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LASALLE COLLEGE OF THE ARTS
1
ALL RIGHTS RESERVED. 2011, 2013, 2014. THIS DOCUMENT AND ITS CONTENTS ARE THE PROPERTY OF LASALLE COLLEGE OF
THE ARTS, 1 MCNALLY STREET, SINGAPORE 187940.
UNAUTHORISED USE IS PROHIBITED. ANY BREACH OF COPYRIGHT WILL BE SUBJECT TO PROSECUTION. THE PROGRAMME HAS
BEEN DESIGNED AND DEVELOPED BY LASALLE COLLEGE OF THE ARTS IN 2011.
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DIPLOMA IN FASHION / CONTENTS
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---------------------------------------------------------------
Table of
Contents---------------------------------------------------------------Introduction---------------------------------------------------------------From the President
About This Programme HandbookLearning Portal
---------------------------------------------------------------
Section A---------------------------------------------------------------INFORMATION ABOUT YOUR DIPLOMA---------------------------------------------------------------Overall Aims Of The Diploma In Fashion
Diploma Level Learning Outcomes
Diploma Design, Content And Organization
---------------------------------------------------------------
Section B---------------------------------------------------------------
TEACHING AND LEARNING METHODS ANDASSESSMENT STRATEGIES
---------------------------------------------------------------Teaching and Learning
Delivery Modes
Assessment
Assessment StrategyContinuous Summative Assessment
Summative Assessment
Formative Assessment
Modes of Assessment
Plagiarism
Attendance
Placement Learning
Assessment CriteriaAssessment Criteria Charts
Summative Grading Descriptors and Criteria
Faculty of Design Marking Descriptors
---------------------------------------------------------------
Section C---------------------------------------------------------------MODULE DESCRIPTORS
---------------------------------------------------------------LEVEL 1
D-SH101 Introduction to Studio Practice
D-SH102 Introduction to Contemporary and Contextual StudiesD-SH103 Technical Skills Workshops for Studio Practice
D-SH104 Exploration of Studio Practice
D-SH105 Specialist Studio Practice
D-SH106 Key Skills in Contemporary and Contextual Studies
LEVEL 2
D-FH201 Contextual Studies Modern Fashion HistoryD-FH202 Fashion Studio 1
D-FH203 Technical Studies 1
D-FH204 Contextual Studies 2 Introduction to the Fashion
System and TerminologyD-FH205 Fashion Studio 2
D-FH206Technical Studies 2
LEVEL 3
D-FH301 Industry Placement Professional Practice
D-FH302 Self-directed Study Fashion Studio I
D-FH303 Career Management - Fashion
D-FH304 Self-directed Study Fashion Studio II
--------------------------------------------------------------- Summary of Learning Hours and CreditsSummary of Assessment Schedule
---------------------------------------------------------------
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DIPLOMA IN FASHION / INTRODUCTION
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----------------------------------------------------------------------------------
From the
President----------------------------------------------------------------------------------
Whether you are joining the College as a student here for the
first time, or continuing with us, my colleagues and I offer youthe warmest welcome to the exciting new academic year at
LASALLE College of the Arts!
For those of you embarking on a new programme here, many
congratulations on your success in joining us our entry
criteria are high and there is fierce competition for places. Toyou, and all our students, I would offer some sound advice thathas been echoed by many of our most distinguished former
students who work successfully in and seek to continually
redefine - the arts, design and creative industries.
Studying at LASALLE is an exciting, life-shaping journey and
the more wholehearted you are in researching, experimenting
and expressing your creativity, the more confident andaccomplished you will become - and the harder you work the
more you will succeed, not only here but in your future life and
career.
Your programme will foster many things from an appreciation
of different art and design traditions from around the world, toan understanding of your own unique artistic instincts. Yourprogramme combines the acquisition of subject-specific
knowledge and skills with the opportunity to creatively explore
and experiment, sometimes alone and sometimes with others.
Projects and collaborations provide a tangible application of
your growing understandings and skills. Through these, you
will learn increasingly to appreciate the great richness anddiversity of your subject - and to begin to excel in it creatively.
Our award-winning campus and outstanding staff team provide
a wonderful environment and supportive foundation for you to
develop and excel in. You also have another unique
opportunity here that may never arise again: to learn from and
collaborate with people from all the other art and designdisciplines, who are approaching similar concepts to you butfrom entirely fresh perspectives and viewpoints.
Take every advantage of all that is on offer, not just on your
programme, but also through the wider LASALLE environment.
Engage with new opportunities, participate in the regular talks
and lectures given by internationally acclaimed artists, and
immerse yourself in our extensive programme of exhibitions,screenings and performances.
Enjoy your programme, and the new academic year!
Professor Steve Dixon
President, LASALLE College of the Arts
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DIPLOMA IN FASHION / INTRODUCTION
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---------------------------------------------------------------
About this
ProgrammeHandbook---------------------------------------------------------------This Programme Handbook gives you information and
guidance about the Diploma you are studying and its academic
and organisational framework.
The Handbook is divided into the following sections:
Section A
Information about the Diploma
Section B
Teaching and Learning Methods and Assessment Strategies
Section C
Module Descriptions
As a student, you will be required to be familiar with the
regulations, policies and procedures below which you will findin the LASALLE Learning Portal (http://learn.lasalle.edu.sg)
Academic regulations
Equal opportunities policy
Placement learning procedures
Roles of external examiners and programme advisers
If you are unable to access the Learning Portal, please contact
the Division of Information Communications and Technology
(ICT) at 6496 5399 or email them at
The programme you have joined has been developed by
LASALLE College of the Arts. The College endeavours to meet
exacting educational standards and to comply with rigorouscodes of practice in such areas as quality assurance,
admissions, assessment and curriculum design.
While we have tried to set out the information as clearly as
possible, the material contained in the handbook is necessarilycomplex and much of it has to be expressed in formal,academic language. It is inevitable therefore that the handbook
might raise many questions and it is essential that you seek
advice and guidance on anything you do not understand. Also,
it is important to remember that your lecturers will explain the
content of this handbook to you in detail as the programme
progresses.
As you progress through the Diploma you will be encouraged
to become more self-motivated and self-directed in your
learning. By the time you reach Level 3 you will be expected to
begin to take a significant amount of responsibility for your own
learning, to find your own artistic voice and to develop your
own strategies for tackling the work you are required to do.This is a vital process in developing a reflective andindependent approach to your professional practice in the
industry of your choice.
You will find that reviewing and reflecting on your process and
emerging practice, play an important part in the teaching and
learning strategies used at LASALLE. Similarly, the College,
with your input, regularly reviews its programmes to ensurethat they meet the high standards expected of the College.
This means that the handbooks are regularly updated and
revised. So, whilst the information in the handbook is as
accurate as possible, it is subject to change. Please make sure
that you update your handbook as revisions are published in
the Learning Portal.
