BETTINA LOCKEMANN CURRICULUM VITAE CONTACT INFORMATION home address An der Eiche 7A, D. 50678 Köln Germany email [email protected]web http://archivalien.de/en/ EDUCATION 2007 PhD in Art History, Stuttgart State Academy of Art and Design, Germany 1999 Diploma in Fine Art Photography and Media Art (equivalent to MFA) with distinction, Academy of Visual Arts Leipzig, Germany 1994 Desktop-Publisher (Vocational Training), CIMdata Academy, Berlin, Germany 1993 Gesellenbrief (Certificate of Apprenticeship) in Photography, Free University Berlin, Germany PROFESSIONAL APPOINTMENTS/EMPLOYMENT Academic 2010—2015 Professor: Practice and Theory of Photography, Department for Communication Design, Braunschweig University of Art, Braunschweig, Germany 2009—2010 Visiting Professor: Photography, Merz Akademie Stuttgart, Germany 2009—2010 Adjunct Professor: Art Photography, Stuttgart State Academy of Art and Design, Germany 2007—2009 Adjunct Professor: Aesthetics and Theory of Art, Stuttgart State Academy of Art and Design, Germany 2008 Adjunct Professor: Art Photography, F+F School for Art and Media Design, Zurich, Switzerland 2007—2008 Adjunct Professor: Art Photography: Academy of Visual Arts, Leipzig, Germany 2000—2004 Lecturer and Researcher (staff): Research Project Visuelle Kompetenz im Medienzeitalter (Visual Competence in the Media Age), Stuttgart State Academy of Art and Design, Germany
Transcript
BETTINA LOCKEMANN
CURRICULUM VITAE
CONTACT INFORMATION
home address An der Eiche 7A, D. 50678 Köln Germany
2007 PhD in Art History, Stuttgart State Academy of Art and Design, Germany 1999 Diploma in Fine Art Photography and Media Art (equivalent to MFA) with distinction, Academy of Visual Arts Leipzig, Germany
2010—2015 Professor: Practice and Theory of Photography, Department for Communication Design,BraunschweigUniversityofArt,Braunschweig,Germany
2009 —2010 Visiting Professor: Photography, Merz Akademie Stuttgart, Germany
2009 —2010 Adjunct Professor: Art Photography, Stuttgart State Academy of Art and Design, Germany
2007—2009 Adjunct Professor: Aesthetics and Theory of Art, Stuttgart State Academy of Art and Design, Germany
2008 Adjunct Professor: Art Photography, F+F School for Art and Media Design, Zurich, Switzerland
2007—2008 Adjunct Professor: Art Photography: Academy of Visual Arts, Leipzig, Germany
2000—2004 Lecturer and Researcher (staff): Research Project Visuelle Kompetenz im Medienzeitalter (Visual Competence in the Media Age), Stuttgart State Academy of Art and Design, Germany
Bettina Lockemann | Curriculum Vitae 2
Graphic Design
1999—2000 Graphic Designer, VIVA Fernsehen GmbH (German music television station), Cologne, Germany
1997—1999 Freelance Graphic Designer: Lambert and Lambert (formerly Lambert and Ott), Duesseldorf, Germany: exhibition catalogues, magazines, print and online
1995 Intern: Graphic Designer, Lambert and Ott, Düsseldorf, Germany
2007—2014 Founding Member of the producers’ gallery Loris in Berlin, Germany
2005 Assistant to the Curator (Inke Arns): Dispersed Moments of Concentration. Urban and Digital Spaces, Hartware Medienkunstverein, Dortmund, Germany
2004 Jury Member: Grant of the State of North Rhine-Westphalia for a Female Media Artist, Dortmund, Germany
2004 Lecturer and Supervisor: International Student Workshop: Heimatwechsel, in cooperation with Hartware Medienkunstverein and medien_kunst_netz Dortmund, Germany,collaborationwithAntoniMuntadas(NewYork,USA)andDaniel Garcia Andújar (Valencia, Spain)
2000—2010 Supervisor for Parkett (Swiss art magazine) at Art Cologne, Cologne, Germany
1997—1998 Intern and Co-Curator (Judy Lübke): Weimar Lab, Media Lab of Eigen + Art gallery, Leipzig, Germany
1997—1998 Student Organizer: National Student Workshop künstlich, vermutlich, Academy of Visual Arts, Leipzig, Germany
1995—1997 Student Supervisor: Computer Lab, Academy of Visual Arts, Leipzig, Germany
1995—1997 Student Instructor: Digital Image Processing (Photography Department) and Online Research for Art Historians (Media Art Department), Academy of Visual Arts Leipzig, Germany
1994—1996 Jury Member: German Youth Photography Award, Remscheid, Germany
1993—1994 Lecturer: Photography, Adult Education Center Kreuzberg, Berlin, Germany
2015 archivalien | documents, Blurb, books on demand, 2015.
