+ All Categories
Home > Documents > Bach Kunst der Fuge 14 (Tovey)

Bach Kunst der Fuge 14 (Tovey)

Date post: 14-Dec-2015
Category:
Upload: username519
View: 35 times
Download: 4 times
Share this document with a friend
Description:
D. F. Tovey's completion of the last movement of J. S. Bach's Art of the Fugue (Kunst der Fuge)
Popular Tags:
16
Contrapunctus 14 Die Kunst Der Fuge by J. S. Bach BWV 1008,19 completed by Donald Francis Tovey Typeset by Peter Billam For Keyboard © Peter J Billam, 1998 This score is offered under the Creative Commons Attribution 4.0 International licence; see creativecommons.org The copyright owner remains the composer, Peter Billam. This printing 24 November 2014. www.pjb.com.au
Transcript
Page 1: Bach Kunst der Fuge 14 (Tovey)

Contrapunctus 14

Die Kunst Der Fuge

by J. S. Bach

BWV 1008,19

completed by Donald Francis Tovey

Typeset by Peter Billam

For K eyboard

© Peter J Billam, 1998

This score is offered under theCreative CommonsAttribution 4.0 Internationallicence; seecreativecommons.org

The copyright owner remains the composer, Peter Billam.

This printing 24 November 2014.

www.pjb.com.au

Page 2: Bach Kunst der Fuge 14 (Tovey)

Notice

You hav edownloaded a PDF filedirectly from www.pjb.com.au/mus/free/The files in this directory are out-of-date.

They were superseded about seven years ago.They are no longer maintained.

You hav ebeen given an out-of-date URL :-(

Please consult:

www.pjb.com.au/mus/arr.htmlor

www.pjb.com.au/mus/arr/a4/or

www.pjb.com.au/mus/arr/us/

for up-to-date versions, available in achoice of A4 and US-Letter page sizes.

Page 3: Bach Kunst der Fuge 14 (Tovey)

4Contrapunctus 14

J. S. Bach, completed by D. F. Tovey

typesetting (c) 1998 Peter Billam

5

10

15

20

25

30

www.pjb.com.au

Page 4: Bach Kunst der Fuge 14 (Tovey)

5J. S. Bach, Contrapunctus 14, completed by D. F. Tovey

typesetting (c) 1998 Peter Billam

35

40

45

50

55

60

www.pjb.com.au

Page 5: Bach Kunst der Fuge 14 (Tovey)

6 J. S. Bach, Contrapunctus 14, completed by D. F. Tovey

typesetting (c) 1998 Peter Billam

65

70

75

80

85

90

www.pjb.com.au

Page 6: Bach Kunst der Fuge 14 (Tovey)

7J. S. Bach, Contrapunctus 14, completed by D. F. Tovey

typesetting (c) 1998 Peter Billam

95

100

105

109

115

120

www.pjb.com.au

Page 7: Bach Kunst der Fuge 14 (Tovey)

8 J. S. Bach, Contrapunctus 14, completed by D. F. Tovey

typesetting (c) 1998 Peter Billam

125

130

135

140

www.pjb.com.au

Page 8: Bach Kunst der Fuge 14 (Tovey)

9J. S. Bach, Contrapunctus 14, completed by D. F. Tovey

typesetting (c) 1998 Peter Billam

145

150

155

160

www.pjb.com.au

Page 9: Bach Kunst der Fuge 14 (Tovey)

10 J. S. Bach, Contrapunctus 14, completed by D. F. Tovey

typesetting (c) 1998 Peter Billam

165

170

175

180

www.pjb.com.au

Page 10: Bach Kunst der Fuge 14 (Tovey)

11J. S. Bach, Contrapunctus 14, completed by D. F. Tovey

typesetting (c) 1998 Peter Billam

185

190

195

tr

200

205

www.pjb.com.au

Page 11: Bach Kunst der Fuge 14 (Tovey)

12 J. S. Bach, Contrapunctus 14, completed by D. F. Tovey

typesetting (c) 1998 Peter Billam

210

215

220

225

229

www.pjb.com.au

Page 12: Bach Kunst der Fuge 14 (Tovey)

13J. S. Bach, Contrapunctus 14, completed by D. F. Tovey

typesetting (c) 1998 Peter Billam

235

Here Bach’s manuscript ends

240 The remainder is by D. F. Tovey

245

250

tr

www.pjb.com.au

Page 13: Bach Kunst der Fuge 14 (Tovey)

14 J. S. Bach, Contrapunctus 14, completed by D. F. Tovey

typesetting (c) 1998 Peter Billam

255

260

265

270

275

www.pjb.com.au

Page 14: Bach Kunst der Fuge 14 (Tovey)

15J. S. Bach, Contrapunctus 14, completed by D. F. Tovey

typesetting (c) 1998 Peter Billam

tr

280

285

290

295

www.pjb.com.au

Page 15: Bach Kunst der Fuge 14 (Tovey)

16 J. S. Bach, Contrapunctus 14, completed by D. F. Tovey

typesetting (c) 1998 Peter Billam

301

305

310

315

www.pjb.com.au

Page 16: Bach Kunst der Fuge 14 (Tovey)

ccBY

Peter Billam was born in London in 1948, studied piano, and lived in Switzerland from 1973 to1983, where he studied composition, classical guitar, flute and voice, worked as Musical Directorof the Théâtre Populaire Romand, and as recording engineer, record producer and computerprogrammer. He moved to Tasmania in 1983, lectured in composition at the Conservatorium,conducted recorder ensembles and choirs, studied recorder, voice and keyboard. Hefoundedwww.pjb.com.au, becoming the first composer to sell scores on-line, taking scores fromComposer to Performer in one immediate step.Www.pjb.com.auoffers a new approach to musicpublishing. Thesepieces arewritten to be read, made to be played !