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DIPLOMA IN FASHION / INTRODUCTION
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----------------------------------------------------------------------------------
Learning
Portal----------------------------------------------------------------------------------The Learning Portal http://learn.lasalle.edu.sg contains further
information that would be of interest to you. These include:
Information on LASALLE
See Purpose, Ambition, Values
Purpose, ambition, values
Strategic Plan
Student support services
See Academic Administration
o
Academic Calendaro Update of student particulars
o Application for course transfer, repeat course, resume
studies, intermit studies and course withdrawal
See Student Services
o Pastoral counseling
o Accommodation
o Disability support
o
Student pass and EzLink card information
o Vacation job placements
o Activities and events
See Finance
o
Financial assistance scheme
o Tuition fee details
o Medical insurance scheme
o Refund policy
See The Learning Centre
o
Academic English classes
o Academic group workshops
Learning Resources
See ICT
o ICT support services and contact details
o Link to Outlook Live (for student!s webmail)
o Learning Portal quick start guide
o IT related policies
See Library Resources
o Library opening hours and loan entitlement
o Library new arrivals and online resources
o Library assistance
o Citation and referencing guide
Regulations and Policies
See Programme Handbooks, Regulations and Policies
o General Academic Regulations
o Appeals and complaints procedures
o
Assessment Regulations
o Complaints Procedures
o
Disciplinary Procedureso Student Appeals
o Attendance Regulations
o Academic Misconduct & Plagiarism
o Additional Regulations for Postgraduate Studies
o
Equal Opportunities Policy
o Placement Learning Policy and Procedures
See Academic Administration
o The College Attendance Policy and Operational
Guidelines
o Dispute Resolution Policy
Student assessment
See Programme Handbooks, Regulations and Policies
o
General Academic Regulations
o Assessment Regulations
o Methods of Assessment
o Reassessment Arrangements
Contact details
See Faculty/Programme specific page
o Contact details of staff on the programme
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DIPLOMA IN FASHION / SECTION A
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---------------------------------------------------------------
Section A---------------------------------------------------------------
Information AboutYour Diploma---------------------------------------------------------------You have joined LASALLE as a Diploma student at animportant time in the evolution of LASALLE as an arts
education institution. Our new Diplomas with their community
and industry linked components are intended to prepare you to
work in the creative industries when you graduate.
They are also designed to allow very successful Diploma
graduates to progress to appropriate programmmes at Level 2of LASALLE!s unique range of 3 Year BA Honours Degrees.
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---------------------------------------------------------------
Background---------------------------------------------------------------
The Diploma in Fashion at LASALLE has been developed in
response to the demands of the growing creative industry inSingapore, the region and world-wide for graduates of
enhanced ability, knowledge and adequate experience in
related fashion industries.
As indicated in the Strategic Blueprint set by Singapore Design
Council Singapore needs to constantly re-design itself to moveup the value chain as we have no natural resources andhinterland to fall back on. Design will create new value
propositions for Singapore to remain globally relevant and
competitive in the midst of the growing regional and
international competition. For Singapore to stay ahead, we
must develop a creative culture to attract and retain the best
talent.
The fashion programmes at LASALLE will focus on the
developments of the Asian and International fashion industries.
The philosophy of the programme centers on the contrasting
artistic practices of the creative industries as well as on the
dynamism of the evolving fashion culture in Singapore, the
region and worldwide.
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---------------------------------------------------------------
Diploma in Fashion---------------------------------------------------------------
The Diploma in Fashion is a three-year practice-based
programme integrating technical skills and industry knowledgewith design process and creative visual communication.
Graduates from this programme will be technically sound and
knowledgeable designers. Emphasis is for students to be
equipped with relevant skills and to have a good working
knowledge of the fashion industry. The programme provides a
holistic underpinning for different areas in Fashion and focuseson the fashion product with components in Textile Design,Marketing, Styling and Art Direction.
Contemporary in approach, the learning and teaching process
emphasises the development of future well-informed creative
practitioners.
The programme offers:
A rigorous curriculum that blends contemporary artistic
practices centered on the Asian fashion industry
A holistic experiential learning experience that is hands-onfor graduates to be industry-ready
A good network of alumni and key partnerships with the
industry
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---------------------------------------------------------------
Overall Aims of the
Diploma In Fashion---------------------------------------------------------------
The overall AIMS of this Diploma are expressed below in termsof three core categories ABC:
A. Knowledge and understanding
B. Subject Specific Skills and attributes
C. Transferable and professional skills
These three categories are broken down into sub categories so
that you have a general overview of the aims of the whole
Diploma at a glance
A. Knowledge and Understanding
This Diploma aims to provide its successful graduates with thefollowing:
A1 an informed understanding of the processes and
technical expectations of the related creative industries
A2 a detailed understanding of the characteristics ofcreative practice in the fashion industry; covering the
various roles involved, and an appropriate level of
knowledge and judgement in relation to the chosen field
of study
A3 a basic understanding of the relationship between
theory and practice in order to establish the relevance ofheritage, tradition and past socio/cultural conditions to
contemporary creative industry practice
A4 a clear understanding of how to appropriately apply
research to the execution and completion of briefed or
self selected projects.
A5 the ability to research and analyse relevant topics in
order to form discussions and arguments to arrive at an
informed standpoint that can be presented to others
B. Subject specific Skills and Attributes
This Diploma aims to ensure that its successful graduateshave:
B1 a comprehensive set of relevant skills and practices and
are able to formulate ideas and solutions in relation to
problems and project briefs
B2 a comprehensive understanding of how to developstrong concepts and formulate ways of turning them into
industry-relevant projects
B3 some ability to explore, investigate and apply theoretical
knowledge and establish relevance to contemporary
technological possibilities
B4 the ability to be creative and competent when using
technology to communicate ideas and ways of
managing a project
B5 the ability to identify and engage in appropriate project-
specific research and reflection
C. Practical and Professional Skills
Successful Diploma graduates will have acquired the following
abilities:
C1 the ability to produce work which demonstrates anunderstanding of creative practices that meet the needs
of related industries
C2 the ability to respond to and in some cases initiate
projects of an industry ready standard
C3 the ability to manage the implementation of projects
C4 the ability to articulate and present concepts and ideas in
written and oral form
C5 the ability to integrate theory and technology as part of
the creative process
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---------------------------------------------------------------
Diploma Level
Learning Outcomes---------------------------------------------------------------
LEVEL 1
On completion of this level, you should have acquired:
a basic knowledge of the elements and principles
associated with their area of study and the ability to
evaluate, interpret and apply these within a structured
framework;
a basic understanding of the purpose of journals, process,
research, reflection and critique in the development of
creative work;
a basic understanding of the nature of studio and
professional practice in their chosen area of specialist
study;
a basic understanding of the role played by historical,
cultural and contextual factors in the evolution of their area
of study,
the basic ability to discuss, present and write reflectively
on a given topic within a structured framework.
LEVEL 2
At the end of this level, you should be able to demonstrate:
introductory knowledge and informed understanding of
design principles and processes an introductory ability to understand and use reflection and
critique in your learning and creative practice
an introductory ability to participate effectively in studio
projects and to relate these projects to the fashion industry
practice
an introductory ability to apply and explore an appropriate
range of technical skills, concepts and contextualization
including application in a fashion industry focused project
an introductory knowledge of the main methods of enquiry
in your subject(s), and the ability to evaluate critically theappropriateness of different approaches to solving
problems in the field of study
At this level, you will also be able to:
use a range of established techniques to initiate andundertake analysis of information, and to propose
solutions to problems arising from that analysis
communicate information, argue and analyse in a variety
of forms to deploy key techniques of the disciplineeffectively
demonstrate the emerging acquisition of those skills that
will enable them to assume a degree of responsibility
within organisations and appropriate fashion industry
settings
At this level, you will have begun to develop:
qualities and transferrable skills necessary for employment
requiring the exercise of some personal responsibility and
decision-making
LEVEL 3
On completion of this level you should be able to demonstrate:
a systematic and critical understanding of key aspects of
your field of study, including the acquisition of coherent
and detailed up to date knowledge of the fashion industry
an ability to use key techniques of analysis and enquiry
conceptual understanding that enables the development of
sustained arguments, and/or the ability to solve problemsrelated to the fashion discipline
the ability to manage your own learning, and to make use
of appropriate research both in textual and visual form
the ability to present at a professional level, demonstrating
well-developed ideas which align with the skills required bythe fashion industry
the ability to represent the fashion field and industry well,
using appropriate approaches and methods ofcommunication.