2013 From the Periphery, Salzburg: Fotohof edition, 2013.
2011 Contact Zones, (monographic exhibition catalogue), ed. by Hans D. Christ/Iris Dressler,WürttembergischerKunstvereinStuttgart,Ostfildern,Germany2011, Hatje Cantz Verlag.
1999 Bettina Lockemann and foto.media.projekte (eds.), künstlich, vermutlich, Leipzig: Academy of Visual Arts Leipzig, 1999.
Theory—Papers
2016 “The Power of Place,” in: Kerstin Schmidt und Julia Faisst (eds.), The Place of Photography, in: Spatial Practices, Brill/Rodopi (in preparation).
2016 “After Fukushima: Strategies of Photographic Visualization,” in: Bettina Gockel (ed.), Japan – Photography and Photographers, Berlin, de Gruyter (in preparation).
2016 “UnbestimmtheitsstelleninderdokumentarischenFotografie,”Let's Mix All Media Together & Hans Dieter Huber, ed.byHannelorePaflik-Huber,Ostfildern: Hatje Cantz, 2015, 206-216 (June 2016).
2015 “Beyond the Decisive Moment: Temporality in Paul Graham's ‘A Shimmer of Possibility’,” Image [&] Narrative, ed. by Alexander Streitberger and Jan Baetens, Brussels, 17-30..
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2014 “The City as Contact Zone,” Visual Resources, Volume 30, Number 4, October 2014 (Taylor & Francis), 354-372.
2013 “A Phenomenological Approach to the Photobook,” Imprint. Visual Narratives in Books and Beyond, ed. by Hans Hedberg/Gunilla Knape/ Tyrone Martinsson/Louise Wolthers, Gothenburg: Art and Theory Publishing, 2013, 83-127.
2010 “MaskierungundDemaskierungvonMacht.PaulGrahamsfotografische Sicht auf Japan,” Kritische Berichte: The Phoenix of Hiroshima. Entwürfe einer neuen Identität im Bild, 2/2010, 63-72.
2007 “ConstructingtheWorld.DocumentaryPhotographyinArtisticUse,” Visual Culture Revisited. German and American Perspectives on Visual Culture(s), ed. by R. Adelmann et al., Cologne: Herbert von Halem Verlag, 2007, 141-152.
2004 “Das Fremde sehen. Der Blick auf Japan in Paul Grahams Künstlerbuch ‘Empty Heaven’,” Printed Matter: Fotografie im/und Buch, ed. by Barbara Lange, Leipzig:LeipzigUniversityPress,2004,125-135.
2004 “Netzkunst als Konzeptkunst,” Visuelle Netze. Wissensräume in der Kunst, H.D. Huber/B.Lockemann/M.Scheibel,Ostfildern/Ruit:HatjeCantzVerlag,2004, 39-51.
2004 “Vom Grenzraum zur Grenzüberschreitung. Grenzen und Globalisierung im künstlerischen Diskurs,” Visuelle Netze. Wissensräume in der Kunst, H.D. Huber/B.Lockemann/M.Scheibel,Ostfildern/Ruit:HatjeCantzVerlag,2004, 145-163.
2004 “Bedingungen der Integration von Online-Medien in die Ausbildung von KunsterzieherInnen,” http://www.vk.abk-stuttgart.de.
2002 “Jenseits der Netzkunst,” Bild Medien Wissen, ed. by H.D. Huber/B. Lockemann/M. Scheibel, Munich: kopaed Verlag 2002, 257 - 272.
2002 Methodisch-didaktische Ansätze in der Ausbildung von KunststudentIn- nen im Bereich Online-Medien, http://www.vk.abk-stuttgart.de.
2001 “Saying Goodbye to the Wild West. Thoughts about Net.art on the Threshold of Institutionalisation,” http://art.net.dortmund.de.
