go to artsandcraftshomes.com/freeinfoP
ramsey-creek.com | 319.656.3883
P E R P E T U A L D I F F E R E N T I A
fitted furniture &design
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www.valorfireplaces.comor FREE information go tondcraftshomes.com/freeinfo
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ARTS & CRAFTS HOMES Winter 2016
E D I T O R S L E T T E R &
Advice worth repeatingHOWDOYOUKEEPCOMINGUPwith new ideas? people sometimes askpeople who know Im decades into an old-house career. The answer tran-
scends magazines or Arts & Crafts, of course. Anyone who is deep into a
subject knows that knowledge leads one deeper still; there will always be
another layer to plumb (not to mention another bathroom).
Ive had to be mindful, in fact, to come up with oldideas. Certain
advice reveals its wisdom only when we hear it again and find it still
applies. Ive been thinking about what Id be sure to tell the new owner
of a Craftsman house or bungalow. Heres a start. Send me your rules!
DONT RUSH IN: Good advice for everyone, perhaps especially for owners
of 20th century houses, who may see them as old but not historic. Learn
about your style before you tear out the little fireplace windows or
inglenook benches. Corollary: Clean it first. (A lot of
times we are overreacting to filth.)
ASSUME YOU CAN FIX almost any well-built com-
ponent of the past. Both lumber and general crafts-
manship were better than todays average. Windows,
for example, may be patched, scraped and painted,
then rehung. New replacement windows will notably
change the look of the house and introduce modern
systems designed for replacement or obsolescence.
DONT OVER-LIGHTwith ceiling spots, recessed cans,and bright bulbs in an effort to lighten dark rooms.
Like white-painted walls against a dark oak wainscot, strong lighting will
make the woodwork appear black. For a bungalow ambiance you will
come to love, stay mellow to bring out the woods highlights. Install dim-
mers. Related: Dont paint varnished woodwork, especially not white.
CREATE SE ATING ARE ASin a long or wide living room that spans the
house. It doesnt work to put furniture against the walls and leave the
middle open. Consider separate conversation groupings, using area rugs
for definition. Direct traffic with the furniture plan. (to be continued)
Patricia Poore, [email protected]
10 Harbor Rd., Gloucester, MA 01930
arts&crafts homesa n d t h e R e v i v a lis the quarterly that covers contemporary
practitioners as well as the historicalantecedents of the continuing A&C movement.
OUR MISSIONis to offer expert
advice and perspective for those building,
renovating, or furnishing a home in the Arts
& Crafts spirit. aOur mission is to celebrate
the revival of quality and craftsmanship,
going beyond the narrow definition of
American Arts & Crafts as a style confined
to the first decades of the 20th century.
Offering hundreds of resources, we showcase
the work not only of past masters, but also ofthose whose livelihoods are made in creating
well-crafted homes, furnishings, and works
of art today. aEach issue is a portfolio of the
best work in new construction, restoration,
and interpretive design, presented through
intelligent writing and beautiful photographs.
NEED TO CONTACT US?
arts&crafts homesa n d t h e R e v i v a l
(978) 282-3170
artsandcraftshomes.com
SUBSCR IPTION SERVICE
To order a new subscription,
inquire about your account status,
renew, give a gift subscription, or change
your address, log onto our website
artsandcraftshomes.com
or call (800) 967-3462
ADVERTIS ING
Call: (978) [email protected]
EDITOR IAL DEPARTMENT
10 harbor rd., gloucester, ma 01930(978) [email protected]
to submit material: Most articles in the magazine
begin with images. We often assign professional
photographers for features, but scouting shots
tell us what the project looks like. These can be
presented as digital jpegs, transparencies, amateur
shotssent to the editorial department by email
or on a CD by mail. aPlease describe the project
concisely, and let us know where you think your ideafits into the magazine.
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For FREE information go toartsandcraftshomes.com/free
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ARTS & CRAFTS HOMES Winter 2016
+
craftart
Cool ItCelebrate the holidays with these win-
ter-themed tiles designed by artist Char-
ley Harper. Cool Cardinal ($74) measures
4" x 8". Perfect Tree ($74) is a 6" x 6" tile.
Add a Dard Hunter Studios oak frame for
an additional $92 to $142. From Motawi
Tileworks, (734) 213-0017, motawi.com
Desert WarmthThe Saguaro Forms and Cactus Flowers throw is based on
a stylized 1927 Frank Lloyd Wright design of a desert land-scape, later adapted for a stained-glass window. In 100
percent cotton, the throw measures 51" x 69". Its $80
from Fair Oak Workshops, (800) 341-0597, fairoak.com
Cast in Beauty7KHHQHUJ\HFLHQW+RUL]RQ 7UDGLWLRQDO&DVWUDGLDQW
UHSODFHRHUV DGLYHUVHFKRLFHRITXDOLW\ IDFHV VXU
URXQGV DQG UHEHGV LQ DOXPLQL]HG VWHHO 7KHFRPSDFW
GHVLJQ WV ERWK WRS DQG UHDUYHQWUHSODFHRSHQLQJV
Its $2,885 before installation and taxes. For a dealer,
FRQWDFW9DORU YDORUUHSODFHVFRP
Terra Cotta WelcomeThe handmade terra-cotta welcome sign in green and
copper features an oak and acorn motif. It measures 6" x
11" and weighs a hefty two pounds. Other styles feature
JLQNJRV PDSOHOHDYHV DQG GUDJRQLHV 7LOHV DUH )URP
FayJones Day Tile, (541) 424-3359, fayjonesday.com
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Winter 2016 ARTS & CRAFTS HOMES
W For FREE information go to artsandcraftshomes.com/freeinfo
Premier sourcefor the finestArts & Craftsera textiles
Established over 20 years, Archive Edition services
include made to order applications of our fabrics, sale of
]EVHEKI ERH RI LERHQEHI LSQI JYVRMWLMRKW TVSHYGXW
www.ArchiveEdition.com
(310) 676-2424 Hawthorne, CA
Custom projects and designer needs are always accommodated
W For FREE information go to artsandcraftshomes.com/freeinfo
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ARTS & CRAFTS HOMES Winter 2016
A R T + C R A F T &
Peacock in ReposeThe two-tile set is inspired by the peacock that appears
in the Forest Tapestry made by Morris &Co. in 1887. Each
hand-pressed and -decorated porcelain tile measures
4" x 4". The set sells for $80. From B.A. Schmidt Arts &
Enterprises, (847) 432-5679, baschmidtartstiles.com
Radiant Art Glass:RUNLQJ ZLWK WKHQHVWUHSURGXF
WLRQ 7LDQ\ DUWJODVV-RKQ +XPDQ
creates stained-glass windows and
lamps using the same methods as
7LDQ\ 6WXGLR 7KH3HDFRFNZLQ
GRZ PHDVXUHV {[ $VLPLODU
design would cost about $7,000.
