+ All Categories
Home > Documents > AUDITION PACK - Phoenix Ensemble...Vocal range top: F4 - Vocal range bottom: A2 GASTON The...

AUDITION PACK - Phoenix Ensemble...Vocal range top: F4 - Vocal range bottom: A2 GASTON The...

Date post: 10-Jun-2020
Category:
Upload: others
View: 11 times
Download: 0 times
Share this document with a friend
13
BOOK YOUR OWN AUDITION TIME AT: www.phoenixensemble.com.au PLEASE ENSURE YOU HAVE READ THE INFORMATION IN THIS PACK. AUDITION PACK Music by Alan Menken Lyrics by Howard Ashman & Tim Rice Book by Linda Woolverton Disney’s Beauty and the Beast Licensed exclusively by Music Theatre International (Australasia). All performance materials supplied by Hal Leonard Australia.
Transcript

BOOK YOUR OWN AUDITION TIME AT:

www.phoenixensemble.com.au

PLEASE ENSURE YOU HAVE READTHE INFORMATION IN THIS PACK.

AUDITION PACK

Music by Alan MenkenLyrics by Howard Ashman & Tim Rice

Book by Linda Woolverton

Disney’s Beauty and the BeastLicensed exclusively by Music Theatre International (Australasia). All performance materials supplied by Hal Leonard Australia.

PRODUCTION TEAM

JUSTIN TUBB-HEARNE - DIRECTORQueenslander Justin Hearne studied Technical Production at QUT specializing in costuming and set design. A milliner by trade, Justin has used his creativity in Queensland and further afield, costuming and dressing both in Sydney at the Opera House as well as in New York. Previous productions include Gypsy, Dogfight (North American Amateur Première), Twisted (World Première), Sweeney Todd and Man of La Mancha to name but a few. Closer to home, Justin has designed costumes for Dirty Rotten Scoundrels & The Little Mermaid, for which he was nominated for a Gold Coast Theatre Award. After last year’s succesful run of Xanadu, Justin is super excited to get to direct this family friendly classic!

BENJAMIN TUBB-HEARNE - MUSICAL DIRECTORBenjamin Tubb-Hearne is originally from London, UK and studied Tenor Horn and Composition at the Royal Northern College of Music. Aged 22, Benjamin moved to New York City, where his Musical Direc-tion journey began at the French Woods Summer Camp. Here he musically directed and conducted over 20 shows, including Annie, A Funny Thing Happened on the Way to the Forum, Curtains and Sweet Charity. It was also here that Benjamin found with his writing partner Ryan Jacobs. In 2014, their original full-length musical ‘Twisted’, a story which follows Little Blue Riding Hood’s search to find her real family premièred at the Playhouse Theatre at French Woods to much acclaim, and it is currently preparing for a second workshop.Although Ben is relatively new to Brisbane he has burst onto the scene Musical Directing ‘The King and I’ & ‘Chicago’ (Savoyards), ‘Dirty Rotten Scoundrels’, ‘La Cage Aux Folles’, ‘Big Fish’ & ‘Young Fran-kenstein’ (Phoenix Ensemble). He is extremely excited to be musically directing this amazing show.

AMY-ROSE SWINDELLS - CHOREOGRAPHERAmy-Rose is an energetic and passionate Dance Teacher with years of experience. She is fully qualified holding her CSTD (Commonwealth Society of Teachers of Dancing) Teaching Diploma and is currently studying for her Cert IV in Dance Teaching and Business Management. Her professional career has seen her tour QLD with Raw Dance Company and perform with Troupes CandyApple Cab-aret and The Met. Gaining her training here in Brisbane at local quality dance school Julie-Ann Lucas, Amy-Rose can cater for all students, those just having fun and those wanting to create a career out of dance. Choreography comes naturally to her as she created her first large group dance at the age of 12 and has continued this now through her life. She has performed in and choreographed many musicals including Sweet Charity (Lead Role and Choreographer), Chorus Line (Lead Role), Thorough-ly Modern Millie (Choreographer) and Alice in Wonderland (Choreographer). After last year’s smash hit Xanadu - she can’t wait to choreograph in the Tin Shed for a second time!