2000 “objects in this mirror may be closer than they appear,” Vom Realismus der Bilder, ed. by K. Sachs-Hombach and K. Rehkämper, Magdeburg: Scriptum Verlag, 2000, 185-192.
1996 “Medien, Bilder,” European Media Arts Festival Osnabrück 1996 (catalogue), ed. by H. Nöring/A. Rotert/R. Sausmikat, Osnabrück: EMAF, 1996, 254-257.
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Reviews and Miscellaneous Texts
2014 “UenoPark”,Klasse. Buch. 64 Positionen aus der Klasse Eißfeldt, ed. by BraunschweigUniversityofArt,Heidelberg:Kehrer,2014.
2012 “An Almost Casual Gaze. On Lara Almarcegui's ‘Guide to the Waste- lands of Lea Valley. 12 Empty Spaces Await the London Olympics’,” Status. 24 Contemporary Documents (catalogue), ed. by Daniela Janser/Thomas Seelig, Winterthur: Fotomuseum Winterthur, 2012, 78-79.
2009 “Shinkichi Tajiri: The Berlin Wall,” http://archivalien.blogspot.com.
2008 “Robert Frank: The Americans,” http://www.booksports.de.
2008 “Judith Joy Ross: Living with War,” http://www.booksports.de.
2007 “Paul Graham: American Night,” http://www.booksports.de.
2006 “Seeing the Other,” http://www.archivalien.de.
2005 “Die Welt ist nicht genug,” http://www.archivalien.de.
2004 “Code Orange: Washington im Krieg,” spector cut+paste 3, 158-160.
2002 “schon mal hier gewesen,” http://www.archivalien.de.
GRANTS AND AWARDS
2013 Deutscher Fotobuchpreis, Germany, “Nominated 2014”-Predicate for the publication From the Periphery 2013 ResearchCommissionofBraunschweigUniversityofArt,Germany, Publication Grant
2013 Arts Foundation North Rhine-Westphalia, Germany, Publication Grant
2010 Arts Foundation North Rhine-Westphalia, Germany, Exhibition Grant
2005 Arts Foundation North Rhine-Westphalia, Germany, Exhibition Grant
2000 International Bauhaus Award 2000, Honorable Mention, Bauhaus Dessau, Germany
1998 West German Public Broadcasting Company (WDR) and the Academy of Media Arts Cologne 1st prize: kurz + schön contest (cooperation with Caroline Hake)
1997 Institut für Buchkunst Leipzig, Germany, Publication Grant for the artist book Plan(cooperationwithElisabethNeudörfl)
1997 Koerber-Foundation, Germany, German Study Award, 3rd prize
2004 Research – discovered! Picture archives of the invisibilities, International Photography Triennial Esslingen, Villa Merkel, Esslingen, Germany (catalogue)
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2002 not far away from reality, Kunstverein hartware, Dortmund, Germany (catalogue)
2002 Trade. Commodities, Communication, and Consciousness in World Trade Today, Nederlands Foto Instituut, Rotterdam, The Netherlands (catalogue)
2001 Trade. Commodities, Communication, and Consciousness in World Trade Today, Fotomuseum Winterthur Switzerland (catalogue)
2001 new ideas – old tricks, Kunstverein hartware, Dortmund, Germany (catalogue)
2000 Sublime, Künstlerhaus Duende, Rotterdam, The Netherlands
2000 Positions, Attitudes, Actions, International Photography Biennial Rotterdam, The Netherlands (catalogue)
1999 Arte & Communicazione‚ 99. Forum Internazionale della TV, dell‘Audiovisivo e dell‘Editoria multimediale di qualita, Musei D‘Arte Contemporanea, Rome, Italy
1998 sub fiction, 3. Werkleitz Biennial, Saxony-Anhalt, Werkleitz, Germany (catalogue)
1997 Labland, medialab of Eigen+Art gallery, Leipzig, Germany (catalogue)
1996 Videonale Bonn (catalogue)
1996 European Media Arts Festival Osnabrück (catalogue)
LECTURES AND PRESENTATIONS
Artist Presentations2015 Constructing the Urban Landscape, Good Children Gallery, New Orleans, Louisiana,USA
2013 Artist Talk with Dr. Barbara Könches/Arts Foundation North Rhine Westphalia, Germany, Düsseldorf Photo-Weekend
2011 undocumented, “Studio Real—Kunst und Dokument,” ACC Galerie/Bauhaus UniversityWeimar,Germany
2010 The World is not Enough, ZurichUniversityoftheArts,Zurich,Switzerland
2010 Encounters in the Contact Zone, Württembergischer Kunstverein Stuttgart, Germany
