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STEPHEN SHORE

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With Artsy, gallery owners, artists, and viewers can connect to each other in a whole new way. Owners are able to feature artists on the main home page, edit artist information, order inventory through artists, connect with other gallery owners, and manage special orders. Artists can upload new work, are available to customers for easier communication, and can expand their network with other galleries. Viewers can gallery art work at anytime, message artists, and buy work. It lets them be a part of gallery both in and out of it.

Artsy means quicker inventory/special orders placement, less hassle/missed communication, and faster results. It’s seeing art through different perspectives.

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FEATUREDARTISTSAs the owner, being able to feature artists offers an easier way for customers to connect to the gallery. Customers have an entry point to the artists and artists have a chance to showcase their work.

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Click, drag, and drop your way to the top artist of the week. Just through a few taps here and there, adjustments are easily made to add/remove arists from the featured page.

Untitled (Line after B. Nauman's The True Artist Helps the World by Revealing Mystic Truths)$36.00

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NAM JUNE PAIKUntitled$36.00

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ARTISTPAGEThrough the artist page, the owner is able to add, delete, and edit artists bio/work to shoe what information is accesible to viewers.

STEPHEN SHORE

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STEPHEN SHORE

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e-mail: stephenshore@gmail.comlocation: New York City

A quote that I like very much comes close to explaining my attitude about taking photographs: “Chinese poetry rarely trespasses beyond the bounds of actuality… the great Chinese poets accept the world exactly as they find it in all its terms and with profound simplicity… they seldom talk about one thing in terms of another; but are able enough and sure enough as artists to make the ultimately exact terms become the beautiful terms.”

A quote that I like very much comes close to explaining my attitude about taking photographs: “Chinese poetry rarely trespasses beyond the bounds of actuality… the great Chinese poets accept the world exactly as they find it in all its terms and with profound simplicity… they seldom talk about one thing in terms of another; but are able enough and sure enough as artists to make the ultimately exact terms become the beautiful terms.”

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After tapping ‘edit’, owners are able to select what they would like to change. They can manage artists, upload new work, edit personal information, connect with a variety of galleries, e-mail artists, and keep tabs on their stock. This way, art stays up to date just as artists make it.

A quote that I like very much comes close to explaining my attitude about taking photographs: “Chinese poetryrarely trespasses beyond the bounds of actuality… the great Chinese poets accept the world exactly as theyfind it in all its terms and with profound simplicity… they seldom talk about one thing in terms of another; but are able enough and sure enough as artists to makethe ultimately exact terms become the beautiful terms.

STEPHEN SHORE

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EDIE SEDGWICK1965-1967black and white photograph12 3/4 x 19 inches

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STEPHEN SHORE

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EDIE SEDGWICK1965-1967black and white photograph12 3/4 x 19 inches

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WARHOL WITH ‘SILVER CLOUDS’ IN FACTORY1965-1967black and white photograph12 3/4 x 19 inches

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WARHOL WITH ‘SILVER CLOUDS’ IN FACTORY

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1965-1967black and white photograph12 3/4 x 19 inches

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IN FACTORY1965-1967black and white photograph12 3/4 x 19 inches

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FEATUREDARTISTSIf artists become featured on a gallery’s page, they’re able to get their work out much faster and often than if a viewer would have to go through the list of artists. It gives them more incentive to get more enticing work to the gallery.

PETER COFFIN

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Click, drag, and drop your way to the top artist of the week.

PETER COFFINUntitled (Line after B. Nauman's The True Artist Helps the World by Revealing Mystic Truths)$36.00

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PETER COFFINUntitled (Line after B. Nauman's The True Artist Helps the World by Revealing Mystic Truths)

YOURPROFILEThrough profi le option, artists can edit their current work and publish new work. Viewers can be kept up to date as frequent as artists update their work.

MATT MULLICAN

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Once ‘edit’ is tapped, artists have the option of editing cur-rent work or their bio. They can create new collections, offer work not available in the gallery, give contact information, and keep their artist statement consistent. Because of this, viewers can keep up with their most updated work.

MATT MULLICAN

YOUR PROFILE

Installations of Mullican’s work often feature grids of his drawings hung side by side on makeshift walls in tightly packed rooms or corridors. These are spaces in which it seems possible to lose oneself, which, in a sense, the artist has done to create them. The predicate of his experiences under hypnosis is an ageless, genderless figure he calls “that person.” As he emerges in the work, “that person” busies himself with everyday routines but has his eye on the big issue.

1970s2000s

Installations of Mullican’s work often feature grids of his drawings hung side by side on makeshift walls in tightly packed rooms or corridors. These are spaces in which it seems possible to lose oneself, which, in a sense, the artist has done to create them. The predicate of his experiences under hypnosis is an ageless, genderless figure he calls “that person.” As he emerges in the work, “that person” busies himself with everyday routines but has his eye on the big issue.

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Installations of Mullican’s work often feature grids of his drawings hung side by side on makeshift walls in tightly packed rooms or corridors. These are spaces in which it seems possible to lose oneself, which, in a sense, the artist has done to create them. The predi-cate of his experiences under hypnosis is an ageless, genderless fi gure he calls “that per-son.” As he emerges in the work, “that per-

YOURCOLLECTIONThis section simply showcases the work that has been previ-ously uploaded. It gives a small description and price while letting the artist easily navigate through it.