www.phoenixensemble.com.auBRAND NEW! - BOOK YOUR OWN AUDITION AT:

ABOUT PHOENIX ENSEMBLE

ABOUT DISNEY’S BEAUTY & THE BEAST

www.phoenixensemble.com.au

Unassumingly nestled within Beenleigh showgrounds, Phoenix Ensemble has been produc-ing award-winning theatre for 25 years. From intimate small-cast shows to more elaborate Broadway-style show stoppers ‘The Tin Shed’ has been a heart of the community for a quarter of a century and has no plans to stop any time soon!

Phoenix Ensemble presents a unique theatre experience in the Pavilion Theatre or what has affectionately become known as “The Tin Shed”. This intimate theatre accommodates 90 people in comfortable raked seating giving every patron an up close and personal experience. Our shows both rehearse and perform at this theatre, which is located within the Beenleigh Showgrounds, James Street, Beenleigh.

Phoenix Ensemble’s aim is to produce an eclectic mix of shows from family favourites to shows that push the envelope of musical theatre. They have won countless awards and are regularly nominated in the Gold Coast Arts Palm Awards.

Upon accepting a role with Phoenix Ensemble you will be required to become a financial member on the first rehearsal ($24, payable only by Credit/Debit Card). At this same time a $25 Cash Deposit is required for rehearsal materials which will be provided (this is returned during Bump Out). Membership ensures all participants are covered by our Voluntary Workers Personal Accident Insurance. You will receive more information upon acceptance. You will be asked to provide very little else during your time with us as we prefer to let you enjoy your experience!

BRAND NEW! - BOOK YOUR OWN AUDITION AT:

Step into the enchanted world of Broadway’s modern classic, Disney’s Beauty and the Beast, an international sensation that has played to over 35 million people worldwide in 13 countries. Based on the Academy Award-winning animated feature, the stage version includes all of the wonderful songs written by Alan Menken and the late Howard Ashman, along with new songs by Mr. Menken and Tim Rice. The original Broadway production ran for over thirteen years and was nominated for nine Tony Awards, including Best Musical.

The classic story tells of Belle, a young woman in a provincial town, and the Beast, who is really a young prince trapped under the spell of an enchantress. If the Beast can learn to love and be loved, the curse will end and he will be transformed into his former self. But time is running out. If the Beast does not learn his lesson soon, he and his household will be doomed for all eternity.

WE ARE SEEKING » Male and female ADULT performers. Note: this is not a youth theatre production & all members must be 16 years old if

they are applying for a lead role, with the exception of Chip. » This is an amateur production, and therefore Phoenix Ensemble does not pre-cast. All roles are open for audition. » Ages given in this list are stage ages of characters, not the performer’s actual age. If you require any clarification, please

email us.

PRINCIPALS/FEATURED ROLES

BelleA vibrant, intelligent girl with beauty, who wants more out of the life than an ordinary existence. She is optimis-tic, fun-loving, caring, and eager to experience life.Gender: Female / 20 - 25 years oldVocal range top: F5 - Vocal range bottom: E3

BEASTA Prince transformed into a terrifying beast for his lack of compassion. He is hot-tempered and commanding, but has a warm, loving heart buried far beneath his gruff exterior.Gender: Male / 20 - 30 years oldVocal range top: F4 - Vocal range bottom: A2

GASTONThe egotistical, ultra-masculine villain determined to marry Belle. He is manipulative yet charming and earnest.Gender: Male / 25 to 35 years oldVocal range top: E4 - Vocal range bottom: A2

MAURICEBelle’s loving, eccentric father. A child at heart and inventor in his own world.Gender: Male / 40 years old +Vocal range top: Db4 - Vocal range bottom: Bb2

