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A Dark Comedy by

Tracy Letts

“This is the way the world ends, this is the way the world ends.”

Mad Cow ThEaTRE

PRESENTS aT

THE HARRIETT

November 30-December 23

Mad Cow ThEaTRE

PRESENTS aT

THE BLACK BOX

December 7-30

Mass AppealA Dramatic Comedy by Bill C. Davis

“There are all forms of persecution. I’m sure if we watched the 6:00 o’clock news

for a week we’d be sure to see all kinds.”

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MAD COW THEATRE is founded on the belief that the Theatre is a dynamic and powerful means of social understanding, as well as a hugely entertaining art form. Through the combination of passionate, skillful acting and compelling, insightful writing, nurtured by an attentive and ever-changing process, Mad Cow presents entertaining works of Theatre to an ever-widening audience–promoting, enhancing and celebrating the human condition through art.

Mad Cow Theatre is supported in part with public funds from the United Arts campaign and by State of Florida, Department of State, Division of Cultural Affairs, and the Florida Council on Arts and Culture. The Florida Arts Council, The National Endowment for the Arts; The Downtown Development Board; and Orange County Government through the Arts & Cultural Affairs Program. A Great Nation Deserves Great Art!

Mad Cow Theatre is a 501(c)3 organization and welcomes all donations including funds, materials, time and goodwill. We are especially delighted when audience members bring others to share the theatrical experience.

Mad Cow Theatre has forged many alliances and made many friends. This endeavor would not be possible without the generous spirit, passion and goodwill of the following individuals and organizations.

55 WestThe Arts and Cultural

Alliance of Central FloridaIn-Bloom FloristL2 Studios, Inc

Orlando Philharmonic OrchestraDirectOne

Holland & KnightHolland & Reilly

Tom Hurst PhotographyVoxeo

- AND -Elizabeth Dean

John HauptRobin Jensen

Michael MarinaccioPeg O’Keef

Thomas OuelletteAllen Overlander

Janine PapinKatrina Ploof

Mark Edward SmithMarty Stonerock

All the Cows in the Pasture

ACKNOWLEDGEMENTS

A VERY SPECIAL THANK YOU

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AUGUST: OSAGE COUNTY

* Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the U.S.

August: Osage County premiered in June 2007at Steppenwolf Theatre Company in Chicago, IL,

Martha Lavey, Artistic Director; David Hawkanson, Executive Director.Steppenwolf’s production of August: Osage County opened on Broadway at the Imperial Theatre on December 4, 2007. It was produced by Jeffrey Richards, Jean Doumanian, Steve Traxler, Jerry Frankel, Ostar Productions, Jennifer Manocherian, The Weinstein Company, Debra Black/Daryl

Roth, Ronald & Marc Frankel/Barbara Freitag, and Rick Steiner/Staton Bell Group.

“Lay Down Sally” (Eric Clapton, Marcy Levy and George E. Terry) © (Renewed) Throat Music Ltd (PRS) and Eric Patrick Clapton (PRS)

All Rights on behalf of Throat Music Ltd and Eric Patrick Clapton administered by Warner-Tamerlane Publishing Corp.

All Rights on behalf of Throat Music Ltd administered by WB Music Corp.All Rights Reserved. Used by Permission.

Scenic DesignLISA BUCK

Costume DesignEMILY SMITH

Sound DesignBOOMER BARDO

Lighting DesignJOHN HEMPHILL

Stage ManagerROBERT HERRLE*

Original MusicDAVID SINGER

AUGUST: OSAGE COUNTY is presented by special arrangement with Dramatists Play Service, Inc., New York.