2009 Exploring Places, Academy of Visual Arts Leipzig, Germany
2009 Documentary Projects, FacultyofArchitecture,MiddleEastTechnicalUniversity, Ankara, Turkey
2009 Exploring Territories, PIST art space, Istanbul, Turkey
2008 Encounters in the Contact Zone. European Influences in Japan in the photography project ‘Contact Zone’, “ContactZone,”Loris–galleryfor contemporary art, Berlin
2005 The World is not Enough, Kunstraum Kreuzberg/Bethanien, Berlin, Germany
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2002 been here before, Kunstverein Oberwelt e.V., Stuttgart, Germany
2000 The International City, “Event City,” Bauhaus Dessau
Invited Talks (Academic)
2015 From the Periphery, BauhausUniversityWeimar
2015 Conceptual Documentary: Constructing the World in Images, Southeastern LouisianaUniversity,DepartmentforFineandPerformingArts,Hammond, Louisiana,USA
2014 From the Periphery. Housing Estates and the Car-Oriented City, departmentformediastudies,UniversityofAppliedSciences,Potsdam,Germany
2014 After Fukushima. Strategies of Photographic Visualization, “Geography of Photography:Japan–PhotographyandPhotographers,”ZurichUniversity, Switzerland
2012 Phenomenology and the Photobook, Hasselblad Foundation, Gothenburg, Sweden
2010 Seeing the Other. The European View of Japan, 3rd International Photobook Festival, Kassel, Germany
2009 Seeing the Other, “Pictorial Flows. Visuality and Mediality in a Global Context,” interdisciplinary excellence cluster ”Asia and Europe in a Global Context,” HeidelbergUniversity,Heidelberg,Germany
2009 Encounters Within the Contact Zone, “Cultural Memory and Border Identities Between Narrative Construction and ‘iconic turn’,” Faculty of Philosophy, UniversityMadrid,Spain
2007 Seeing the Other. The European View on Japan in artistic Documentary Photography, “Japanese Photography,” Academy of Visual Arts Leipzig in cooperationwiththeInstituteofJapanology,LeipzigUniversity,Germany
2005 Constructing the World. Documentary Photography in Artistic Practice, “Visual Culture Revisited. German and American Perspectives on Visual Culture(s),”JFK-Forum,FreeUniversity,Berlin,Germany
2001 Using Media in the Arts, IGMedien,BadUrach,Germany
2001 Saying Goodbye to the Wild West. Thoughts about Net.art on the Threshold of Institutionalisation, “art.net.dortmund under construction,” hartware medien kunst verein, Dortmund, Germany
Conference Activity/Other
2016 Agency in Photography. Exploring Photography as Performative, Helsinki Photomedia Conference 2016, AaltoUniversity,Helsinki,Finnland(March2016)
2015 Panel Member: Past is Wow, Fotodoks, Festival für aktuelle Dokumentarfotografie, Maximiliansforum München
2014 The Power of Place. Photographing the Holocaust Today, Helsinki Photomedia Conference2014,AaltoUniversity,Helsinki,Finnland
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2014 Panel Member: Herausforderungen der Architekturfotografie, Gallery for Photography, Hanover, Germany
2014 Beyond the Decisive Moment. Temporality in Paul Graham’s ’Shimmer of Possibility’, “PhotofilmicImages,”Brussels,Belgium
2013 The City as Contact Zone, CollegeArtAssociation(CAA),NewYork,USA
2012 Panel Member: Fotografie ist mehr als Kunst. Zur Vielfalt fotografischer Weisen in Bezug auf ihren Status in der Kunst, Stuttgart State Academy of Art and Design, Stuttgart, Germany
2012 A Phenomenological Approach to Photography, Helsinki Photomedia Conference“ImagesinCirculation,”AaltoUniversity,Helsinki,Finnland
2010 Undetermined Terrain. The Urban Experience between Europe and Asia, “CityscapesinHistory.CreatingtheUrbanExperience,”CenterforAdvanced Studies,Ludwig-Maximilians-University,Munich,Germany
2007 Thinking Non-Linear – Working Cross-Linked, “KunstinBewegung–Das Flüchtige in der Kunst,” Landesinstitut für Lehrerbildung und Schulentwicklung Hamburg, Germany
2005 Moderator: Veränderte Berufsprofile im Medienzeitalter, “Kulturelle Bildung im Medienzeitalter. Projekte Praxis Perspektiven,” Munich, Germany