COGSWORTHA tightly-wound, enchanted mantle clock and the head of the Beast’s household. He is uptight, strict, and punc-tual but also hard-working, faithful, and thorough.Gender: Male / 30 years old +Vocal range top: E4 - Vocal range bottom: A2

ROLES

www.phoenixensemble.com.auBRAND NEW! - BOOK YOUR OWN AUDITION AT:

ROLES

MRS. POTTSA warm-hearted, maternal enchanted teapot. She is loyal, caring, and playful.Gender: Female / Age: 35+Vocal range top: G5 / Vocal range bottom: F#3

LUMIEREA suave, debonair enchanted candelabra. He is a loyal and steadfast servant.Gender: Male / 30 years old +Vocal range top: F#4 - Vocal range bottom: F#2

CHIPAn enchanted teacup and Mrs. Potts’ darling little boy. He is innocent, playful, and bright-eyed.Gender: Male / Age: 7 to 10Vocal range top: F5 - Vocal range bottom: A3

BABETTEA saucy, enchanted feather-duster, and the object of Lumiere’s affections. She is the playful, gorgeous, seductive French maid.Gender: Female / 25 to 35 Years OldVocal range top: F5 - Vocal range bottom: C4

MADAME DE LA GRANDE BOUCHEA former opera diva-turned-enchanted wardrobe. She has a caring, refined, larger than life personality.Gender: Female / 40+ Years OldVocal range top: D5 - Vocal range bottom: C#4

LEFOUGaston’s bumbling sidekick. He is loyal, energetic, and optimistic, but not quite the brightest guy.Gender: Male / Age: 25 to 35Vocal range top: F#4 - Vocal range bottom: B2

MONSIEUR D’ARQUEThe scheming proprietor of the local insane asylum. He is a dark, sinister villain who aides Gaston in his plot to marry Belle.Gender: Male / Age: 35 to 55Vocal range top: A4 - Vocal range bottom: D3 PURCHASE TAP SHOES

www.phoenixensemble.com.auBRAND NEW! - BOOK YOUR OWN AUDITION AT:

AUDITION REQUIREMENTS

PRINCIPAL AUDITION REQUIREMENTS

» By appointment only; individual 15 minute private sessions. » Prepare two contrasting songs - both should be from Musical Theatre Repertoire. » Do not sing a song from the show. » Bring sheet music in correct key. Piano accompaniment will be provided. Alternatively, speakers will be available if

you bring a backing track. NO CDs. » You may be required to read during your individual private audition. You will find the sides as an appendix. » Colour headshot (minimum size 10cm X 15 cm). Non-returnable. » Audition form, completed in full and listing ALL clashes with the DISNEY’S BEAUTY AND THE BEAST Calendar (sup-

plied in this document). » Bring/wear appropriate dance shoes (jazz/chorus or similar if you have them) and wear clothes you can move in.

Please do not wear thongs. » Principal Auditionees are not required to attend a dance call as this will be seen in your private audition.

ENSEMBLE AUDITION REQUIREMENTS

» Group call - Registration required. » There will be a separate SPECIALITY DANCER CALL for advanced dancers. » Colour headshot (minimum size 10cm X 15 cm). Non-returnable. » Audition form, completed in full and listing ALL clashes with the DISNEY’S BEAUTY AND THE BEAST calendar (sup-

plied in this document). » Indicate on the form if you wish to be considered for featured lines. » At the audition, you will learn a musical excerpt and present it in small groups. No preparation is required for this. » You will learn a short dance routine and present it as a group. Bring/wear appropriate dance shoes (jazz/chorus or

similar if you have them) and wear clothes you can move in. Please do not wear thongs.

CALLBACKS & NOTIFICATION OF OFFERS

» If you are offered a callback, you will be required to learn a musical excerpt from the show. All offers of callbacks will be advised by telephone at the end of the audition weekend and any additional material will be available for download online.