RILEY CLERMONT*ELIZABETH DEANSTEPHAN JONES*TOMMY KEESLING

JENNA KIRKAME LIVINGSTON*

GAIA NAIRPEG O’KEEF

ROBIN OLSONNICHOLAS PARSONS

JOE REED*ROGER SCOTT

- FEATURING -

by Tracy Letts

Mad Cow Theatre Presents

Director BOBBIE BELL

November 30 - December 23, 2012The Harriett Theatre

TIANNA STEVENS

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CAST OF CHARACTERS

PRODUCTION TEAM

Beverly Weston .......................................Joe ReedJohnna Monevata ...................................Gaia NairViolet Weston .........................................Peg O’KeefMattie Fae Aiken .....................................Robin Olson Charlie Aiken ..........................................Riley ClermontIvy Weston .............................................Jenna KirkBarbara Fordham....................................Elizabeth DeanBill Fordham ...........................................Stephan JonesJean Fordham .........................................Tianna StevensSheriff Deon Gilbeau ...............................Roger ScottKaren Weston .........................................Ame LivingstonSteve Heidebrecht ...................................Tommy KeeslingLittle Charles Aiken ..................................Nicholas Parsons

Properties ............................................... Lisa BuckScenic Construction ................................. Daniel CooksleyScenic Artist ............................................ Lisa Buck

Out of respect for the audience and the artists, patrons who leave the theatre during the performance will not be re-admitted.

We regret there is no late seating once the performance has begun.

The photographing, video and/or audio recording of this performance by any means whatsoever is strictly prohibited.

August: Osage County is performed with two intermissions.

TIME

PLACE

August, 2007

A large country house outside Pawhuska, Oklahoma, sixty miles

northwest of Tulsa

in order of appearance

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Special Thanks to:

The City of OrlandoMayor Buddy Dyer & City CouncilDowntown Development BoardCommunity Redevelopment Agency

WESTON FAMILY TREE

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AUGUST: OSAGE COUNTY

BOOMER BARDO (Sound Designer) has been on stage, back stage, in the pit, or on the air since he was three, professionally since he was 10. After his “finishing school” time at Walt Disney World Entertainment, Boomer earned his Bachelor of Music Education at UCF and taught music and theater full time for 5 years following his wife Joan’s career out of state. 2003 saw a return to Florida and a focus on show production. Boomer is currently the Sound Department Head at the Bob Carr PAC. A former SAG/AFTRA and AFM member, he has been with IATSE for 25 years.

BOBBIE BELL (Director) is an Orlando based writer, director, actor, composer, and teacher. Bobbie’s previous directing credits at Mad Cow include: The Pitmen Painters, The Year of Magical Thinking, The Caretaker, and A Delicate Balance. He has also performed with the herd in Dancing at Lughnasa, Macbeth, Rosencrantz and Guildenstern Are Dead, Major Barbara, Life is a Dream, and The Fantasticks. He is twice winner of the Florida Playwrights Competition for his plays: Pascua De Flores and Of: a Play of Artemis. “A nation is not conquered until the hearts of its women are on the ground. Then it is done, no matter how brave its warriors or strong its weapons.” - Cheyenne Proverb

LISA BUCK (Scenic Designer, Scenic Artist, Props) originally from Massachusetts, received her BFA in Graphic Design from the Massachusetts College of Art in 1976 and studied watercolor at the Parsons School of Design and Pratt Institute. She has worked as art director for Dow Jones, American Heritage, Danskin Dance Wear, and Leavitt Advertising. Lisa moved to Orlando in 1996 and began painting and designing scenery for the Orlando Opera, Mad Cow Theatre, and Stetson University. Before returning to the pasture, Lisa worked as a graphic artist for Visit Orlando as the publication artist for Orlando Arts Magazine and Texture Magazine.

RILEY CLERMONT (Charlie Aiken) is proud to be making his Mad Cow debut in the midst of such a great ensemble. He began his professional career at Flat Rock Playhouse in N.C. where he spent 8 summers as an actor, Assistant Apprentice Director and Playwright in Residence. He has been working in and out of Orlando since 1991. Riley would like to thank his incredibly supportive family, especially the love of his life, his lovely wife Michelle. Riley would like to dedicate his performance to his late mother, Sidney.