At this level, you will be able to:
apply the methods and techniques that they have learned
to review, consolidate, extend and apply your knowledgeand understanding, and to initiate and carry out projects
evaluate arguments, assumptions, abstract concepts and
data (that may be incomplete), to make judgements, and
to frame appropriate questions to achieve a solution or
identify a range of solutions to a problem
communicate information, ideas, problems, and solutions
to both specialist and non-specialist audiences
exhibit professional conduct when working with people of
different backgrounds and levels
At this level, you will have:
qualities and transferable skills necessary for employment
requiring: awareness of personal presentation, theexercise of initiative and personal responsibility; decision-
making in complex and unpredictable contexts; and the
learning ability needed to undertake appropriate further
training of a professional or equivalent nature.
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---------------------------------------------------------------
Diploma Design,
Content and
Organization---------------------------------------------------------------
The Diploma is offered as a full time programme over three
years and is divided into three levels, which correspond toeach academic year of the programme. The academic year is
divided into two semesters of fifteen weeks with two additional
Assessment Weeks [Week 16 and 17].
There will be 120 credits for each year of study and successful
Diploma graduates must gain a total of 360 credits points toearn the diploma. Students learn progressively, each yearbuilding upon the knowledge and skills base of the previous
year. We call this incremental learning.
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---------------------------------------------------------------
Diploma Level 1--------------------------------------------------------------- Basic introductory principles and skills
Students in Level 1 share common modules across the
Diplomas These shared modules aim to provide students witha comprehensive grounding in the basic creative processes,
technical and academic skills essential for students
progressing to Levels 2 and 3.They also allow for diagnostic
and formative teaching in order to confirm that the students
have made the appropriate choice of Diploma Programme.
---------------------------------------------------------------
Diploma Level 2--------------------------------------------------------------- Skills development and reflection
Students in Level 2 will be taught technical and vocational skills
specific to their chosen area of study with a directed approach
which encourages reflection.
---------------------------------------------------------------
Diploma Level 3--------------------------------------------------------------- Industry related learning
Students in Level 3 will undertake modules which may include
self-devised/directed studies or projects. There will be a
placement or live project learning component designed to
assist students in gaining an accurate understanding of the
creative industries associated with their chosen DiplomaProgramme. If placement outside of the College is not feasible
alternative arrangements will be made to ensure students
receive parity of experience.
The placement-learning and /or live projects are designed to
allow students to apply their studio and academic
understandings and achievements to the diverse expectations
of a demanding industry. Students must be able to gaugethrough reflection their skills and shortcomings in order to cope
with the pressures of the work environment, social adaptability
and project management.
---------------------------------------------------------------
Community Engagement--------------------------------------------------------------- The Community Engagement component is a third year project
that requires students to interact at some level, with non-profit
organisations or community interest-led projects with theprinciple agenda of giving back to the community. This may
include a variety of approaches, such as one-way
communication or information delivery, consultation,
involvement and collaboration in decision-making, and
empowered action in informal groups or formal partnerships. It
can be an independent module in a semester, or incorporated
as a project within a module.
This component is designed to assist students in the
development of those personal characteristics essential to the
world of work in their chosen creative industry. It is intended
that students will develop a greater sense of responsibility,
merging work and personal ethics. The component aims to
nurture qualities in students such as confidence, compassion
and self-reliance, in order to enable them be proactivelyinvolved in community service and volunteerism.
Students need to be able to identify those problems and issues
of social concern that their chosen area of study can address
and/or change. Using the skill sets and research methods
learned, students are asked to be creative and effective in
proposing solutions to these problems and issues.
---------------------------------------------------------------
Personal and ProfessionalDevelopment (PPD)--------------------------------------------------------------- PPD is not an assessed component of the diploma but it is
central to student success and confidence in learning. PPD isan aspect of the programme that students must participate inover the three years, to ensure that they cultivate good practice
for a professional environment and / or employment. PPD is a
self-reflective, collaborative mentor-student dialogue that could
take the form of seminars, one-on-one discussion, field visits,
industry talks and small-scale workshops.
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---------------------------------------------------------------
Section B---------------------------------------------------------------
Teaching andLearning Methodsand Assessment
Strategies--------------------------------------------------------------- The College provides the academic framework for a range of
Diploma programmes in a range of specialisms the content of
which reflect current and emerging practices in the creative
industries. All the Diploma programmes share a commonunderstanding of Teaching and Learning Methods andStrategies for Assessment.
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---------------------------------------------------------------
Teaching and
Learning---------------------------------------------------------------
The Diploma has a specific set of aims and learning outcomes
which structure an appropriate curriculum and a
comprehensive set of student learning experiences that
demonstrate progression, coherence and balance across thethree levels of learning.
The teaching and learning strategies acknowledge, respect
and encourage a wide variety of teaching and learning styles
and activities, offering a balance between the provision of
information (direct or resource-based) and opportunities for
active assimilation, application, questioning, debate and critical
reflection.
Progression through the diploma leads to an increasing
emphasis on student self-direction and independence inrelation to the learning and teaching strategies deployed. Part
of this process will involve the ongoing development of student
communication skills. Teaching and learning will be geared
towards some of the following learning processes which are
consistent with programmes of this type.
These include:
awareness raising and knowledge acquisition:
the process through which a student is introduced to and
engages with new areas of knowledge and experience,
and broadens and deepens existing knowledge;
critical understanding:
the process whereby a student engages in critical analysis
of texts, fields of knowledge, concepts, and cultural and
production practices, testing their analysis againstreceived understandings and practices;
practice experience:the process through which a student acquires practical
experience, skills and the opportunity for creative
expression and/or thinking in a range of activities, fromempirical research to production work, and receives and
gives feedback on their performance;
critical reflection:
the process through which a student reflects on newunderstandings, and on their own learning experiences
and performance, and acquires new awareness and
understandings.
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---------------------------------------------------------------
Delivery Modes--------------------------------------------------------------- The structure of the programme does not allow for choice
between modules. However, within individual modules there is
often considerable room for negotiation as to the nature, scopeand outcome of the work. Flexibility in the delivery methods
used and the outcomes required facilitates students!
understanding of the relationship between theoretical and
practical approaches.
Aligned with the specific aims, emphases and learning
outcomes of the Diploma programme, learning and teachingmethods will draw on an appropriate balance of delivery modes
and these are detailed as follows:
Practical Coursework:
Class-based exploration of the practical and theoretical
aspects of each module, including practical presentations at
specific points in the curriculum. Classes are normallyconducted in relatively small groups to enable a greater degreeof interactivity and empathy between tutor and student.
Group Critique:
Group sessions, which analyse student performance and
encourage the constructive use of peer assessment and self-
assessment to develop critical reflection and self-awareness.Students will present and discuss practical demonstrations of
work-in-progress with tutors and peers.
Seminars/discussion groups:
Group sessions, which may be led by tutors or by students
presenting prepared papers or practical demonstrations.
