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Words in a shape convey apleasing blend of informalityand permanence.
titlelabel-styleDesign a
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D e s i g n C l a s s i c s
T R A D I T I O N A L I N T E R I O R S
A N D F U R N I S H I N G S
D C
thomas fabrics
2004 WINTER COLLECTION
SW ATCH BOOK
Design a label-style titleWords in a shape make a simple and attractive point of interest
CRAZ YCOLORS
2005Calendar The yearin color
Add a little fun to your next cover by giving it a label-style title. The simplicity, depth
and real-object feel of a label yields great results on a wide variety of backgrounds. A
label draws the reader’s eye immediately, it conveys a pleasing blend of informality
and permanence, and it’s especially useful when you have no other artwork. Attention
to placement and contrasts are the keys to producing good designs.
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Color
For a fresh, inviting look, use adjacent (analogous) colors, which always work welltogether. Use dark, medium and light values for a vibrant contrast.
Analogous colors make harmonious
palettes because they have a color
in common. Orange, red and violet,
for example, all contain red (below).
Analogous
colors are easy
to use—pick
a color on the
wheel, and then
pick the color
next to it.
RedBlue
CRAZYCOLORS
2005calendarThe yearin color
CRAZYCOLORS2005calendarThe yearin color
Dark
Medium
Light
CRAZYCOLORS2005CalendarThe yearin color
C RA Z Y
C O L O R S
2 0 05Calendar T he year in color
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Crazycolors2005CalendarThe yearin color
CrazyColors
2005CalendarThe yearin color
CRAZYCOLORS
2005CalendarThe year
in color
Title
Uppercase and bold
Type
The main visual interest on the small eld is its typography. Here, a dense blockof simple, bold type complements the simple, bold rectangle.
Default leading (spacing) that’s cor-
rect at text size is too airy at head-line size. Squeeze the air out of your
headline with negative leading and
tight letterspacing. (A) 16.5/19.5 pt,
letterspacing 0, (B) 16.5/13.5 pt, letter-
spacing –30. The result is a bold block
of type inside the bold rectangle.
Type is one size and color,
differentiated only bycontrasts of weight and
case. You’ll need a type
family that contains both
light and heavy weights to
ensure type harmony.
Support copy
Lowercase and light
A B
C RA Z Y
C O L O R S
2 0 05Calendar T he year in color
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D e s i g n C l a s s i c s
T R A D I T I O N A L I N T E R I O R S
A N D F U R N I S H I N G S
D C Using only colors from the photo, dark type
on a medium-value label (A) yields soft con-
trast; the type does not jump off the page,
but it’s seen and heard in a speaking voice.
Light type on dark (B) is a stronger difference
and makes a more forceful presentation.
Design ClassicsTRADITIONAL INTERIORSAND FURNISHINGSDC
Design ClassicsTRADITIONAL INTERIORSAND FURNISHINGSDC
Colors of label
and type will
say a lot in your
design. The
most harmoni-
ous place to ndcolors is right in
the image; select
light, medium
and dark values
of each.
Contrast
Give your label a voice—the difference of light and dark determines the “voice” and visibilityof your label. High, medium and low contrasts are similar in voice to yell, speak, whisper.
A
B
Note: In high contrast, a
white line divides the infor-
mation within the label.