TRUTH AND BEAUTY2009one from a portfolio of eight sketches

PERSONAL WORK88 MAPS

8 DEAD 2’S2007etching

PERSONAL WORK

2010Page from unbound illustrated book with 28 graphite rubbings, 14 with screenprint additions

88 MAPS

2009one from a portfolio of eight sketches

2010Page from unbound illustrated book with 28 graphite rubbings, 14 with screenprint additions

PERSONAL WORK

88 MAPS

8 DEAD 2’S2007etching

PERSONAL WORK

2010Page from unbound illustrated book with 28 graphite rubbings, 14 with screenprint additions

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8 DEAD 2’S2007etching

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GUESTVIEWERFor the viewer, Artsy allows for a gallery on-the-go. They can search artists, buy through the app, learn information, and see what other galleries have to offer. It allows them more control of how they view the gallery both in and out.

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FEATUREDARTISTSA quick scroll-through shows guests the galleries most recent/popular work. It allows a welcoming atmosphere and a quick highlight of the galleries most recognized artists.

PETER COFFINUntitled (Line after B. Nauman's The True Artist Helps the World by Revealing Mystic Truths)$36.00

FEATURED ARTISTS

STEPHEN SHORE

NAM JUNE PAIKPETER COFFIN

Untitled (Line after B. Nauman's The True Artist Helps the World by Revealing Mystic Truths)$36.00

FEATURED ARTISTS

NAM JUNE PAIKUntitled$36.00

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NAM JUNE PAIKUntitled$36.00

STEPHEN SHOREUntitled$36.00

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ARTISTSContacting an artist has never been so easy. Just by viewing an artist’s page and clicking their contact info, a new e-mail is brought up. Questions, comments, and concerns have never been more efficient.

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CLINTON ADAMS

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STEPHEN SHORE

MELISSA SHOOK

DAVID SHRIGLEY

BRAD SILBERLING

WALTER SILVER

ALISON SKY

SYLVIA SLEIGH

PAUL SIGNAC

STEPHEN SHORE

STEPHEN SHORE

ARTISTS

A quote that I like very much comes close to explaining my attitude about taking photographs: “Chinese poetry rarely trespasses beyond the bounds of actuality… the great Chinese poets accept the world exactly as they find it in all its terms and with profound simplicity… they seldom talk about one thing in terms of another; but are able enough and sure enough as artists to make the ultimately exact terms become the beautiful terms.”

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STEPHEN SHORE

ARTISTS

e-mail: stephenshore@gmail.comlocation: New York City

A quote that I like very much comes close to explaining my attitude about taking photographs: “Chinese poetry rarely trespasses beyond the bounds of actuality… the great Chinese poets accept the world exactly as they find it in all its terms and with profound simplicity… they seldom talk about one thing in terms of another; but are able enough and sure enough as artists to make the ultimately exact terms become the beautiful terms.”

CONTACT

stephenshore@gmail.com

EDIE SEDGWICK, ANDY WARHOL,unidentified guests1965-1967

TRUTH AND BEAUTY2009one from a portfolio of eight sketches

PERSONAL WORK

JOHN CALE1965-1967, printed c. 2010black and white photograph12 3/4 x 19 inches

COLLECTION

THE VELVET YEARS

EDIE SEDGWICK, ANDY WARHOL,unidentified guests

1965-1967, printed c. 2010black and white photograph12 3/4 x 19 inches

1965-1967black and white photograph12 3/4 x 19 inches

COLLECTIONEDIE SEDGWICK, ANDY WARHOL,unidentified guests1965-1967black and white photograph12 3/4 x 19 inches

PAUL MORISSEY, EDIE SEDGWICK1965-1967black and white photograph12 3/4 x 19 inches

COLLECTION

PAUL MORISSEY, EDIE SEDGWICK1965-1967black and white photograph12 3/4 x 19 inches

WARHOL WITH ‘SILVER CLOUDS’ IN FACTORY1965-1967black and white photograph12 3/4 x 19 inches

COLLECTION

WARHOL WITH ‘SILVER CLOUDS’ IN FACTORY1965-1967black and white photograph12 3/4 x 19 inches

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ORDERBesides viewing the art, viewers can also purchase it. This makes it easier on the gallery and on the artists.

WARHOL WITH ‘SILVER CLOUDS’ IN FACTORY1965-1967black and white photograph12 3/4 x 19 inches

PERSONAL WORK

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WARHOL WITH ‘SILVER CLOUDS’ IN FACTORY1965-1967black and white photograph12 3/4 x 19 inches

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PERSONAL WORK

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WARHOL WITH

IN FACTORY1965-1967black and white photograph12 3/4 x 19 inches

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SHIPPINGFIRST NAME

STREET ADDRES SCITY STATEZIP CODE(PHONE NUMBER )

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ALI FISHERThe University of KansasFall 2012 | Visc404Jeremy Shellhorn