Seminars which test background reading, research,interpretation and practice are normally given in classes and
may often be led by the students using prepared material.
Students are encouraged to present their work appropriately
using a variety of methods including audio-visual
presentations. Student-led seminars are used to test students!
knowledge, practice and ability to deal with presentations.
Workshops:
Workshops are supervised activities for the practice and
acquisition of skills and techniques. They are designed to
progressively advance skills and workshop-based projects are
intended to integrate new skills with old, for the constant
reinforcement and re-evaluation of techniques and their
application. Workshops may also include site-based researchand evaluations.
Lectures:
This category Includes traditional lectures and practical
demonstrations, but may also lead to group discussion or
practical exploration of the lecture subject.
Tutorials:
Formal individual or group sessions designed to support every
aspect of the programme. Modules containing a tutorial
component operate with a specific brief to support the work in a
structured manner to aid learning. Students are encouraged to
learn through self-assessment, which is evaluated and steered
by the tutor. In the programme, the development tutorials
become more and more important as the students progress inthe curriculum.
Screenings:
Tutor-led sessions designed to support traditional lectures with
audio-visual material.
Field Trips:
Off-site visits to various elements of the industry provide the
necessary exposure for students beyond the classroom. Fieldand study trips in Singapore and beyond may offer studentsthe opportunity to learn from different settings and cultures.
Industry based learning:
Students are required to take a module that may include
placement and/ or live industry-related projects.
PPD:
PPD [Personal and Professional Development] is not a
summatively assessed component of the Diploma however it is
central to student success and confidence in learning and is
developed on an incremental basis over the three years of
Diploma study. PPD aims to ensure that students cultivate
strong and reflective study skills thus enabling a professionalapproach both to academic study and industry based learning.PPD is a self reflective mentor-student dialogue that can take
many forms ranging from one to one discussions to group
debates, field visits, industry talks and small-scale workshops.
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---------------------------------------------------------------
Assessment---------------------------------------------------------------
Assessment is an integral part of the learning process, and will
be formative and diagnostic as well as summative andevaluative, providing feedback to students wherever
appropriate. In this Diploma students will be participants in the
assessment process through strategies such as the group
critique, where students present and discuss their work with
peers and tutors.
Assessment strategies in the Diploma are aligned with thespecific aims, and learning outcomes as described in the
Handbook and are underpinned by the learning and teaching
strategies. They are appropriate and consistent with the
intended learning processes, the learning context, and the
learning needs and learning level of the students. This Diploma
seeks to ensure that, within the variety of approaches taken,
assessment is consistent both in the demands it makes onstudents and in the standards of judgement it applies.
Consistent with the principles, aims and outcomes of the
Diploma assessment will focus on the following areas:
subject-specific and generic skills, including skills ofinvestigation and enquiry, oral and written communication
skills, the use of a range of technology systems for
accessing data resources, contacts and literature, and
appropriate creative production and practice skills.
breadth and depth of subject knowledge and awareness of
the history and context(s) of that knowledge
critical analysis, whether of texts, fields of knowledge,
concepts or cultural or production practices. This includes
the ability to contextualise this analysis and engage in
critical debate through discursive argument
critical reflection on issues of practice, on knowledge andunderstandings, and on students' own and others'performance against agreed criteria, including the capacity
to deploy and evaluate evidence and to express the
outcomes of such reflection clearly and fluently.
In the case of final outcomes assessment criteria will
reflect the specific brief and the relevant Level LearningOutcomes of the Diploma and may also acknowledge
relevant professional standards when appropriate
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---------------------------------------------------------------
Assessment Strategy--------------------------------------------------------------- The Diploma programme!s assessment strategies have been
designed to ascertain whether the student has achieved the
relevant learning outcomes and reached the required standardfor the award of the Diploma.
Assessed projects and assignments are also conceived as
learning opportunities, which build upon each other as well as
providing the means of more formal assessment. With this in
mind, an assessment strategy has been devised in which:
Every assessment is designed to be of use to the students
and to relate closely to her/his academic development.
Every assessment is designed to provide information onthe ability and progress of the student in fulfilling the aims
of the programme.
A range of assessment modes, both formative and
summative, is used, assessing both the student!s reflective
and analytic, oral and written abilities as well as her/hispractical understanding, creative and collaborative skills
and ability to undertake appropriate research.
All modules are assessed. Every module is assessed by
more than one method.
Continuous Summative Assessment
This type of summative assessment is designed to assessLevel One students!developing abilities in terms of
engagement, participation, preparation and involvement in the
learning adventure.
Summative Assessment
A range of summative assessment procedures can be found inthis Diploma. They are designed to recognise and evaluate theapplication of previously acquired practical knowledge, a well
developed knowledge base, the ability to be reflective and
critical and an appropriate balance between independent and
collaborative work. The recorded percentage mark for each
summative assessment contributes to the final grade for the
year.
Formative Assessment
Diagnostic and formative assessment provide opportunities for
students to improve their learning and gauge how they are
progressing without the burden of concern about a final
summative grade or mark. The emphasis in this kind of
assessment is on providing supportive feedback which enablesstudents to identify strengths, weaknesses and gaps inknowledge. Feedback on student performance is supplied in a
number of ways. This may include self and peer assessment
opportunities, informal presentations, summaries of strengths
and weaknesses across written work to classes as a whole
and personalised written feedback on essays or journals.
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---------------------------------------------------------------
Modes of
Assessment---------------------------------------------------------------
1. Written Skills
Students are required to express and communicate in written
form, their findings and research.
This can be assessed through written assignments and
reflective self-study that include, but are not limited to:
Written Assignments and Essays
Students will be required to submit essays and other forms of
written assignments with a word count ranging from 500 to
1500 words. These written assignments will be given
progressively and incrementally from Levels 1 to 3.
Creative Process Journals
You will be required to keep a series CPJ !s for specificmodules. A CPJ serves to reflect your independent academic
explorations, development and analysis of research. Through
these journals, you will learn to reflect upon and articulate your
own knowledge and design process. You will be expected to
use a range of appropriate means of recording your project
process and execution. These may include written, visual andaudio media. You will explore self-assessment and peerassessment methods of analyzing the work in order to
understand better their individual performance and
collaborative experience.
Reflective Journals
A student may be required to keep a series of reflectivejournals (both on and off-line) for specific modules. Each
journal serves to reflect students!independent academic
explorations, experiences and discoveries. Through these
reflective journals, students will learn to reflect upon and
articulate their own knowledge and work process. Students will
be expected to use a range of appropriate means of recording
their project process and execution. These may include written,visual and audio media. Students will explore self-assessmentand peer assessment methods of analyzing the work in order
to understand better their individual performance and
collaborative experience.
Self-assessment
Self-assessment is a written evaluation by the student of
his/her own performance, contribution and participation in aproject for a particular module. It is designed for students to
attempt to develop an acute awareness of their personal level
of engagement in a project and how that affects the outcome of
the final submission. The weighting of self-assessment is at the
discretion of the lecturer.
Peer assessment
Peer and self-assessment are essential aspects of student!s
awareness of their progress. Students will peer assess each
other in written form or through group critique. Peer
assessment is also used to allow students to gauge peers !
performance and reflect on their own. It allows for students to
come to terms with their strengths and weaknesses when
working in a group setting. The weighting of peer assessmentin the context of the overall project assessment is module
specific. Peer Assessment is conducted during class or as a
submission at an appropriate date specified by the lecturer.