» All auditionees will be notified via email or phone of their offer or otherwise at the completion of the audition process. » Call backs (if required) will be on TUESDAY JANUARY 22 from 7pm.

www.phoenixensemble.com.auBRAND NEW! - BOOK YOUR OWN AUDITION AT:

WHAT SHOULD I DO NOW?1. CHECK THE DISNEY’S BEAUTY AND THE BEAST CALENDARPlease check the DISNEY’S BEAUTY AND THE BEAST Calendar for conflicts. Some absence in rehearsals can be accom-modated but this must be recorded on your audition form to allow us to prepare rehearsal schedules productively. Please discuss any concerns with us when you book your audition.

2. BOOK YOUR AUDITIONWe’re running a BRAND NEW SYSTEM for this show. You are able to book your own time slot for this show.Please visit www.phoenixensemble.com.au and click the AUDITION tab at the top. This will take you to the interface to book your own slow. This is for BOTH Principals & Ensemble Auditions.If you have any issues please email: [email protected] and we will gladly help you through the process.

3. CHECK IMPORTANT DATES, TIMES & VENUES

ENSEMBLE AUDITIONPavillion Theatre, Beenleigh ShowgroundsSATURDAY, 19th JANUARY, 2019 | 12.30pm

SPECIALITY DANCE AUDITIONPavillion Theatre, Beenleigh ShowgroundsSATURDAY, 19th JANUARY, 2019 | 1.30pm

10.45am

PRINCIPAL AUDITIONS – 15 MINUTE INDIVIDUAL APPOINTMENTSPavillion Theatre, Beenleigh Showgrounds, James Street, BeenleighFRIDAY, SATURDAY & SUNDAY 18-20th JANUARY, 2019. BOOK YOUR OWN TIME as per our website.

CALLBACKSPavillion Theatre, Beenleigh Showgrounds, James Street, BeenleighTUESDAY, 22 JANUARY, 2019 (if required)

REHEARSALSRehearsals start Sunday February 3 (1pm) and continue every Monday & Wednesday (7 – 10pm) and Sunday (1pm – 6pm) until performances. There will be a mandatory working-bee on a date TBC - you will be provided with ample notice.

PERFORMANCE CALENDARFriday May 3 – 7.30pm [opening night]Saturday May 4 – 7.30pmFriday May 10 – 7.30pmSaturday May 11 – 2.00pmSaturday May 11 – 7.30pm

Friday May 17 – 7.30pmSaturday May 18 – 2pm (possible performance)Saturday May 18 – 7.30pmFriday May 24 – 7.30pmSaturday May 25 – 7.30pm [closing night]Sunday February 24 - BUMP OUT

www.phoenixensemble.com.auBRAND NEW! - BOOK YOUR OWN AUDITION AT:

AUDITION FORMPlease complete this form IN FULL and present it, to the Audition co-ordinator when you arrive at the ‘Tin Shed’. Please staple your performance history and colour 10x15cm headshot to this form. If under 18 years old, form must be signed by guardian.

Personal Information (this will not be passed to any third parties - it is for our use only)

Name:

Address: Postcode:

Mobile: Email Address:

I acknowledge that, if I am cast in this show, I will be photographed and filmed as part of the promotional aspects of the pro-duction. I give consent for my image & voice to be used in all Phoenix Ensemble media and release all copyright to Phoenix Ensemble. Signature: Date:

Your vocal range: DOB: Height:

Your dance styles:

auditioning foro Belle o Mauriceo The Beast o Chipo Gaston o Babetteo Lumière o Silly Girlo Cogsworth o Mdm Grande Bouche o Mrs. Potts o Lefouo Mnsr D’Arque o Ensemble o Speciality Dancer

Phoenix Ensemble understands that unexpected commitments may arise during the production and will make every effort to accommodate them but the company expects a high level of commitment from all cast members.Please list all dates you are unavailable:

I am willing to be cast in another role.o Yes o No

I am willing to be cast in the ensemble.o Yes o No

If you do not receive an offer would you like to be included behind the scenes, e.g. props, crew, etc?

o Yes o No

Phoenix Ensemble Use Only

Casting Offer:

Final Casting Communicated via: o phone o email

Notes:

www.phoenixensemble.com.auBRAND NEW! - BOOK YOUR OWN AUDITION AT:

PERFORMANCE HISTORYName: Mobile Number:

PERFORMANCE HISTORY (beginning with most recent please)

RELEVANT TRAININGVoice

Dance

Other (include other skills you may have - juggling, mime, accents, instrumental experience etc.)