Art Glass Works, (864) 980-2322,
artglassworks.org
Feather and FanNew period-inspired fabrics suitable for upholstery ordrapery include Soaring Tulip, a tapestry/chenille mix,
DQG 3HDFRFN(\H DMDFTXDUG ZRYHQ FKHQLOOH %RWK DUH
blends of rayon, cotton, and polyester and come in
VHYHUDOFRORUZD\V (DFK LV SHU\DUG )URP$UFKLYH
(GLWLRQ DUFKLYHHGLWLRQFRP
The Arbor chair in the Craftsman frame features exposed woodwork
along the front, sides, and base. Its upholstered in burnished knackery
EXUOH\q OHDWKHUDQG PHDVXUHV KLJK [ GHHS[ ZLGH 3ULFHLV
$4,497 as shown. From Taylor King, (828) 632-7731, taylorking.com
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Winter 2016 ARTS & CRAFTS HOMES
W For FREE information go to artsandcraftshomes.com/freeinfo
www.ThistleHillWeavers.com518|284|2729
Custom Historic Reproduction
Window Treatments, Bed Hangings,
Carpet,Fabric,Trims
the studio of rabbit goody
PORCH SHADES
-9,,)96*/
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ARTS & CRAFTS HOMES Winter 2016
A R T + C R A F T &
Environmental Warm-upJust introduced, the Evergreen wood stove
features secondary combustion technology
to keep your home not just toasty, but also
cleaner. Its available in both legged and ped-
estal versions. A medium-size stove can heat
up to 2,000 square feet. $2,370. From Travis
Industries, (425) 609-2500, lopistoves.com
Fumed Cabinets*RWKLF5HYLYDOLQXHQFHG FDELQHWV LQ IXPHG ZKLWHRDNIHDWXUH
applied arch overlays, art-glass insets, a coordinating mirror, and
dovetailed drawers. For a custom quote, contact Ramsey Creek
Cabinets, (319) 656-3883, ramsey-creek.com
Golden WeaveThe hand-blown art-glass vessels from the Green Indian Basket series feature green on
gold patterns that suggest Native American weaving. The largest is 9" high. Prices range
from $200 to $305. From Lundberg Studios, (888) 423-9711, lundbergstudios.com
Warm MetallicsKazume is a new collection ofJapanese
ZDOOSDSHUV EDVHG RQ LQXHQWLDOGHVLJQV
that informed the late 19th-centuryAesthetic and early Arts &Crafts
movements. The hand-printed paper
has a 27" repeat. Its sold in 30' rolls
for $70. From Bradbury &Bradbury,
{EUDGEXU\FRP{
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Winter 2016 ARTS & CRAFTS HOMES
W For FREE information go to artsandcraftshomes.com/freeinfoW For FREE information go to artsandcraftshomes.com/freeinfo
ZZZP
LFDODP
SVFRP
11441 BRADLEY AVE
PACOIMA, CA 91331
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ARTS & CRAFTS HOMES Winter 2016
upfrontNEWS + PEOPLE
Seattles Washington Hall to Reopen SoonAs a preservation organization, Historic Seattle
has been responsible for saving and restoring
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several other local organizations on a $10 million
restoration of Washington Hall, a historic perfor-
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Winter 2016 ARTS & CRAFTS HOMES
Southern CaliforniaLightings Low ProfileColumn Mount
Meyda LightingsAcorn Table Lamp
Website of Craftsman,Mission, Mica &
Tiffany Lamps & LightingFixtures
thebrightspot.com800-736-0126
W
W
ElmiraStoveWorks.com
1-800-295-8498
CUSTOM COLOURS AVAILABLE
Looking for originality?
Youve found it.
Adorned with chrome,
nickel, copper or brass,
each custom built Elmira
Stove Works appliance
is true to its era, while
offering the performanceand features found in
the most modern kitchen
appliances. Models
available in gas, electric,
dual fuel or wood-burning. Let us build one for you.
RETROfitYour Kitchen
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ARTS & CRAFTS HOMES Winter 2016
U P F R O N T & B O O K S
SPANISHCOLONIAL STYLESanta Barbara and TheArchitecture of JamesOsborne Craig and MaryMcLaughlin CraigBy Pamela Skewes-Coxand Robert Sweeney.Rizzoli, 2015. Hardcover,256 pp., $55
I MA G E S F R OM S P A N I S H CO LON I A L S T Y L E MATT WA L L A
ABOVEEl Paseo Court,
Santa Barbara, designed
by Osborne Craigand begun 1922. The
multi-tenant complex
in Castilian Spanish
Colonial style housed
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workers, and residents.
RIGHTDrawing by Osborne
Craig for a main house
and cottage addition
inspired by Andalusian
architecture. LEFTFront
elevation, EmmorJ. MIley
House II in Montecito.
The architectsJames Osborne Craig and Mary
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the popularity of Spanish Colonial style for two
generations; Osborne was active from 1915 un-
til 1922, and Marys career followed, from 1923
to 1956. Working in Santa Barbara, the Craigs
helped develop Spanish Colonial Revival and
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felt well beyond Southern California. Theirs is a
romantic and still beloved architecture of white-
washed stucco, undulating plaster and beamed
ceilings, and rooms centered on the hearth.
Neither husband nor wife had a formal
degree in architecture, yet the couple (he from
Scotland, she from South Dakota) strongly
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built a lasting legacy. Long under-appreciated,
the Craigs are now the subject of a celebratory
exhibition and a book produced in association
with the Santa Barbara Historical Museum.
Besides renewing interest in the Craigs careers,
the book and exhibition call attention to Santa
Barbara, which became a small city of interna-
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The book is biographical with an empha-
sis on architecture. See the houses in context
with gardens and mountain backdrops. Images
include original drawings, archival photo-
graphs, and contemporary photographs of
exteriors and rooms inside. An appendix lists
the complete works.
The Santa Barbara Historical Museum will
sponsor a major exhibition of the Craigs archi-
tectural drawings, opening on November 5th
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museum.com Patricia Poore
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W For FREE information go to artsandcraftshomes.com/freeinfo W For FREE information go to artsandcraftshomes.com/freeinfo
Winter 2016 ARTS & CRAFTS HOMES
TRANSFORM YOUR ENVIRONMENT
Begin your tile project with a Pewabic designer. The first hour
of consultations are free. Contact us at [email protected].
W For FREE information go to artsandcraftshomes.com/freeinfo
Reggio Register Co LLCDept. D1514, 31 Jytek Road, Leominster, MA 01453
1.800.880.3090 www.reggioregister.com
withcodeD1514offerexpires12/31/1510
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Heating Grilles that Lookas Good as they Work
More Sizes More Colors More MaterialsHeirloom Quality Guaranteed for Life
W For FREE information go to artsandcraftshomes.com/freeinfo
essential elements for timeless designs
Products & Tutor ia ls
on AutoDesk SEEK
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ARTS & CRAFTS HOMES Winter 2016
U P F R O N T & E V E N T S + E X H I B I T S
CO L L E C T I ON OF ROBERTA R I C E T R E S E D E R , BY E L L E N T R E S E D E R S E XAUE R ,
COUR T E S Y OF G R E E N E AN D G R E E N E ARCH I V E S , GAMB L E HOUS E , US C
NOV. 10, 2015
Hollyhock LectureArtisanal woodworker Erik Mortenson will
speak about his restoration work on Frank
Lloyd Wrights Hollyhock House at an event
rescheduled from March. Mortenson, of
Tried &True Millworks, has worked on many
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Angeles area and has recently relocated to
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of Los Angeles, Hollyhock House reopened
to the public early in 2015. Mortenson
designed, built, and installed many repro-
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FOHUHVWRU\ ZLQGRZV DUHSOLFDOLJKW[WXUHand a folding screen in the dining room.
The event will be held at Dearborn House in
Seattle. Tickets:Historic Seattle, (206) 622-
6952, historicseattle.org
THROUGH April 3, 2016
California DreamingWilliam Seltzer Rice was a young American
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at the Pennsylvania School of Industrial Art
in Philadelphia, and studied under famed
illustrator Howard Pyle before his timely
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last, that wonderful country that I had read
so much about and so often longed to see,
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trees and shrubbery, the redwoods, cedars,
pines and live oaks, and the wondrously blue
skies were the undeniable proofs of that
fact. Rice took special interest inJapanese
block prints andukiyo-e pSLFWXUHV RIWKH
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Japanese polychrome technique into graph-
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scenery, favoring strong, stylized lines and
planes of pure color.
Featuring more than 50 watercolors
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maker is on view at the Pasadena MuseumRI&DOLIRUQLD$UW $QRWKHUH[KLELWLRQ RI
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established in Berkeley in 1913. Born out of
a partnership between two former college
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full range of the companys decorative tiles,
vessels, and sculptures, with the notewor-
thy inclusion of tiles from the companys
most prestigious project, the commission
by architectJulia Morgan for a complete
environment of tiles for William Randolph
Hearsts palatial home and grounds in San
Simeon. (626) 568-3665, pmcaonline.org
FEB.19-21, 2016
Grove Park Inn&RPHWRWKHKLVWRULF*URYH3DUN,QQ LQ$VKH
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visit with the makers and purveyors of the best
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discussion or hands-on workshop, and tour
historic Asheville neighborhoods and homes.
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21st century perspective,James Haggerty
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es, andJoby Patterson will lecture on the
woodblock prints of Arthur Wesley Dow.
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metalware, wallpaper, and stenciling, and
the designs of architect Louis Sullivan. Also,
conference impresario BruceJohnson will
present a seminar on the role of the Roy-
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(828) 628-1915, arts-craftsconference.com
FEB. 23
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respectively, when strangers began to come
calling in the early 1950s. Most of their
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had long since died. Yet a new appreciation
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hold among young architects, journalists,
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Ultimate Bungalows. Part of the Sidney D.