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2. Work Execution, Process and Development
It is important that the progress of a student during the period
of study is monitored and supervised incrementally. In order for
students to be able to initiate and complete projects with some
measure of professional standard and quality. Students will be
assessed in areas that include execution, work process and
project development.
These will take the form of the following:
Practical coursework
This is undertaken with supervision by tutors. It may take the
form of individual or collaborative work. In the case of
collaborative work, a student and/or the group!s criteria will be
articulated at the beginning of the semester. These mayinclude commitment to process, understanding of practice,
development of technical and conceptual skills and the ability
to reflect on student!s own practice. Students will be
encouraged to research and develop their practice
incorporating taught and self-explored theoretical material.
Research by Portfolio
A portfolio may contain written material (such as descriptions of
research or project objectives, constructive evaluations, copies
of seminar reports and examples of written material) together
with visual and aural material, design work, video and
photographic records. The portfolio should demonstrate a
student!s ability to appropriately research the chosen areas ofexploration. In addition portfolios may exhibit skill sets,
comprehension of relevant or specific subject matters and the
ability to meet some aspects of the industry-related
requirements in a chosen field.
Collaborative Projects (Group Work)
Students working on Collaborative Projects will share the sameassignment brief with considerations for varied roles and levelsof participation. A collaborative project may be done at a
Faculty level or with the involvement of other Faculties and
institutions as detailed by supervisor. Students are assessed in
two ways:
participation, contribution and the level of involvement in
the process and evolution of the given project
evaluation of the final outcome of the group project,
covering content, execution and adherence to assignment
brief
Students may be assessed on their participation in groups in
the following areas:
Understanding of concepts
Linking/development of concepts
Contribution to development of the project
Working with others in the group
Reference to literature/sources
Ability to critically reflect on contribution
Ability to evaluate own contribution and that of others
3. Personal and Professional Development
In the course of their study, students are expected to develop
professional skill sets and the confidence to communicate their
ideas effectively to peers and others. Students should
progressively develop the ability to prepare creative and
specific solutions to a range of project briefs. In order to assess
students!ability to be professional at different levels, they mustbe able to show incremental levels of achievement and may be
assessed on any of the following:
Presentation Skills
Students will use a seminar framework, which may include
audio-visual support to communicate the stages of their
explorations and share their practical approaches to project
execution to their peers. Students will develop the ability andconfidence to present ideas and receive feedback from peers
and lecturers for further self-reflection.
Practical Presentation
Certain modules will require students to prepare presentations
to a peer audience in order to share the findings of specificareas of research and/or to demonstrate how they approachtheir work. Students will be encouraged to use a wide range of
presentation media and techniques in such presentations. A
practical presentation may also include formative or summative
assessments of students!progress at different stages of a
project during a semester. A presentation of practical work as a
folio or performance can be used as a method of assessingstudent!s preparation and work process during the semester.
The percentage weighting given to the presentation is defined
according to the relevant module.
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Plagiarism
Plagiarism is regarded as the intended or careless taking ofideas and works, which are not the student !s own, without
clearly referencing the source material. Therefore, it is
imperative that students cite all materials accurately. For
academic writing, plagiarism is equivalent to the lifting of an
idea and text from a book, journal or Internet, neglecting
citations. In the case of creative works, students areencouraged to detail their source of inspiration through theirComparative Analysis. (For full details see Academic
Regulations in the Learning Portal http://learn.lasalle.edu.sg)
If in any doubt about plagiarism students MUST seek the
necessary guidance from lecturers.
Attendance
Being on time (punctual) and being at hand (presence) to
deliver creative work is part and parcel of being professional in
terms of industry work and expectations. Students at LASALLE
are trainee-professionals. Attendance in class is essential inorder for each lesson!s Learning Outcomes to be effectivelycommunicated to students.
Students are expected to attend 100% of classes and other
timetabled activities. (See Academic Regulations in the
Learning Portal)
In addition, the institution must report to Immigration &
Checkpoints Authority (ICA) those international students whose
attendance falls below 90% in any month or who have not
attended classes for a continuous 7 working days. (See ICA
website for more details http://www.ica.gov.sg/)
The detailed guidelines can be found in the institution!sAcademic Regulations and Attendance Policy and OperationalGuidelines in the Learning Portal.
Placement Learning
Placement Learning is an experience-based component
designed to enhance the student-industry relationship. This
component aims to further improve students!understanding of
the expectations and demands of their chosen creativeindustry. In the context of this component students will be
exposed to the execution of practice linked or live project
briefs, engage in work activities involving industry
representatives and communicate professionally their ideas
and work process. Placement Learning then becomes an
embodiment of learning through life experience.
Through direct integration with the industry or industry-related
activities, students will be able to gauge their suitability,
strengths and weaknesses in order to draw from their live
experiences those skills which must be acquired or further
developed. Above and beyond technical skills, such learning is
intended to enhance students!aptitude, work ethics, personal
conduct, communication skills and professionalism within awork related environment.
Placement and/or Live Project Learning is offered within and
outside the College and may include: industry placements,
projects, events, exhibitions, festivals, individual and companyproductions and more according to the demands of the
relevant creative industry. Such learning can take place within
Singapore and beyond.
However placement learning does not include learning outsidethe College such as part-time, term-time and vacation work
that is not approved and supervised by the College.
Placements must be part of students!required course of study
(e.g. as an assessed component within a module).
Placement learning aims to integrate and familiarise studentswith the relevant work settings and has considerableimportance in the development of students!understanding of
their chosen field of study. Such learning can be an
experience-based and/or observational experience, an
apprenticeship or a designated role.
Work-based and placement learning is not restricted to
undertaking work experience or going on a placement. Incases where the student is unable to secure a placement
outside the College, support will be provided by the College for
an alternative project/attachment on campus to fulfil the
learning outcomes of the module/ programme.
The degree of complexity and responsibility undertaken bystudents during this type of learning will be monitored,evaluated and supervised by mentors and/or supervisors.
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---------------------------------------------------------------
Assessment Criteria---------------------------------------------------------------
The aims of the programme and the intended learning
outcomes of the modules determine the definition of theassessment criteria. Assessment criteria have been compiled
in relation to:
1. the students!ability to develop and test ideas in theory and
practice
2.
different levels of attainment and their relation to the aimsof the modules3.
the measurement of the students!attainment of intellectual
and imaginative powers
4. the student!s deployment of appropriate methods for the
development of communication skills
5. the students attainment of professional and vocational
skills
Assessment Criteria Charts
The following charts establish Assessment Criteria as
evaluation guidelines for students and staff. A distinction has
been made between written work, practical projects and
research criteria in order to clarify the need for a different
approach to the examination of the intended learning out come.
Using these charts as a basis Staff will develop Level specific
Assessment Criteria appropriate to each Summative
Assessment and aligned to the Level Learning Outcomes.
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------------------------------------------------------------------------------------------------------------------------------------Summative Grading Descriptors and Criteria
------------------------------------------------------------------------------------------------------------------------------------
GENERIC GRADING CRITERIA CHART
Mark % Descriptor Generic grading Criteria Specific Grading Criteria
(Marking Criteria)0 Non submission
or plagiarisedassessment
A categorical mark representing either the failure to
submit an assessment or a mark assigned for a
plagiarised assessment. Please refer to the Academic
Regulations for further details
For a more detailed overview of
assessed items, please refer to theMarking Descriptors
1 9 Very bad fail A submission that does not even attempt to address the
specified learning outcomes
As above
10 24 Bad fail Represents a significant overall failure to achieve the
appropriate learning outcomes
25 39 Fail Represents an overall failure to achieve the appropriate
learning outcomes.