2003 Seeing the Other. Seeing Japan in Paul Graham's Artist Book ‘Empty Heaven’, “FotografieimBuchII,”DepartmentofArtHistory,LeipzigUniversity,Germany
2003 The Internet as Extension of Artistic Practice, Bad Emser Medienkunsttage 2003: “VirtuelleUtopien–GrenzenloseMöglichkeiten?DieRelevanzneuerTechnolo- gien in Kunst und Gesellschaft,” Bad Ems, Germany
2003 Panel Member: Interdisziplin Medienkunst, Transmediale Media Festival, Berlin, Germany
Campus Talks and Conferences
2014 Agency in Photography: Concept, organization, and realization of the conference atBraunschweigUniversityofArt,Braunschweig,Germany(July10/112014), in cooperation with Prof. Dr. Ilka Becker. speakers:UlrikeBergermann(Braunschweig),KerstinBrandes(Oldenburg), Florian Ebner (Essen), Peter Geimer (Berlin), Hilde Van Gelder (Leuven), Lilian Haberer (Cologne), Susanne Holschbach (Berlin), Marco Poloni (Berlin/ Lausanne), Jens Schröter (Siegen), Alexander Streitberger (Louvain)
2013 Considerations on a Phenomenology of the Photographic Image, “The PhotographicDispositif,”BraunschweigUniversityofArt
2009 Seeing the Other. Views of Japan, Stuttgart State Academy of Art and Design, Stuttgart, Germany
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2008 Begegnungen in der Kontaktzone. Europäische Einflüsse in Japan im Fotoprojekt ‘Contact Zone’, “PositionenderFotografie,”F+FSchulefürKunstund Mediendesign Zurich, Switzerland
2006 Seeing the Other. The European View on Japan in Contemporary Artistic Documentary Photography, History & Humanities Study Group, German Institute for Japanese Studies, Tokyo, Japan
2004 Visuelle Kompetenz im Medienzeitalter (Abschlussveranstaltung): Concept, organization and realization of the conference, Stuttgart State Academy of Art and Design, in cooperation with Prof. Dr. Hans Dieter Huber and Michael Scheibel speakers: Hans Dieter Huber (Stuttgart), Gabriele Lieber (Bonn), Bettina Lockemann (Stuttgart), Wilfried Matanovic (Berlin), Andreas Opiolka (Stuttgart), Hartmut Preuß (Stuttgart), Hans Peter Radolko (Stuttgart), Michael Scheibel (Stuttgart)
2004 How to Integrate Online Media in Art Education, “Visuelle Kompetenz im Medienzeitalter,” Stuttgart State Academy of Art and Design, Stuttgart, Germany
2003 Visual Competence in the Media Age,“Edutain,” Karlsruhe, Germany
2002 Online-Medien in der Kunstausbildung: Concept, Organization and realization of conference/workshop, Stuttgart State Academy of Art and Design, in cooperation with Prof. Dr. Hans Dieter Huber and Michael Scheibel speakers: Kirsa Geiser (Berlin), Hans Dieter Huber (Stuttgart), Bettina Lockemann (Stuttgart), Michael Scheibel (Stuttgart), Michael Wetz (Tübingen)
2002 Methodological-didactic Approaches in using Online Media in Art Education, “Online-Medien in der Kunstausbildung,” Stuttgart State Academy of Art and Design, Stuttgart, Germany
2001 Bildkompetenz und Wissensvernetzung: Concept, organization and realization of the conference, Stuttgart State Academy of Art and Design, in cooperation with Prof. Dr. Hans Dieter Huber and Michael Scheibel speakers: Kunibert Bering (Düsseldorf), Sigmar-Olaf Tergan (Tübingen), Dragan Espenschied/AlvarC.Freude(Stuttgart),GuiBonsiepe(Cologne),Kai-Uwe Hemken (Bochum), Karl R. Gegenfurtner (Gießen), Christiane Heibach (Erfurt), Holger Friese (Berlin), Gabi Reinmann-Rothmeier/Frank Vohle (Augsburg), StefanRömer(Cologne),UrsHirschberg(Cambridge/Massachusetts)
TEACHING EXPERIENCE
Braunschweig University of Art, BA and MA (Winter 2010/11 —Summer 2015)
every semester Studio Art (photographic practice)
Braunschweig University of Art, PhD
Summer 2015 Doctoral Colloquium (graduate program “The photographic Dispositif”) in cooperation with: Prof. Dr. Katarina Sykora, Prof. Dr. Victoria von Flemming, Prof. Dr. Ilka Becker, Prof. Dr. Linda Hentschel, Prof. Dr. Heike Klippel et al.