Production Role Theatre Company / Year

www.phoenixensemble.com.auBRAND NEW! - BOOK YOUR OWN AUDITION AT:

EXCERPTS - 1

www.phoenixensemble.com.auBRAND NEW! - BOOK YOUR OWN AUDITION AT:

Papa, who has done this to you? I won’t leave you here! (Senses the BEAST) Who’s there? I know someone’s there. Who are you? Are you the one who’s responsible for this! Release my father at once! .... No... Wait! Forgive me. Please, let him out. Can’t you see he’s not well? He’s an old man. He could die! Wait, please, take me instead! If I stay, will you let him go?... Come into the light. (She sees the BEAST) Oh!!!! But I will stay. You have my word. Wait! No, don’t take him away, not yet! Papa! .... I’ll never see him again... I didn’t even get to say good-bye.

-Good Morning! I’ve come to return the book I borrowed. I couldn’t put it down. Iwondered if you have got anything new? If not, I will just borrow one I have already read. It’s my favorite. Far-off places, daring sword fights, magic spells, a prince in disguise...Mine? You are giving it to me? Well, thank you! Thank you very much!

Well, what would you have us do? Give up? I like this girl. I like her spunk. I think that may be the first time I’ve ever heard him use that word. (BELLE pokes her head out of her room.) Hello, dearie. I hope the Master didn’t frighten you too much. He can be a little temperamental...If there is anything we can do to make your stay more comfortable, let me know! Cogsworth, the lady needs some nourishment!... (to Cogsworth) Oh, pish tosh! I’m not about to let the poor child go hungry!

-Try to be patient, sir. The girl has lost her father and her freedom all in one day. Lumiere, it’s not that easy. These things take time. Master, you must help her to see past all that. Well, you could start by trying to make yourself more presentable. But be gentle. And above all...you must control your temper Deep breaths, Master. Deep breaths. (After Belle refuses to come out) Well, what did you expect? Would you have us give up? I like the girl. I like her spunk. (To Belle) Hello, Dearie. I hope the Master didn’t frighten you too much. He can be a little temperamental.

Mama, you’re not gonna believe what I saw...not in a million thousand years...not in a trillion million thousand years! No really...this is the greatest thing...it’s the thing that everybody’s been waiting for since... since... since...I don’t know when! There’s a girl in the castle! But Mama there is! I saw her! And she’s real pretty too!

Belle

Mrs.Potts

Chip

EXCERPTS - 2

www.phoenixensemble.com.auBRAND NEW! - BOOK YOUR OWN AUDITION AT:

(kisses BELLE’s hand) Enchanté, Mademoiselle! Nonsense Cogsworth, she’s not a prisoner, she’s our guest! We must make her feel welcome here!... Of course... of course! But what is dinner without a little music? Ma chere mademoiselle, it is with deepest pride and greatest pleasure that we welcome you tonight. And now we invite you to relax. Let us pull up a chair as the Dining Room proudly presents... your dinner!

-Master...have you thought that perhaps this girl could be the one to break the spell? Good! So.... you fall in love with her, she falls in love with you and poof! The spell is broken! We’ll be human again by midnight! But we don’t have time! The rose has already begun to wilt! Impress her with your wit. And above all... you must control your temper!

Right this way... (Points offstage) Now that is yet another example of the late neo-classic baroque period. And, as I always say, if it’s not baroque, don’t fix it! (laugh) Um... perhaps mademoiselle would like to see something else. Over here we have exquisite tapestries dating all the way back to...

