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    LASALLE COLLEGE OF THE ARTS

    1

    ALL RIGHTS RESERVED. 2011, 2013, 2014. THIS DOCUMENT AND ITS CONTENTS ARE THE PROPERTY OF LASALLE COLLEGE OF

    THE ARTS, 1 MCNALLY STREET, SINGAPORE 187940.

    UNAUTHORISED USE IS PROHIBITED. ANY BREACH OF COPYRIGHT WILL BE SUBJECT TO PROSECUTION. THE PROGRAMME HAS

    BEEN DESIGNED AND DEVELOPED BY LASALLE COLLEGE OF THE ARTS IN 2011.

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    DIPLOMA IN FASHION / CONTENTS

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    ---------------------------------------------------------------

    Table of

    Contents---------------------------------------------------------------Introduction---------------------------------------------------------------From the President

    About This Programme HandbookLearning Portal

    ---------------------------------------------------------------

    Section A---------------------------------------------------------------INFORMATION ABOUT YOUR DIPLOMA---------------------------------------------------------------Overall Aims Of The Diploma In Fashion

    Diploma Level Learning Outcomes

    Diploma Design, Content And Organization

    ---------------------------------------------------------------

    Section B---------------------------------------------------------------

    TEACHING AND LEARNING METHODS ANDASSESSMENT STRATEGIES

    ---------------------------------------------------------------Teaching and Learning

    Delivery Modes

    Assessment

    Assessment StrategyContinuous Summative Assessment

    Summative Assessment

    Formative Assessment

    Modes of Assessment

    Plagiarism

    Attendance

    Placement Learning

    Assessment CriteriaAssessment Criteria Charts

    Summative Grading Descriptors and Criteria

    Faculty of Design Marking Descriptors

    ---------------------------------------------------------------

    Section C---------------------------------------------------------------MODULE DESCRIPTORS

    ---------------------------------------------------------------LEVEL 1

    D-SH101 Introduction to Studio Practice

    D-SH102 Introduction to Contemporary and Contextual StudiesD-SH103 Technical Skills Workshops for Studio Practice

    D-SH104 Exploration of Studio Practice

    D-SH105 Specialist Studio Practice

    D-SH106 Key Skills in Contemporary and Contextual Studies

    LEVEL 2

    D-FH201 Contextual Studies Modern Fashion HistoryD-FH202 Fashion Studio 1

    D-FH203 Technical Studies 1

    D-FH204 Contextual Studies 2 Introduction to the Fashion

    System and TerminologyD-FH205 Fashion Studio 2

    D-FH206Technical Studies 2

    LEVEL 3

    D-FH301 Industry Placement Professional Practice

    D-FH302 Self-directed Study Fashion Studio I

    D-FH303 Career Management - Fashion

    D-FH304 Self-directed Study Fashion Studio II

    --------------------------------------------------------------- Summary of Learning Hours and CreditsSummary of Assessment Schedule

    ---------------------------------------------------------------

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    DIPLOMA IN FASHION / INTRODUCTION

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    ----------------------------------------------------------------------------------

    From the

    President----------------------------------------------------------------------------------

    Whether you are joining the College as a student here for the

    first time, or continuing with us, my colleagues and I offer youthe warmest welcome to the exciting new academic year at

    LASALLE College of the Arts!

    For those of you embarking on a new programme here, many

    congratulations on your success in joining us our entry

    criteria are high and there is fierce competition for places. Toyou, and all our students, I would offer some sound advice thathas been echoed by many of our most distinguished former

    students who work successfully in and seek to continually

    redefine - the arts, design and creative industries.

    Studying at LASALLE is an exciting, life-shaping journey and

    the more wholehearted you are in researching, experimenting

    and expressing your creativity, the more confident andaccomplished you will become - and the harder you work the

    more you will succeed, not only here but in your future life and

    career.

    Your programme will foster many things from an appreciation

    of different art and design traditions from around the world, toan understanding of your own unique artistic instincts. Yourprogramme combines the acquisition of subject-specific

    knowledge and skills with the opportunity to creatively explore

    and experiment, sometimes alone and sometimes with others.

    Projects and collaborations provide a tangible application of

    your growing understandings and skills. Through these, you

    will learn increasingly to appreciate the great richness anddiversity of your subject - and to begin to excel in it creatively.

    Our award-winning campus and outstanding staff team provide

    a wonderful environment and supportive foundation for you to

    develop and excel in. You also have another unique

    opportunity here that may never arise again: to learn from and

    collaborate with people from all the other art and designdisciplines, who are approaching similar concepts to you butfrom entirely fresh perspectives and viewpoints.

    Take every advantage of all that is on offer, not just on your

    programme, but also through the wider LASALLE environment.

    Engage with new opportunities, participate in the regular talks

    and lectures given by internationally acclaimed artists, and

    immerse yourself in our extensive programme of exhibitions,screenings and performances.

    Enjoy your programme, and the new academic year!

    Professor Steve Dixon

    President, LASALLE College of the Arts

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    DIPLOMA IN FASHION / INTRODUCTION

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    ---------------------------------------------------------------

    About this

    ProgrammeHandbook---------------------------------------------------------------This Programme Handbook gives you information and

    guidance about the Diploma you are studying and its academic

    and organisational framework.

    The Handbook is divided into the following sections:

    Section A

    Information about the Diploma

    Section B

    Teaching and Learning Methods and Assessment Strategies

    Section C

    Module Descriptions

    As a student, you will be required to be familiar with the

    regulations, policies and procedures below which you will findin the LASALLE Learning Portal (http://learn.lasalle.edu.sg)

    Academic regulations

    Equal opportunities policy

    Placement learning procedures

    Roles of external examiners and programme advisers

    If you are unable to access the Learning Portal, please contact

    the Division of Information Communications and Technology

    (ICT) at 6496 5399 or email them at

    [email protected]

    The programme you have joined has been developed by

    LASALLE College of the Arts. The College endeavours to meet

    exacting educational standards and to comply with rigorouscodes of practice in such areas as quality assurance,

    admissions, assessment and curriculum design.

    While we have tried to set out the information as clearly as

    possible, the material contained in the handbook is necessarilycomplex and much of it has to be expressed in formal,academic language. It is inevitable therefore that the handbook

    might raise many questions and it is essential that you seek

    advice and guidance on anything you do not understand. Also,

    it is important to remember that your lecturers will explain the

    content of this handbook to you in detail as the programme

    progresses.

    As you progress through the Diploma you will be encouraged

    to become more self-motivated and self-directed in your

    learning. By the time you reach Level 3 you will be expected to

    begin to take a significant amount of responsibility for your own

    learning, to find your own artistic voice and to develop your

    own strategies for tackling the work you are required to do.This is a vital process in developing a reflective andindependent approach to your professional practice in the

    industry of your choice.

    You will find that reviewing and reflecting on your process and

    emerging practice, play an important part in the teaching and

    learning strategies used at LASALLE. Similarly, the College,

    with your input, regularly reviews its programmes to ensurethat they meet the high standards expected of the College.

    This means that the handbooks are regularly updated and

    revised. So, whilst the information in the handbook is as

    accurate as possible, it is subject to change. Please make sure

    that you update your handbook as revisions are published in

    the Learning Portal.