C RA Z Y
C O L O R S
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Article resources
D e s i g n C l a s s i c s
T R A D I T I O N A L I N T E R I O R S
A N D F U R N I S H I N G S
D C
thomas fabrics
2004 WINTER COLLECTIONSWATCH BOOK
7a7b
Typefaces
1 Vectora Black | 16.5/13.5 pt
2 Vectora Light | 16.5/13.5 pt
3 Helvetica Neue Light Ext. | 20 pt
4 Helvetica Neue Heavy Cond. | 14/14 pt
5 Helvetica Neue Light Cond. | 14/14 pt
6 Didi Regular | 54 pt
7 (a-b) Avenir Light | a) 24/28 pt,
b) 10.8/12 pt
Images
8 Phototone Backgrounds,
Paper & Textiles CD
9 (a-b) Photos.com | a b
Article resources
Colors
C0 M15 Y100 K0
C40 M0 Y100 K15
C25 M0 Y100 K0
C90 M5 Y40 K0
C90 M55 Y0 K45
C10 M40 Y90 K0
C15 M100 Y100 K0
C40 M90 Y10 K45
C0 M100 Y85 K0
C95 M60 Y45 K30
C20 M25 Y35 K0
C40 M30 Y60 K25
C25 M90 Y95 K45
C45 M60 Y65 K55
10
11
12
13
14
15
1
4
10
CRAZYCOLORS
CRAZY
COLORS
CRAZYCOLORS
2005CalendarThe yearin color
DC
DC
2
11
19
318
6
13
12
17
14
16
15
21
23
22
20
5
20
23
8
9a
9b 16
17
18
19
20
21
22
23
DC
C RA Z Y
C O L O R S
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® Label-style title 10 of 10
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Before & After magazine
Before & After has been sharing its practical approach
to graphic design since 1990. Because our modern world
has made designers of us all (ready or not), Before &
After is dedicated to making graphic design understand-
able, useful and even fun for everyone.
John McWade Publisher and creative director
Gaye McWade Associate publisher
Vincent Pascual Staff designer
Dexter Mark Abellera Staff designer
Editorial board Gwen Amos, Carl Winther
Before & After magazine
323 Lincoln Street, Roseville, CA 95678
Telephone 916-784-3880
Fax 916-784-3995
E-mail [email protected]
www http://www.bamagazine.com
Copyright ©2005 Before & After magazine, ISSN
1049-0035. All rights reserved
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C RA Z Y
C O L O R S
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Before & After articles are intended for permanent reference. All are titled and numbered.
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B ef or e &Af t er | www. b
a m a g a z i n e . c o m
1 o f 5
L a b el - s t y l e t i t l e 0 6 0 0
0 6 0 0 L a b el - s t y l e t i t l e
A d d al i t t l ef un t o y
o ur n ex t c ov er b y gi vi n g
i t al a b el - s t yl e t i t l e .T h e
s i m pl i c i t y , d e p t h
an d r e al - o b j e c t f e el of al a b el yi el d s gr e a t r e s ul t s on awi d ev ar i e t y of b a c k gr o un d s .A
l a b el d r aw s t h er e a
d er ’ s e y ei mm e d i a t el y ,i t c onv e y s a pl e a s i n g b l en
d of i nf or m al i t y
an d p er m an en c e , a
n d i t ’ s e s p e c i al l y u s ef ul
wh en y o uh av en o o t h er ar t w or k .A t t en t i on
t o pl a c em en t an d c
on t r a s t s ar e t h e k e y s t o
pr o d u c i n g g o o d d e s i gn s .
W or d s i n a s h a p e c onv e y a
pl e a s i n g b l en d of i n
f or m al i t y
an d p er m an en c e .
t i t l e
l a b
e l - s
t y l e
D e s i g n a
D e s i g
n C l a s s i c s
T R A D I T I O
N A L I N T E
R I O
R S
A N D F U
R N I S H
I N G S
D C
thomasfabrics
2004W
INTERCOLLECTION
SWATCH
BOOK
C R A Z Y
C O
L O R
S
2 0 0 5
C a l e
n d a r
T h e
y e a r
i n
c o
l o r
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2 o f 5
L a b el - s t y l e t i t l e 0 6 0 0
0 6 0 0 L a b el - s t y l e t i t l e
A c t i v a t e y o ur d e s
i gn
A l a b el - s t yl e t i t l e c onv e y s a s en s e of d e l i b e r a
t e d e s i g n .I t p ul l s t h e e y e a c r o s s em p t y s p a c e
l i k e a p ai n t i n g on a
n em p t yw al l an d en g a g
e s t h er e a d er wi t h i t s s h
a p e an d pr e s en c e .
Of f c en t er c r e a t e s m o t i on— b u t wh i c h s i d e?