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ELIZABETH DEAN (Barbara Fordham) as a graduate of the American Academy of Dramatic Arts in NYC, Elizabeth has performed in many of Orlando’s venues including Walt Disney World, Universal Studios, Mad Cow Theatre, Orlando Opera Co, and the old Civic Theatre. As a member of Abingdon Theatre Company in NYC, she originated the roles of Zona in The Ghost of Greenbrier and Charlotte in Fiction Only, Please!, as well as workshopped many new American plays. Most recent new work collaboration was Tod Kimbro’s Media. Elizabeth is honored to be part of the fabric of Mad Cow’s tapestry and she thanks you, the audience, for your passionate support of this important theatre and all of your help in moooooving Mad Cow forward.

JOHN HEMPHILL (Lighting Designer) is proud to continue working with one of the foremost theatres in the Orlando area. John has served in many roles at Mad Cow including Stage Manager, Lighting Designer and Carpenter. Favorite productions with the herd include She Loves Me, Life Is A Dream, Gone Missing and Molly Sweeney. Away from the pasture, John works at Walt Disney World.

ROBERT HERRLE (Stage Manager) is celebrating his second show as Production Stage Manager in Mad Cow’s new space. Having just concluded Sunday in the Park with George, Robert is proud to have been part of the excitement in putting together a new theatre space. Also an actor and Visual Arts Model, Robert has just returned from South Florida, having spent four seasons as the resident Stage Manager for Caldwell Theatre in Boca Raton. Other Orlando performance credits include A Christmas Story and Miracle on 34th St. at The REP and productions at Mark II Dinner Theatre, Walt Disney World, Universal Studios, Capone’s & Arabian Nights to name a few. GO IRISH!

STEPHAN JONES (Bill Fordham) has been a frequent collaborator (Fight-Director, Teacher, Director, and Cabaret Artist) with the Cows for over a decade. This marks his 15th production as an actor, with previous roles in Sweeney Todd, The Fantasticks, and Who’s Afraid of Virginia Woolf?.

TOMMY KEESLING (Steve Heidebrecht) has appeared in several Mad Cow productions in recent seasons, including roles in Arcadia, Our Town, The Constant Wife, Present Laughter, The Seagull, Pericles, I Have Before Me a Remarkable Document Given to Me by a Young Lady From Rwanda, Eurydice, Amadeus, The Matchmaker, She Stoops to Conquer, Rashomon, and most recently this past summer as Robert Lyon in The Pitmen Painters. He has appeared at many other Central Florida stages in past years, including work for Empty Spaces, Hubris Theatre, and Theatre Downtown. He performed at the 2010 Fringe Festival in Peg O’Keef Fixes the World, and has appeared in other staged readings for Mad Cow, PlayFest and Women Playwrights’ Initiative.

AUGUST: OSAGE COUNTY

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AUGUST: OSAGE COUNTYJENNA KIRK (Ivy Weston) is excited to be working with Mad Cow Theatre for the first time. Most recently she has been in New York in collaboration with Terra Incognita Theatre and Polina Klimovitskaya with I Take Good Care of My Corpse, as well as the remount of Garage, an original play written by Dive Theatre. Some of her favorite roles include Puck, Sister James in Doubt, Lydia in The Rivals, and as a sword brandishing villain with the Double Edge Theatre’s traveling spectacle, The Three Musketeers.