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    ----------------------------------------------------------------------------------

    Learning

    Portal----------------------------------------------------------------------------------The Learning Portal http://learn.lasalle.edu.sg contains further

    information that would be of interest to you. These include:

    Information on LASALLE

    See Purpose, Ambition, Values

    Purpose, ambition, values

    Strategic Plan

    Student support services

    See Academic Administration

    o

    Academic Calendaro Update of student particulars

    o Application for course transfer, repeat course, resume

    studies, intermit studies and course withdrawal

    See Student Services

    o Pastoral counseling

    o Accommodation

    o Disability support

    o

    Student pass and EzLink card information

    o Vacation job placements

    o Activities and events

    See Finance

    o

    Financial assistance scheme

    o Tuition fee details

    o Medical insurance scheme

    o Refund policy

    See The Learning Centre

    o

    Academic English classes

    o Academic group workshops

    Learning Resources

    See ICT

    o ICT support services and contact details

    o Link to Outlook Live (for student!s webmail)

    o Learning Portal quick start guide

    o IT related policies

    See Library Resources

    o Library opening hours and loan entitlement

    o Library new arrivals and online resources

    o Library assistance

    o Citation and referencing guide

    Regulations and Policies

    See Programme Handbooks, Regulations and Policies

    o General Academic Regulations

    o Appeals and complaints procedures

    o

    Assessment Regulations

    o Complaints Procedures

    o

    Disciplinary Procedureso Student Appeals

    o Attendance Regulations

    o Academic Misconduct & Plagiarism

    o Additional Regulations for Postgraduate Studies

    o

    Equal Opportunities Policy

    o Placement Learning Policy and Procedures

    See Academic Administration

    o The College Attendance Policy and Operational

    Guidelines

    o Dispute Resolution Policy

    Student assessment

    See Programme Handbooks, Regulations and Policies

    o

    General Academic Regulations

    o Assessment Regulations

    o Methods of Assessment

    o Reassessment Arrangements

    Contact details

    See Faculty/Programme specific page

    o Contact details of staff on the programme

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    DIPLOMA IN FASHION / SECTION A

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    ---------------------------------------------------------------

    Section A---------------------------------------------------------------

    Information AboutYour Diploma---------------------------------------------------------------You have joined LASALLE as a Diploma student at animportant time in the evolution of LASALLE as an arts

    education institution. Our new Diplomas with their community

    and industry linked components are intended to prepare you to

    work in the creative industries when you graduate.

    They are also designed to allow very successful Diploma

    graduates to progress to appropriate programmmes at Level 2of LASALLE!s unique range of 3 Year BA Honours Degrees.

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    ---------------------------------------------------------------

    Background---------------------------------------------------------------

    The Diploma in Fashion at LASALLE has been developed in

    response to the demands of the growing creative industry inSingapore, the region and world-wide for graduates of

    enhanced ability, knowledge and adequate experience in

    related fashion industries.

    As indicated in the Strategic Blueprint set by Singapore Design

    Council Singapore needs to constantly re-design itself to moveup the value chain as we have no natural resources andhinterland to fall back on. Design will create new value

    propositions for Singapore to remain globally relevant and

    competitive in the midst of the growing regional and

    international competition. For Singapore to stay ahead, we

    must develop a creative culture to attract and retain the best

    talent.

    The fashion programmes at LASALLE will focus on the

    developments of the Asian and International fashion industries.

    The philosophy of the programme centers on the contrasting

    artistic practices of the creative industries as well as on the

    dynamism of the evolving fashion culture in Singapore, the

    region and worldwide.

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    ---------------------------------------------------------------

    Diploma in Fashion---------------------------------------------------------------

    The Diploma in Fashion is a three-year practice-based

    programme integrating technical skills and industry knowledgewith design process and creative visual communication.

    Graduates from this programme will be technically sound and

    knowledgeable designers. Emphasis is for students to be

    equipped with relevant skills and to have a good working

    knowledge of the fashion industry. The programme provides a

    holistic underpinning for different areas in Fashion and focuseson the fashion product with components in Textile Design,Marketing, Styling and Art Direction.

    Contemporary in approach, the learning and teaching process

    emphasises the development of future well-informed creative

    practitioners.

    The programme offers:

    A rigorous curriculum that blends contemporary artistic

    practices centered on the Asian fashion industry

    A holistic experiential learning experience that is hands-onfor graduates to be industry-ready

    A good network of alumni and key partnerships with the

    industry

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    ---------------------------------------------------------------

    Overall Aims of the

    Diploma In Fashion---------------------------------------------------------------

    The overall AIMS of this Diploma are expressed below in termsof three core categories ABC:

    A. Knowledge and understanding

    B. Subject Specific Skills and attributes

    C. Transferable and professional skills

    These three categories are broken down into sub categories so

    that you have a general overview of the aims of the whole

    Diploma at a glance

    A. Knowledge and Understanding

    This Diploma aims to provide its successful graduates with thefollowing:

    A1 an informed understanding of the processes and

    technical expectations of the related creative industries

    A2 a detailed understanding of the characteristics ofcreative practice in the fashion industry; covering the

    various roles involved, and an appropriate level of

    knowledge and judgement in relation to the chosen field

    of study

    A3 a basic understanding of the relationship between

    theory and practice in order to establish the relevance ofheritage, tradition and past socio/cultural conditions to

    contemporary creative industry practice

    A4 a clear understanding of how to appropriately apply

    research to the execution and completion of briefed or

    self selected projects.

    A5 the ability to research and analyse relevant topics in

    order to form discussions and arguments to arrive at an

    informed standpoint that can be presented to others

    B. Subject specific Skills and Attributes

    This Diploma aims to ensure that its successful graduateshave:

    B1 a comprehensive set of relevant skills and practices and

    are able to formulate ideas and solutions in relation to

    problems and project briefs

    B2 a comprehensive understanding of how to developstrong concepts and formulate ways of turning them into

    industry-relevant projects

    B3 some ability to explore, investigate and apply theoretical

    knowledge and establish relevance to contemporary

    technological possibilities

    B4 the ability to be creative and competent when using

    technology to communicate ideas and ways of

    managing a project

    B5 the ability to identify and engage in appropriate project-

    specific research and reflection

    C. Practical and Professional Skills

    Successful Diploma graduates will have acquired the following

    abilities:

    C1 the ability to produce work which demonstrates anunderstanding of creative practices that meet the needs

    of related industries

    C2 the ability to respond to and in some cases initiate

    projects of an industry ready standard

    C3 the ability to manage the implementation of projects

    C4 the ability to articulate and present concepts and ideas in

    written and oral form

    C5 the ability to integrate theory and technology as part of

    the creative process

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    ---------------------------------------------------------------

    Diploma Level

    Learning Outcomes---------------------------------------------------------------

    LEVEL 1

    On completion of this level, you should have acquired:

    a basic knowledge of the elements and principles

    associated with their area of study and the ability to

    evaluate, interpret and apply these within a structured

    framework;

    a basic understanding of the purpose of journals, process,

    research, reflection and critique in the development of

    creative work;

    a basic understanding of the nature of studio and

    professional practice in their chosen area of specialist

    study;

    a basic understanding of the role played by historical,

    cultural and contextual factors in the evolution of their area

    of study,

    the basic ability to discuss, present and write reflectively

    on a given topic within a structured framework.

    LEVEL 2

    At the end of this level, you should be able to demonstrate:

    introductory knowledge and informed understanding of

    design principles and processes an introductory ability to understand and use reflection and

    critique in your learning and creative practice

    an introductory ability to participate effectively in studio

    projects and to relate these projects to the fashion industry

    practice

    an introductory ability to apply and explore an appropriate

    range of technical skills, concepts and contextualization

    including application in a fashion industry focused project

    an introductory knowledge of the main methods of enquiry

    in your subject(s), and the ability to evaluate critically theappropriateness of different approaches to solving

    problems in the field of study

    At this level, you will also be able to:

    use a range of established techniques to initiate andundertake analysis of information, and to propose

    solutions to problems arising from that analysis

    communicate information, argue and analyse in a variety

    of forms to deploy key techniques of the disciplineeffectively

    demonstrate the emerging acquisition of those skills that

    will enable them to assume a degree of responsibility

    within organisations and appropriate fashion industry

    settings

    At this level, you will have begun to develop:

    qualities and transferrable skills necessary for employment

    requiring the exercise of some personal responsibility and

    decision-making

    LEVEL 3

    On completion of this level you should be able to demonstrate:

    a systematic and critical understanding of key aspects of

    your field of study, including the acquisition of coherent

    and detailed up to date knowledge of the fashion industry

    an ability to use key techniques of analysis and enquiry

    conceptual understanding that enables the development of

    sustained arguments, and/or the ability to solve problemsrelated to the fashion discipline

    the ability to manage your own learning, and to make use

    of appropriate research both in textual and visual form

    the ability to present at a professional level, demonstrating

    well-developed ideas which align with the skills required bythe fashion industry

    the ability to represent the fashion field and industry well,

    using appropriate approaches and methods ofcommunication.