B e c a u s e w e r e a d l e f t t o r
i g h t , o u r e y e s n a t u r a l l y
d r i f t t o t h e r i g h t —w e r e f e r t o
t h i s a s r i d i n g t h e “ r e a d
b r e e z e ” —wh i c h a f f e c t s o u
r d e s i g n . ( A ) A l a b e l o n
t h e r i g h t i s a d e s t i n a t i o n —
o u r e y e s m o v e a c r o s s
e m p t y s p a c e t o w a r d t h e l a b e l .T h i s i s s t r o n g d e s i g n .
( B ) C o n v e r s e l y , a l a b e l o n t h
e l e f t i s r e a d r s t , t h e n
t h e e y e d r i f t s r i g h t w a r d i n t o e
m p t y a n d u n r e w a r d i n g
s p a c e .A c c e p t a b l e d e s i g n b u t n o t a s s t r o n g .
Y o uh a v e a b l
a nk p a g e
a n d a t i t l e t o
p u t oni t .
Wh er e d o y o u
s t a r t ?
( A ) On e a p pr o
a c h i s t o
l l u p
t h e s p a
c ewi t h
t y p e.T h er e s ul t i s r e a d -
a b l e a n d s t a n
d s o u t on a
s h el f , b u t i t ’ s
s t a t i c a n d
h a s n o a r t i s t r y or gr a c e.
( B ) Al a b el t ur n s t h e
em p t y s p a c e
i n t o a v i s u a l
f or c e t h a t p u
s h e s t h e e y e
r i gh t w a r d , en
er gi z i n g t h e
d e s i gn.T h el a
b el - s t y l e
t r e a t m en t c r e a t e s a f o c a l
p oi n t a n d mi mi c s r e a l i t y ,
t o o.T h a t ’ s d e
s i gn.
C R AZ Y
C OL O
R S
2 0 0 5
C a l e n d a r
T h e y e
a r
i n
c o l o
r
C R AZ Y
C OL OR S
T h e
y e a r i n c ol or
2 0 0 5
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AB
A
B
C ol or
F or af r e s h ,i nvi t i n g
l o o k , u s e a d j a c en t ( an a
l o g o u s ) c ol or s ,wh i c h al
w a y s w or k w el l
t o g e t h er . U s e d ar k ,
m e d i um an d l i gh t v al u e
s f or avi b r an t c on t r a s t .
An a l o g o u s c ol or s m a k eh a r m oni o u s
p a l e t t e s b e c a u s e t h e y h a v e a c ol or
i n c omm on. Or a n g e ,r e d
a n d v i ol e t ,
f or ex a m pl e , a l l c on t a i n
r e d ( b el ow ) .
A n a l o g o u s
c o l o r s a r e e a s y
t o u s e — p i c k
a c o l o r o n t h e
wh e e l , a n d
t h e n p i c k t h e
c o l o r n e x t t o i t .
R e d
B l u e
C R AZ Y
C OL OR S
2 0 0 5
c a l e n d a r
T h e
y e a r
i n
c o l o r
C R AZ Y
C OL OR S
2 0 0 5
c a l e n d a r
T h e
y e a r
i n
c o l o r
D a
r k M e d i um
L i gh t
C R AZ Y
C OL OR S
2 0 0 5
C a l e n d a r
T h e y e a r
i n
c o l o r
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3 o f 5
L a b el - s t y l e t i t l e 0 6 0 0
0 6 0 0 L a b el - s t y l e t i t l e
Crazy
colors
2005
Calendar
The
year
in
color
C r a
z y
C o l o r s
2 0 0
5
C a l
e n d a r
T h e
y e a r
i n
c
o l o r
C
R AZ Y
C
OL OR S
2 0 0 5
C a l e n d a r
T h e y e a r
i n
c o l o r
T i t l e
U p p e r c a s e a n d b o l d
Type
Themainvisualinterestonthesmalleldisitstypography.Here,a
denseblock
ofsimple,boldtypecomplementsthesimp
le,boldrectangle.
D ef a ul t l e a d i n g ( s p a c i n g
) t h a t ’ s c or -
r e c t a t t ex t s i z ei s t o o a i r y a t h e a d -
l i n e s i z e. S q u e ez e t h e a i r o u t of y o ur
h e a d l i n ewi t h n e g a t i v el
e a d i n g a n d
t i gh t l e t t er s p a c i n g. ( A ) 1
6 . 5 / 1 9 . 5 p t ,
l e t t er s p a c i n g 0 , ( B ) 1 6 . 5 / 1 3 . 5 p t ,l e t t er -
s p a c i n g– 3 0 .T h er e s ul t i s
a b ol d b l o c k
of t y p ei n s i d e t h e b ol d r e c t a n gl e.