TRACY LETTS (Playwright) is the author of the plays Superior Donuts, Killer Joe, Bug (also screenplay), Man from Nebraska (Pulitzer finalist), August: Osage County (Pulitzer Prize, Tony Award for Best Play). He is an ensemble member of the Steppenwolf Theatre Company. His appearances there include American Buffalo, Betrayal, The Pillowman, Last of the Boys, The Pain and the Itch, The Dresser, Homebody/Kabul, The Dazzle, Glengarry Glen Ross, Three Days of Rain. Other productions include: Orson’s Shadow (Barrow Street Theatre, NY); Who’s Afraid of Virginia Woolf? (Alliance,Atlanta); The Caine Mutiny Court-Martial (A Red Orchid Theatre); Conquest of the South Pole (Famous Door); Bouncers (the Next Lab). TV and film: Guinevere, U.S. Marshals, Profiler, Prison Break, Seinfeld, Home Improvement, Chicago Cab and many others. Tracy made his directing debut at the Lookingglass Theatre with Glen Berger’s play Great Men Of Science. Nos 21 & 22.

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AME LIVINGSTON (Karen Weston) AEA, is honored to be back with Mad Cow, where she has been seen as Moll in The Cradle Will Rock, and Beverly in Standing on Ceremony. Ame has appeared with OTP as Sister James in Doubt: A Parable, Mary Bailey in It’s a Wonderful Life, Woman One in Almost, Maine and Orlando Shakes as Portia in an all female reading of Julius Caesar, Mae Pollitt in Cat on a Hot Tin Roof, and Blanche DuBois in Streetcar named Desire. She has performed with WPP, Orlando Fringe, and just celebrated her 14th year performing with the Walt Disney Company. She is very active in the commercial market but, says that her favorite roles are those of Friend, Aunt, Wife, and Daughter. www.AmeLivingston.com

GAIA NAIR (Johnna Monevata) was born in India, and immigrated here to The States at the age of 5. At the age of nine she starred in her very first play You’re a Good Man Charlie Brown. It wasn’t until attending college at University of Florida that she joined an improv comedy group called Thursday Afternoon Productions. After college, Gaia moved to New York to keep pursuing her theater career, playing in numerous off-broadway comedies. After NYC, Gaia was booked with an agency in Los Angeles and started studying acting at the Beverly Hills Playhouse. She made her way into several commercials, short films and tv shows. After returning to Orlando, where she grew up, she began improv classes at SAK, it was during these classes she decided to venture back on to the stage. This is her first time performing on stage in Central Florida.

PEG O’KEEF (Violet Weston) is thrilled to be at the new Mad Cow, in whose legendary pastures she has had the most excellent adventures, including Under Milk Wood, Our Town, The Constant Wife, The Year of Magical Thinking, The Lion in Winter, Who’s Afraid of Virginia Woolf?, and most recently Last Fall. In addition to Mad Cow, she is proud to have worked on many local stages, teaches screenwriting and criticism at UCF, and edits copy for the Florida Film Festival. When not immersed in theatre or teaching, Peg works for Fantasy of Flight as Sr. Entertainment Manager, indulging her fascination with vintage aviation. She treasures Andy Salter, is cursed by vile cats of various hues, and is proud to call Mitzi Maxwell her personal hero.

ROBIN OLSON (Mattie Fae Aiken) was last seen in The Road to Mecca at Mad Cow Theatre. In addition, she has performed in The Importance of Being Earnest, Pride and Prejudice, and The Little Red Riding Hood Show at Orlando Shakespeare Theater, James and the Giant Peach and Holes at the Orlando Repertory Theater and Barefoot in the Park at UCF. Robin is most happy to be back in the pasture where she has had the opportunity to perform in Dancing at Lughnasa, Major Barbara, The Glass Menagerie, The Seagull, Bus Stop and On the Verge.

AUGUST: OSAGE COUNTY

Actors’ Equity Association (AEA) was founded in 1913 as the first of the American actor unions. Equity’s mission is to advance, promote and foster the art of the live theatre as an essential component of our society. Today, Equity represents more than 40,000 actors, singers, dancers and stage managers working in hundreds of theatres across the United States. Equity members are dedicated to working in the theatre as a profession, upholding the highest artistic standards. Equity negotiates wages and working conditions and provides a wide range of benefits including health and pension plans for its members. Through its agreement with Equity, this theatre has committed to the fair treatment of the actors and stage managers employed in this production. AEA is a member of the AFLCIO and is affiliated with FIA, an international organization of performing arts unions. For more information, visit www.actorsequity.org.

