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Berklee Ear Training Conducting

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FREE music lessons from Berklee College of Music Basic Ear Training 1 Lesson 1: Conducting as an Ear Training Tool This lesson is excerpted from an online course. While the navigation links on each page are not active, all of the multimedia interactions are. Have fun! Check out Berkleeshares.com for more lessons just like this one.
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  • FREE music lessons from Berklee College of Music Basic Ear Training 1

    Lesson 1: Conducting as an Ear Training Tool This lesson is excerpted from an online course. While the navigation links on each page are not active, all of the multimedia interactions are. Have fun! Check out Berkleeshares.com for more lessonsjust like this one.

    Shawn GirsbergerText Box 2003 Berklee College of Music licensed to the public under http://creativecommons.org/licenses/by-nd-nc/1.0/ verify at http://berkleeshares.com/legal-notice

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    Conducting and Singing in 4/4

    Here is the 4/4 conducting pattern.

    "S" indicates a strong beat, "W" a weak beat, and "LS" a less strong beat.

    Conductors always conduct the measures/pulse of the music with the right hand. Lets count two measures of 4/4 while conducting the above beat pattern with your right hand. There will be a two measure count-off, then begin conducting.

    The pattern gives you a visual picture of the pulse of the music. The first beat is the strongest, the second weak, the third beat is strong but not as strong as the first, and the fourth beat is weak. Conducting measures the beat and the pulse of the music. When youre conducting a 4/4 pattern, really lean into beats 1 and 3.

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    Berkleemusic Online School -- BME-115.02 Basic Ear Training 1 2002-2004 Berklee College of Music. All rights reserved. Our Terms of Use and Privacy Policy.

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    Conducting and Singing in 4/4

    Now, lets conduct the 4/4 pattern and sing the following whole-note rhythmic example. Sing the syllable "doo" and hold each note for the full four counts. The comma (,) above the staff is a breath mark. Make sure you take a breath before singing each note. There will be a 2-measure countoff. Conduct along, and sing the pitch with the piano. The symbol C ("c" for "common time") is another way of expressing 4/4 time.

    The whole rest looks like this:

    Its a heavy rest, and it hangs below the line.

    When you see this rest, you rest for a whole measure. Sing the next example alternating between the whole note and the whole rest while conducting.

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    Conducting and Singing in 4/4

    Now lets conduct and sing half notes with a two measure count off. The half note gets two counts and emphasizes beats 1 and 3 (the strong pulses of each measure). Breathe after each measure.

    This is what the half rest looks like:

    Sing and conduct the next example, alternating between the half note and the half rest.

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    Conducting and Singing in 4/4

    Finally, lets conduct and sing quarter notes with a 2-measure countoff. Each quarter note gets one beat. Listen to the different pulses in 4/4 time. Again, breathe after each measure. Remember to sing the syllable "doo" for each quarter note.

    Heres the quarter rest, where you rest for one beat:

    Sing and conduct the next example, alternating between the quarter note and the quarter rest.

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    Conducting and Singing in 2/4

    This is the 2/4 conducting pattern.

    "S" indicates a strong beat and "W" a weak beat.

    Lets count two measures of 2/4 while conducting the above beat pattern with your right hand. Listen for the two measure count off and then conduct the pattern.

    In 2/4, the first beat is strong, the second weak. Conducting measures the beat and the pulse of the music. When youre conducting a 2/4 pattern, really lean into beat 1 and rebound on beat 2.

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    Berkleemusic Online School -- BME-115.02 Basic Ear Training 1 2002-2004 Berklee College of Music. All rights reserved. Our Terms of Use and Privacy Policy.

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    Conducting and Singing in 2/4

    Now, lets conduct the 2/4 pattern and sing the following half note rhythmic example. Use the syllable doo, and hold each note for the full two counts. The half note marks the pulse of each measure. Listen for the 2-measure countoff.

    As you know, the quarter note gets one beat and marks the pulse of each beat in 2/4 time. Lets conduct in 2/4 and sing the next example. Remember to rebound off of the strong beat 1 into beat 2.