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Summer 2014 Doctoral Colloquium (graduate program “The photographic Dispositif”) in cooperation with: Prof. Dr. Katarina Sykora, Prof. Dr. Victoria von Flemming, Prof. Dr. Ilka Becker, Prof. Dr. Linda Hentschel, Prof. Dr. Heike Klippel et al.Winter 2013/14 Doctoral Colloquium (graduate program “The photographic Dispositif”): Theories of the Dispositif, in cooperation with: Prof. Dr. Katarina Sykora, Prof. Dr. Victoria von Flemming, Prof. Dr. Ilka Becker, Prof. Dr. Linda Hentschel, Prof. Dr. Heike Klippel et al.
Braunschweig University of Art, MA
Summer 2015 Bilder der Erinnerung/Images of Memory (photographic practice and theory)Summer 2014 Evidence. Fotografie als/und Beweis/Evidence. Photography as/and Proof (photographic practice and theory)Winter 2013/14 Störbilder. Scheitern als produktives Verfahren/Residual Images. Failure as Failure as Effective Method (photographic practice and theory), team teaching with Prof. Dr. Ilka BeckerSummer 2013 Bilder des Krieges/Images of War (theory)Winter 2012/13 Strategien des Dokumentarischen. Eine kritische Betrachtung des Dokumentarbegriffs/Strategies of the Documentary. A Critical Review of the Term ‘Documentary’ (theory)Summer 2012 Von Orten und Nicht-Orten/Of Places and Non-Places (theory)Winter 2011/12 Fremdes Sehen/Seeing the Other (photographic practice and theory), team teaching with Prof. Dr. Katharina SykoraSummer 2011 Amerikanische Landschaften. Der fotografische Blick auf die USA vom 19. bis ins 21. Jahrhundert/American Landscapes. The Photographic View on the USA from the 19th through the 21st Centuries (theory)Winter 2010/11 Mehr als ein Foto? Betrachtungen Konzeptioneller Fotografie/More than a Photograph? Examinations of Conceptual Photography (theory)
Braunschweig University of Art, BA
every summer Einführung in die Geschichte und Theorie der Fotografie/Introduction to the History and Theory of Photography (theory)Summer 2014 Sehen – analysieren – schreiben/Seeing—Analyzing—Writing (theory)Winter 2013/14 Die Welt vor meiner Tür. Erzählungen des Alltags/The World on my Doorstep. Narratives of Everyday Life (photographic practice)Summer 2013 Zwischen Wildnis und Wasteland. Zum Verhältnis zwischen uns und der Welt, die uns umgibt/Between Wilderness and Wasteland. On the Relation Between Us and the Surrounding World (photographic practice)Winter 2012/13 Die Stadt, in der ich lebe/The City I Live In (photographic practice)Summer 2012 Zur Verortung des Privaten/On the Contextualization of the Private (photographic practice)Winter 2011/12 Aesthetic Journalism. Fotografische Erkundungen gesellschaftlicher Zustände/Aesthetic Journalism. Photographic Explorations into Social Conditions (photographic practice)Summer 2011 Stadt und Stadtrand. Fotografische Erkundungen des urbanen Raumes/City and Suburb. Photographic Explorations of Urban Space (photographic practice)Winter 2010/11 Der Mensch und die Menge/The Man in the Crowd (photographic practice)
Bettina Lockemann | Résumé 13
Merz Akademie Stuttgart, BA (Winter 2009/10—Summer 2010)
two semesters Strategien des Dokumentarischen/Strategies of the Documentary (theory)Summer 2010 Zwischen Wildnis und Wasteland. Zum Verhältnis zwischen uns und der Welt, die uns umgibt/ Between Wilderness and Wasteland. On the Relation Between Us and the Surrounding World (photographic practice)Winter 2009/10 Mein Zimmer, mein Haus, meine Straße. Zur Verortung des Privaten/My Room, My House, My Street. On the Contextualization of the Private (photographic practice) Stuttgart State Academy of Art and Design, all levels (Winter 2007/08—Summer 2010)