NICHOLAS PARSONS (Little Charlie Aiken) celebrates his Mad Cow and Florida theatre debut. Past credits include Noodler in Peter Pan at Virginia Stage Company, Haimon in Antigone at Classika Theatre, Captain Bartholomew Gosnold, in 1607: First Landing at Cape Henry Historical Villages. He has also appeared onscreen in A Haunting, Burn Notice, The Inbetweeners, In The Pines, Rock of Ages, and the new Michael Bay film Pain and Gain. Nicholas received a B.A. in Acting from George Mason University. Thanks to his ACA/UCF friends and family for their support. Special thanks to Kat for putting up with the struggles of a starving artist.

JOE REED (Beverly Weston) is happy to be working with The Herd once more. He has been seen here in Twelve Angry Men, Company, and The Cradle Will Rock. Joe has performed at regional theatres all over the country, including The Orlando Philharmonic, Meadow Brook Theatre in Detroit, GEVA in Rochester NY, Asolo Rep in Sarasota FL, and Stage West, in Springfield MA. Some of his favorite roles include Friar Laurance in Romeo and Juliet, Pseudoleus in A Funny Thing Happened on the Way to the Forum, and Falstaff in Merry Wives of Windsor. He currently works for Disney as a performer. He has an Master of Fine Arts degree from Florida State University through the Asolo Repertory.

ROGER SCOTT (Sheriff Deon Gilbeau) has performed in Orlando, Tampa and New York since 1983. His last appearance was as Juror #11 in Mad Cow’s produciton of Twelve Angry Men. A graduate of USF College of Fine Arts with a Theatre Performance Major. Other training includes: Royal Shakespeare Co., Free Theatre of Munich, San Francisco Mime Troop, New York Shakespeare Festival, Alexander Technique, Circus Arts, Stage Combat. Some past roles include Tom Joad in The Grapes of Wrath, Badger in The Poor of New York, Sebastian in The Tempest, Mike in A Lie Of The Mind, Creon in Antigone, M.C. in A Bright Room Called Day, Multiple Roles in Poor Folks Pleasure, Theseus in Phaedra, Bobby in Careless Love. Love to Meems. Deepest gratitude to Mad Cow Theatre.

EMILY SMITH (Costume Designer) celebrates her third show with Mad Cow. Her costume, prop, and scenic work has been seen across Central Florida and New England theatres and theme parks, including our own dear Annie Russell. She fondly remembers designs for Cabaret, Around the World in 80 Days, Is He Dead?, and of course most recently Sunday in the Park With George and Billy Bishop Goes to War, both at Mad Cow.

TIANNA STEVENS (Jean Fordham) is very pleased to make her debut at the Mad Cow Theatre. She would like to thank everyone involved with this production for this incredible experience. Some of her past roles include Wanda in Wanda June, Patty Ann in Looking for Normal, and Tracy in Hairspray. She has also been fortunate enough to have participated in two national tours, playing Max in Dragon Tales and Annie in Annie.

Mad Cow Directory

Executive DirectorMitzi Maxwell Director of Audience DevelopmentDavid B. Mink

Marketing ManagerZac Alfson

Production ManagerJeanine Lisa

Development Coordinator Emily Dorff

Box Office SupervisorAudrey Frank

Audience Services SupervisorAudra Montgomery

Box Office AssistantsLeonidas Bratini Talise Johnson

PhotographerTom Hurst

Graphic DesignZac AlfsonLisa Buck

Board MembersMichael GrossElizabeth MaupinMitzi Maxwell Brian McDowellRichard Russell Dr. Bob Stonerock

Founding MembersRus BlackwellTrudy BrunerAlan BruunDennis Neal

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MASS APPEAL

* Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the U.S.