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by author and historian Ann Scheid, head
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Huntington Library and a member of the
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626-793-3334, gamblehouse.org
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block print from 1924, on view in Pasadena.
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Henrys home in Altadena in the 1950s.
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Winter 2016 ARTS & CRAFTS HOMES
W For FREE information go to artsandcraftshomes.com/freeinfo
Fine LightingHandcrafted in the USA
www.arroyocraftsman.com 626-960-9411
W For FREE information go to artsandcraftshomes.com/freeinfo W For FREE information go to artsandcraftshomes.com/freeinfo
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ARTS & CRAFTS HOMES Winter 2016
P I L G R I M AG E &
Navigate more than two doz-
en Landmark or National Register
Historic Districts by car: first stop
is The Gamble House, Pasadenas
crown jewel, designed by Charles
and Henry Greene in 1908 for David
and Mary Gamble of Procter & Gam-
ble. With unparalleled woodwork,
it is the masterpiece of the archi-
tects JapoSwiss aesthetic. Tour the
house early afternoons Thurs.Sun.
(advance ticket purchase is recom-
mended). The interior tour can take
two hours or more. After strolling
the gardens, stop at the Bookstore,
once the garagewhich got its own
star turn as Doc Browns lab in the
1985 film Back to the Future.
The surrounding neighbor-
hood, Arroyo Terrace, is worth anoth-
er hour of exploration, on foot. Look
for the striking clinker-brick wall that
winds along Arroyo Terrace, fronting
several Greene & Greene homes (in-
cluding Charles Greenes personal
residence and the iconic Duncan-
Irwin House) along with houses by
architects including Elmer Grey and
Myron Hunt. Docent-led walking
tours take place once a month, typi-
cally on the second Saturday, but vis-
itors may do a self-guided tour with
the help of a printed guide ($1.50 at
the Gamble House Bookstore).
Architecture in PasadenaIts legacy largely preserved, this beautiful Southern California city is a
fountainhead of the American Arts & Crafts movement. b y S a r a h H i l b e r t
COLLEGEFOOTBALLANDFLOWER-LADENFLOATSput Pasadenain the spotlight every January, but its amazing architecture draws
visitors all year. Sunshine drew wealthy vacationers and new resi-dents along with notable architects. On most streets, youd be hard
pressed not to spot a bungalow or Craftsman-influenced structure.
Greene & Greenes Gamble House (top,
bottom), and the 1913 Colorado Street
Bridge, which is listed on the National Register.
CO U R T E S Y GAMB L E HO U S E US C A L E X A N D E R V E R T I K O F F ( TO P ) ,T I M
S T R E E T - PO R T E R ( BT M . ) ; JA M I E PHAM CO U R T E S Y P C V B
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Winter 2016 ARTS & CRAFTS HOMES
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ARTS & CRAFTS HOMES Winter 2016
AMBITIOUS VISIT
aCITYHALLThe majestic 1927 Pasadena City
Hall is topped with an Italian Baroque dome
inspired by Venices Santa Maria della Salute,
a picturesque site visible throughout the city.
Make sure to walk into the east-facing fountain
courtyard and stroll through the arched breeze-
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aTHERAYMONDRESTAURANT The bungalow
that was once the caretakers cottage is the
only remnant of the esteemed Raymond Hotel
(razed in the 1930s). Its Craftsman details are
a charming backdrop for dining. 1250 S. Fair
Oaks Avenue.
aPROSPECTPARKNEIGHBORHOODJust
northwest of the Gamble House, see grand
residences by Greene & Greene, Frank Lloyd
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at N.Orange Grove Blvd and Prospect Blvd.
aBUNGALOWCOURTSBungalow courts came
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examples, with around 30 on the National
Register. See several on South Marengo Ave.
between Cordova and Fillmore Streets.
aRESIDENTIALHISTORICDISTRICTSBesides
Bungalow Heaven, take time to visit Madison
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Highlands neighborhoods.
Next up is the serene Lower
Arroyo Seco, where architects andartists found inspiration along the
rim of the watershed valley that runs
through the city. Pasadenas Arts &
Crafts epicenter looks to be out of
a plein-air painting, with dappled
sunlight filtering through the heavy
oak canopy. Homey bungalows and
stately Craftsman and English Arts &
Crafts-style homes line South Arroyo
Boulevard near the Colorado Street
Bridge. Tilemaker Ernest Batchelderonce settled here; his home, a private
residence, is at 626 S. Arroyo Blvd.
Grab a bite in Old Pasadena,
the revitalized shopping and dining
area in the historic commercial core
along Colorado Boulevard. Adapt-
ed two- and three-storey buildings
date from the 1890s through the
1930s and house cafs, national
store chains, and galleries. Myri-
ad styles are reflected in the store-
fronts: Art Deco, Moderne, SpanishColonial Revival, and Beaux Arts.
The stunning HispanoMoresque
Revival Castle Green (at Raymond
and Green streets) is Old Pasadenas
most historic attraction. This former
hotel has been converted into resi-
dences. Tours are offered only twice
a year, but passersby will admire its
grandeur and detail from the street.
Venture just one block south to eat
at La Grande Orange, housed insidethe 1935 train station that retains
Spanish and Southwestern details.
You must visit the famous
Bungalow Heaven Landmark Dis-
trict, a 16-block neighborhood filled
with intact bungalows and Historical
Revival homes. Its especially charm-
ing when porch lanterns come on in
early evening, and you can peer into
golden interiors lit by mica lamps. a
La Grande
Orange caf
retains its curvy
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its located in
the old 1935
train station.
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Winter 2016 ARTS & CRAFTS HOMES
Pasadena Heritage deserves credit for the preservation and revitalization of the citys architectural
and cultural resources. Founded in 1977, it is now one of the oldest historic-preservation groups
in Southern California and the second largest in the state. Among countless other successes, the
organizations legacy includes preserving Old Pasadena, the iconic Colorado Street Bridge, the
Huntington Hotel, and the Greene & Greene-designed Blacker House,
Consider timing your visit with Pasadena Heritages Craftsman Weekend, a spectacular
annual event that showcases the citys Arts & Crafts contributions with bus and walking neighbor-
hood tours, social receptions inside exclusive historic residences, lectures, and a vendor exhibition
featuring period and contemporary furnishings and decorative arts. The 2015 event is scheduled
for November 1315, and advance reservations are strongly advised.The organization hosts several regular tours and educational events. Its Old Pasadena
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Castle Green. Participants learn about what it took to make this district a premier example of
downtown revitalization. A regular lecture series and the Annual Spring Home Tour continue
to celebrate the rich and varied history of Pasadena. pasadenaheritage.org
Pasadena Heritage EVENTS & TOURS
THISPAGETwo houses in well-preserved Bungalow Heaven.
OPPOSITEPasadenas 1927 City Hall,
and Castle Green, a former hotel.
JA I ME E I T A GA K I
734.213.0017 | motawi.com |
Handcrafted tile.Made in Michigan since 1992.
P For FREE information go to artsandcraftshomes.com/freeinfo
Yesterday Meets Today AtRestoration.com
Door Hardware Hinges
Cabinet & Furniture Window Hardware
The Collection
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ARTS & CRAFTS HOMES Winter 2016
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Complete line of original designs and uniqueglazes for fireplace, kitchen, bath and pool.
www.TerraFirmaArtTile.com 803.643.9399
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REMODELINGTHEKITCHENwas a major project in this owners upgrade of a Long
Island house built in the 1950s. The old kitchen was dated and confused:
Colonial Revival mouldings on stock golden-oak cabinets, a tiny island with
clipped corners, low-end laminate countertops and white appliances, all with
a smattering of generic wallpaper. Homeowner Robert Jackman hatched the overall
design and suggested many of the details.