three semesters Studio Art (photographic practice)Summer 2009 Die andere deutsche Fotografie-Schule: Kreuzberger Werkstatt für Fotografie/ The Other German Photography School: Kreuzberg Workshop for Photography (theory)Winter 2008/09 Angewandte Bildwissenschaften/Applied Image Studies (theory)Summer 2008 Dokumentarfotografie von den Anfängen bis zu aktuellen künstlerischen Positionen/Documentary Photography from the Beginning to Contemporary Positions in the Arts (theory)Winter 2007/08 Ästhetik als Ästhetik. Ästhetik im Spannungsfeld von Wahrnehmung und Kunst/ Aesthetics as Aesthetics. Aesthetics Between Perception and Art (theory)
F+F Schule für Kunst und Mediendesign Zürich, all levels
Winter 2007/08 Von An- und Abwesenheit. Bilder über Menschen/On Presence and Absence. Pictures about People (photographic practice)
Stuttgart State Academy of Art and Design, all levels, Research Project: Visual Competence in the Media Age (Winter 2000/01—Winter 2003/04)
three semesters Grundlagen der Online-Medien/Online-Media Basics (web practice/net art)Summer 2003 Bedingungen der Grenze/Conditions of the Border (web practice/net art)Winter 2002/03 Hypertextstrukturen: Auf der Suche nach Schnittstellen zwischen dem analogen und dem digitalen Bilduniversum/Hypertext Structures. Searching for Interfaces Between the Analogue and the Digital Picture-Universe (web practice/net art)Winter 2001/02 Website für das Fach Kunstgeschichte/Wesite for the Art History Department (web practice/net art)
DEPARTMENTAL/UNIVERSITY SERVICE
Braunschweig University of Art
Grant: Digital Image Production/Digital Photo-Studio, German Research Foundation (DFG) (320.000 Euro), 2013/2014
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Co-applicant and cooperator in the graduate school The Photographic Dispositif, funded by DFG under the direction of Prof. Dr. Katharina Sykora, 2013—ongoing
Advancement of BA and MA degree programs, Department of Communication Design
Cooperationwithseveraldegreeprogramsoftheuniversity(finearts,arttheory,mediastudies) Cooperation with the Braunschweig Photography Museum
Excursions to destinations in Germany and abraod (e.g. Cairo/Egypt, Tokyo/Japan, Kassel/Germany)
Expert reviewer for the German Academic Exchange Service and in university appointment procedures
Braunschweig University of Art: University Committees
Expert Commission Communication Design UniversitySenateAdmission Commission Communication Design (chair)Research Commission Planning Commission Teachings
Stuttgart State Academy of Art and Design (Research Project Visual Competence in the Media Age)
Conception and coordination of new content for art education study programs
Development of curricular structures for teaching net.art content in art education programs
Planning, organization, and realization/edition of symposia and publications
SELECTED MEDIA COVERAGE
Catalogues
2015 Under Surveillance, ed. by Maik Schlüter/Ricus Aschemann, Berlin: Revolver Publishing, 2015 (in press).
2011 Contact Zones, (monographic exhibition catalogue), ed. by Hans D. Christ/Iris Dressler,WürttembergischerKunstvereinStuttgart,Ostfildern:HatjeCantz Verlag, 2011.
2007 “EP/2006/K.,” Interior Views. Photographic Explorations in the European Parliament, Munich: Goethe-Institute, 2007, 106-117.
2007 “Code Orange, Trial of Power, ed. by Maik Schlüter, Frankfurt/Main: Revolver Publishing, 2005, 8-9.
2004 “FringesofUtopia,”Research – discovered! Picture archives of the invisibilities. 6th International Photography Triennial Esslingen 2004, ed. by Andreas Baur with Ludwig Seyfarth, Frankfurt/Main: Revolver Publishing, 2004, 116-127.