Originally presented by the Manhattan Theatre Club in New York City on May 11, 1980.Produced on Broadway at the Booth Theatre on November 12, 1981,

by Elizabeth I. McCann, Nelle Nugent and Ray Larsen, in association with Lynne Meadow, Barry Grove, and Warner Theatre Productions, Inc.

Scenic DesignRICHARD RUSSELL

Costume DesignWAYNE FOWKS

Lighting DesignALLEN OVERLANDER

Stage ManagerRACHEL WILLIAMS

MASS APPEAL is presented by special arrangement with Dramatists Play Service, Inc., New York.

THOMAS OUELLETTE* PETER TRAVIS

- FEATURING -

by Bill C. Davis

Mad Cow Theatre Presents

Director W. ROBERT SHERRY

December 7 - December 30, 2012The Black Box

Sound DesignBOOMER BARDO

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CAST OF CHARACTERS

PRODUCTION TEAM

Father Tim Farley ...................................Thomas OuelletteMark Dolson ..........................................Peter Travis

Assistant Director ....................................Aaron BeanProperties ............................................... Ian GarrettScenic Construction ................................. Daniel CooksleyScenic Artist ............................................ Lisa Buck

Out of respect for the audience and the artists, patrons who leave the theatre during the performance will not be re-admitted.

We regret there is no late seating once the performance has begun.

The photographing, video and/or audio recording of this performance by any means whatsoever is strictly prohibited.

Mass Appeal is performed with one intermission.

in order of appearance

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BOOMER BARDO (Sound Designer) has been on stage, back stage, in the pit, or on the air since he was three, professionally since he was 10. After his “finishing school” time at Walt Disney World Entertainment, Boomer earned his Bachelor of Music Education at UCF and taught music and theater full time for 5 years following his wife Joan’s career out of state. 2003 saw a return to Florida and a focus on show production. Boomer is currently the Sound Department Head at the Bob Carr PAC. A former SAG/AFTRA and AFM member, he has been with IATSE for 25 years.

WAYNE FOWKS (Costume Designer) is a passionate designer, performer, and visual artist. He is drawn to the theatrics of the performing arts and prefers to work collaboratively with other artists within a large scale. After graduating from Rollins College in Winter Park, Wayne works as a designer and stylist for various event planning companies, working in Orlando and California.

THOMAS OUELLETTE (Father Tim) appeared onstage at Mad Cow in Next Fall and A Funny Thing Happened on the Way to the Forum, and recently in Othello at the Folger Theatre and Shear Madness at the Kennedy Center, both in Washington, DC. Also a director, he has helmed Romeo and Juliet, Pride and Prejudice, Arms and the Man and I Hate Hamlet at Orlando Shakespeare Theater. Mad Cow directing credits include Lobby Hero, Stop Kiss, and Frankie and Johnny in the Clair de Lune. A professor of acting and directing at Rollins College, Thomas has been appearing in and directing shows at the storied Annie Russell Theatre since 1996 (Equus, Macbeth, Extremities, Gross Indecency, The Glass Menagerie, and many others).

ALLEN OVERLANDER (Lighting Designer) is pleased to be working with Dr. Sherry on this production. Some of his other Mad Cow credits include Topdog/Underdog, A Lesson Before Dying, Assassins, The Rainmaker, Glengarry Glen Ross, Humble Boy, and The Caretaker as well as many years with the Orlando Cabaret Festival. When he isn’t at the theater, Allen is an Avionics Engineer for a local aviation firm.

RICHARD RUSSELL (Set Designer) worked for many years as a designer for Boston-area theatres and taught scenic design at Wellesley College. He also has many years of fundraising experience and currently works at the Dr. Phillips Center for the Performing Arts. Locally, Richard serves on the boards of Mad Cow Theatre and of the Zebra Foundation for Youth.