As above
40 49 Pass Represents the overall achievement of the appropriatelearning outcomes to a threshold level
As above
50 59 Good Represents the overall achievement of the appropriate
learning outcomes to a good level.
As above
60 69 Very good Represents the overall achievement of the appropriate
learning outcomes to a very good level.
As above
70 79 Excellent Represents the overall achievement of the appropriate
learning outcomes to an excellent level.
As above
80 89 Outstanding Represents the overall achievement of the appropriate
learning outcomes to an outstanding level.
As above
90 100 Exceptional Represents the overall achievement of the appropriatelearning outcomes to an exceptionally accomplished
level.
As above
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LEVEL 1
Mark
Band
Descriptor Marking Criteria
Studio Practice / Workshop
Marking Criteria
Written Assignment
Marking Criteria
Presentation
0% No
submission
or plagiarism
Failure to submit assignment(s)/ folio(s).
Or plagiarised submission of
assignment(s), presentation, or folio(s).
Failure to submit an
assessed assignment.
Or plagiarised submission of
an assessed assignment.
Failure to submit an
assessed presentation.
Or plagiarised submission of
an assessed presentation.1
9%
Very bad fail A submission that does not attempt to
address any learning outcomes
Did not attempt basic requirements of
component briefs and exercises
No evidence of technical skill learned
and applied
No evidence of reflection and
application of reference texts and
visuals
No evidence of experimentation with
media, materials and testing of ideas
Unprepared folio
No sense of addressing
the assignment briefs.
Scope and terms ofreference are not
defined.
No structure of
argument with no
research and reflection.
Very low proficiency
language is
fundamentally flawed
and cannot be
understood.
No clarity in the
communication of
information, ideas and
arguments.
Not proficient overall.
No time management
and professionalism.
10 24%
Bad fail A submission that does not fulfill a greatportion of the learning outcomes and is not
relevant to the requirements
Missing a large portion of
requirements from component briefs
and exercises
Very little progress in technical skill
acquired and very little application
Unable to make relevant reflection
and application of reference texts and
visuals
Shows no understanding of
experimentation with media, materials
and testing of ideas
Shows no consideration in
organization and making
presentations
Poor sense ofaddressing the
assignment brief or, at
most, only sporadically.
Scope and terms of
reference are poorly
defined.
Weak structure of
argument with little, or
mostly irrelevant
research and reflection.
Low proficiency
language is flawed and
difficult to read.
Little clarity in thecommunication of
information, ideas and
arguments.
Very low proficiency in
presentation skills.
Little time management
and professionalism.
25
39%
Fail A submission that fulfills only a few of the
required learning outcomes
Fulfills only a few requirements from
component briefs and exercises
Very weak progress in technical skill
acquired and with very poor
application
Very little understanding in making
reflection and application of reference
texts and visuals
Very weak experimentation withmedia, materials and testing of ideas
Weak organization and presentation
Unsatisfactory sense of
addressing theassignment brief and its
requirements.
Scope and terms of
reference are not well
defined.
Incoherent structure of
argument with some
research and reflection.
Inconsistent sense ofstyle, language and
syntax.
Insufficient clarity in the
communication ofinformation, ideas and
arguments.
Low proficiency in
presentation skills.
Unsatisfactory timemanagement and
professionalism.
40
49%
Pass A submission that fulfills adequately the
learning outcomes although with somelevel of inconsistency
Manages to fulfill sufficient
requirements from component briefs
and exercises
Sufficient grasp of technical skill but
incomplete application
Acceptable level of reflection and
direct application of reference texts
and visuals
Minimum level of experimentation with
media, materials and testing of ideas
Inconsistent standard of organization
Addresses at least half
of the assignment and
the work meets
satisfactory standards.
Limited scope andterms of reference.
Sufficient structure of
argument with relevant
research and reflection.
Consistent sense of
style, language and
syntax.
Satisfactory and clear
communication of
information, ideas and
arguments.
Presentation ofsatisfactory proficiency.
Satisfactory time
management and
professionalism.
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and presentation
50
59%
Good A submission that fulfills the desired
learning outcomes with a level of
consistency
Fulfills the majority of requirements
from component briefs and exercises
Good grasp of technical skill with
ability in application Good level of reflection and selective
in application of reference texts and
visuals
Good level of experimentation with
appropriate media, materials and
testing of ideas
Competent level of organisation and
presentation
Addresses mostaspects of the
assignment brief, but
unevenly.
Scope and terms of
reference are defined.
Evidence of a cohesivestructure and relevant,
though limited,
argument with
adequate research and
reflection.
Good sense of style,
language and syntax.
Good communication ofinformation, ideas and
arguments.
Good proficiency in
presentation skills.
Good time
management andprofessionalism.
60
69%
Very good A submission that fulfills desired learning
outcomes with good level of achievement
Fulfills all requirements of component
briefs and exercises
Demonstrates very good level of
technical skill with effectiveapplication
Shows very good level of reflection,
shows ability to analyse and be
selective in applications of reference
texts and visuals
Very good and effective level of
experimentation with appropriate
mediums, materials and testing ofideas
Effective levels of organization and
presentation
Addressed all aspects
of the assignment brief.
Scope and terms of
reference are well
defined.
Clear structure andargument with relevantuse of research and
reflection.
Consistently good
sense of style,
language and syntax.
Very good
communication of
information, ideas andarguments.
Very good, proficiency
in presentation skills. Very good time
management and
professionalism.
70
79%
Excellent A submission that fulfills desired learning
outcomes with an excellent level of
achievement
Fulfills all requirements from
component briefs and exercises withcoherent understanding
Demonstrates excellent level of
technical skill with successful
application
Comprehensive level of reflections,
shows good ability in analysis and
successful applications of reference
texts and visuals
Excellent and effective level ofexperimentation with selectivity in
choice of media, materials andeffective in testing of ideas
Clear and well accomplished levels of
organization and presentation
Covers all aspect of the
assignment briefthoroughly.
Scope and terms ofreference are well
defined with argument
structure reveals ability
to weigh both sides of
the argument and is
clearly supported bybreadth of research
evidence and
competent use of
source material.
Exhibit excellent writing
style, language andsyntax.
Excellent
communication ofinformation, ideas and
arguments.
Excellent, proficiency in
presentation skills.
Excellent time
management andprofessionalism.
80
89%
Outstanding A submission that fulfills desired learning
outcomes with an outstanding level of
achievement
Fulfills all requirements from
component briefs and exercises with
coherent understanding and a sense
of confidence and independence,
even at times originality
Outstanding and confident level of
technical skill with successful and
assured application Comprehensive level of reflection with
critical analysis and successful
Comprehensive
coverage of all aspects
of the assignment briefwith of originality.
Scope and terms of
reference are well
defined and argument
structure reveals abilityto weigh both sides of
the issue and is clearly
supported by breadth ofresearch evidence and
very good use of
Outstanding
communication of
information, ideas andarguments.
Outstanding,
proficiency in
presentation skills.
Outstanding time
management and
professionalism.
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application of reference texts and
visuals
Confident, fluent and effective level of
experimentation with well selected
choice of mediums, materials andhighly effective in testing of ideas
Outstanding well accomplished level
of organization and presentation
source material.