Compositionsat www.pjb.com.auinclude:Five Short Pieces, guitar, 1979;Divisions on an ItalianGround, flute and guitar, 1980;De ProfundisandNacht, on poems by Lama Anagarika Govinda, voice andpiano, 1980;Fünf Bagatellen, piano, 1980;Five Rounds, choir, 1986; Go Forth and Multiply, choir, 1986;Three Violin Duets, 1987; Fable, for piano, 1987;To Erich Jantsch, SAATTB recorders, 1988;A Suite ofCurves, trombone (or horn) and piano, 1990;Two Recorder Duets, alto recorders, or other melodyinstruments, 1991;Tr ombone Quintet, trombone, flute, piano, bass, and percussion, 1994;Three Songs, onpoems by Jack Kerouac, Vikram Seth and Dylan Thomas, voice and piano (only the first and third of these areavailable), 1994; Piano Study, piano, 1994;Four Dances, various ensembles including recorder quartet,string quartet, 1995;The Poet in the Clouds, on a poem by S. T. Coleridge,SATB choir, 1995;Tr es Casidasdel Diván del Tamarit, on poems by Federico García Lorca, voice and piano, 1997;Three Suites, for thesolo line, piano, and piano and a solo line, 2000;Die Zeiten, on poems by Kästner, Bachman and Jünger,choir (only the second and third of these are available), 2000;Three Duetsfor flutes, 2001;For Four Handsforpiano four hands, 2002;Three Preludesfor piano, 2003;Second Solo Suitefor flute, violin, viola or cello,2003;Guitar Duetfor two guitars, 2006;We Who Mournfor choir, 2007; Trio With Guitar for guitar andtwo clarinets or two recorders or two violas, 2008;Canonsfor two- and four-hand piano, 2009;Flute Trio,2012;Twenty Studiesfor piano, 2013-14;Music for Stringsfor 2vln, 2vla, 2vlc, 2015.

Arrangements include: By J. S. Bach:Trio BWV 655, piano and flute;Vor deinen Thron BWV 668,piano;Fugue in F minor BWV 689, SATB recorders;Four Duets BWV 802-5, keyboard;Six Preludes andFuguesfrom Book I, keyboard;Flute Sonata BWV 1031transposed into G major for alto recorder andkeyboard;Flute Sonata BWV 1032completed by Peter Billam for flute and keyboard, also in C major foralto recorder, and in G major for descant;Ricercare a 3, from the Musikalisches Opferfor keyboard;Ricercare a 6, for sSATBG recorders, or strings, or two keyboards; andFuga Canonica in Epidiapente;from theArt of Fugue: Contrapuncti 1, 4 and9 for keyboard, andContrapunctus 14as completed by D. F.To v e y, for keyboard, or for SATB recorders, or for strings;Passacaglia and Fugue in cfor piano fourhands;Chorales with Descantfor melody instrument and piano;Cello Suites I, II and III for flute or altorecorder,Forty Chorales for piano,Der Geist hilftfor SATB-SATB recorders. By Brahms:Fugue in Abminor for organ, for SATB recorders and gamba, in A minor;Choralvorspiele for organ plus settings byIsaac, Bach, Praetorius, recorders.John Carr, Divisions on an Italian Ground, flute or recorder and guitar.Franz Liszt,Late piano pieces, G.F. Händel: Concerto Grosso in A minorop 6 no 4, harpsichord andrecorders;Recorder Sonata in Bbno 5, in G for tenor recorder and keyboard. ClaudioMonteverdi, EccoMormorar l’Onde, SSATB recorders. Arnold Schoenberg: Verklärte Nacht for piano. Franz Schubert:Four Songs, voice and guitar;Dances, recorders and guitar, Dances, piano 4 hands.Scriabin,Two Preludesop.67; Five Preludes op.74, piano. Telemann,Twelve Flute Fantasias, recorder. Wilbye, Draw on sweetNight, SSATTB recorders, and for flute choir. Twelve Italian Songs, voice and guitar;Seven English Songs,voice and guitar;Fourteen Folk Dance Tunes, recorder and guitar;Bushband Dances, violin, accordeon andbanjo;Easy Classical Pieces, Bb trumpet and piano;Famous Beginnings, for piano.

These pieces are under theCreative Commons Attribution 4.0licence. Very briefly:

• You may copy and redistribute the material in any medium or format.

• You may transform and build upon the material for any purpose.

• You must give appropriate credit, and indicate if changes were made.

Feel free to visit. . . www.pjb.com.au


Recommended