MASS APPEAL

MASS APPEAL

W. ROBERT SHERRY (Director) is a professor of theatre and Dance at Rollins College. His performance credits include: Broadway Salutes the New York City Opera at Lincoln Center, the national tours of Pal Joey, Annie Get Your Gun, and Flower Drum Song. He also performed in Hollywood Magic, at El Centro in Acapulco, Mexico and with Indiana’s professional modern dance company, Dance Kaleidoscope. Directing credits include over 100 musicals, plays and concert dance works including over 50 at Rollins College.

PETER TRAVIS (Mark Dolson) is very excited to be making his Mad Cow debut. Currently Peter is a senior at Rollins College. He has appeared in several shows at the Annie Russell Theater and the Fred Stone Theater. His Rollins credits include How I Learned to Drive, Cabaret, Rabbit Hole, Stage Fright, and I Hate Hamlet. Peter would like to thank all of his friends and family who love and support him.

RACHEL WILLIAMS (Stage Manager) joined the Mad Cow team for The Road to Mecca, and is thrilled to be stage managing Mass Appeal. She has directed and stage managed over 16 productions in the last six years, including Halfsies; In a Dark, Dark, House; and The Toby Show. She was also the production designer for a short film called Yun. For the last three years, she has been teaching drama for youth, both at a private academy, and for an independent youth theatre. A new arrival to Florida, she is excited about the new opportunities that Orlando has to offer!

www.InBloomFlorist.com

Heathrow ~ Lake Mary 1210 S. International Pkwy. Heathrow, Florida 32746

407.333.2991

Downtown Orlando 325 West Gore Street

Orlando, Florida 32806 407.649.7771

Flowers ~ Gifts ~ Home Décor

Weddings & Events

Mad Cow Theatre Presents

By Matthew Barber, from the novel by Elizabeth von Arnim

ENCHANTED APRILBy Matthew Barber, from the novel by Elizabeth von Arnim Mar 22-APR 14, 2013

54 W. CHuRCH STREETin The harrieTT TheaTreTickets: 407.297.8788 madcowtheatre.com

“... Why, it would really be being unselfish to go away and be happy for a little, because we would come back so much nicer.”― — Elizabeth von Arnim

Enchanted April

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2012-2013 Donors

Mad Cow Theatre thanks the following businesses for their contributions to Mad Cow Theatre’s artistic and educational programs enriching the lives of the Central Florida Community.

L2 Studios Tom Hurst Photography Voxeo

BUSINESS CIRCLE

The new home for Mad Cow Theatre is the largest venture in Mad Cow’s fifteen-year history. The theatre has continually expanded at a pace that reflects the need of the city around it, and today is no exception. Mad Cow Theatre is making progress every day thanks to the visionary and generous support of the citizens of Central Florida and individual philanthropists, foundations and corporations who believe that Orlando’s success is tied directly to a dynamic cultural and artistic scene.

Please visit the displays in our lobby which feature a full and regularly-updated list of contributors to the theatre.

Mara & Harvey LevittBill & Jane Oatway Richard Russell & Thomas Ouellette

GOLD CIRCLE ($5000 to $9999)

INDIVIDUALS & FAMILIES

Frank Santos & Dan DantinBryce L. West FoundationPhilip & Sigrid Tiedtke

Michael & Jennifer ColemanMaureen & Gary FriesJim & Freddi Goodrich

PLATINUM CIRCLE ($10000 and over) Harriett Lake Susan McKenna Marty & Bob Stonerock

Corporate Diva ($1000 - $2499) W. Ed Langdon Adirondak Studios

Enterprise Holdings FoundationHolland & KnightHolland & Reilly

WE APPOLOGISE FOR ANY ERRORS OR OMISSIONS.TOTALS REFLECT GIFTS RECIEVED THROUGH 11/13/12

CORPORATE ANGEL ($2500 and over)

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HOLY COW ($250 - $499)