2002 “PositionIⅈBorderPatrol,”hartware 2002, ed. by H.D. Christ and I. Dressler, Dortmund: hartware medien kunst verein, 2002.
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2001 “International City,” Trade. Commodities, Communication, and Consciousness in World Trade Today,ed.byT.Seelig/U.Stahel/M.Jaeggi,Zurich:Fotomuseum Winterthur, 2001, 136-139.
2001 “Plan,” Positions, Attitudes, Actions. Social and political commitment in photography. Foto Biennale Rotterdam 2000, ed by F. Gierstberg, Rotterdam: Nederlands Foto Instituut, 2000, 166-169.
1998 “1. Livesource Ostdeutschlands,” sub fiction. 3. Werkleitz Biennale, Bd. 1, ed. by Werkleitz Gesellschaft e.V., Tornitz: Werkleitz Biennale, 1998, 198-201.
Print
2015 KatharinaSykora:“AndenRändernEuropas—FotografischeGrenzgänge. UnbestimmtesTerrain,”Europa: Entgrenzungen, ed. by Gregor Maria Hoff, Innsbruck:Tyrolia,2015,137–156.
2015 Maria Böhme: “Die Asse wird Kunst,” Braunschweiger Zeitung, 15.01.2015.
2013 Harald Duin: “Asphalt, Poller, Leere—Fotos aus dem Auto,” Braunschweiger Zeitung, 7.6.2013.
2011 Thomas Wiegand: “Plan,” Deutschland im Fotobuch, ed. by Manfred Heiting, Göttingen: Steidl, 2011, 278-279.
2002 Matthias Weiß: “art.net.dortmund. Vom Museum zur Community und zurück,” Borderline: Strategien und Taktiken für Kunst und soziale Praxis, ed. by AG Borderline-Kongress, Wiesbaden: Books on Demand, 2002, 223-230.
2002 “UnsichtbareGrenzenerkunden.NRW-Medienkunst-StipendiatinBettina Lockemann stellt Arbeiten vor,” WAZ, 23.1.2002.
2000 “Landschaft der Erinnerung”, NRZ, Mülheim/Ruhr, 21.9.2000.
2000 Hans Dieter Huber: “Digging the Net - Materialien zu einer Geschichte der Kunst im Netz,” Bilder in Bewegung. Traditionen digitaler Ästhetik, ed.byKai-Uwe Hemken, Cologne: Dumont, 2000, 158-174.
2000 Beatrice Tobler: “Blicken und Angeblickt werden. Live-Kameras im Internet,” TSANTSA 5/2000, 68-75.
1999 “Virtuelle Stadt,” Edit. Papier für neue Texte, No. 21.
1996 “Revolution Nr. 3,” Camera Austria No. 54 (1996).
Bettina Lockemann | Curriculum Vitae 16
Website Publications
2015 “A Conversation with Bettina Lockemann,” Mommy, ed. by Susan Silas and Chrysanne Stathacos, http://www.mommybysilasandstathacos.com/2015/04/03/ a-conversation-with-bettina-lockemann/
2003 Meike Niepelt & Claudia Tillmann: “Cam.art is what you make it. Ein kulturwissenschaftlicher Blick auf Webcam-Kunst,” http://www.webcam-projekt.de/main.htm
1999 Hans Dieter Huber: “Orte des Missverständnisses. Die Grenzen des Visuellen bei Bettina Lockemann,” http://www.hgb-leipzig.de/ARTNINE/huber/index.html.
INTERNATIONAL EXPERIENCE
11|2014—02|2015 ResearchSabbatical:NewOrleans,USA,researchandphotographyproject: New Orleans: Post-Shrinking City (working title)
02|2009—03|2009 Residency: Istanbul and Ankara, Turkey, photography project: Undetermined Terrain, Arts Foundation of North Rhine Westphalia
04|2006—06|2006 Postgraduate Researcher: German Institute for Japanese Studies Tokyo, Japan
06|2003 Visual Culture Tertiary: Amherst College, Amherst/Massachusetts, USA, German-American Fulbright-Commission
![[Coup'de état!] Scorps Vs Question](https://static.documents.pub/doc/80x56/577ccfd31a28ab9e7890ae9a/coupde-etat-scorps-vs-question.jpg)
