AUDITION PACKET

MORTICIA ADDAMS

GOMEZ 1

SCENE TWO: MORTICIA'S BOUDOIR

... Revealing GOMEZ, fencing with LURCH, who holds his foil absolutely still while GOMEZ swipes at it extravagantly.

GOMEZ

Fight sir, fight like a man! Feel the kiss of my Spanish steel! Ha! Ha! Ha! Ha! Foiled again!

GOMEZ strikes LURCH's sword down. LURCH pokes GOMEZ with it.

GOMEZ

Oww! Damn your lightning reflexes!

GOMEZ retains his sword. MORTICIA enters with a bouquet of yellow flowers.

MORTICIA Gomez, look.

GOMEZ

Ugh! Flowers! Who would send something so tasteless?

MORTICIA

(reads the card) "The most precious gift there is, More goody-licious than gold, Is that blessing we call friendship, Whether new or

very old."

GOMEZ

"Goody-licious?" Who talks like this?

MORTICIA removes the flowers from the stems, during:

MORTICIA

The Beinekes. Wednesday's friend Lucas and his parents. They're coming for dinner tonight.

GOMEZ Lucas?

MORTICIA

Yes.

GOMEZ

But Lucas is a boy's name.

MORTICIA Yes.

GOMEZ

Wednesday has a friend who's a boy?

They both look at Lurch. Finally:

MORTICIA It's nothing, darling. Puppy love.

(hands Lurch the stems) Put these in water.

WEDNESDAY enters, carrying her crossbow and a goose with an arrow sticking out of it.

WEDNESDAY

Here. I shot dinner.

MORTICIA

(taking it) Oh, Wednesday, that's lovely. Wherever did you find it?

WEDNESDAY

Petting zoo.

MORTICIA

Thank you, dear. Come, Lurch - we'll whip up something really special. And this time, we'll actually cook it.

(shares a laugh with Lurch) Oh, Gomez - guests for dinner! Fresh meat!

They exit. WEDNESDAY looks nervously after them.

WEDNESDAY

Daddy, I need your help with this dinner. Can you keep a secret?

WEDNESDAY produces a ring from around her neck.

GOMEZ

Of course.

WEDNESDAY Look.

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SCENE 8

(MORTICIA'S BOUDOIR) (MORTICIA is showing ALICE the family photo album. ALICE sips on her wine.)

MORTICIA And this is Cousin Helga from Baden-Baden.

ALICE Who's that looking over her shoulder?

MORTICIA Oh, no. That's her other head.

ALICE She has two heads?

MORTICIA Well, you know what they say.

(MORTICIA and ALICE share a laugh, then MORTICIA turns to another page.)

ALICE (sees the photo)

And who's that man in the dress?

MORTICIA Oh. That's Aunt Herman. Wednesday's uncle, twice removed.

ALICE I don't understand.

MORTICIA Well, they removed it once - but it grew back.

(turns to another photo) And here's Gomez and me, at our wedding.

ALICE What's that?

MORTICIA Our wedding vows.

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ALICE That's so romantic.

(reading) "We promise to tango at least three times a week."

MORTICIA - for passion.

ALICE (reading)

"We promise to tell each other everything."

MORTICIA - for truth.

ALICE Everything?

MORTICIA Of course.

ALICE And you're still married?

MORTICIA More than ever.

ALICE Boy, it sure doesn't work that way in our house.

MORTICIA How does it work?

ALICE Well -

(rhymes) “What's good for the gander is a nice quiet goose; If I told Mal my secrets, all hell would break loose.”

MORTICIA Alice, I'm shocked. What kind of a marriage is it where you keep secrets?

ALICE A long one.

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SCENE 7

(CROSSOVER - PUGSLEY'S BEDROOM)

#19A BEDTIME STORY (MORTICIA rides PUGSLEY'S bed as it travels SL.)

MORTICIA What's wrong, my little cockroach?

PUGSLEY I can't sleep.

MORTICIA Why not?

PUGSLEY There's no monster in the closet.

MORTICIA (wearily, her mind elsewhere)

I'm sure he's hiding someplace else.