I went to college in Southern California, Jackman says, and fell in love with
the Greene & Greene houses in Pasadena. Over time, I became more and more a
student of the Arts & Crafts movement.
the companyKITCHENDESIGN
John Starck, SHOWCASEKITCHENS, New York NY:showcasekitchens.com
ARCHITECT T.J. Costello,HIERARCHYARCHITECTS,Manhasset, NY:hierarchyltd.com
BUILDER Todd Mitchell,MITCOASSOCIATES, Bellmore,NY: mitcopro.com
sourcesOAK FLOORING CARLISLEWIDEPLANKFLOORSZLGHSODQNRRULQJFRP
BACKSPLASH mosaicfaux-brick metal tile inAntique Bronze BlendQUESTECHquestech.com
LIGHTING REJUVENATION{rejuvenation.com
COUNTERTOPS(butcherblock) custom fabricationGROTHOUSELUMBERCO., Germansville,3$ JOXPEHUFRP
COPPER SINKBrick'HVLJQoUXVWLF DSURQfront farmhouse sinkCOPPERSINKSonlinecoppersinksonline.com similar, seefarmhouse sinks NATIVETRAILSnativetrails.net
BI N PULLS bronze-QLVK FXSSXOO TOPKNOBStopknobs.com
R I CMA R D E R IMA GE R Y . CO M
b y P a t r i c i a P o o r e | p h o t o g r a p h s b y R i c M a r d e r
for an open plan,REVIVAL MOTIFS
The center island was placedcater-corner to perimeter
cabinets, assuring wide
passages. The rooms
primary sink, a vintage-
inspired copper farmhouse
model, is in the island. The
checkerboard countertop
is a unique feature.
& U T I L I T Y S P A C E S
Winter 2016 ARTS & CRAFTS HOMES
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IN THE LANGUAGEOF CRAFTSMANa Cabinets get a period look from the use
of quarter-sawn oak and traditional join-
ery; each door has a framed, solid wood
center panel, another traditional detail.
a Colonnades create an open feel
while providing separate rooms,
as in period bungalows.
a The style-neutral range is built into a
hearth-like niche with a mantel shelf.
a Banquette seating suggests an
old-fashioned breakfast nook.
a :LGHSODQNRRULQJZDVODLGLQ YDULRXV
ZLGWKV 1DUURZ VWULSRRUVFDPHODWHU
a +DUGZDUHDQGOLJKWLQJ[WXUHVare period reproductions.
ABOVEThe kitchen table andbanquette overlook the backyard.
LEFTA hidden drawer designed tohold paper recycling was designed
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storage. FAR LEFTCool Carraramarble, traditional for baking
stations, is used for the pizza-
making countertop; the man of
the house is a self-proclaimedpizza chef. Cabinets are in stained
white oak, even on the interior.
ARTS & CRAFTS HOMES Winter 2016
U T I L I T Y S P A C E S &
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A zoned floor planDuring the full-out renovation of the undis-
tinguished 1950s house, the kitchen grew
to become the heart of the home. Its careful
layout, though, breaks it into various workand living spaces, giving the room a human
scale not seen in most open-plan kitchens.
The working corner of the kitchen
moves from range to baking (or pizza prep)
area to pantry and fridge. The breakfast
nook, set near a large window, is cozily
tucked into a colonnade. Here, a separate
bank of storage cabinets takes the place of
a sideboard.
The unusual placement of the center
island allows for wide corridors, creating
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angles and tight corners.
DESK
RANGE
BAKING STATION PANTRY REFRIGERATOR
D IN INGROOM
STEPS
BANQUETTE
TABLESINK
STORAGE CABINETS
Winter 2016 ARTS & CRAFTS HOMES
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Jackman and his wife, Naomi, knew theyd look to the Arts & Crafts vocabu-
lary for the renovation. He chose traditional wood species: quarter-sawn white oak,
American cherry. This is new work, frankly embracing a professional-style range and
a large, built-in refrigerator. (All appliances are by Sub-Zero and Wolf.) The design
uses motifs of the past; the range is built into a hearth-like niche, for example, and a
colonnade divides the room. The period-inspired kitchen features framed white-oak
cabinetry, a wide-plank wood floor, and banquette seating that evokes a breakfast
nook. Lighting is transitional, alluding to the gaslight and early-electric eras.
Because of my work in cabinetmaking, I was fussy about joinery, Jackman says,
insisting on traditional mortise-and-tenon and dovetail joints. He himself built some
key pieces, including the kitchen table, several doors, even the basement staircase.
The center island features a 2"-thick end-grain countertop in a checkerboard
pattern (alternating walnut and maple) with a mahogany border. The prep area near
the stove is a pizza station featuring a low-height marble slab for kneading dough.
The use of copper in the roomfor the stove backsplash, the farmhouse sink, a
breadboxlooks back to its predominance in art metalwork. The golden chartreuse
wall paint is right out of the bungalow era. a
ARTS & CRAFTS HOMES Winter 2016
U T I L I T Y S P A C E S &
ABOVELEFT A desk occupies one endcorner of the room:upper cabinets
serve as a pantry, and lower drawers
hide an extra freezer. TOP , RIGHTVertical panels around the stove are
pullout spice racks. The room also has
freezer and cold-beverage drawers.
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Winter 2016 ARTS & CRAFTS HOMES
W For FREE information go to artsandcraftshomes.com/freeinfo
W For FREE information go to artsandcraftshomes.com/freeinfo
W For FREE information go to artsandcraftshomes.com/freeinfo
YZYGYHandmade in America
SYZYGY
www.SyzygyTile.com
TimelessSophisticatedDistinctive
800-577-6679 www.oldcalifornia.com
Storybook
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ARTS & CRAFTS HOMES Winter 2016
For FREE information go to artsandcraftshomes.com/freeinfoW
For FREE information go to artsandcraftshomes.com/freeinfoW
0,//:25.0,//:25.
ART GLASS WORKSJOHN HUMAN
18 FLOWERING LOTUSReproductions of original Tiffany shades and custom windows.
www.artglassworks.org
For FREE information go to artsandcraftshomes.com/freeinfoW
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REVIVAL HEARTHS
BEFORE 1915, fireplace surrounds
in both builders bungalows and
fine Craftsman homes likely were
done in brick. What we think of as Arts
& Crafts tile really dates to the 1920s, in-
cluding, for example, the work of Ernest
Batchelder and tiles produced by Malibu
Potteries and Catalina Clay Products. Art
tile is appreciated more than ever in to-
days revival, so its no surprise that tile
is so often chosen for new work that be-
comes the focal point.
As youll see here, new installa-
tions run from period-correct surrounds
in earthy colors to unique interpretations.
Look for nature themes, mosaics, and mo-
tifs borrowed from Greene & Greene, C.R.
Mackintosh, and others.
& D E T A I L S
3UDFWLFDO DQG DUWLVWLF WLOH LV SUHIHUUHG IRU QHZ UHSODFHV b y P a t r i c i a P o o r e
LILYWORK TIL EFor an English
Arts & Crafts 1915 home (architect
StilesO. Clements) in Pasadena:
running band Iznik in Green
Tea, Mint, Creme Brulee with 2"
Byzantium decos. Period design
KathryneDahlman (kathryne
designs.com). Tile for this extra-
ZLGH UHSODFH
Winter 2016 ARTS & CRAFTS HOMES
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SUZANNE CRANERemodeled for a 1969 Ranch:botanical 8" Dogwood with Red
Berries in Amber. Leaf specimens are pressed into wet clay for an impression later used
as a glazing template. Handmade, no molds used. 8" tiles $85 each; this surround $1,360.
SYZYGYRecent remodel of a largely intact house in Silver City, N.M., built
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Blend pattern on the surround face, in MatteWhite, Brownstone, Cornsilk,
Yellowstone, Wheatstone, and Acorn. Tile cost approx. $2,500.
PEWABICTiles from the Stratton Collection
in the Iroquois palette with a custom Oak
Leaf & Acorns border. Tiles approx. $5,500.
NORTH PRAIRIE TILEWORKSUpdate for a brick bed-
URRPUHSODFHRI 0DWWH*UHHQ HOGWLOHVFXVWRPW
ZLWK DULQJ FRYHGHQGx 12". Tube-lined Prairie Blossom
accent tiles. Tile $1,300 +$1,000 for design and sculpting.
B E T H S I N G E R ( P EW A B I C )ARTS & CRAFTS HOMES Winter 2016
D E T A I L S &
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PASADENA CRAFTSMAN TILE Redo for a California Craftsman. Center 12" x 12" Twin
3HDFRFNVoWLOHZLWK 'DUN&HODGRQ JOD]HLQ FUHYLFHV n+DZNVo [ UHOLHIWLOHV [ HOG
tiles in Celadon. Relief patterns from impressions of original 1920s Batchelder tiles. Nice
update of tradition using tile in an unpretentious brick running-bond pattern. Tile $1,600.