    At this level, you will be able to:

    apply the methods and techniques that they have learned

    to review, consolidate, extend and apply your knowledgeand understanding, and to initiate and carry out projects

    evaluate arguments, assumptions, abstract concepts and

    data (that may be incomplete), to make judgements, and

    to frame appropriate questions to achieve a solution or

    identify a range of solutions to a problem

    communicate information, ideas, problems, and solutions

    to both specialist and non-specialist audiences

    exhibit professional conduct when working with people of

    different backgrounds and levels

    At this level, you will have:

    qualities and transferable skills necessary for employment

    requiring: awareness of personal presentation, theexercise of initiative and personal responsibility; decision-

    making in complex and unpredictable contexts; and the

    learning ability needed to undertake appropriate further

    training of a professional or equivalent nature.

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    ---------------------------------------------------------------

    Diploma Design,

    Content and

    Organization---------------------------------------------------------------

    The Diploma is offered as a full time programme over three

    years and is divided into three levels, which correspond toeach academic year of the programme. The academic year is

    divided into two semesters of fifteen weeks with two additional

    Assessment Weeks [Week 16 and 17].

    There will be 120 credits for each year of study and successful

    Diploma graduates must gain a total of 360 credits points toearn the diploma. Students learn progressively, each yearbuilding upon the knowledge and skills base of the previous

    year. We call this incremental learning.

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    ---------------------------------------------------------------

    Diploma Level 1--------------------------------------------------------------- Basic introductory principles and skills

    Students in Level 1 share common modules across the

    Diplomas These shared modules aim to provide students witha comprehensive grounding in the basic creative processes,

    technical and academic skills essential for students

    progressing to Levels 2 and 3.They also allow for diagnostic

    and formative teaching in order to confirm that the students

    have made the appropriate choice of Diploma Programme.

    ---------------------------------------------------------------

    Diploma Level 2--------------------------------------------------------------- Skills development and reflection

    Students in Level 2 will be taught technical and vocational skills

    specific to their chosen area of study with a directed approach

    which encourages reflection.

    ---------------------------------------------------------------

    Diploma Level 3--------------------------------------------------------------- Industry related learning

    Students in Level 3 will undertake modules which may include

    self-devised/directed studies or projects. There will be a

    placement or live project learning component designed to

    assist students in gaining an accurate understanding of the

    creative industries associated with their chosen DiplomaProgramme. If placement outside of the College is not feasible

    alternative arrangements will be made to ensure students

    receive parity of experience.

    The placement-learning and /or live projects are designed to

    allow students to apply their studio and academic

    understandings and achievements to the diverse expectations

    of a demanding industry. Students must be able to gaugethrough reflection their skills and shortcomings in order to cope

    with the pressures of the work environment, social adaptability

    and project management.

    ---------------------------------------------------------------

    Community Engagement--------------------------------------------------------------- The Community Engagement component is a third year project

    that requires students to interact at some level, with non-profit

    organisations or community interest-led projects with theprinciple agenda of giving back to the community. This may

    include a variety of approaches, such as one-way

    communication or information delivery, consultation,

    involvement and collaboration in decision-making, and

    empowered action in informal groups or formal partnerships. It

    can be an independent module in a semester, or incorporated

    as a project within a module.

    This component is designed to assist students in the

    development of those personal characteristics essential to the

    world of work in their chosen creative industry. It is intended

    that students will develop a greater sense of responsibility,

    merging work and personal ethics. The component aims to

    nurture qualities in students such as confidence, compassion

    and self-reliance, in order to enable them be proactivelyinvolved in community service and volunteerism.

    Students need to be able to identify those problems and issues

    of social concern that their chosen area of study can address

    and/or change. Using the skill sets and research methods

    learned, students are asked to be creative and effective in

    proposing solutions to these problems and issues.

    ---------------------------------------------------------------

    Personal and ProfessionalDevelopment (PPD)--------------------------------------------------------------- PPD is not an assessed component of the diploma but it is

    central to student success and confidence in learning. PPD isan aspect of the programme that students must participate inover the three years, to ensure that they cultivate good practice

    for a professional environment and / or employment. PPD is a

    self-reflective, collaborative mentor-student dialogue that could

    take the form of seminars, one-on-one discussion, field visits,

    industry talks and small-scale workshops.

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    ---------------------------------------------------------------

    Section B---------------------------------------------------------------

    Teaching andLearning Methodsand Assessment

    Strategies--------------------------------------------------------------- The College provides the academic framework for a range of

    Diploma programmes in a range of specialisms the content of

    which reflect current and emerging practices in the creative

    industries. All the Diploma programmes share a commonunderstanding of Teaching and Learning Methods andStrategies for Assessment.

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    ---------------------------------------------------------------

    Teaching and

    Learning---------------------------------------------------------------

    The Diploma has a specific set of aims and learning outcomes

    which structure an appropriate curriculum and a

    comprehensive set of student learning experiences that

    demonstrate progression, coherence and balance across thethree levels of learning.

    The teaching and learning strategies acknowledge, respect

    and encourage a wide variety of teaching and learning styles

    and activities, offering a balance between the provision of

    information (direct or resource-based) and opportunities for

    active assimilation, application, questioning, debate and critical

    reflection.

    Progression through the diploma leads to an increasing

    emphasis on student self-direction and independence inrelation to the learning and teaching strategies deployed. Part

    of this process will involve the ongoing development of student

    communication skills. Teaching and learning will be geared

    towards some of the following learning processes which are

    consistent with programmes of this type.

    These include:

    awareness raising and knowledge acquisition:

    the process through which a student is introduced to and

    engages with new areas of knowledge and experience,

    and broadens and deepens existing knowledge;

    critical understanding:

    the process whereby a student engages in critical analysis

    of texts, fields of knowledge, concepts, and cultural and

    production practices, testing their analysis againstreceived understandings and practices;

    practice experience:the process through which a student acquires practical

    experience, skills and the opportunity for creative

    expression and/or thinking in a range of activities, fromempirical research to production work, and receives and

    gives feedback on their performance;

    critical reflection:

    the process through which a student reflects on newunderstandings, and on their own learning experiences

    and performance, and acquires new awareness and

    understandings.

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    ---------------------------------------------------------------

    Delivery Modes--------------------------------------------------------------- The structure of the programme does not allow for choice

    between modules. However, within individual modules there is

    often considerable room for negotiation as to the nature, scopeand outcome of the work. Flexibility in the delivery methods

    used and the outcomes required facilitates students!

    understanding of the relationship between theoretical and

    practical approaches.

    Aligned with the specific aims, emphases and learning

    outcomes of the Diploma programme, learning and teachingmethods will draw on an appropriate balance of delivery modes

    and these are detailed as follows:

    Practical Coursework:

    Class-based exploration of the practical and theoretical

    aspects of each module, including practical presentations at

    specific points in the curriculum. Classes are normallyconducted in relatively small groups to enable a greater degreeof interactivity and empathy between tutor and student.

    Group Critique:

    Group sessions, which analyse student performance and

    encourage the constructive use of peer assessment and self-

    assessment to develop critical reflection and self-awareness.Students will present and discuss practical demonstrations of

    work-in-progress with tutors and peers.

    Seminars/discussion groups:

    Group sessions, which may be led by tutors or by students

    presenting prepared papers or practical demonstrations.

    Seminars which test background reading, research,interpretation and practice are normally given in classes and

    may often be led by the students using prepared material.

    Students are encouraged to present their work appropriately

    using a variety of methods including audio-visual

    presentations. Student-led seminars are used to test students!

    knowledge, practice and ability to deal with presentations.