    Sing the next example alternating between the quarter note and the quarter rest.

    Previous Page Next Topic: Conducting and Singing in 3/4

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    Conducting and Singing in 3/4

    Here is the 3/4 conducting pattern.

    "S" indicates a strong beat and "W" a weak beat.

    Lets count two measures of 3/4 while conducting the above beat pattern with your right hand.

    In 3/4 time, the first beat is the strongest, and the second and third beats are weak. When you're conducting a 3/4 pattern, beat 1 is large, and beats 2 and 3 have much less emphasis.

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    Conducting and Singing in 3/4

    Now, lets conduct the 3/4 pattern and sing the following dotted-half-note rhythmic example. The dot adds half of the value to a note; so a dotted half note gets three beats.

    Use the syllable "doo," and hold each note for the full three counts. The dotted half note marks the pulse of each measure. Listen for the 2-measure countoff, and then sing with the piano.

    Lets sing and conduct the following examples using the syllable "doo." Wait for the 2-measure countoff, then sing with the piano. Remember that the quarter rest gets one beat rest. Sing the half note for the full two counts and rest on the third beat.

    Sing and conduct the quarter note example in 3/4. Wait for the 2-measure countoff.

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    Conducting and Singing in 3/4

    Sing and conduct the following quarter-rest exercises. Each exercise has a two-measure countoff. After the countoff, sing along with the piano.

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    mix. Exercises are assigned on a weekly basis to target specific skills, which you then apply when you complete the final project: a piece of your own, that you record, mix, then submit for feedback from your instructor and classmates.

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    Andy Edelstein is an active educator, record producer, engineer, and multimedia developer. He is currently Associate Professor of Music Production and Engineering at Berklee, and has also served as Assistant Chair of the Music Production and Engineering Department during his twenty-five-year tenure at the College. Andy has produced, recorded, and/or mixed numerous records from jazz and rock to bluegrass, Celtic, and blues,

    including the genre-bending Wayfaring Strangers critically acclaimed Rounder releases, the SpinART debut by independent rockers Apollo Sunshine, and the latest Dry Branch Fire Squad live album, all using his Pro Tools HD system. Andy is Principal of Rapid Eye Media, specializing in multimedia production services. His design and production work is featured in a series of award-winning interactive exhibits at the American Jazz Museum in Kansas City, MO and the Longyear Museum in Brookline, MA. Consulting clientele has included the GRAMMY Foundation in Santa Monica, CA. Andy holds a B.S. in Electrical

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  • Berkleemusic - Basic Ear Training 1 - ear training online course

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    Basic Ear Training 1Course Authors: Matt Marvuglio, Roberta Radley

    Become a more interactive and confident musician by learning how to really hear what is going on in the band while you are performing. The course focuses on the melody and bass notes and examines the harmonies, rhythms, and pulses that drive and measure music. You'll learn to notate basic rhythms and pitch, and understand the relationships between notes by using the solfege method. Through transcription exercises and the study of contemporary songs from artists such as Dave Matthews, Red Hot Chili Peppers, Jimi Hendrix, Miles Davis, and Led Zeppelin, you'll learn to build an awareness of what's happening around you when you are playing, and build your confidence as a musician and performer.

    By the end of this course, you will be able to:

    l Conduct basic rhythmsl Identify different time signatures and notate basic rhythmsl Identify different key signatures and transcribe what you

    hearl Understand tonic, subdominant, and dominant relationshipsl Identify the difference between major and minor tonicl Identify primary triads in major and minorl Recognize A B elements in song forml Apply the moveable Do system to performance and

    composition

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    l Syllabusl Requirements for Basic Ear Training 1

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    Course Info -For-credit tuition: $995 -Non-credit tuition: $795 -Credits: 3 -Duration: 12 weeks -Catalog #: BME-115

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    Course Preview Do you want to play your instrument better? Have you ever wished you could explain your musical ideas to your band mates more easily? In Basic Ear Training I, youll develop your inner ear and learn solfege and notation skills to improve your performance skills, boost your confidence, and help you communicate better. Read more

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