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Black Nativity Musical Overviewyou must purchase playbooks and rent music materials via our website...

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Ready to Perform? When you are ready to perform, please apply for rights or contact our customer service department by clicking below. You will be prompted to log in We are happy to answer any or create an account. questions you may have Black Nativity Musical Overview Product Code: B72000 To help you find the perfect musical for your next performance, we have provided this overview of the vocal and orchestral demands for this title. Solo Songs: No Ensemble/Large Chorus Songs: Yes Main Character Details: Soprano (soloists and chorus) (w): G3-C6 vocals, difficult Alto (soloists and chorus) (w): G3-A5 vocals, difficult Tenor (soloists and chorus) (m): F2-G5 vocals, difficult Baritone (chorus) (m): F2-E4 vocals, moderate Total Number of Songs: 12 Vocal Demands: Difficult Orchestral Demands: Difficult Size of Orchestra: Small (piano only)
Transcript
Page 1: Black Nativity Musical Overviewyou must purchase playbooks and rent music materials via our website or by phone, fax or mail.-A short sample is not always indicative of the entire

Ready to Perform? When you are ready to perform, please apply for rights or

contact our customer service department by clicking below. You will be prompted to log in We are happy to answer any or create an account. questions you may have

Black Nativity Musical Overview Product Code: B72000

To help you find the perfect musical for your next performance, we have provided this overview of the vocal and orchestral demands for this title. Solo Songs: No Ensemble/Large Chorus Songs: Yes Main Character Details: Soprano (soloists and chorus) (w): G3-C6 vocals, difficult Alto (soloists and chorus) (w): G3-A5 vocals, difficult Tenor (soloists and chorus) (m): F2-G5 vocals, difficult Baritone (chorus) (m): F2-E4 vocals, moderate Total Number of Songs: 12 Vocal Demands: Difficult Orchestral Demands: Difficult Size of Orchestra: Small (piano only)

Page 2: Black Nativity Musical Overviewyou must purchase playbooks and rent music materials via our website or by phone, fax or mail.-A short sample is not always indicative of the entire

Sheet Music Sample Terms and Conditions

By downloading this sheet music sample, you agree to the following terms and conditions:

-This sheet music sample is available to assist you in the play selection process.

-You may view, print and download any of our sheet music samples for perusal purposes.

-Sheet music samples are not intended for performance, classroom or other use. For any of these uses, you must purchase playbooks and rent music materials via our website or by phone, fax or mail.

-A short sample is not always indicative of the entire work, and we strongly suggest reviewing the entire score and reading the entire play before planning a production or ordering a cast quantity of scripts.

The following pages contain copyright information and at least one page from a variety of songs within the show.

Page 3: Black Nativity Musical Overviewyou must purchase playbooks and rent music materials via our website or by phone, fax or mail.-A short sample is not always indicative of the entire

*** NOTICE ***The amateur and stock acting rights to this work are controlled exclusively by THE DRAMATIC PUBLISHING COMPANY, INC., without whose permission in writing no performance of it may be given. Royalty must be paid every time a play is performed whether or not it is presented for profit and whether or not admission is charged. A play is performed any time it is acted before an audience. Current royalty rates, applications and restrictions may be found at our website: www.dramaticpublishing.com, or we may be contacted by mail at: THE DRAMATIC PUBLISHING COMPANY, INC., 311 Washington St., Woodstock, IL 60098.

COPYRIGHT LAW GIVES THE AUTHOR OR THE AUTHOR’S AGENT THE EXCLUSIVE RIGHT TO MAKE COPIES. This law provides authors with a fair return for their creative efforts. Authors earn their living from the royalties they receive from book sales and from the performance of their work. Conscientious observance of copyright law is not only ethical, it encourages authors to continue their creative work. This work is fully protected by copyright. No alterations, deletions or substitutions may be made in the work without the prior written consent of the publisher. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, videotape, film, or any information storage and retrieval system, without permission in writing from the publisher. It may not be performed either by professionals or amateurs without payment of royalty. All rights, including, but not limited to, the professional, motion picture, radio, television, videotape, foreign language, tabloid, recitation, lecturing, publication and reading, are reserved.

©MMXIIIBook by LANGSTON HUGHES

Musical arrangements by AARON ROBINSON

Printed in the United States of AmericaAll Rights Reserved

(BLACK NATIVITY)

For inquiries concerning all other rights, contact:Harold Ober Associates, Inc., 425 Madison Ave., Suite 1001,

New York NY 10017 • Phone: (212) 759-8600

©Dramatic Publishing - NOT FOR PERFORMANCE

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Soprano Solo

S/A

T/B

Piano

‰ jœœœbb œœœ œœœ œœœ œœœ œœœ

˙̇^

3

œn œ œ# ..œœjœ

Syncopated Driving Rhythm q148-152

f

œœœ œ œ œœœœn# œœœœ œœœ œœœ

..œœjœ ..œœnn

œœœœ œœœ

jœœ. ‰ œœ

œ

jœœ. ‰

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œœ ‰ j

œ

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4 Œ ‰ jœ

Mar

œœ

œ œœ.