    Workshops:

    Workshops are supervised activities for the practice and

    acquisition of skills and techniques. They are designed to

    progressively advance skills and workshop-based projects are

    intended to integrate new skills with old, for the constant

    reinforcement and re-evaluation of techniques and their

    application. Workshops may also include site-based researchand evaluations.

    Lectures:

    This category Includes traditional lectures and practical

    demonstrations, but may also lead to group discussion or

    practical exploration of the lecture subject.

    Tutorials:

    Formal individual or group sessions designed to support every

    aspect of the programme. Modules containing a tutorial

    component operate with a specific brief to support the work in a

    structured manner to aid learning. Students are encouraged to

    learn through self-assessment, which is evaluated and steered

    by the tutor. In the programme, the development tutorials

    become more and more important as the students progress inthe curriculum.

    Screenings:

    Tutor-led sessions designed to support traditional lectures with

    audio-visual material.

    Field Trips:

    Off-site visits to various elements of the industry provide the

    necessary exposure for students beyond the classroom. Fieldand study trips in Singapore and beyond may offer studentsthe opportunity to learn from different settings and cultures.

    Industry based learning:

    Students are required to take a module that may include

    placement and/ or live industry-related projects.

    PPD:

    PPD [Personal and Professional Development] is not a

    summatively assessed component of the Diploma however it is

    central to student success and confidence in learning and is

    developed on an incremental basis over the three years of

    Diploma study. PPD aims to ensure that students cultivate

    strong and reflective study skills thus enabling a professionalapproach both to academic study and industry based learning.PPD is a self reflective mentor-student dialogue that can take

    many forms ranging from one to one discussions to group

    debates, field visits, industry talks and small-scale workshops.

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    ---------------------------------------------------------------

    Assessment---------------------------------------------------------------

    Assessment is an integral part of the learning process, and will

    be formative and diagnostic as well as summative andevaluative, providing feedback to students wherever

    appropriate. In this Diploma students will be participants in the

    assessment process through strategies such as the group

    critique, where students present and discuss their work with

    peers and tutors.

    Assessment strategies in the Diploma are aligned with thespecific aims, and learning outcomes as described in the

    Handbook and are underpinned by the learning and teaching

    strategies. They are appropriate and consistent with the

    intended learning processes, the learning context, and the

    learning needs and learning level of the students. This Diploma

    seeks to ensure that, within the variety of approaches taken,

    assessment is consistent both in the demands it makes onstudents and in the standards of judgement it applies.

    Consistent with the principles, aims and outcomes of the

    Diploma assessment will focus on the following areas:

    subject-specific and generic skills, including skills ofinvestigation and enquiry, oral and written communication

    skills, the use of a range of technology systems for

    accessing data resources, contacts and literature, and

    appropriate creative production and practice skills.

    breadth and depth of subject knowledge and awareness of

    the history and context(s) of that knowledge

    critical analysis, whether of texts, fields of knowledge,

    concepts or cultural or production practices. This includes

    the ability to contextualise this analysis and engage in

    critical debate through discursive argument

    critical reflection on issues of practice, on knowledge andunderstandings, and on students' own and others'performance against agreed criteria, including the capacity

    to deploy and evaluate evidence and to express the

    outcomes of such reflection clearly and fluently.

    In the case of final outcomes assessment criteria will

    reflect the specific brief and the relevant Level LearningOutcomes of the Diploma and may also acknowledge

    relevant professional standards when appropriate

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    ---------------------------------------------------------------

    Assessment Strategy--------------------------------------------------------------- The Diploma programme!s assessment strategies have been

    designed to ascertain whether the student has achieved the

    relevant learning outcomes and reached the required standardfor the award of the Diploma.

    Assessed projects and assignments are also conceived as

    learning opportunities, which build upon each other as well as

    providing the means of more formal assessment. With this in

    mind, an assessment strategy has been devised in which:

    Every assessment is designed to be of use to the students

    and to relate closely to her/his academic development.

    Every assessment is designed to provide information onthe ability and progress of the student in fulfilling the aims

    of the programme.

    A range of assessment modes, both formative and

    summative, is used, assessing both the student!s reflective

    and analytic, oral and written abilities as well as her/hispractical understanding, creative and collaborative skills

    and ability to undertake appropriate research.

    All modules are assessed. Every module is assessed by

    more than one method.

    Continuous Summative Assessment

    This type of summative assessment is designed to assessLevel One students!developing abilities in terms of

    engagement, participation, preparation and involvement in the

    learning adventure.

    Summative Assessment

    A range of summative assessment procedures can be found inthis Diploma. They are designed to recognise and evaluate theapplication of previously acquired practical knowledge, a well

    developed knowledge base, the ability to be reflective and

    critical and an appropriate balance between independent and

    collaborative work. The recorded percentage mark for each

    summative assessment contributes to the final grade for the

    year.

    Formative Assessment

    Diagnostic and formative assessment provide opportunities for

    students to improve their learning and gauge how they are

    progressing without the burden of concern about a final

    summative grade or mark. The emphasis in this kind of

    assessment is on providing supportive feedback which enablesstudents to identify strengths, weaknesses and gaps inknowledge. Feedback on student performance is supplied in a

    number of ways. This may include self and peer assessment

    opportunities, informal presentations, summaries of strengths

    and weaknesses across written work to classes as a whole

    and personalised written feedback on essays or journals.

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    ---------------------------------------------------------------

    Modes of

    Assessment---------------------------------------------------------------

    1. Written Skills

    Students are required to express and communicate in written

    form, their findings and research.

    This can be assessed through written assignments and

    reflective self-study that include, but are not limited to:

    Written Assignments and Essays

    Students will be required to submit essays and other forms of

    written assignments with a word count ranging from 500 to

    1500 words. These written assignments will be given

    progressively and incrementally from Levels 1 to 3.

    Creative Process Journals

    You will be required to keep a series CPJ !s for specificmodules. A CPJ serves to reflect your independent academic

    explorations, development and analysis of research. Through

    these journals, you will learn to reflect upon and articulate your

    own knowledge and design process. You will be expected to

    use a range of appropriate means of recording your project

    process and execution. These may include written, visual andaudio media. You will explore self-assessment and peerassessment methods of analyzing the work in order to

    understand better their individual performance and

    collaborative experience.

    Reflective Journals

    A student may be required to keep a series of reflectivejournals (both on and off-line) for specific modules. Each

    journal serves to reflect students!independent academic

    explorations, experiences and discoveries. Through these

    reflective journals, students will learn to reflect upon and

    articulate their own knowledge and work process. Students will

    be expected to use a range of appropriate means of recording

    their project process and execution. These may include written,visual and audio media. Students will explore self-assessmentand peer assessment methods of analyzing the work in order

    to understand better their individual performance and

    collaborative experience.

    Self-assessment

    Self-assessment is a written evaluation by the student of

    his/her own performance, contribution and participation in aproject for a particular module. It is designed for students to

    attempt to develop an acute awareness of their personal level

    of engagement in a project and how that affects the outcome of

    the final submission. The weighting of self-assessment is at the

    discretion of the lecturer.

    Peer assessment

    Peer and self-assessment are essential aspects of student!s

    awareness of their progress. Students will peer assess each

    other in written form or through group critique. Peer

    assessment is also used to allow students to gauge peers !

    performance and reflect on their own. It allows for students to

    come to terms with their strengths and weaknesses when

    working in a group setting. The weighting of peer assessmentin the context of the overall project assessment is module

    specific. Peer Assessment is conducted during class or as a

    submission at an appropriate date specified by the lecturer.

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    2. Work Execution, Process and Development

    It is important that the progress of a student during the period

    of study is monitored and supervised incrementally. In order for

    students to be able to initiate and complete projects with some

    measure of professional standard and quality. Students will be

    assessed in areas that include execution, work process and

    project development.

