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Aurélie mossé : "Les matières textiles du futur" - table ronde

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Stéréolux, Nantes, 27 mai 2015 «Les matières textiles du futur»: table ronde Aurélie Mossé l Designer-chercheur et Enseignante l PhD l MA Design for Textile Futures l www.aureliemosse.com l [email protected]
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Page 1: Aurélie mossé : "Les matières textiles du futur" - table ronde

Stéréolux, Nantes, 27 mai 2015

«Les matières textiles du futur»: table ronde

Aurélie Mossé l Designer-chercheur et Enseignante l PhD l MA Design for Textile Futures l www.aureliemosse.com l [email protected]

Page 2: Aurélie mossé : "Les matières textiles du futur" - table ronde

Gossamer Timescapes:Designing Self-actuated Textiles for the Home PhD Thesis by Aurélie Mossé

The Royal Danish Academy of Fine Arts, Schools of Architecture, Design and ConservationCentre for IT & Architecture, Copenhagen, Denmark

The Royal Danish Academy of Fine Arts, Schools of Architecture, Design and ConservationSchool of Architecture

Recherche - textiles actifs pour l’environnement maison Explorer par le design le potentiel culturel/poétique des technologies intelligentes et leur contribution à la construction d’une maison plus durable

Programming materials at molecular level

Light-responsive polymer films by Ele de Boer, TU Eindhoven

Plastiques lumino-actifs Plastiques électro-actifs

Page 3: Aurélie mossé : "Les matières textiles du futur" - table ronde

Textiles «intelligents» Matériaux textiles avec la capacité de sentir une information et d’y répondre avec un comportement spécifique

1/ matériaux qui brouillent la frontière entre idée de matériau (statique) et machine (dynamique)

2/ matériaux qui introduisent le temps comme dimen-sion centrale de la création

Reef, Aurélie Mossé, 2011

Page 4: Aurélie mossé : "Les matières textiles du futur" - table ronde

Générer de l’électricité Les technologies photovoltaiques

The Photovoltaic Mashrabiya, Aurélie Mossé, 2009

Page 5: Aurélie mossé : "Les matières textiles du futur" - table ronde

Changement de forme Exemple des polymères électro-actifs

Reef, Aurélie Mossé, 2011, in collaboration with Guggi Kofod, Potsdam University & David Gauthier, CIID

Page 6: Aurélie mossé : "Les matières textiles du futur" - table ronde

Changer de forme Exemple des polymères photocinétiques

Courtesy Casper Van Oosten

Change in order gives dimensional change

36

Different textile materials As discussed in chapter 4.2 three different textile materials were used to make the textile-polymer composite: polyolefin, polyester and nylon. All three materials seemed compatible with the liquid crystalline materials and the adhesion didn’t seem to differ on first inspection. We will show later that mechanical testing (see Chapter 4.7) shows that the polyolefin textile did not have as good adhesion as the other textiles, but this was not of influence on the bending. The characteristic that did have an influence on the bending behaviour seemed to be the fibre density of the textiles, which is expressed by their weight by area. The polyolefin, polyester and nylon materials have weights of respectively 30, 60 and 70 gr/m2. The bending of the samples is shown in Figure 47.

Figure 47: Bending of samples with different textile materials

These pictures were taken during the second cycle of illumination. At the start of the first cycle the samples were more or less horizontal but they didn’t revert back totally when the UV-light was turned off. This can be caused by relaxation effects, e.g. due to residual polymerization stresses in the polymer layers or polymerization-induced diffusion effects during photopolymerization under strong UV gradient conditions as caused by the presence of the azo compound. When left in the dark after the second (and subsequent) illumination steps the films would move back to their starting shapes (of those runs) quite quickly as shown by the pictures on the right, which were taken after the UV-light had been turned off for twenty seconds. The first thing to notice is that the bending of these samples is much better and faster than the samples with an orientation of both layers, as was already mentioned in the previous section. The graph of one

Textiles photocinétiques, Aurélie Mossé, 2011, en collaboration avec Ele de Boer et Prf. Dick Broer, Eindhoven Technical University

Page 7: Aurélie mossé : "Les matières textiles du futur" - table ronde

Vêtements connectés Challenges

• développer un savoir-faire qui ne soit pas au détriment des qualités esthétiques

• science/design: mieux collaborer, adresser l’échelle microscopique et sensuelle simultanément

• dépasser l’usage de l’électronique

• dépasser l’intéractivité, générer des intéractions qui respectent le temps du corps et de la nature

Page 8: Aurélie mossé : "Les matières textiles du futur" - table ronde

Aurélie Mossé l Designer-chercheur et Enseignante l PhD l MA Design for Textile Futures l www.aureliemosse.com l [email protected]

Mes vêtements prennent vie - 17 juin à 18h30 Conférence au Grand Palais, Paris, présentant les résultats du workshop ENSAD/Orange sur la thématique des vêtements connectés

Atelier Vêtement, ENSAD, portes ouvertes 2015


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