T
y p ei s on e s i z e a n d c ol or ,
d
i f f er en t i a t e d onl y b y
c
on t r a s t s of w ei gh t a n d
c
a s e.Y o u’ l l n e e d a t y p e
f
a mi l y t h a t c on t a i n s b o t h
l
i gh t a n d h e a v y w ei gh t s t o
e
n s ur e t y p eh a r m on y .
S u p p or t c o p y
L o w e r c a s e a n d l i g h t
A
B
A l o n g wi t h a d r o p s h a d o w , b l e e d i n g t h e
t a b o f f t h e e d g e f a s t e n s
i t t o t h e p a g e
a n d ,i n t h i s c a s e ,mi mi c s a t r u e s e wn -
o n f a b r i c t a b .T h e d e p t h
o f t h e s h a d o w
s h o u l d b e s i mi l a r t o t h e
m a t e r i a l ’ s d e p t h .
O u r s h a d o w s e t t i n g s : O p a c i t y : 6 0 % ,
X - O f f s e t : 0 p 0 ,Y - O f f s e t :
0 p2 ,B l u r : 0 p4 ,
M o d e : M ul t i pl y
A t a b d o e s m
or e
t h a n pr ov i d e
s p a c ef or t y p
e.
I t r e d u c e s y o ur
el d t o a m a n-
a g e a b l e s i z e
a n d c r e a t e s a
n
a l l - e y e s - on- m
e
f o c a l p oi n t t h
a t
y o u c a n’ t mi s
s
on a n o p en
el d .
Title
tab
Here’sthelabelasa
3-Dtab.Funandrealis
tic,too,atabshrinksyourtitleeldto
amanageablesize,
anditworksgreatatopphotos.
t homasfabrics
2004WINTERCOLLECTION
SWATCHBOOK
T h e b e s t b a c k gr o un d
ph o t o s h a v ef a i r l y uni -
f or m
t ex t ur e a n d v a l
u e.Wh a t d o y o u d oi f y o u
h a v e a b u s y ph o t o ( a
b ov e ,l ef t ) ? On e s ol u t i on
i s t o enl a r g e a d e t a i l
( a b ov e ,r i gh t ) un t i l i t
s m o o t h s o u t .
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4 o f 5
L a b el - s t y
l e t i t l e 0 6 0 0
0 6 0 0 L a b el - s t y l e t i t l e
D e s i g
n C l a s s i c s
T R A D I T I O
N A L I N T E
R I O
R S
A N D F U
R N I S H
I N G S
D C
Banners
and
corne
rs
Sometimesyourph
otoiskey;yourreaders
reallyneedtoseeit.Ins
uchacase,set
yourlabelasalow-
keyaccentthatplaysas
upportingrole.
Alabelcanbeanyshape.Top-heavyimage?
Balanceitbyrunningalabelacrossthebot-
tom.Haveanopencorneror
freespacealong
theside?Putyourlabelther
e.Applyaslight
dropshadow
tocompleteth
elook.
D
e s i g n C l a s s i c s
T R A D I T I
O N A L I N T E
R I O
R S
A N D F U
R N I S H
I N G S
D C
Usingo
nlycolorsfrom
thephoto,dar
ktype
onamedium-valuelabel(A)yieldsso
ftcon-
trast;thetypedoesnotjumpoffthe
page,
butit’s
seenandheardinaspeaking
voice.
Lightty
peondark(B)isastrongerdifference
andma
kesamoreforcefulpresentat
ion.
D e s i gn C l a
s s i c s
T R A DI T I ONA L I NT E R I O
R S
A ND
F U R NI S HI N G S
D C
D e s i gn C l a
s s i c s
T R A DI T I ONA L I NT E R I O
R S
A ND
F U R NI S HI N G S
D C
Colorsoflabel
andtypewill
sayalotinyour
design.Them
ost
harmonious
placetond
colorsisrightin
theimage;se
lect
light,medium
anddarkvalu
es
ofeach.