TERRA FIRMA&RPSOH[ SHULRGLQVSLUHGGHVLJQ IRU DSDWLRUHSODFH
ZLWK EURQ]HHHFW JOD]HVRQ [ HOGWLOHVLQWHUVSHUVHGZLWK GRJDQGRWKHU
animal-motif tiles and mosaics. Tree of Life center. Fireplace as shown $3,000.
ROOKWOOD POTTERYDesign by owner Jon
Calderas replaced Home Depot tile in a 1908
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tiles and Rookwood logo. Custom quote.
CLAY SQUAREDLaid over old brick:3" x 6" hand-
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woodwork elements around mirror. Tile $650.
FORSOURCES, see p. 71. Winter 2016 ARTS & CRAFTS HOMES
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ARTS & CRAFTS HOMES Winter 2016
For FREE information go to artsandcraftshomes.com/freeinfoW For FREE information go to artsandcraftshomes.com/freeinfoW
For FREE information go to artsandcraftshomes.com/freeinfoW For FREE information go to artsandcraftshomes.com/freeinfoW
TheStudios
of
PO BOX 346 Idleyld Park, OR [email protected] 541.496.3855
3DFLF 1RUWKZHVW &RDVW 1DWLYHVW\OH *UDSKLFV
www.jerryschwartzstudios.com
EACH ONE-OF-A-KIND, FULL SIZE PADDLE IS
DESIGNED AND HAND PAINTED BY THE ARTIST.
COMFORT FOROLD WINDOWS.
WINDOW INSERTS THAT INSTALLWITH NO MOUNTING BRACKETS.
indowwindows.com | 503.822.3805
Keepthecomfortinside.
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Winter 2016 ARTS & CRAFTS HOMES
HISTORIC PATTERNSfor fireplace surroundsDespite the prevalence of art tile for revival fireplaces, brick and concretewere as common during the Arts & Crafts period. b y M a r y E l l e n P o l s o n
In a 1915 Prairie Style house, th e living
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36| A RTS & C RA FTS H OM E S Winter 2016
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GUSTAV STICKLEY BELIEVED that
a big, focal-point fireplace is
essential to an Arts & Crafts
housenot just for warmth, but as an
emotional center and offer of hospital-
ity. No wonder bungalows from South-
ern California to Miami were built with
fireplaces! But what does a true Arts &Crafts fireplace surround look like? Fac-
ing materials could be almost anything
that wouldnt burn: brick, rubble stone
or river rock, tile, terra cotta, cast stone,
even concrete. Despite the present-day
perception that an Arts & Crafts fire-
place should be clad in art tile, the most
common material for builder bunga-
lows and many other houses of the peri-
od was probably brick, especially before
1920. (Even tilemaker Ernest Batchel-
ders home, built in 1909, started life
with a brick fireplace.)
Proportions and massing are just
as important as the material used on
the face. Unlike the classical propor-
tions of fireplaces in most homes built
from the 18th to early 20th centuries,
Arts & Crafts fireplaces are broad and
sometimes blocky, often flanked by
bookcases or bookended by seating
areas termed inglenooks. In transi-
tional fireplaces with tall and narrow
coal-burning fireboxes, the brick or tile
is scaled down to fit a smaller, narrow-
er hearth; glossy lozenge-shaped 1" x
6" or 1" x 3" tiles are typical, similar tothose in late Victorian fireplaces.
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| 37Winter 2016 ARTS & CRAFTS HOMES
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JO SH B E E MA N
Surround patterns were inventive,
especially in brick and tile. If you are
lucky enough to have an original brick
or tile fireplace in good condition, do not
feel compelled to paint, reclad, or other-
wise jazz it up. Even a deceptively simplebrick or tile surround is an authentic bit
of Arts & Crafts decorative history.
BRICK
For centuries, bricks have been standard-
ized at 4" wide x 4" tall x 8" long. One ex-
ception is Roman brick, favored by Frank
Lloyd Wright in many of his Prairie fire-
places. Narrow Roman bricks measure 4"
wide x 2" tall x 12" long. These standard
dimensions lend themselves to a run-
ning-bond pattern, where the joints in each
row are staggered by half a bricka classic
look for Craftsman and Prairie styles.
If the running-bond pattern is
most typicalespecially given the stoutwidth of many hearthsvertical run-
ning bond also appears, often where the
hearth is taller than it is wide. In oth-
er instances, the running-bond pattern
might be interrupted by sections of brick
turned at right angles or fanned to cre-
ate arches and other pattern variations.
In some cases, single bricks are inserted
below the mantel in lieu of corbels, or
rows of projecting bricks laid to create a
recess or its illusion.For real texture, though, it was
common to intersperse a mantel most-
ly made of brick with locally available
stone, an accent tile or two, or (most de-
lightfully) clinker brick.
Once a low-cost alternative to
standard brick, misshapen and vitrified
clinker bricks gave a fireplace a sought-
after organic appearance. Period brick
colorations are earthy, running from light
pink and buff to deep reds, purples, andbrowns. Clinkers, of course, offer a more
extreme range of colors, from fire-engine
red or flaming orange to blackish-purple.
Another exception is bricks clad in terra
cotta, offering a more smoothly finished
look than regular brick.
TILE
Tile installations from the early years
of the Arts & Crafts era look subdued
compared to contemporary installations.Theyre often subtle, geometrically simple
compositions of matte-glazed field tile.
In a fireplace in a 1910 California Bun-
galow designed by architect Glen Jarvis,
for example, the field tile is scaled to fit
the proportions of the fireplace surround
enclosing the firebox opening. The legs
at left and right of the opening are exactly
two tiles wide. The bridge between the legs
(i.e., the center over the firebox) is exactly
two rows deep.
Relief tile and scenic tile were un-
usual before about 1915. (In 1910, Ernest
Batchelder was a West Coast pioneer in-
fluenced by the older Grueby Faience andMoravian Tileworks in the East.) When
more decorative tiles came along, they ar-
rived in a big way. Much of the art tile we
think of as Arts & Crafts actually reflects
the styles, designs, and glaze colors made
by dozens of potteries in the 1920s, when
tile production was at its pre-World War II
height. Designs were based on romantic
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ARTS & CRAFTS HOMES Winter 2016
Early tile
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themes drawn from the AngloEuropean medi-
eval past, or newfound Mayan or Aztec glyphs
and Native American pottery, or the stylized
forest scenes of Bavaria or Switzerland.
Centered above the firebox, scenic tiles as
large as 8" x 16" provide a dramatic focal point.
Smaller accent tiles on a given themeflowers
or vines, as examplestrail down the legs of
the fireplace. One or two accent tiles may be
artfully placed in random patterns. Late in the
Twenties, art tiles in sizes from 2" x 2" to 12"
x 12" were arranged in complex geometric pat-
terns of appreciable rhythm and movement.
Homeowners could order an entire sur-
round from a catalog, building the firebox to
fit, or commission a whole fireplace. Today,you can take your ideas to a maker of small-
batch art tile who will custom-design the tile to
fit. For installation, be sure to hire a tile mason
with plenty of experience with art tile. a
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FEBRUARY 57, 2016
VALLEY FORGE CASINO RESORTCONVENTION CENTER
KING OF PRUSSIA, PA
For more information visit www.historichomeshows.com
The HISTORIC HOME SHOWis a big tent, covering bothrenovation/restoration and todays best craftsmanship.Of interest to both homeowners and professionals, theshow is for anyone who wants to learn how to restore,
renovate, maintain, or furnish a historic or period-inspired house. See exhibits and attend seminars withour experts. Incorporating DesignerCraftsmen, thisevent also celebrates time-honored furnishings and
crafts, featuring the highest quality in traditional newZRUN IRONDUW UHSURGXFWLRQV DQGQH IXUQLVKLQJV
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W For FREE information go to artsandcraftshomes.com/freeinfo
Winter 2016 ART S & CRAF T S H OM ES
W For FREE information go to artsandcraftshomes.com/freeinfo
ABRs WATERLESS Fireplace Cleaner is a temporarycleaning coating designed to remove dirt, soot, andcontaminants, trapping them within the coating foreasy collection and disposal. This removable maskrequires NO WATER in its application or removal.