œœœ jœœœ œœœ

jœœœ

œ œ œ œœ œœ

œ œ œ œ jœ œ ‰y's on the road!

œœœ œ œœ œ jœœ œœ ‰

œœ œ œ œœ œ œ

Œ ‰ jœMarjœœ

.œœ- jœœ

^œœ œœ jœœ ‰

Most done trav el in'

Jœœ œœ J

œœ œœ œœ Jœœ ‰

jœœœ œœœjœœœb œœœ œœœ œœœn œœœ

jœœ œœjœœ œœ œ œ œ

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2. Mary's On the Roadarr. Aaron Robinson

Most Done Travellin'

7©Dramatic Publishing - NOT FOR PERFORMANCE

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œ œ œ œ jœ œ ‰y's on the road!

œœœ œ œœ œ jœœ œœ ‰

œœ œ œ œœ œœ

Œ ‰ jœMar

jœœ.

œœ- jœœ

^œœ œœ jœœ ‰

Most done tra vel in'

Jœœ œœ

jœœ œœ œœ Jœœ ‰

œœœ œ œœ œœ œœ œ œœ œœœ

œœ œœ œœnnœ œœ œ œœ œ

œ œ œ œ œ œ œ œy's on the road!

œœœ œ œœœ œ œœœ œ œ œœœ

œœ œ œ œœ œ œ

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10 .œ Jœ̂ œ œ œ œOh! she'sjœœ

.œœ- jœœ

^ œœ œœ œœMost done trav el in'

Jœœ œœ J

œœ œœ œœ œœ

œœœ œ œ œœœœ#^ œœœœ œœ œœœœ

œœœœ œœ## œ œœ

œœ œœ

(chest voice)

Jœ ‰ Œ bound!

jœœ ‰ ‰ jœœ œœ œœ œœ

Bound to car ry my

Jœœ ‰ ‰ J

œœ œœ œœ œœjœœœœ

‰ ‰ jœœ œœ œœ œœjœœ

‰ ‰ jœœ œœ‰ jœœ

˙ œ œ œ œOh! Can't you see Mar

œœ œœ œœ œœ Œsoul to the Lord!œœ œœ œœ œœ Œ

œœ

œœ œœ. œœœ

œ œœœ œœœœ

œœœ œ œœ

jœœ‰

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2. Mary's On the Road

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13 œ œ œ œ Jœ .œy's on the road?

œœœœ œ œœœ œ jœœœ œœœ jœœ

œœ œ œ œœ œ œ

Œ ‰ Jœ œ œ œ œCan't you see Marjœœ

.œœ- jœœ

^œœ œœ jœœ ‰

Most done trav el in'

Jœœ œœ J

œœ œœ œœ Jœœ ‰

jœœœ œœœjœœœb œœœ œœœ œœœn œœœœ

jœœ œœjœœ œœ œ œ œ

œ œ œ œ jœ .œy's on the road?

œœœœ œ œœœ œ jœœœ œœœ ‰

œœ œ œ œœ œœ

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16 Œ ‰ Jœ œ œ œ œCan't you see Mar

jœœ.

œœ- jœœ

^œœ œœ jœœ ‰

Most done trav el in'

Jœœ œœ

jœœ œœ œœ Jœœ ‰

œœœ œ œœ œœ œœ œ œœ œœœ

œœ œœ œœnn œ œœ œ œœ œ

œ œ œ œ œ œ œ œy's on the road?

œœœ œ œœœ œ œœœ œ œ œœœ

œœ œ œ œœ œ œ

.œ Jœ̂ œ œ œ œOh! she'sjœœ

.œœ- jœœ

^ œœ œœ œœMost done trav el in'

Jœœ œœ J

œœ œœ œœ œœ

œœœ œ œ œœœœ#^ œœœœ œœ œœœœ

œœ œœ œœ## œ œœœœ œœ

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2. Mary's On the Road

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Alto Solo

S/A

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Π.

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Œ .jœ œ œ

Jœ œ œ

Π.