    These will take the form of the following:

    Practical coursework

    This is undertaken with supervision by tutors. It may take the

    form of individual or collaborative work. In the case of

    collaborative work, a student and/or the group!s criteria will be

    articulated at the beginning of the semester. These mayinclude commitment to process, understanding of practice,

    development of technical and conceptual skills and the ability

    to reflect on student!s own practice. Students will be

    encouraged to research and develop their practice

    incorporating taught and self-explored theoretical material.

    Research by Portfolio

    A portfolio may contain written material (such as descriptions of

    research or project objectives, constructive evaluations, copies

    of seminar reports and examples of written material) together

    with visual and aural material, design work, video and

    photographic records. The portfolio should demonstrate a

    student!s ability to appropriately research the chosen areas ofexploration. In addition portfolios may exhibit skill sets,

    comprehension of relevant or specific subject matters and the

    ability to meet some aspects of the industry-related

    requirements in a chosen field.

    Collaborative Projects (Group Work)

    Students working on Collaborative Projects will share the sameassignment brief with considerations for varied roles and levelsof participation. A collaborative project may be done at a

    Faculty level or with the involvement of other Faculties and

    institutions as detailed by supervisor. Students are assessed in

    two ways:

    participation, contribution and the level of involvement in

    the process and evolution of the given project

    evaluation of the final outcome of the group project,

    covering content, execution and adherence to assignment

    brief

    Students may be assessed on their participation in groups in

    the following areas:

    Understanding of concepts

    Linking/development of concepts

    Contribution to development of the project

    Working with others in the group

    Reference to literature/sources

    Ability to critically reflect on contribution

    Ability to evaluate own contribution and that of others

    3. Personal and Professional Development

    In the course of their study, students are expected to develop

    professional skill sets and the confidence to communicate their

    ideas effectively to peers and others. Students should

    progressively develop the ability to prepare creative and

    specific solutions to a range of project briefs. In order to assess

    students!ability to be professional at different levels, they mustbe able to show incremental levels of achievement and may be

    assessed on any of the following:

    Presentation Skills

    Students will use a seminar framework, which may include

    audio-visual support to communicate the stages of their

    explorations and share their practical approaches to project

    execution to their peers. Students will develop the ability andconfidence to present ideas and receive feedback from peers

    and lecturers for further self-reflection.

    Practical Presentation

    Certain modules will require students to prepare presentations

    to a peer audience in order to share the findings of specificareas of research and/or to demonstrate how they approachtheir work. Students will be encouraged to use a wide range of

    presentation media and techniques in such presentations. A

    practical presentation may also include formative or summative

    assessments of students!progress at different stages of a

    project during a semester. A presentation of practical work as a

    folio or performance can be used as a method of assessingstudent!s preparation and work process during the semester.

    The percentage weighting given to the presentation is defined

    according to the relevant module.

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    Plagiarism

    Plagiarism is regarded as the intended or careless taking ofideas and works, which are not the student !s own, without

    clearly referencing the source material. Therefore, it is

    imperative that students cite all materials accurately. For

    academic writing, plagiarism is equivalent to the lifting of an

    idea and text from a book, journal or Internet, neglecting

    citations. In the case of creative works, students areencouraged to detail their source of inspiration through theirComparative Analysis. (For full details see Academic

    Regulations in the Learning Portal http://learn.lasalle.edu.sg)

    If in any doubt about plagiarism students MUST seek the

    necessary guidance from lecturers.

    Attendance

    Being on time (punctual) and being at hand (presence) to

    deliver creative work is part and parcel of being professional in

    terms of industry work and expectations. Students at LASALLE

    are trainee-professionals. Attendance in class is essential inorder for each lesson!s Learning Outcomes to be effectivelycommunicated to students.

    Students are expected to attend 100% of classes and other

    timetabled activities. (See Academic Regulations in the

    Learning Portal)

    In addition, the institution must report to Immigration &

    Checkpoints Authority (ICA) those international students whose

    attendance falls below 90% in any month or who have not

    attended classes for a continuous 7 working days. (See ICA

    website for more details http://www.ica.gov.sg/)

    The detailed guidelines can be found in the institution!sAcademic Regulations and Attendance Policy and OperationalGuidelines in the Learning Portal.

    Placement Learning

    Placement Learning is an experience-based component

    designed to enhance the student-industry relationship. This

    component aims to further improve students!understanding of

    the expectations and demands of their chosen creativeindustry. In the context of this component students will be

    exposed to the execution of practice linked or live project

    briefs, engage in work activities involving industry

    representatives and communicate professionally their ideas

    and work process. Placement Learning then becomes an

    embodiment of learning through life experience.

    Through direct integration with the industry or industry-related

    activities, students will be able to gauge their suitability,

    strengths and weaknesses in order to draw from their live

    experiences those skills which must be acquired or further

    developed. Above and beyond technical skills, such learning is

    intended to enhance students!aptitude, work ethics, personal

    conduct, communication skills and professionalism within awork related environment.

    Placement and/or Live Project Learning is offered within and

    outside the College and may include: industry placements,

    projects, events, exhibitions, festivals, individual and companyproductions and more according to the demands of the

    relevant creative industry. Such learning can take place within

    Singapore and beyond.

    However placement learning does not include learning outsidethe College such as part-time, term-time and vacation work

    that is not approved and supervised by the College.

    Placements must be part of students!required course of study

    (e.g. as an assessed component within a module).

    Placement learning aims to integrate and familiarise studentswith the relevant work settings and has considerableimportance in the development of students!understanding of

    their chosen field of study. Such learning can be an

    experience-based and/or observational experience, an

    apprenticeship or a designated role.

    Work-based and placement learning is not restricted to

    undertaking work experience or going on a placement. Incases where the student is unable to secure a placement

    outside the College, support will be provided by the College for

    an alternative project/attachment on campus to fulfil the

    learning outcomes of the module/ programme.

    The degree of complexity and responsibility undertaken bystudents during this type of learning will be monitored,evaluated and supervised by mentors and/or supervisors.

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    ---------------------------------------------------------------

    Assessment Criteria---------------------------------------------------------------

    The aims of the programme and the intended learning

    outcomes of the modules determine the definition of theassessment criteria. Assessment criteria have been compiled

    in relation to:

    1. the students!ability to develop and test ideas in theory and

    practice

    2.

    different levels of attainment and their relation to the aimsof the modules3.

    the measurement of the students!attainment of intellectual

    and imaginative powers

    4. the student!s deployment of appropriate methods for the

    development of communication skills

    5. the students attainment of professional and vocational

    skills

    Assessment Criteria Charts

    The following charts establish Assessment Criteria as

    evaluation guidelines for students and staff. A distinction has

    been made between written work, practical projects and

    research criteria in order to clarify the need for a different

    approach to the examination of the intended learning out come.

    Using these charts as a basis Staff will develop Level specific

    Assessment Criteria appropriate to each Summative

    Assessment and aligned to the Level Learning Outcomes.

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    ------------------------------------------------------------------------------------------------------------------------------------Summative Grading Descriptors and Criteria

    ------------------------------------------------------------------------------------------------------------------------------------

    GENERIC GRADING CRITERIA CHART

    Mark % Descriptor Generic grading Criteria Specific Grading Criteria

    (Marking Criteria)0 Non submission

    or plagiarisedassessment

    A categorical mark representing either the failure to

    submit an assessment or a mark assigned for a

    plagiarised assessment. Please refer to the Academic

    Regulations for further details

    For a more detailed overview of

    assessed items, please refer to theMarking Descriptors

    1 9 Very bad fail A submission that does not even attempt to address the

    specified learning outcomes

    As above

    10 24 Bad fail Represents a significant overall failure to achieve the

    appropriate learning outcomes

    25 39 Fail Represents an overall failure to achieve the appropriate

    learning outcomes.

    As above

    40 49 Pass Represents the overall achievement of the appropriatelearning outcomes to a threshold level

    As above

    50 59 Good Represents the overall achievement of the appropriate

    learning outcomes to a good level.