Applies like a thick paint Allow to dry Peel dirt and coating off
American Building Restoration Products, Inc.
800-346-7532 www.abrp.com
OHJ07-1
3
W For FREE information go to artsandcraftshomes.com/freeinfo
(360)871-7707
THE ARTS&
CRAFTSPRESS
BLOCKPRINTS&
LETTERPRESSCARDS
by Yoshiko Yamamoto
Wisteria Pergola limited edition block print
Since 1994
Susan Hebert Imports503-248-1111
www.ecobre.com/ac
Handcrafted Copper
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HAVE YOU EXPERIENCED OUR FULLY
INTERACTIVE DIGITAL MAGAZINE YET?
MORE FEATURES:
DOWNLOADARTS & CRAFTS HOMES& ALL OF OUR DIGITAL EDITIONS AT
oldhouseonline.com/digital
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Tapforresources.
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Winter 2016 ART S & CRAF T S H OM ES
portfolioWI N T ER 2 0 1 6
42 R E S T O R A T I O NUndoing the Victorianin a 1915 bungalow.
5o T H E G U I L DThree small companiesdedicated to art tile.
54 N E W W O R KOn falling for the charmsof a new Craftsman home.
64 O U T S I D EThe bones of the winter
garden: architec tureand seasonal remains.
I prefer winter and fall,when you feel the bone
structure of the landscapethe loneliness of itthewhole story doesnt show.
American realist painter Andrew Wyeth (19172009)
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SO WORTH THE WAIT!Once rather a mess, this 1915 San Diego bungalow was restored overa period of 25 years. Lots of DIY labor produced stunning results.BY THOMAS & PHYLLIS SHESS | PHOTOGRAPHS BY GARY PAYNE
& R E S T O R A T I O N
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ART S & CRAF T S H OM ES Winter 2016
In january of1989, three years into our marriage and with a toddler
son, we were looking to buy our first home when Phyllis came across
an ad for a house in our price range. I have a good feeling about
this one, she said before wed laid eyes on it. The candidate was in
North Park, an older urban neighborhood near downtown and next door
to Balboa ParkSan Diegos version of Central Park. How bad could it be?
Well, we can laugh about it now. Lets just sayfor Tomit wasnt
love at first sight. Curb appeal was so-so, and the neighborhood was strug-
gling. Phyllis, however, was elated: I knew it in my heart that we could
turn this fixer-upper into our dream home. She liked the open floor plan
of 2,000 square feet, the multi-pane windows with wavy glass. A large
family room had been added in the 1960s, as well as a swimming pool.
But all Tom could see was Pepto-Bismol pink everywhere. The sell-
er had decorated the 1915 Craftsman Bungalow with her beloved Victori-
ana. The family room had flocked wallpaper and a Roaring Twenties motif
complete with a lava-rock fireplace flanked by red plastic sidelights, and agiant pool table. The deferred maintenance in the kitchen was staggering
and the house needed a new roof.
Of course, we bought it.
TOP The new art glass features a
Dard Hunter rose design. RIGHT
In the dining room, French doors
replaced a plate-glass window
DQNHG E\ VPDOO FDVHPHQWV 7KH
WLJHURDN WDEOHLV FD FKDLUV
are vintage, as are textiles with
$UWV &UDIWV HPEURLGHU\ DERYH
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Seemingly historic in the
tradition of Batchelder tile,
WKHOLYLQJ URRPoV UHSODFH
surround, a handsome focal
SRLQW LV DFWXDOO\ QHZ ZRUNE\ WLOH
artist Laird Plumleigh.Pottery
LQFOXGHV YLQWDJH:HOOHU DQG QHZ
ZRUN E\ (SKUDLP )DLHQFH 'RRU
Pottery, and Gordon Hutchens.
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ART S & CRAF T S H OM ES Winter 2016
Tom and Phyllis Shess restored the bungalow,
once painted yellow and white. Today, a curvedwalk leads to the original front porch in brick;
they added the river stone-veneer enclosure and
the pergola behind it. The North Park Dryden
+LVWRULF'LVWULFWZDV RFLDOO\ HVWDEOLVKHG LQ
REVIVAL WORK IN AN ORIGINAL7KH KRXVHFRQWULEXWHV WRWKHKLVWRULFGLVWULFW \HWLWoV QRWDPXVHXP 7KHPRVW
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JURZLQJ IURP LW $ IHZ \HDUV HDUOLHU 3K\OOLV 6KHVV KDG LQYHVWHG LQ DODUJHn3DORPDU 2DNo
art tile by a Laird Plumleigh, a charming fellow from Encinitas. The thought occurred
that it could be displayed as part of the new surround. With the Plumleigh tile in hand
DQG YLVLRQV RI%DWFKHOGHU UHSODFHV WKHFRXSOHORRNHG IRU WKHULJKWFUDIWVPHQ ,WGLGQoW
take long to discoverJim Crawford of Authentic Fireplaces and his assembled team of
masons, tile setters, and carpenters who used Old World techniques.Jim loaned Phyllis
DFRS\ RIKLV RULJLQDO %DWFKHOGHU FDWDORJ WRLQIRUP WKHGHVLJQ ,Q DYLVLWWR3OXPOHLJKoV
pERQH\DUGqWKH\ IRXQG SHUIHFWJUHHQ DQG JROG HOG WLOHV WRFRPSOHPHQWWKHDUWWLOH
Phyllis laid the tiles out in the parlor, numbered each piece, and took a photo to guide
WKHWLOHVHWWHUV 7KHDQNLQJ FDELQHWJODVV LQVSLUHG E\ )UDQN /OR\G :ULJKW LV E\ %DUU\
0D\7KH'RXJODV U VKHOIDQG FDELQHWV ZHUHVWDLQHG WRPDWFK RULJLQDO ZRRGZRUN
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ABOVEThe cloisonn vase on the dining-room
server is from a trip to Beijing; its wisteria is a reminder
of a vine on the house. BELOW7KHRZQHUVoUVW
piece of furniture was the Stickley leather settle.
Reproduction lamps warm the golden room at night.
With our every nickel gone to the down payment, home
improvements had to wait. The delay afforded us time to re-
search the Arts & Crafts genre. After absorbing period-archi-
tecture magazines and attending several Craftsmen Weekends
in Pasadena, we came away Born Again. Though this modest
house was one of dozens built to house professionals for the
191516 PanamaCalifornia Exposition in Balboa Park, we en-
visioned one day having our own mini Greene & Greene home.
Our journey was worth every dime and every minute we
spent. It started with Tom scraping off at least seven layers ofinterior paint. When it was down to bare wood, ghosting re-
vealed where original elements had been. To our joy, we found
pristine pocket doors covered up in a 1919 remuddling; now it
was easy to turn the front parlor into a private guest room.
Our first hire was a contractor who transformed the sa-
loon motif in the family room to create a comfortable media
center. We closed off the sunken billiards room to create a
Carpets, wallpaper, even'RXJODV U ZRRGZRUN ZDV
SLQN WKH GFRU 9LFWRULDQ
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ART S & CRAF T S H OM ES Winter 2016
master suite. We re-stained the original Douglas fir trim and
wainscoting in the front rooms. As is typical, woodwork in the
bedrooms, bath, and family room is painted.
The same summer, an economic downturn found Tom
with hundreds of hours to spare and a heat gun in hand. Off
came the exterior paint. I only fell off my jerry-rigged scaf-
folding twice, Tom says. Next we hired a landscape designer,
and soon had a south-side brick patio and fountain, an outdoor
kitchen. In our first oh no! moment, we realized we had to
go around the house from front or back to get to the new side
garden. All along we had focused on maintaining the original
architecture. Now we eyed the plate-glass window overlooking
the new garden. Old wavy glass or not, we decided to replace it
with double French doors matching those in the house. Good
call: The setup looks original, and we use those doors every day.
We put off the kitchen until we could afford to do it right.Eventually we hired a bungalow-savvy contractor with the pa-
tience to put up with Phylliss detailed and determined over-
sight. The contractor, himself an artist, designed and built the
Mission-style table and storage benches.
Our crystal ball hadnt revealed that North Park would
become what Forbesmagazine and the New York Times called
one of Americas hippest neighborhoods. Wed no idea wed
made such a good investment. To us, this was simply the forev-
er home. Recently retired, we just celebrated our 30th wedding
anniversary in our favorite place. This little bungalow. a
TOP In the bathroom, only the tub was original,
so the room was overhauled in period fashion.