Joyful and with Great Spirit! h = 87-89

Crisp, clean syncopation

LH

∑...œœœ

^ jœœœ^ œœœ œ œ œ.œ Jœ œ œ œ œ

∑œœœ^

œ œ œœœ^ œœœ œ œ œœ œ œ œ Jœ

‰ jœœ œœ œœnn

∑œœœœ œœœœ J

œœœœ œœœœ Jœœœœ

œœœœœ œœ

œœœ

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4 Œ ‰ Jœ œ œ œ œSing ing Joy!

∑œœœœ œ œœœœ œœœœ œœœœ œœœœ œœœœ

œœ œœœœ

œœ

f(chest voice throughout)

˙ ˙

Œ ˙-̂

œJoy

Œ˙̇ œœ

œœœœ ˙̇̇̇ œœœœ

œœv-œœœ. œœv-

œœœ.

fœ Œ ‰ jœ œ œ

So

œ œ œ œ Œto the World!œœ œœ œœ œœ Œœœœœ œœœœ œœœœ œœœœ œ œ œ

œœv-œœœ. œœv-

œœœ.

˙ ˙glad!

Œ œ œ œSo glad the

Œœœ œœ œœ

œ œœœœ œœœœ œœœœ

œœœœœ œœ

œœœsim.

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7. Joy To The World!arr. Aaron Robinson

53©Dramatic Publishing - NOT FOR PERFORMANCE

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œ Œ Œ œ œLet earth

œ œ œ œ ŒLord is comeœœ œœ œœ œœ

œœœœb œœœœ œœœœ œœœœ œ œœœœ

œœœœœœb

œœœœœœ

œ Œ Œ œre

Œ œ œ jœ ‰ ŒLet earth!

Œ œœ œœ Jœœ ‰ Œ

Œ œœœœ œœœœ œœœœ œ œœœ

œœ

œœœœœ

œœœ

œ Œ Œ œceive Her

Œ œ œ jœ ‰ ŒRe ceive!

Œœœ œœ J

œœ ‰ Œ

Œ œœœœ œœœœ œœœœ œ œœœ

œœ

œœœœœ

œœœ

˙ King!

Œ œ œ œLet earth re

Œœœ œœ œœ

Œ œœœœ œœœœ œœœœ

œœœœœ œœ

œœœ

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12 ‰ jœ œLet

œ œ œ œ Œceive Her King!œœ œœ œœ œœ

œœœœ œœœœ œœœœ œœœœ œœœœ

œœ

œœœœœ œœ

œœœ

˙ ˙Ev 'ry

Œ œ œ œLet ev 'ry

Œ œœ œœ œœ

Jœœ ‰ œœœœ œœœœ œœœœ

œœœœœ œœ

œœœ

œ œ œ jœ ‰ œheart pre

œ œ œ œ Œheart!œœ œœ œœ œœ

œœœœ œœœœ œœœœ œœœœ œœ œœ

œœœœœ œœ

œœœ

œ Œ œ œpare, 'pare His

Œ œ œ œpre pare His

Œ œœ œœ œœ

Œ œœœœ œœœœ œœœœ

œœœœœ œœ

œœœ

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7. Joy To The World!

54©Dramatic Publishing - NOT FOR PERFORMANCE

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œ Œ Œ œ œnroom! And a'

œ œ œ jœ ‰ Œroom!œœ œœ œœ Jœœ ‰ Œ

œœœœ œœœœ œœœœ œœœœ œœ Œ

œœœœœ œœ

œœœ œœœnn

œ œn œ œ jœ œ jœHeav en and a' na ture sing!

œ œn œ œ jœ œ jœHeav en and a' na ture sing!

œœ œœn œœ œœ Jœœœœ Jœœ

œœ œœn œœ œœ jœœ œœb jœœœ œn œ œ Jœ œ Jœ

œ ‰ jœ œ œ œ œOh! and a'

œ Œ œœ Œ

œœ œ œ œ œ œ œJœ ‰ Œ ‰ jœœ œœ œœnn

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œ œ œ œ jœ œ jœHeav en and a' na ture sing!

œ œ œ œ jœ œ jœHeav en and a' na ture sing!œœ œœn# œœ œœ Jœœ œœ Jœ

œœ œœn œœ œœjœœ œœ jœ

œœœ# œ œ Jœ œ Jœ

œ Œ Œ œ œAnd a'

œ œ œ œ Œ

œ œ œœ œœ Œ

œ œ œ œ œ œ œœ œ œœ Jœœ jœœ

œœ## œœ

œ œ œ Œ œ œHeav en! And a'

Œ œ œ œ œ ŒAnd a' Heav en!

Œœœ œœ œœ œœ Œ

Œ œœœœŒ œœœœb

˙̇v- ˙̇

v-

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7. Joy To The World!