    As above

    60 69 Very good Represents the overall achievement of the appropriate

    learning outcomes to a very good level.

    As above

    70 79 Excellent Represents the overall achievement of the appropriate

    learning outcomes to an excellent level.

    As above

    80 89 Outstanding Represents the overall achievement of the appropriate

    learning outcomes to an outstanding level.

    As above

    90 100 Exceptional Represents the overall achievement of the appropriatelearning outcomes to an exceptionally accomplished

    level.

    As above

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    LEVEL 1

    Mark

    Band

    Descriptor Marking Criteria

    Studio Practice / Workshop

    Marking Criteria

    Written Assignment

    Marking Criteria

    Presentation

    0% No

    submission

    or plagiarism

    Failure to submit assignment(s)/ folio(s).

    Or plagiarised submission of

    assignment(s), presentation, or folio(s).

    Failure to submit an

    assessed assignment.

    Or plagiarised submission of

    an assessed assignment.

    Failure to submit an

    assessed presentation.

    Or plagiarised submission of

    an assessed presentation.1

    9%

    Very bad fail A submission that does not attempt to

    address any learning outcomes

    Did not attempt basic requirements of

    component briefs and exercises

    No evidence of technical skill learned

    and applied

    No evidence of reflection and

    application of reference texts and

    visuals

    No evidence of experimentation with

    media, materials and testing of ideas

    Unprepared folio

    No sense of addressing

    the assignment briefs.

    Scope and terms ofreference are not

    defined.

    No structure of

    argument with no

    research and reflection.

    Very low proficiency

    language is

    fundamentally flawed

    and cannot be

    understood.

    No clarity in the

    communication of

    information, ideas and

    arguments.

    Not proficient overall.

    No time management

    and professionalism.

    10 24%

    Bad fail A submission that does not fulfill a greatportion of the learning outcomes and is not

    relevant to the requirements

    Missing a large portion of

    requirements from component briefs

    and exercises

    Very little progress in technical skill

    acquired and very little application

    Unable to make relevant reflection

    and application of reference texts and

    visuals

    Shows no understanding of

    experimentation with media, materials

    and testing of ideas

    Shows no consideration in

    organization and making

    presentations

    Poor sense ofaddressing the

    assignment brief or, at

    most, only sporadically.

    Scope and terms of

    reference are poorly

    defined.

    Weak structure of

    argument with little, or

    mostly irrelevant

    research and reflection.

    Low proficiency

    language is flawed and

    difficult to read.

    Little clarity in thecommunication of

    information, ideas and

    arguments.

    Very low proficiency in

    presentation skills.

    Little time management

    and professionalism.

    25

    39%

    Fail A submission that fulfills only a few of the

    required learning outcomes

    Fulfills only a few requirements from

    component briefs and exercises

    Very weak progress in technical skill

    acquired and with very poor

    application

    Very little understanding in making

    reflection and application of reference

    texts and visuals

    Very weak experimentation withmedia, materials and testing of ideas

    Weak organization and presentation

    Unsatisfactory sense of

    addressing theassignment brief and its

    requirements.

    Scope and terms of

    reference are not well

    defined.

    Incoherent structure of

    argument with some

    research and reflection.

    Inconsistent sense ofstyle, language and

    syntax.

    Insufficient clarity in the

    communication ofinformation, ideas and

    arguments.

    Low proficiency in

    presentation skills.

    Unsatisfactory timemanagement and

    professionalism.

    40

    49%

    Pass A submission that fulfills adequately the

    learning outcomes although with somelevel of inconsistency

    Manages to fulfill sufficient

    requirements from component briefs

    and exercises

    Sufficient grasp of technical skill but

    incomplete application

    Acceptable level of reflection and

    direct application of reference texts

    and visuals

    Minimum level of experimentation with

    media, materials and testing of ideas

    Inconsistent standard of organization

    Addresses at least half

    of the assignment and

    the work meets

    satisfactory standards.

    Limited scope andterms of reference.

    Sufficient structure of

    argument with relevant

    research and reflection.

    Consistent sense of

    style, language and

    syntax.

    Satisfactory and clear

    communication of

    information, ideas and

    arguments.

    Presentation ofsatisfactory proficiency.

    Satisfactory time

    management and

    professionalism.

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    and presentation

    50

    59%

    Good A submission that fulfills the desired

    learning outcomes with a level of

    consistency

    Fulfills the majority of requirements

    from component briefs and exercises

    Good grasp of technical skill with

    ability in application Good level of reflection and selective

    in application of reference texts and

    visuals

    Good level of experimentation with

    appropriate media, materials and

    testing of ideas

    Competent level of organisation and

    presentation

    Addresses mostaspects of the

    assignment brief, but

    unevenly.

    Scope and terms of

    reference are defined.

    Evidence of a cohesivestructure and relevant,

    though limited,

    argument with

    adequate research and

    reflection.

    Good sense of style,

    language and syntax.

    Good communication ofinformation, ideas and

    arguments.

    Good proficiency in

    presentation skills.

    Good time

    management andprofessionalism.

    60

    69%

    Very good A submission that fulfills desired learning

    outcomes with good level of achievement

    Fulfills all requirements of component

    briefs and exercises

    Demonstrates very good level of

    technical skill with effectiveapplication

    Shows very good level of reflection,

    shows ability to analyse and be

    selective in applications of reference

    texts and visuals

    Very good and effective level of

    experimentation with appropriate

    mediums, materials and testing ofideas

    Effective levels of organization and

    presentation

    Addressed all aspects

    of the assignment brief.

    Scope and terms of

    reference are well

    defined.

    Clear structure andargument with relevantuse of research and

    reflection.

    Consistently good

    sense of style,

    language and syntax.

    Very good

    communication of

    information, ideas andarguments.

    Very good, proficiency

    in presentation skills. Very good time

    management and

    professionalism.

    70

    79%

    Excellent A submission that fulfills desired learning

    outcomes with an excellent level of

    achievement

    Fulfills all requirements from

    component briefs and exercises withcoherent understanding

    Demonstrates excellent level of

    technical skill with successful

    application

    Comprehensive level of reflections,

    shows good ability in analysis and

    successful applications of reference

    texts and visuals

    Excellent and effective level ofexperimentation with selectivity in

    choice of media, materials andeffective in testing of ideas

    Clear and well accomplished levels of

    organization and presentation

    Covers all aspect of the

    assignment briefthoroughly.

    Scope and terms ofreference are well

    defined with argument

    structure reveals ability

    to weigh both sides of

    the argument and is

    clearly supported bybreadth of research

    evidence and

    competent use of

    source material.

    Exhibit excellent writing

    style, language andsyntax.

    Excellent

    communication ofinformation, ideas and

    arguments.

    Excellent, proficiency in

    presentation skills.

    Excellent time

    management andprofessionalism.

    80

    89%

    Outstanding A submission that fulfills desired learning

    outcomes with an outstanding level of

    achievement

    Fulfills all requirements from

    component briefs and exercises with

    coherent understanding and a sense

    of confidence and independence,

    even at times originality

    Outstanding and confident level of

    technical skill with successful and

    assured application Comprehensive level of reflection with

    critical analysis and successful

    Comprehensive

    coverage of all aspects

    of the assignment briefwith of originality.

    Scope and terms of

    reference are well

    defined and argument

    structure reveals abilityto weigh both sides of

    the issue and is clearly

    supported by breadth ofresearch evidence and

    very good use of

    Outstanding

    communication of

    information, ideas andarguments.

    Outstanding,

    proficiency in

    presentation skills.

    Outstanding time

    management and

    professionalism.

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    application of reference texts and

    visuals

    Confident, fluent and effective level of

    experimentation with well selected

    choice of mediums, materials andhighly effective in testing of ideas

    Outstanding well accomplished level

    of organization and presentation

    source material.

    Exhibit outstanding

    writing style, language

    and syntax.