C o n t r a s t
Giveyourlabelavoice—thedifferenceoflightanddarkdetermine
sthe“voice”andvisibility
ofyourlabel.High,mediumandlowcontrastsaresimilarinvoicetoyell,speak,whisper.
A B
Note:Inhighcontra
st,a
whitelinedividestheinfor-
mationwithinthelabel.
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5 o f 5
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o n y o u r W e b s i t e , p l e a s e c o n t a c t
u s .F o r p e r mi s s i o n t o i n c l u d e a l l o r p a r t o f t h i s a r t i c l e i n
a n o t h e r w o r k , p l e a s e c o n t a c t u s .
S u b s c r i b e t oB ef or e
&Af t er
Di d y o u en j o y t h i s ar t i c l e ? S u b s c r i b e , an d
b e c om e am or e c a p a b l e , c on d en t d e s i gn er
f or p enni e s p er ar t i c l e .T ol e ar nm or e , g o t o
h t t p : / / www . b am a g az i n e . c om / S u b s c r i b e
E - m a i l t h i s a r t i c l e
T o p a s s al on g af r e e c o p y of t h i s ar t i c l e t o
o t h er s , c l i c k h er e .
J oi n o ur e- l i s t
T o b en o t i e d b y e-m ai l of n ew ar t i c l e s a s
t h e y b e c om e av ai l a b l e , g o t o
h t t p : / / www . b am a g az i n e . c om / em ai l
D e s i g
n C l a s s i c
s
T R A D I T I O
N A L I N T E R I O
R S
A N D F U
R N I S
H I N
G S
D C
thomasfabrics
2004WINTERCOLLECTION
SWATCHBOOK
7 a 7 b
T y p
ef a c e s
1 V e c t o r a B l a c k | 1 6 . 5 / 1 3 . 5 p t
2 V e c t o r a L i g h t | 1 6 . 5 / 1 3 . 5 p t
3 H e l v e t i c a N e u e L i g h t E x t . | 2 0 p t
4 H e l v e t i c a N e u e H e a v y C o n d . | 1 4 / 1 4
p t
5 H
e l v e t i c a N e u e L i g h t C o n d . | 1 4 / 1 4 p
t
6 D i d i R e g u l a r | 5 4 p t
7 ( a - b ) A v e n i r L i g h t | a ) 2 4 / 2 8 p t ,
b ) 1 0 . 8 / 1 2 p t
I m a g e s
8 P h o t o t o n e B a c k g r o u n d s ,
P a p e r & T e x t i l e s C D
9 ( a - b ) P h o t o s . c o m | a
b
Ar t i c l er e s o ur c e s
C ol or s
C 0 M1 5 Y 1 0 0 K 0
C 4 0 M 0 Y 1 0 0 K 1 5
C 2 5 M 0 Y 1 0 0 K 0
C 9 0 M 5 Y 4 0 K 0
C 9 0 M 5 5 Y 0 K 4 5
C 1 0 M4 0 Y 9 0 K 0
C 1 5 M1 0 0 Y 1 0 0 K 0
C 4 0 M9 0 Y 1 0 K 4 5
C 0 M1 0 0 Y 8 5 K 0
C 9 5 M 6 0 Y 4 5 K 3 0
C 2 0 M2 5 Y 3 5 K 0
C 4 0 M 3 0 Y 6 0 K 2 5
C 2 5 M9 0 Y 9 5 K 4 5
C 4 5 M 6 0 Y 6 5 K 5 5
1 0
1 1
1 2
1 3
1 4
1 5
1 4
1 0
C R AZ Y
C OL OR S
C R AZ Y
C OL OR S
C R AZ Y
C OL OR S
2 0 0 5
C a l e n d a r
T h e y e a r
i n
c o l o r
D C
D C
2
1 1
1 9 3
1 8
6
1 3
1 2
1 7
1 4
1 6
1 5
2 1
2 3
2 2
2 0
5
2 0
2 3
8 9 a
9 b
1 6
1 7
1 8
1 9
2 0
2 1
2 2
2 3
D C