The medicine cabinet is based on a 1916original.
ABOVEThe 1960s pool, nicely landscaped. RIGHT
7KHFR]\ NLWFKHQ IHDWXUHV QHZ 'RXJODV U FDELQHWV
OPPOSITEFramed vegetable and fruit labels are
vintage, as areJadeite salt and pepper shakers.
FORSOURCES, see p. 71.
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ART S & CRAF T S H OM ES Winter 2016
theguild
CARREAUX DU NORDCARREAUXDUNORDmeans tiles of the north, fitting
not only because of the location of this small tile
company in northeastern Wisconsin, but also be-
cause tilemakers Beth Vienot and Ned Guyette have
French-Canadian roots. The
couple met in a design class
at the University of Wisconsin
at Milwaukee. Ned was very
skilled, way beyond anyone else
in the class, recalls Beth. Ned
notes that Beth is a superb
painter with a talent for decorative design: We have
done a few reproductions, but 95 percent of what we
make comes from Beths fertile brain.
Ned was experimenting with medieval tech-
niques used to create encaustic tile. Realizing the
process was too time consuming to be profitable,
he turned to low relief tiles, our launching pad for
making handmade tile. He and Beth founded their
company in 1995. Customers buy tiles as art, but
the firms bread and butter is small-batch archi-
tectural tile, like accents recently installed in new
structures at Chicagos Lincoln Park Zoo. Designs
show English and American Arts & Crafts influ-
ence with a touch of Art Nouveau. Neds glazes are
hand applied, which results in slightly thicker or
thinner coats. This signature of the hand is what
gives Carreauxs tile its distinctive appearance.
Ned presses up to 60 tiles per day. The archi-
tectural tiles are ideal for artistic installations, from
backsplashes to murals and fireplaces. The show-
room is in the former game room of the couples
1927 Tudor Revival home. Were not getting rich,
says Ned, but we love what we do. a
BETHVIENOT&NEDGUYETTE
Carreaux du NordTwo Rivers, WI
(920) 553-5303carreauxdunord.com
FROMLEFTNed Guyette and Beth
Vienot in their showroom in Wisconsin.
A detail of the owl decorative tile in
an Evergreen gloss glaze. The bee tile
artfully depicts bees on a honeycomb.
CRAFTSMANTILESThe revival of small-batch art tile has never been morevibrant than in todays revival, as youll see in the workof three unique artisan tile makers. b y M a r y E l l e n P o l s o n
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2QHRI:HDYHUoV UVWELJMREV ZDV SURGXFLQJ
5RRNZRRGVW\OHWLOHV IRU WKH .HOORJJ 0DQRU
+RXVHLQ *XOO /DNH 0LFK $IWHU H[SORULQJ JOD]HV DW
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WULDO DQG HUURUq6FRWWVD\V p
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ART S & CRAF T S H OM ES Winter 2016
PASADENA CRAFTSMAN TILEAPRACTICINGARCHITECTfor many years,
Cha-Rie Tang has multiple talents.
She is also an artist in kiln-fused
glasswork, working with her husband,
Bruce Hubbard, whom she met asan undergraduate at MIT. Tang has
had the good fortune to have lived in
Pasadena since the 1970s. Intrigued
by its architecture, she discovered
her passion for
Batchelder-style
tile when a friend
unearthed (in his
backyard) numer-
ous molds from
the Batchelder Tile Company and
brought them to her.
After years of slip-casting
Batchelder reproductions, Cha-Rie
began to carve her own designs. She
based many of them on Owen Jones
The Grammar of Ornament, which
she, Bruce, and Steve Hubbard had
transferred to CD-ROM during the
tech boom. Tangs original designs
caught the attention of Isabelle
Greene, a noted landscape designer
and the granddaughter of Charles
Greene. Cha-Rie made some 6" x 6"
tiles for Isabelles fireplace. That ledto a commission for a fountain from
the owners of the Robinson House,
Mark and Phaedra Ledbetter. Cha-
Rie says, Phaedra is quite a talent-
ed lady herself and took a chance on
me. The cherry-tree design is based
on a motif from original furniture in
the house and features carved tiles.
The project was completed in record
time with me tending the clay day
and night with fans and heat, Cha-
Rie says. At the time I did not have a
slab roller. I had carpal tunnel prob-
lems for months afterwards.
Shes gone on to produce
carved fireplaces, fountains, walls,
floors, backsplashes, and art pieces.
With one of the largest collections of
Batchelder molds in the country, she
continues to produce revival tiles. a
CHA-RIETANGPasadena Craftsman Tile
Pasadena, CA(626) 793-8387
pasadenacraftsmantile.com
FROMLEFTCha-Rie Tang slip-casts tile in the tradition of Ernest Batchelder. The
wall behind an outdoor fountain at the Robinson house features a cherry-tree
branch in Cha-Ries hand-sculpted tile. BELOW$ JHRPHWULFUHSODFH
High FiredRed ClayTang prefers to use red clay for her
tiles because of the way the iron in the
body reacts with her proprietary glazes.
Where the glaze is thin and where it
LV WRWDOO\ UXEEHG R WKHUHG VKRZV
through, she says. Where the glaze is
thick, a rich color results.Rather thanreproduce every aspect of a historic
JOD]HG WLOH VKHSUHIHUV WRKLJKUHKHUV
to 2,150 degrees, making them imper-
vious to water so they can be used even
outdoors. Many historic Craftsman
WLOHV ZHUHORZUHG ZKLFK PDGHWKHP
SURQHWRFKDON\ QLVKHV DQG DWHQGHQF\
to chip or show other signs of wear. A
historical look is not enough, she says.
Customers want the nostalgia but not
the problems.
T H E GU I L D &
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Sell your period-authentic products direct to our readers.
For more information, please contact:
www.rexbilt.com
Robin HabberleyREX Sales Director(703) [email protected]
Sign up for a Storefronton REX and add your products to a growing selection of unique and
period-authentic products at the best prices found anywhere online.
Peter H. MillerVP General Manager,Home Group(202) 339-0744, Ext. [email protected]
Julia HiteREX Sales Executive(978) 729-4321
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ART S & CRAF T S H OM ES Winter 2016NEW CRAFTSMAN
Falling for a
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Winter 2016 ART S & CRAF T S H OM ES
& N EW WORK
After spending a decade restoring a 1908 house, this couple was pleasantlysurprised to find theyd fallen for a newer Craftsmanone built in 2008!
BY DONNA PIZZI | P HOTOGRAPHS BY BLACKSTONE EDGE STUD IOS
B L A C K S T ON E E DG E . CO M
SOMELIFECHANGEShad this couple looking to move from
Albany, Oregon, to Portland, after theyd spent ten
years restoring an old house that had both Victorian
and Craftsman details. Elva Van Devender, who is a clinical
pharmacist, and her chemical-engineer husband, Tye Dodge,
were about to purchase a house when they ran across a new-
old house in Portlands Multnomah Village. Coincidentally,
Elva was familiar with the house next door, a model called The
Tabor, which shed seen a year earlier. They found this one,
dubbed The Multnomah, while checking out The Tabor on
Googles street view.
Inside the 2008 house, the spacious open plan was a
pleasant surprise; the couples transitional house had had
small, compartmentalized rooms. (This house has two full sto-
reys and a third-floor lofta bonus room that can be outfitted
as a home office, media room, or play area. The 3,278-square-
foot residence has four bedrooms and two and a half baths.)
A period-style colonnade and built-ins, two working fireplaces,
glass pocket doors that afford privacy in the den, and floors
of Brazilian cherry with walnut inlays were undeniably hand-
some. The kitchen was large, as was the laundry room. A fir
tree grew protectively over the back porch, the tidy yard, and a
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LEFT7KHKDUGWRQG RDN FKXUFK
SHZ FDPHIURP DQ DQWLTXHV VWRUHLQ
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a separate garage.
The previous owner had upgraded the lighting, selecting
reproductions from Rejuvenation and art-glass shades. Elva
and Tye say they especially like the built-ins provided by thebuilder. Nevertheless, they felt the dining room cried out for
another, so they soon bought a rescued piece at Aurora Mills
Salvage, now used as a sideboard that fills one wall. It had been
torn out of a hundred-year-old bungalow in Corvallis by own-
ers who wanted a more modern look. We just couldnt believe
anyone would discard such beautiful craftsmanship, Elva says.