-What? Who is that? If we keep quiet, maybe he’ll go away. And good-bye! (Maurice plays with his clock on his belly) Really sir... hee hee.... stop it, I say! Not the Master’s chair! I’m not seeing this. I’m not seeing this! All right! This has gone far enough!

It’s true, Lefou, and I’ve got my sights set on that one - the inventor’s daughter. She’s the lucky girl I’m going to marry. The most beautiful girl in town. And don’t I deserve the best? (strikes a pose.) Helloooo... Belle! (pointing at her book) How can you read that? There’s no pictures! Belle, it’s about time you got your head out of these books and paid attention to more important things. Hint... hint... What’s that? You have to go inside to help your father? That crazy old fool. He needs all the help he can get!

-If I didn’t know better, I’d think you had feelings for this monster. She’s as crazy as the old man! She says this creature is her friend. Well, I’ve hunted wild beasts and I’ve seen what they can do! The Beast will make off with your children. He’ll come after them in the night! Forget the old man! I say...we kill the Beast! Try and stop us! We’ll rid the village of this Beast. Who’s with me?

Lumière

Cogsworth

Gaston

EXCERPTS - 2

www.phoenixensemble.com.auBRAND NEW! - BOOK YOUR OWN AUDITION AT:

You didn’t miss a shot, Gaston. You’re the greatest hunter in the whole world! No beast alive stands a chance against you! And no girl for that matter. (Gaston points to Belle) The inventor’s daughter? She’s the one you want to marry? (Laughs) But, she’s...I know, but... Well, of course you do have a chance but she’s . . . (Nervous laugh)

(revealing himself) I’m the master of this castle. I do not take orders from anyone. Get out! He should not have trespassed here. There is nothing you can do! (Belle offers to replace her father’s place) You would do that? You would take his place? Yes. But you must promise to stay here...forever. (He steps into the light and reveals the beast he is) Done.

(To Belle) Belle, are you happy here? With me? Is something wrong? You miss your father? There is a way to see him again. This mirror will show you anything ...anything you wish to see. He is lost? You should go to him. You’re not my prisoner, Belle. You haven’t been for a long time. Take the mirror with you. So you’ll always have a way to look back...and remember me. Go...Go . . . I’ll never see her again.

I’m Madame de la Grande Bouche. Perhaps you’ve heard of me? It appears they’veforgotten all about me. One can be the toast of Europe; The brightest star ever to grace the stage but fall under one little spell and . . . Well now, what shall we dress you in for dinner? Let’s see what I’ve got in my drawers... (something falls out) Oh how embarrassing! Oh, of course you are going to dinner. You heard what the Master said.

I don’t mean to intrude but I lost my way in the woods and I need a place to stay for the night. I heard that. I know there’s someone here and I’ll thank you to step out where I can see you. Wait. . . Wait. . . Wait. . . You’re a clock and you’re talking. This is incredible! How is this accomplished? Well I’m stumped. Maybe it’s some kind of new-fangled scientific gadget?

Lefou

Beast

Madame De La Grand Bouche

Maurice

EXCERPTS - 3

www.phoenixensemble.com.auBRAND NEW! - BOOK YOUR OWN AUDITION AT:

Oooh la la...what have we here? Do my eyes deceive me or is this a man? It’s been so long since I’ve seen a real man. (Sees Lumiere) Oh no. Oh no. Oh no...no... no! I’ve been burnt by you before! Care for a blanket, Monsieur? I just love older men. You say you’re jealous, Lumiere? What about you with Simone, Michelle, Veronica?

I don’t usually leave the asylum in the middle of the night. But this fellow said you’d make itworth my while. Good afternoon. I’ve come to collect your father. Don’t worry. We’ll take good care of him.

Babette & Silly Girl

From the entire Creative team

Bonne Chance!

Monsieur D’Arque


Recommended