    90

    100%

    Exceptional A submission that fulfills desired learning

    outcomes with an exceptional level of

    achievement

    Fulfills all requirements from

    component briefs and exercises withextensive grasp of all aspects and

    extremely thorough with a absolute

    sense of confidence and

    independence and with originality

    Exceptional, high level of technical

    skill with successful and fully assured

    application

    Comprehensive level of reflection and

    maturity of thinking coupled withcritical analysis and successfulapplication of reference texts and

    visuals

    Confident, fluent and creative level of

    experimentation with well selected

    choice of mediums, materials and

    highly effective in testing of ideas with

    resolution

    Perfect accomplished level of

    organization and presentation

    Covers all aspects of

    the assignment brief

    extensively with

    originality of thought,

    communicating abrilliant understanding

    of the key concepts of

    the subject and ability

    to discuss these

    concepts in a free-

    ranging manner.

    Exceptional

    communication of

    information, ideas and

    arguments.

    Exceptional proficiency

    in presentation skills.

    Exceptional time

    management andprofessionalism.

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    LEVELS 2 & 3: Faculty of Design Marking Descriptors

    Mark

    Band

    Practical Work Creative Process Journal Written Essay/Report Oral Presentations Achievement of

    Learning Outcomes

    0% Non submission or plagiarised assessment NA NA NA NA

    1-9% No grasp of the principles and practice of thecreative process to execute relevant ideas

    No handling of materials and techniques No level of studentship

    No communication of information, arguments and

    analysis

    No understanding of theory and practical contexts No reflective skills

    No communication of information,

    ideas and arguments No use of language No approach and method

    No communication of information,

    ideas and arguments No proficient presentation No time management

    None of the learning

    outcomes achieved

    10-24% Little grasp of the principles and practice of thecreative process to execute relevant ideas

    Little handling of materials and techniques Little studentship

    Little communication of information, arguments

    and analysis

    Little understanding of theory and practicalcontexts

    Little reflective skills

    Little communication of information,

    ideas and arguments Little use of language Little approach and method

    Little communication of information,

    ideas and arguments Little proficient presentation Little time management

    Few of the learning

    outcomes achieved

    25-39% Unsatisfactory grasp of the principles andpractice of the creative process to execute

    relevant ideas

    Unsatisfactory handling of materials and

    techniques Unsatisfactory level of studentship

    Unsatisfactory communication of information,arguments and analysis

    Unsatisfactory understanding of theory andpractical contexts

    Unsatisfactory reflective skills

    Unsatisfactory communication ofinformation, ideas and arguments

    Unsatisfactory and inaccurate use oflanguage

    Unsatisfactory approach and method

    Unsatisfactory communication ofinformation, ideas and arguments

    Unsatisfactory proficient presentation Unsatisfactory time management

    Some learning outcomesnot achieved

    40-49% Satisfactory grasp of the principles and practiceof the creative process to execute relevant

    ideas

    Satisfactory handling of materials andtechniques

    Satisfactory level of studentship

    Satisfactory communication of information,

    arguments and analysis at a proficient level Satisfactory understanding of theory and practical

    contexts Satisfactory reflective skills

    Satisfactory communication of

    information, ideas and arguments Satisfactory but sometimes

    inaccurate use of language Satisfactory approach and method

    Satisfactory communication of

    information, ideas and arguments Satisfactory proficient presentation Satisfactory time management

    Learning outcomes

    achieved to a limited but

    adequate level

    50-59% Good grasp of the principles and practice of thecreative process to execute well-informed ideas

    Generally good handling of materials and

    techniques Good level of studentship

    Good communication of information, argumentsand analysis at a proficient level

    Good understanding of theory and practical

    contexts Good reflective skills

    Good communication of information,ideas and arguments

    Generally good and mainly accurate

    use of language Good approach and method.

    Good communication of information,ideas and arguments

    Good proficient presentation Good time management

    Generally soundachievement of learning

    outcomes

    60-69% Very good grasp of the principles and practiceof the creative process to execute well-informedideas

    Consistently good handling of materials and

    techniques Very good level of studentship

    Very good communication of information,

    arguments and analysis

    Very good understanding of theory and practicalcontexts

    Very good reflective skills

    Very good communication of

    information, ideas and arguments Consistently good and essentially

    accurate use of language Very good approach and method

    Very good communication of

    information, ideas and arguments Very good proficient presentation Very good time management

    Consistently good

    achievement of thelearning outcomes

    70-79% Excellent grasp of the principles and practice ofthe creative process to execute well-informed

    ideas

    Confident handling of materials and techniques Excellent level of studentship

    Excellent communication of information,

    arguments and analysis at a proficient level Excellent understanding of theory and practical

    contexts Excellent reflective skills

    Excellent communication of

    information, ideas and arguments Confident and substantially accurate

    use of language Excellent approach and method

    Excellent communication of

    information, ideas and arguments Excellent proficient presentation

    Excellent time management

    Achievement extending

    beyond the learning

    outcomes

    80-89% Outstanding grasp of the principles and practiceof the creative process to execute well-informed

    ideas

    Fluent and fully assured handling of materialsand techniques

    Outstanding level of studentship

    Outstanding communication of information,

    arguments and analysis at a proficient level Outstanding understanding of theory and practical

    contexts Fully developed reflective skills

    Outstanding communication of

    information, ideas and arguments Fluent and fully assured use of

    language Outstanding approach and method

    Outstanding communication of

    information, ideas and arguments Outstanding proficient presentation Outstanding time management

    Substantial achievement

    extending well beyond the

    learning outcomes

    90-

    100% Exceptional grasp of the principles and practice

    of the creative process to execute well-informed

    ideas

    Confident handling of materials and techniques Exceptional level of studentship

    Exceptional communication of information,arguments and analysis at a proficient level

    Exceptional understanding of theory and practical

    contexts Exceptional reflective skills

    Exceptional communication ofinformation, ideas and arguments

    Confident and substantially accurate

    use of language Exceptional approach and method

    Exceptional communication ofinformation, ideas and arguments

    Exceptional proficient presentation Exceptional time management

    Exceptional achievementextending beyond the

    learning outcomes

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    ---------------------------------------------------------------

    Section C---------------------------------------------------------------

    Module Descriptors---------------------------------------------------------------

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    Summary

    Year Semester Module Code Modules Credits

    1 1 D-SH101 Introduction to Studio Practice 20

    1 D-SH102 Introduction to Contemporary and Contextual Studies 20

    1 and 2 D-SH103 Technical Skills Workshops for Studio Practice 20

    2 D-SH104 Exploration of Studio Practice 20

    2 D-SH105 Specialist Studio Practice 202 D-SH106 Key Skills in Contemporary and Contextual Studies 20

    2 1 D-FH201 Contextual Studies - Modern Fashion History 10

    1 D-FH202 Fashion Studio 1 15

    1 D-FH203 Technical Studies 1 35

    2 D-FH204 Contextual Studies - Introduction to Fashion System and Terminology 10

    2 D-FH205 Fashion Studio 2 15

    2 D-FH206 Technical Studies 2 35

    3 1 D-FH301 Industry Placement - Professional Practice 10

    1 D-FH302 Self-directed Study - Fashion Studio I 50

    2 D-FH303 Career Management - Fashion 10

    2 D-FH304 Self-directed Study - Fashion Studio II 50

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    --------------------------------------------------------------- Level 1

    ---------------------------------------------------------------

    Introduction to Studio

    Practice---------------------------------------------------------------Module

    Code

    Credits Sem Weeks Status

    D-SH101 20 1 1 - 15 Compulsory

    This module aims to develop in students a basic understanding

    of Studio Practice in the context of Tertiary Art and Design

    education. The module introduces students to Drawing

    Fundamentals, Basic 3D Studio Practice, Basic 2D Studio

    Practice. The contents include conceptual thinking and ideadevelopment, research for practice, the function, interpretation

    and execution of the Studio Practice Brief, the role and functionof sketchbooks and the development of reflective journals, the

    purpose of critique and the value of group and collaborative

    work. There are four components within the module all of which

    are designed to complement and supplement each other in

    achieving the overall aims and learning outcomes of theModule.