Exhibit outstanding
writing style, language
and syntax.
90
100%
Exceptional A submission that fulfills desired learning
outcomes with an exceptional level of
achievement
Fulfills all requirements from
component briefs and exercises withextensive grasp of all aspects and
extremely thorough with a absolute
sense of confidence and
independence and with originality
Exceptional, high level of technical
skill with successful and fully assured
application
Comprehensive level of reflection and
maturity of thinking coupled withcritical analysis and successfulapplication of reference texts and
visuals
Confident, fluent and creative level of
experimentation with well selected
choice of mediums, materials and
highly effective in testing of ideas with
resolution
Perfect accomplished level of
organization and presentation
Covers all aspects of
the assignment brief
extensively with
originality of thought,
communicating abrilliant understanding
of the key concepts of
the subject and ability
to discuss these
concepts in a free-
ranging manner.
Exceptional
communication of
information, ideas and
arguments.
Exceptional proficiency
in presentation skills.
Exceptional time
management andprofessionalism.
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LEVELS 2 & 3: Faculty of Design Marking Descriptors
Mark
Band
Practical Work Creative Process Journal Written Essay/Report Oral Presentations Achievement of
Learning Outcomes
0% Non submission or plagiarised assessment NA NA NA NA
1-9% No grasp of the principles and practice of thecreative process to execute relevant ideas
No handling of materials and techniques No level of studentship
No communication of information, arguments and
analysis
No understanding of theory and practical contexts No reflective skills
No communication of information,
ideas and arguments No use of language No approach and method
No communication of information,
ideas and arguments No proficient presentation No time management
None of the learning
outcomes achieved
10-24% Little grasp of the principles and practice of thecreative process to execute relevant ideas
Little handling of materials and techniques Little studentship
Little communication of information, arguments
and analysis
Little understanding of theory and practicalcontexts
Little reflective skills
Little communication of information,
ideas and arguments Little use of language Little approach and method
Little communication of information,
ideas and arguments Little proficient presentation Little time management
Few of the learning
outcomes achieved
25-39% Unsatisfactory grasp of the principles andpractice of the creative process to execute
relevant ideas
Unsatisfactory handling of materials and
techniques Unsatisfactory level of studentship
Unsatisfactory communication of information,arguments and analysis
Unsatisfactory understanding of theory andpractical contexts
Unsatisfactory reflective skills
Unsatisfactory communication ofinformation, ideas and arguments
Unsatisfactory and inaccurate use oflanguage
Unsatisfactory approach and method
Unsatisfactory communication ofinformation, ideas and arguments
Unsatisfactory proficient presentation Unsatisfactory time management
Some learning outcomesnot achieved
40-49% Satisfactory grasp of the principles and practiceof the creative process to execute relevant
ideas
Satisfactory handling of materials andtechniques
Satisfactory level of studentship
Satisfactory communication of information,
arguments and analysis at a proficient level Satisfactory understanding of theory and practical
contexts Satisfactory reflective skills
Satisfactory communication of
information, ideas and arguments Satisfactory but sometimes
inaccurate use of language Satisfactory approach and method
Satisfactory communication of
information, ideas and arguments Satisfactory proficient presentation Satisfactory time management
Learning outcomes
achieved to a limited but
adequate level
50-59% Good grasp of the principles and practice of thecreative process to execute well-informed ideas
Generally good handling of materials and
techniques Good level of studentship
Good communication of information, argumentsand analysis at a proficient level
Good understanding of theory and practical
contexts Good reflective skills
Good communication of information,ideas and arguments
Generally good and mainly accurate
use of language Good approach and method.
Good communication of information,ideas and arguments
Good proficient presentation Good time management
Generally soundachievement of learning
outcomes
60-69% Very good grasp of the principles and practiceof the creative process to execute well-informedideas
Consistently good handling of materials and
techniques Very good level of studentship
Very good communication of information,
arguments and analysis
Very good understanding of theory and practicalcontexts
Very good reflective skills
Very good communication of
information, ideas and arguments Consistently good and essentially
accurate use of language Very good approach and method
Very good communication of
information, ideas and arguments Very good proficient presentation Very good time management
Consistently good
achievement of thelearning outcomes
70-79% Excellent grasp of the principles and practice ofthe creative process to execute well-informed
ideas
Confident handling of materials and techniques Excellent level of studentship
Excellent communication of information,
arguments and analysis at a proficient level Excellent understanding of theory and practical
contexts Excellent reflective skills
Excellent communication of
information, ideas and arguments Confident and substantially accurate
use of language Excellent approach and method
Excellent communication of
information, ideas and arguments Excellent proficient presentation
Excellent time management
Achievement extending
beyond the learning
outcomes
80-89% Outstanding grasp of the principles and practiceof the creative process to execute well-informed
ideas
Fluent and fully assured handling of materialsand techniques
Outstanding level of studentship
Outstanding communication of information,
arguments and analysis at a proficient level Outstanding understanding of theory and practical
contexts Fully developed reflective skills
Outstanding communication of
information, ideas and arguments Fluent and fully assured use of
language Outstanding approach and method
Outstanding communication of
information, ideas and arguments Outstanding proficient presentation Outstanding time management
Substantial achievement
extending well beyond the
learning outcomes
90-
100% Exceptional grasp of the principles and practice
of the creative process to execute well-informed
ideas
Confident handling of materials and techniques Exceptional level of studentship
Exceptional communication of information,arguments and analysis at a proficient level
Exceptional understanding of theory and practical
contexts Exceptional reflective skills
Exceptional communication ofinformation, ideas and arguments
Confident and substantially accurate
use of language Exceptional approach and method
Exceptional communication ofinformation, ideas and arguments
Exceptional proficient presentation Exceptional time management
Exceptional achievementextending beyond the
learning outcomes
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---------------------------------------------------------------
Section C---------------------------------------------------------------
Module Descriptors---------------------------------------------------------------
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Summary
Year Semester Module Code Modules Credits
1 1 D-SH101 Introduction to Studio Practice 20
1 D-SH102 Introduction to Contemporary and Contextual Studies 20
1 and 2 D-SH103 Technical Skills Workshops for Studio Practice 20
2 D-SH104 Exploration of Studio Practice 20
2 D-SH105 Specialist Studio Practice 202 D-SH106 Key Skills in Contemporary and Contextual Studies 20
2 1 D-FH201 Contextual Studies - Modern Fashion History 10
1 D-FH202 Fashion Studio 1 15
1 D-FH203 Technical Studies 1 35
2 D-FH204 Contextual Studies - Introduction to Fashion System and Terminology 10
2 D-FH205 Fashion Studio 2 15
2 D-FH206 Technical Studies 2 35
3 1 D-FH301 Industry Placement - Professional Practice 10
1 D-FH302 Self-directed Study - Fashion Studio I 50
2 D-FH303 Career Management - Fashion 10
2 D-FH304 Self-directed Study - Fashion Studio II 50
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--------------------------------------------------------------- Level 1
---------------------------------------------------------------
Introduction to Studio
Practice---------------------------------------------------------------Module
Code
Credits Sem Weeks Status
D-SH101 20 1 1 - 15 Compulsory
This module aims to develop in students a basic understanding
of Studio Practice in the context of Tertiary Art and Design
education. The module introduces students to Drawing
Fundamentals, Basic 3D Studio Practice, Basic 2D Studio
Practice. The contents include conceptual thinking and ideadevelopment, research for practice, the function, interpretation
and execution of the Studio Practice Brief, the role and functionof sketchbooks and the development of reflective journals, the
purpose of critique and the value of group and collaborative
work. There are four components within the module all of which
are designed to complement and supplement each other in
achieving the overall aims and learning outcomes of theModule.
