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Audiovisual digital documents
Adolf KnollNational Library of the Czech [email protected]
Digitally born vs. digitized
New digital audio recordings
New digital video recordings
Digitized analogue audio recordings
Digitized movies
Reformatted digital documents for better computer use
Compressed vs. uncompressed
Only sound recordings can be stored in uncompressed digital form / WAVE or CDA formats
Video is always compressed
Compressed audio and video
MPEG initiatives / it provides compression solutions for both
MPEG Intra-frame coding technique Extra-frame coding technique
I – Intra-FrameP – Predicted Future FrameB - Bi-directional interpolated prediction frames
How it works…
MPEG-1 for audio
Started in 1988 3 operating modes/layers Without data reduction more than 1400 kbps for 1
second of stereo signal = 175 KB, i.e. 1 hr = 630 MB
Compression ratios 1:4 (layer one) 1:6…1:8 (layer two) 1:10…1:12 (layer three) – 128…112 kbps… to preserve CD qualityMP3 comes from here
MP3 – typical performances
Telephone sound…. 8 kbps (96:1) Better short-wave radio…. 16 kbps
(48:1) FM radio…. 56…64 kbps (16:1) Near-CD…. 96 kbps (16:1 – usually
free in most codecs) CD…. 112…128 kbps
MPEG-1 video
Used until today as the format for the so-called VideoCD
It is comparable to the perception of a VHS analogue recording
Almost all DVD players can play also VideoCD It does not use complex encoding methods MPEG-1 was finalized in 1991, and was originally
optimized to work at video resolutions of 352x240 pixels at 30 frames/sec (NTSC based) or 352x288 pixels at 25 frames/sec (PAL based), commonly referred to as Source Input Format (SIF) video.
MPEG-2
MPEG-2 was finalized in 1994 for digital television broadcasting, such as the efficient coding of field-interlaced video.
720x480 resolution video at 30 frames/sec, at bit-rates up to 15 Mb/sec for NTSC video
HDTV resolution of 1920x1080 pixels at 30 frame/sec, at a bit-rate of up to 80 Mb/sec
Used for DVD movies Used also for SuperVideoCD (SVCD) media that
can be played in some DVD players (not all of them) – but here with lower resolution
MPEG-2 Advanced Audio Coding
AAC – another perceptual coding scheme Better prediction algorithm 5 channels as in cinema today
L R
C
RSLS
L – leftR – rightC – centreLS – left-surroundRS – right-surround
Used for DVD
Encoding CD audio
Both MP3 and AAC can maintain near-CD quality – AAC 50% more data for the same media, i.e. it can do at 96 kbps what MP3 does at 128 kbps
Other formats: WMA and MP3pro Similar acoustic impression at 64 kbps as
MP3 at 128 kbps
MP3pro
3 parts of signal: 0-8.1 kHz (usual MP3 coder) – it is seen by ordinary
players 8.2-16.3 kHz (calculating average power per frame) more than 16.3 kHz (deleted)
When decoding the middle part is selected the middle frequency part of it (4.1-8.1 kHz) and raised up by a pitch up to 8.2-16.3 kHz
Good for average players and music with less high tones (no high bitrate support, synthese of high frequences from low ones)
Media
DVD - commercial: MPEG2 with AAC; 3 – 8 mbps; 720x480 in PAL; 30-70 MB/min (15-20 min per CD)
VCD – MPEG-1; 1.15 mbps; 352x288 in PAL; 10 MB/min (74 min per CD)
SVCD – MPEG-2; variable up to 2.6 mbps; 480x576 in PAL (MPEG-1, layer II); 10-20 MB/min (35-60 min per CD)
Other possibilities
DivX or xvid codecs MPEG-4 in very high quality and usually
MP3 for sound (but also other sound format) – stored in AVI container
High resolution and high quality DVD back-up – usually 2 CDs per one movie
Can be used for making VCD or SVCD
How to backup a DVD
Rip the files onto hard disk Calculate the desirable bitrate keeping
in view the size of media for storage Encode Cut if necessary into parts for storage
on more media units Free software tools available for this