    The Components are:

    A 2D Studio Practice

    B 3D Studio Practice

    C Drawing Fundamentals

    D Grey Matters

    (Development of conceptual thinking skills)

    Indicative Workload (in hours):

    Lectures/ Seminars 120

    Tutorials 24

    Private Study 56

    Total 200

    Aims

    To introduce students to Drawing Fundamentals and basic

    2D and 3D studio practice

    To introduce students to the basic elements and principles

    of art and design

    To introduce students to basic reflective and critical studio

    practice

    Learning Outcomes

    On successful completion, students will be able to

    demonstrate:

    Knowledge and Understanding

    A basic understanding of the elements and principles of art

    and design

    Subject Specific Skills and Attributes

    A basic ability to use 2D, 3D and drawing skills

    Transferable Skills

    o The basic ability to use a reflective process when

    responding to project briefs

    o A basic understanding of studentship

    o

    A basic ability to use thinking skill as part of studiopractice

    Teaching Methods

    Lectures, tutorials, practical class-work, discussions and

    demonstrations

    Assessment

    D-SH101-1 Studio Practice

    (Skills Development)

    20%

    D-SH101-2 Studio Practice

    (Final Submission)

    60%

    D-SH101-3 Grey Matters 20%

    Required Reading

    Dodson Bert, Drawing by Seeing Northlight Books, Cincinnati

    1995.

    Recommended Reading

    Dodson Bert, Keys to Drawing with Imagination, Northlight

    Books, Cincinnati, Ohio 2006.

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    ---------------------------------------------------------------Level 1

    ---------------------------------------------------------------

    Introduction to

    Contemporary andContextual Studies---------------------------------------------------------------

    ModuleCode

    Credits Sem Weeks Status

    D-SH102 20 1 1 - 15 Compulsory

    The purpose of this Module is to introduce students to the

    fundamental processes of Contemporary and Contextual

    Studies. Students will learn how to develop a range of written

    work including note taking and reflective and creative writing.

    Discussion and presentation will also be introduced and

    students will be required to attend lectures, workshops and

    screenings. Students will also learn how to look at art, designand media through an understanding of history and theory.

    Indicative Workload (in hours):

    Lectures/ Seminars 48

    Tutorials 24

    Private Study 128

    Total 200

    Aims

    To introduce visual / cultural literacy and to cultivate the

    inquisitive, questioning approach to learning.

    To develop the ability to process and reflect on information

    (research, project brief, assessment criteria) in order to

    communicate it.

    Learning OutcomesOn successful completion, students will be able to

    demonstrate:

    Knowledge and Understanding

    o

    A basic knowledge of art design and media history

    and theory

    Subject Specific Skills and Attributes

    o A basic ability to discuss, to present and to write

    creative essays.

    Transferable Skills

    o The basic ability to document and record information

    gained from lectures, tutorials, workshops and

    screenings

    o

    A basic ability to research, respond to texts anddevelop essays.

    Teaching Methods

    Lectures, tutorials, skills development workshops and

    screenings

    Assessment

    D-SH102-1 Thinking and Academic Skills 40%

    D-SH102-2 Presentation 20%

    D-SH102-3 Essay 1 40%

    Required Reading

    Berger, J. (1995). Ways of seeing. London: Penguin, 1977.

    Recommended Reading

    Selected writings to be retrieved from the Learning Portal

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    ---------------------------------------------------------------Level 1

    ---------------------------------------------------------------

    Technical Skills

    Workshops for StudioPractice---------------------------------------------------------------

    Module

    Code

    Credits Sem Weeks Status

    D-SH103 20 1 & 2 S1: 1 - 15 &

    S2: 1 - 7

    Compulsory

    The central aim of this module is to equip students with the

    essential technical skills required for the successful execution

    and interpretation of Studio Practice Briefs. There are six

    discrete components within the module all of which have been

    carefully selected to provide an appropriate range of skills foremergent contemporary artists and designers. There is a range

    of over-arching outcomes for the Workshops detailed below

    which are designed to ensure that Workshops encourage skills

    of research and application as well as the acquisition of

    techniques and procedures.

    The FIVE Workshops are:

    Photography

    Moving Images and Sound

    Illustrator

    Photoshop Clay Modeling

    Indicative Workload (in hours):

    Workshops 90

    Tutorials 18

    Private Study 92

    Total 200

    Aims

    To equip students with a range of basic technical skills

    including digital, analogue and hand skills

    Learning Outcomes

    On successful completion, students will be able to

    demonstrate:

    Knowledge and Understanding

    o A basic understanding of the technical skills required

    for the execution of studio projects

    Subject Specific Skills and Attributes

    o

    A basic ability to apply technical and workshop skills

    to a specialist studio project

    Transferable Skills

    o The basic ability to use and apply research in

    conjunction with technical and workshop skills

    o An understanding of the basic principles of

    studentship and independent learning in relation to

    the acquisition of technical skills

    Teaching MethodsLectures, tutorials, practical class-work, discussions,demonstrations and critiques

    Assessment

    D-SH103-1 Photography 20%

    D-SH103-2 Moving Images and Sound 20%

    D-SH103-3 Illustrator 20%

    D-SH103-4 Photoshop 20%

    D-SH103-5 Clay Modeling 20%

    Required Reading

    Mary Warner Marien - Photography A Cultural History, 2ndEdition (New Jersey, Upper Saddle Rive, 2006)

    Michael Rush - Video Art, 2007 (New York, Thames & Hudson,

    2007)

    Susan Sontag - On Photography, 1977. (Newest edition - New

    York: Anchor Books, 1990)

    Recommended Reading

    *Additional*Charlotte Cotton, The Photograph as

    Contemporary Art New York, Thames & Hudson, 2009.

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    ---------------------------------------------------------------Level 1

    ---------------------------------------------------------------

    Exploration of Studio

    Practice---------------------------------------------------------------Module

    Code

    Credits Sem Weeks Status

    D-SH104 20 2 1 - 15 Compulsory

    This module aims to develop in students the basic ability to

    explore and apply those skills and understandings which have

    been introduced in Semester 1.The module continues to

    include Drawing Fundamentals, 2D Studio Practice, 3D Studio

    Practice, Grey Matters, and PPD. The components aredesigned to complement and supplement each other in order

    to develop in students a clear and thorough understanding ofthe requirements of Studio Practice. By the end of the module

    students should be sufficiently independent in their studio skills

    to be able to tackle the Specialism Module which will be

    delivered in Term 4 of Semester 2.

    Indicative Workload (in hours):

    Lectures/ Seminars 120

    Tutorials 24

    Private Study 56

    Total 200

    Aims

    To nurture students!ability to apply Drawing

    Fundamentals and basic 2D and 3D skills to their studio

    practice

    To develop students!basic ability to explore and apply the

    elements and principles of art and design

    To encourage students to apply basic reflective and critical

    thinking skills

    Learning Outcomes

    On successful completion, students will be able todemonstrate:

    Knowledge and Understanding

    o A basic understanding of the application of elements

    and principles of art and design

    Subject Specific Skills and Attributes

    o A basic ability to apply 2D, 3D and drawing skills

    Transferable Skills

    o The basic ability to apply a reflective process whenresponding to project briefs

    o

    An emerging understanding of studentshipo An emerging ability to use thinking skill as part of

    studio practice

    Teaching Methods

    Lectures, tutorials, practical class-work, discussions,demonstrations and critiques

    Assessment

    D-SH104-1 Studio Practice(Skills Application)

    70%

    D-SH104-2 Grey Matters 30%

    Required Reading

    Dodson Bert, Drawing by Seeing Northlight Books, Cincinnati,

    1995

    Recommended Reading

    Dodson, Bert, Keys to Drawing with Imagination, North Light,

    Books, Cincinnati, Ohio 2006

    Michael Rush New Media In Art, 2005 (New York, Thames &

    Hudson, 2005)

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