REMARKABLY, THEFURNISHINGS from their old Albany house fit
perfectly hereeven the antique stained-glass windows,
which the couple had purchased to create privacy from the
street. Unique etched-glass windows, ca. 18901910, were re-
purposed into a wardrobe and TV cabinet by Bill Storch of
Corvallis, who also reworked the salvaged built-in as a free-
standing sideboard in the dining room.
At least one thing has seen the couple through all their
moves: an oriental carpet that never met a room it didnt
like, as Elva puts it. When her mother planned to throw away
the 1960s-vintage rug, Elva took it to her grad-school flat. It
has since graced floors in Charlottesville, Virginia, and Port-
land, Maine, before the Albany and Portland (Oregon) houses.
The couple love to attend LoneSomeVille Potterys
twice-yearly sales to pick up some of Northwest artist Danny
Hills renowned Arts & Crafts pottery. We love talking with
Danny and Wayne and spending time in the beautiful Lone-
SomeVille garden, Elva says. (Hills work is on display at
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Winter 2016 A RTS & C RA FTS HOM E S
After three viewings, ElvaVan Devender
and Tye Dodge were all set to buy an older
house in Cedar Mill when Tye discovered
an Arts &Crafts-style home in Portlands
Multnomah Villagebuilt by Skye Homes
in 2008. Initially, they went to see it to rule
it out, Elva recalls. But the moment we
came in, it felt like our house. I couldnt
talk myself out of it.
Skye Homes owner Bruce McIntosh
dubbed this design The Multnomah, and it
was a keeper, from its battered porch columns
and bungalow-era gable to its colonnades
and pocket doors. The couple had thorough-
ly enjoyed restoring and living in their old
house, which was built in 1908. But they came
around to appreciate the advantages of a new
old house. This one is up to current standards
RIHQHUJ\ HFLHQF\DQG WKHZRUNLQJ UH
places are safe. Whats more, their old house
had no built-ins, and this one does.
Skye Homes in Portland, Oregon, is
DGHVLJQEXLOG UP VSHFLDOL]LQJ LQ FXVWRP
residences, lot development, and land-use
planning. Skye comes from a Norse word
PHDQLQJ FORXGV p,Q WKH3DFLF1RUWKZHVWq
McIntosh says, clouds are as prevalent as
rainbows, rain, and sunlightso the name
UHHFWV WKLV VSHFLDO SDUWRIWKHFRXQWU\q
skyehomesnw.com
EMBRACING THE NEW
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Pocket doors fitted with glass bring quietto the den (and keep the cats at bay), without
impeding sight lines in the open plan.
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PRVDLFWLOHG UHSODFH 6WDLQHGglass windows bring in light while
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ARTS & CRAFTS HOMES Winter 2016
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OPPOSITE , FROMLEFTViolets of varying
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ART S & CRAFT S HOMES Winter 2016
Skye Homes kitchens and bathrooms feature
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Winter 2016 ART S & CRAFT S HOMES
such venues as Yosemites Ahwahnee Lodge, the Gam-
ble House in Pasadena, the de Young Museum in San
Francisco, and The Inn at Torrey Pines.)
Three Bengal cats are in residence: Nyah is the
oldest, Angus the only male, and Merida the youngest.
They find great pleasure in this house, prowling about
the semi-open plan, sprawling in front of the fire, curl-
ing up in a Morris chair. Everyone feels at home. Elva
and Tye say they envision a long succession of hap-
py owners for this house, which itself will be an old
house someday. a
FORSOURCES, see p. 71.
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KE N D R U S EARTS & CRAFTS HOMES Winter 2016
O U T S I D E &
A strong underlying architecture is important whenthe garden goes minimalist for the winter.
BY TOVAH MARTIN
BONESOF THE
WINTERGARDEN
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JE RR Y PAV IA ( I N S E T )
FORABUNGALOWORCOTTAGE,create an Arts & Crafts garden that holds
off-season appeal. Consider architecture in the snowa pergola or gate,stone walls, the rhythm of a fence. Use garden ornament or large shrubs
to create focal points. Rely on plants that are stalwarts when it comes to
late fall and winter interest. Perennials may lie beneath the snow and
deciduous trees are but silhouettes,
yet the garden remains.
At Greenwood Gardens in NewJersey, thepergola is vivid in winter. ABOVE Fruits of the
rowan or mountain ash (Sorbus aucuparia).
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In a poignant vignette behind garden writer Ken
Druses house, tall and feathery grasses tower
over wooden chairs in a landscape of brown and
grey. BELOWGrasses and stonecrop heads in the
snow. OPPOSITE Holly (Ilex). Conifers and broadleaf
evergreens keep nature alive at Greenwood Gardens.
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Winter 2016 ART S & CRAFT S HOMES
A great garden never slumbers. In fact, garden designers argue that
winter is when a thoughtfully constructed garden really shines. The secret
lies in selecting elements that stand out when the garden is stripped down to
its bare-naked truth. In many parts of the country, the off-season lasts for five
or six months. Plan your garden accordingly, and that time can be riveting.
FENCES, GATES & WALLS
Considering the winter damage done by deer in many regions, a fence is a
wise move from a purely practical standpoint. But a fence performs critical
visual functions as well. A fence contains a space, announcing a garden lies
here even when the evidence is partially buried. Solid stockade fences may
look more like blank barriers and less like artif you must put one up, con-
sider softening it with birdhouses or other embellishments. On the other
hand, wooden zigzag, picket, rustic, lattice, and wrought- and cast-iron fences
THE REMAINSOF THE SEASONThe lushness of summer fades in the
dormant garden, but wintertime can
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stems or architectural branches
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than cutting the garden clean during
fall cleanup, leave the dried seed-
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(apropos for Arts & Crafts homes) become eloquent when their lines stand out
against the snow. Even purely utilitarian wire stock fencing gains prominence and
character, suggesting delicate lacework. Fences give winter birds a stable place
to perch. Unpruned, the meandering stems or branches or vines add a weaving
rhythm against the straight lines of a fence (or arbor). Wisteria is a heavy load to
shoulder, but you can select lonicera or clematis. A gate may provide the opportu-
nity to add color, perhaps matching body or trim on the house. When competing
visual elements are erased, our color-starved eyes go straight to a handsome gate.
Its hard to go wrong with a stone wallno matter what type you select, a
wall divides space while providing strong texture in the quiet landscape. When the
thaw finally comes, stone walls return to color even before the world turns green.
GARDEN ARCHITECTURE
Pergolas, arbors, and freestanding gazebos punctuate the garden. Stark against
the sky or wearing a snow cap, garden structures hunker down and look magical
in the winter. They also give birds shelter. All sorts of styles, from rustic to Spanishto classical, work in an Arts & Crafts setting. Even a tool shed provides interest and
can be styled to reinforce an Arts & Crafts theme, perhaps through windowboxes.
Cedar or metal tuteurs gain prominence when denuded; multiple tuteurs
marching down an alle are particularly eloquent.
GARDEN ORNAMENT
Cement orbs, ornamental hose guards, birdfeeders, and containers provide focal
points or mark paths. Be aware that most pots will not survive a freezing win-
ter uncracked. Some containers, like the reinforced urns and pots by the Maine
company Lunaform, are designed to be left out; follow recommendations. Pottery
birdbaths may be ruined; stone is a safer bet. Statuary is poignant in the barrengarden, but much of it, too, should not be left out unprotected. Most homeowners
choose to protect statuary by bundling it up in attire to deflect moisture and thus
protect against freeze/thaw cycles. a
ABOVEEmptied and protected, a glazed
container lends scale to the arch-framed
view at Greenwood Gardens (Short Hills,
N.J., by William W. Renwick, 1915). LEFT
Snow draws attention to the willow
and a red bridge in a private garden in
British Columbia. OPPOSITE Two glazed
ceramic stools and a cast-iron urn ona cement baluster are reminders of
habitation in Ken Druses semi-rural
NewJersey garden. INSET Lunaforms
Ebro urn with a snow lid in place.
JE RR Y PAV IA ( L E F T ); KE N D R U S E
FORSOURCES, see p. 71.
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Winter 2016 ART S & CRAFT S HOMES
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