Anonymous (2)Sherry AndrewsMarianne & Anthony BassileDrs. Luci Belnick & Jeff CohenSusan Fox BeversluisSusan BrightJanet Denniston & Ray AlgerCliff & Ann DubbinDr. & Mrs. Jefferson S. Flowers

Margaret B. GarlandAlex HalberstadtSusie & Jerry HaralsonWallace G. HarperRichard & Ann HigbieJan Huebner & Rich HarmonPaul HartmanJohn & Wendy JenningsChristine Kroetsch & Jeremiah HayesDr. Mitch & Swantje LevinKen & Trisha Margeson

Maria M. MasciulliBarbara MaxwellJ. Michael MesserDr. Mary PalmerElinor Parker DW Phineas PerkinsJohn & Virginia RigsbyBarbara J. SmithDennis SobeckJim & Ginny StuartTom & GerryTrudy WildDr. and Mrs. Lee Zehngebot

Anonymous (3)Tom and Kathy CardwellSteven P. ClawsonBruce & Paula CollinsAnn CookDana & Diana EaglesCarol & Walter JohnsonDean Johnson

ARTIST’S CIRCLE ($500 - $999)Mary F. KelshNancy P. LewisSusan MairDoug McGinnisSteve & Kathy MillerNeil & Kuei-Mei OlcottJohn Parker & Deede Sharpe

Molly Rose & Bob FlemingJoseph & Norma SamuelsJudith ThompsonMr. & Mrs. Jerry TwedtJim & Freddi GoodrichMercedes WechslerEdward & Phyllis Zissman

2012-2013 Donors

TO SIGN UP, CONTACT US: VOLUNTEERS@MADCOWTHEATRE.COM

Anonymous (1) Peter GiacaloneSiegmund I. & Marilyn Goldman in honor of Steve Goldman & Julie Goldman KleinRichard & Annette ManganelElizabeth Maupin & Jay Yellen

DIRECTOR’S CIRCLE ($1000 - $2499)Wendy & Brian McDowellTom & Theresa Quinn FundDeborah & Larry SimpsonIn honor of our friend, Dr. Bob StonerockJoe & Sue Warren, M.D.Leighton & Phyllis Yates

19TO SIGN UP, CONTACT US: VOLUNTEERS@MADCOWTHEATRE.COM

DID YOU KNOW?In addition to our capital fund, Mad Cow

depends on contributions from patrons likeyou for daily operations of the theatre.

Help us keep the lights on and actors onstage bymaking a contribution with the form below.

MAD COW THEATRE DONATIONAs a 501(c)(3), your donation to Mad Cow Theatre will be tax-deductible.

THE HERD (up to $249) $__________

HOLY COW($250-$499) $__________

ARTISTS’ CIRCLE($500-$999) $__________

DIRECTOR’S CIRCLE($1,000 - $2,499) $__________

PRODUCER’S CIRCLE($2,500-$4,999) $__________

GOLD CIRCLE($5,000 - $9,999) $__________

PLATINUM CIRCLE($10,000 and above) $__________

________________________________NAME_________________________________ ADDRESS _________________________________CITY STATE ZIP_________________________________PHONE_________________________________EMAIL I WOULD LIKE TO BE LISTED AS ___________________________ IN THE PROGRAM

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MAIL TO: MAD COW THEATRE, PO BOX 3109 ORLANDO, FL 32802YOU MAY ALSO MAKE A DONATION TO MAD COW THEATRE

THROUGH OUR WEBISTE - madcowtheatre.com

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Mad Cow Theatre Presents

DREAMGIRLST H E H A R R I E T TJ u n e 7 - 3 0 , 2 0 1 3

54 WEST CHURCH STREETDOWNTOWN ORLANDOTICKETS: 407.297.888 madcowtheatre.com

A Dark Comedy by Tracy Letts

“This is the way the world ends, this is the way the world ends.”

Music by Henry Krieger Lyrics and Book by Tom Eyen