The Components are:
A 2D Studio Practice
B 3D Studio Practice
C Drawing Fundamentals
D Grey Matters
(Development of conceptual thinking skills)
Indicative Workload (in hours):
Lectures/ Seminars 120
Tutorials 24
Private Study 56
Total 200
Aims
To introduce students to Drawing Fundamentals and basic
2D and 3D studio practice
To introduce students to the basic elements and principles
of art and design
To introduce students to basic reflective and critical studio
practice
Learning Outcomes
On successful completion, students will be able to
demonstrate:
Knowledge and Understanding
A basic understanding of the elements and principles of art
and design
Subject Specific Skills and Attributes
A basic ability to use 2D, 3D and drawing skills
Transferable Skills
o The basic ability to use a reflective process when
responding to project briefs
o A basic understanding of studentship
o
A basic ability to use thinking skill as part of studiopractice
Teaching Methods
Lectures, tutorials, practical class-work, discussions and
demonstrations
Assessment
D-SH101-1 Studio Practice
(Skills Development)
20%
D-SH101-2 Studio Practice
(Final Submission)
60%
D-SH101-3 Grey Matters 20%
Required Reading
Dodson Bert, Drawing by Seeing Northlight Books, Cincinnati
1995.
Recommended Reading
Dodson Bert, Keys to Drawing with Imagination, Northlight
Books, Cincinnati, Ohio 2006.
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Introduction to
Contemporary andContextual Studies---------------------------------------------------------------
ModuleCode
Credits Sem Weeks Status
D-SH102 20 1 1 - 15 Compulsory
The purpose of this Module is to introduce students to the
fundamental processes of Contemporary and Contextual
Studies. Students will learn how to develop a range of written
work including note taking and reflective and creative writing.
Discussion and presentation will also be introduced and
students will be required to attend lectures, workshops and
screenings. Students will also learn how to look at art, designand media through an understanding of history and theory.
Indicative Workload (in hours):
Lectures/ Seminars 48
Tutorials 24
Private Study 128
Total 200
Aims
To introduce visual / cultural literacy and to cultivate the
inquisitive, questioning approach to learning.
To develop the ability to process and reflect on information
(research, project brief, assessment criteria) in order to
communicate it.
Learning OutcomesOn successful completion, students will be able to
demonstrate:
Knowledge and Understanding
o
A basic knowledge of art design and media history
and theory
Subject Specific Skills and Attributes
o A basic ability to discuss, to present and to write
creative essays.
Transferable Skills
o The basic ability to document and record information
gained from lectures, tutorials, workshops and
screenings
o
A basic ability to research, respond to texts anddevelop essays.
Teaching Methods
Lectures, tutorials, skills development workshops and
screenings
Assessment
D-SH102-1 Thinking and Academic Skills 40%
D-SH102-2 Presentation 20%
D-SH102-3 Essay 1 40%
Required Reading
Berger, J. (1995). Ways of seeing. London: Penguin, 1977.
Recommended Reading
Selected writings to be retrieved from the Learning Portal
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Technical Skills
Workshops for StudioPractice---------------------------------------------------------------
Module
Code
Credits Sem Weeks Status
D-SH103 20 1 & 2 S1: 1 - 15 &
S2: 1 - 7
Compulsory
The central aim of this module is to equip students with the
essential technical skills required for the successful execution
and interpretation of Studio Practice Briefs. There are six
discrete components within the module all of which have been
carefully selected to provide an appropriate range of skills foremergent contemporary artists and designers. There is a range
of over-arching outcomes for the Workshops detailed below
which are designed to ensure that Workshops encourage skills
of research and application as well as the acquisition of
techniques and procedures.
The FIVE Workshops are:
Photography
Moving Images and Sound
Illustrator
Photoshop Clay Modeling
Indicative Workload (in hours):
Workshops 90
Tutorials 18
Private Study 92
Total 200
Aims
To equip students with a range of basic technical skills
including digital, analogue and hand skills
Learning Outcomes
On successful completion, students will be able to
demonstrate:
Knowledge and Understanding
o A basic understanding of the technical skills required
for the execution of studio projects
Subject Specific Skills and Attributes
o
A basic ability to apply technical and workshop skills
to a specialist studio project
Transferable Skills
o The basic ability to use and apply research in
conjunction with technical and workshop skills
o An understanding of the basic principles of
studentship and independent learning in relation to
the acquisition of technical skills
Teaching MethodsLectures, tutorials, practical class-work, discussions,demonstrations and critiques
Assessment
D-SH103-1 Photography 20%
D-SH103-2 Moving Images and Sound 20%
D-SH103-3 Illustrator 20%
D-SH103-4 Photoshop 20%
D-SH103-5 Clay Modeling 20%
Required Reading
Mary Warner Marien - Photography A Cultural History, 2ndEdition (New Jersey, Upper Saddle Rive, 2006)
Michael Rush - Video Art, 2007 (New York, Thames & Hudson,
2007)
Susan Sontag - On Photography, 1977. (Newest edition - New
York: Anchor Books, 1990)
Recommended Reading
*Additional*Charlotte Cotton, The Photograph as
Contemporary Art New York, Thames & Hudson, 2009.
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Exploration of Studio
Practice---------------------------------------------------------------Module
Code
Credits Sem Weeks Status
D-SH104 20 2 1 - 15 Compulsory
This module aims to develop in students the basic ability to
explore and apply those skills and understandings which have
been introduced in Semester 1.The module continues to
include Drawing Fundamentals, 2D Studio Practice, 3D Studio
Practice, Grey Matters, and PPD. The components aredesigned to complement and supplement each other in order
to develop in students a clear and thorough understanding ofthe requirements of Studio Practice. By the end of the module
students should be sufficiently independent in their studio skills
to be able to tackle the Specialism Module which will be
delivered in Term 4 of Semester 2.
Indicative Workload (in hours):
Lectures/ Seminars 120
Tutorials 24
Private Study 56
Total 200
Aims
To nurture students!ability to apply Drawing
Fundamentals and basic 2D and 3D skills to their studio
practice
To develop students!basic ability to explore and apply the
elements and principles of art and design
To encourage students to apply basic reflective and critical
thinking skills
Learning Outcomes
On successful completion, students will be able todemonstrate:
Knowledge and Understanding
o A basic understanding of the application of elements
and principles of art and design
Subject Specific Skills and Attributes
o A basic ability to apply 2D, 3D and drawing skills
Transferable Skills
o The basic ability to apply a reflective process whenresponding to project briefs
o
An emerging understanding of studentshipo An emerging ability to use thinking skill as part of
studio practice
Teaching Methods
Lectures, tutorials, practical class-work, discussions,demonstrations and critiques
Assessment
D-SH104-1 Studio Practice(Skills Application)
70%
D-SH104-2 Grey Matters 30%
Required Reading
Dodson Bert, Drawing by Seeing Northlight Books, Cincinnati,
1995
Recommended Reading
Dodson, Bert, Keys to Drawing with Imagination, North Light,
Books, Cincinnati, Ohio 2006
Michael Rush New Media In Art, 2005 (New York, Thames &
Hudson, 2005)
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