PUGSLEY Mommy ... I have a Full Disclosure.

MORTICIA Yes?

PUGSLEY What if you tried to do something to somebody and you ended up doing it to somebody else by mistake?

MORTICIA Are we talking about anyone we know?

PUGSLEY Well, I was talking to Grandma before, and she told me –

MORTICIA Don't listen to that ancient woman. She may not even be part of this family.

PUGSLEY Is Wednesday really gonna marry that guy?

102

MORTICIA She might.

PUGSLEY Oh, no!

(then) Make me feel better, Mommy.

MORTICIA Life is a tightrope, my child, and at the other end is your coffin.

(then) Better?

PUGSLEY Uh-huh. Thanks, Mommy.

MORTICIA Now close your eyes or the monster won't come out and eat you up.

(looks closely at him) Pugsley? Pugsley?

(MORTICIA sees that PUGSLEY is fast asleep. She strokes his head as...)

Sleep well, my little vermin. Your mommy's life has fallen apart and she needs to go away for a while. And, years from now, when your marriage collapses and you want to know who put us all on the road to hell, you can thank your father.

(A MONSTER IGUANADON's feet, tail and finally, head, emerge from under the bed and walk the bed off.) (to the monster under the bed)

Look after my baby, will you? Keep him in harm's way. (The MONSTER carries off the bed, MORTICIA and PUGSLEY.)

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SCENE 9

(PARK BENCH AND TAXI SIGN--IN FRONT OF GATES) (MORTICIA sits on a park bench, a valise by her side.)

GOMEZ So it's true.

MORTICIA I can't live with a man who keeps secrets.

(She lights the TAXI sign)

GOMEZ There's another secret I haven't told you.

MORTICIA Hunh. What?

GOMEZ That you are the most exquisite, the most magnificent, the most desirable of all women.

MORTICIA That's no secret.

GOMEZ No. But even you had a secret - once.

MORTICIA Never.

GOMEZ And if you're wrong.

MORTICIA I never am.

GOMEZ But if you are, what will you give me?

MORTICIA Name it.

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GOMEZ A dance.

MORTICIA Go on.

GOMEZ Many years ago, when you loved me and you wanted to marry me, we came to your father and told him, and he said, "Wonderful, let's go tell your mother." And what did you say?

MORTICIA How could I possibly remember what I -

GOMEZ You said, "No! She'll ask a lot of embarrassing questions and wreck the whole thing."

MORTICIA That's different. My mother was condescending, judgmental, and withholding, and loved nothing more than stirring up trouble.

GOMEZ Uh huh.

MORTICIA (realizes)

Oh God, I've turned into my mother.

GOMEZ And Wednesday is you. Isn't it wonderful?

MORTICIA You did that like a lawyer.

[MUSIC IN]

GOMEZ No, just a husband and a father. Not so easy. In fact, very difficult.

#21 LET'S LIVE BEFORE WE DIE

LET'S LIVE BEFORE WE DIE LET'S LAUGH BEFORE WE CRY

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œ œ œ œKeep no se crets!

œœ œœ œœ œœKeep no se crets!

œ œ œ œ

Jœœœœ>‰ Jœœœœ>‰ Jœœœœ>‰ Jœœœœ>‰

jœœ>‰ jœœ>

‰ jœœ>‰ jœœ>

‰

MORTICIA:

FEMALE ANCESTORS:

138

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140 œ# œ œ œno re sis tance.

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‰ Jœœ œœ## œœ œœ œœ œœ œœnn

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- - - - - -

- --

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142œ œ œ œThen your mar riage

œœ œœ œœ œœThen your mar riage,

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œn œ œ œco ex ist ence.

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Piano/Vocal – 8 – 09. Secrets [Rev. 1/12/12]

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146œ œ œ œLies and se crets,

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œ œ œ œ œhus band from a wife.

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150œ œ œ œGom ez loves me

Jœœ>‰ Jœœœœ> ‰ J

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he would nev er keep aœœœœ^

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157˙ Ó˙̇̇̇ Ó˙̇̇̇

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Œ œ œ œ œb œœ^ Œ

[APPLAUSE SEGUE]

~~~~~~~~~~~~~~~~~

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Piano/Vocal – 9 – 09. Secrets [Rev. 1/12/12]

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œœ œ œœ œ œœ œ œœ œ

MORTICIA: "Well, I'm not going to end up like your mother."GOMEZ: "My mother? I thought she was your mother. No, seriously."MORTICIA: “You lied to me, I can't live with that.”GOMEZ: "Here, cara. I feel the urge to take you in my arms.”MORTICIA: "Not. Today."GOMEZ: "But cara - "MORTICIA: “Out!” [HE turns to leave. MUSIC]

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My

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daught er's get ting mar ried, I

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Vamp (vocal last x)

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can't be lieve it's true. She

œœn œ œœ œ œœ œ œœ œ

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5 œ œ œ œ œ œ ‰ Jœdoes n't ask her mo ther be

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6 œ œ œ œ œ ‰ Jœfore she says "I do"? And

œœ œ œœ œ œœ œ œœ œ

˙ ‰ jœ œ œ

7 œ œ œ œ œ œ œ ‰ Jœhow a bout my hus band? In

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9 œ œ œ œ œ œ œ œ œeve ning's get ting se ri ous, these O

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wrall.

rall. 10 œ œ œ ‰ Jœ œ ‰ jœhi o ans won't leave. But

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A Tempo

A Tempo

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16JUST AROUND THE CORNER

[Rev. 1/31/12]Music and Lyrics byANDREW LIPPA

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12 œ œ œ œ œ ‰ Jœrob me of my bliss, for

œœn œ œœ œ œœ œ œœ œ

˙ œ œn œ œ

13 œ œ œ œ œ œ œ œwhenI'mscaredof true dis as ter

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rit.

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14 œ œ œ œ œU ŒI re mem ber this...

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Swing 8ths

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17 œ œ œ œ œ œwait ing pa tient ly to

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19 œ œ œ œ œ œOne un planned e lec tro

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20 œ œ Ócu tion,

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21 œ œ œ œ œ Œthat's the kind of end

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22 œ œ# œ œ œ ŒI can comp re hend.

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25 œ œ œ œ œ .œor I need a lit tleŒ

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26 .˙ Œspree.Œ œœœ

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Piano/Vocal – 2 – 16. Just Around The Corner [Rev. 1/31/12]

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27 œ œ œ œ œI'm re born know ingŒ

œœœŒ

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28 œ œb œn œb œn œ œ œdeath is just a round the cor nerŒ

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29 œ œ œ œcom ing af ter

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30 œ Œ Óme.

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œœœœ. ‰ ŒMORTICIA: “Coroner. Get it? Death is just around the coroner?”

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cor ner,

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36 œ œ œ œ œ œwait ing highup on the

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37 ˙ Óhill.

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38 œ œ œ œ œ œSome one bur ied in an

œœœ œœœ œ œ œ œ

œ Œ œ ‰ jœ

39 œ œ Óav' lanche?

œœœb œœœ œœœ œœœœ Œ œ ‰ jœ

40 œ œ œ œ œ ŒThat's the kind of gig

œœœœœ Œ ‰ jœœœœbb œœœœ

œ Œ ‰ Jœœbb œœ

41 œ œ# œ œ œ ŒI could real ly dig.

œœœœN Œ Œ rœ# œœœœ Œ Œ

œ

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Piano/Vocal – 3 – 16. Just Around The Corner [Rev. 1/31/12]

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ANCESTORS:

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7 Ó Œ œ œBe causeœœ. œœ. œœb . œ œ

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œ œ œb œf

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16AJUST AROUND THE CORNER ~

PLAYOFF[Rev. 1/31/12]

Music and Lyrics byANDREW LIPPA

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8 œ œ# œ œ œ œ œ œdeath is just a round the cor ner

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Œ œœ Ó[ATTACCA]

Piano/Vocal – 2 – 16A. Just Around The Corner~Playoff [Rev. 1/31/12]