55©Dramatic Publishing - NOT FOR PERFORMANCE

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œ œ œ œ œ ŒHeav en!

Œ œ œ œ œ ŒAnd a' Heav en!

Œœœ œœ œœn œœ Œ

Œ œœœœ Œ œœœœn

˙̇v-

˙̇nn v-

Œ œ œ œ œAnd Heav en and

Œœœ œœ œœ œœ

Œ œœœœ œœœœ œœœ

˙̇ œœ œœ

Œ ‰ Jœ œ œ œ œSing ing Joy!

œ œ œ œ Œna ture sing!œœ œœ œœ œœ Œ

œœœ ‰ Jœœœœ œœœœ œœœœ œœœœ œœœœ

œœ œœ^

œœ^

œœ^

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˙ ˙

Œ ˙-̂

œJoy

Œ ˙̇ œœ

œœœœ ˙̇̇̇ œœœœ

œœœœœ œœ

œœœ

œ Œ ‰ jœ œ œWell, Hal le

œ œ œ œ Œto the World!œœ œœ œœ œœ Œœœœœ œœœœ œœœœ œœœœ œœœœ Œ

œœœœœ œœ

œœœ

œ œ œ œ jœ œ jœlu jah! The Sav ior reigns!

Œ œ œ œThe Sav ior

Œ œœ œœ œœ

Œ œœœœ œœœœ œ œœœœ

œœœœœ œœ

œœœ

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7. Joy To The World!

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Soprano Solo

S/A

T/B

Piano

œœ^ œœœ œœœ œ œœœœ œœ œœ œœ

œœœœœœn œœ

œœœb

Proclaim the Joy! q = 118-123

f

jœœœœ œœœœ##jœœœœ œœœœ

œœœœœœ œœœ###

œœ œœ œœ œœbb

ŒÂ = Œ lj∑

œœœ œœœ œ œœœœ œœœœœœ

œœœœœ œœ

œœœ

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4 ∑

∑œœœœ

jœ# œœ œœ œœ œœbb œœ œœ

œœ œœ œœœœ

˙ œ œ œ œ˙ œ œ œ œGo, tell it on the

˙ œ œ œ œ˙ œ œ œ œœœ^ œœœ œœœ œ œœœœ œœ œœ œœ

œœœœœœn œœœ

œœœb

f∑

˙ ˙˙ œ œbmoun tain!

˙ œ œœ œ œ œb

œœ œœœ œœœ œœœ ‰ Jœœ œœ œœ##

œœœœœ œœ

^ œœbb^

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11. Go, Tell It On the Mountainarr. Aaron Robinsnon

103©Dramatic Publishing - NOT FOR PERFORMANCE

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7 ∑jœ œ jœ œ œJœ œ Jœ œ œ

O ver the hills andjœ œ jœ œ œJœ œ Jœ œ œ

‰ œœœœ Jœœ œœœœ

œœœœ

œœœœœ œœ œœ

œ œ œ œœ œ œ œev' ry where!

œ œ œ œœ œ œ œœœœœ

œœœœœœœœ œœœœ

œœ œ œœ œ œœ œœ

˙ œ œ œ œ˙ œ œ œ œGo, tell it on the

˙ œ œ œ œ˙ œ œ œ œœœ^ œœœ œœœ œ œœœœ œœ œœ œœ

œœœœœœn œœœ

œœœb

- - -

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œ œ# œ œœ œ œ œmoun tain! That

œ œ œ œœ œ œ œbjœœœœ œœœœ##

jœœœœ œœœœœœœ

œœœ œœœ###œœ œœ œœ œœbb

œ œ œ œ œœ œ œ œJe sus Christ is

œ œ œ œœ œ œ œœœœ œœœ œ œœœœ œœ

œœœœ

œœœœœ œœ

œœœ

˙ œ Œœ œ œU

born!

œ œ œ Œ˙ œu˙ œ Œœ œ œ œœ œ œ# œ œb œn Œ˙ œ

p

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11. Go, Tell It On the Mountain

104©Dramatic Publishing - NOT FOR PERFORMANCE

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13 œ œ œ œ œWhen I was a

˙ .œ jœOoh

˙ ˙

˙ .œ jœ˙ ˙

˙̇̇̇ œœœœ œœ œ œ#3

œœœ œ œœœ

F œ œ œ œ œ œ œ œsin ner, I

.˙ œ.˙ œ

.˙ œ.˙ œ

œ œ œ œ œ œ œ œ œ œ œ‰ jœœœœ

9

œœœ œœœ

œœœ jœœœ

œ œ œ œ œsinned both night and

˙ œ œ˙ œ œ

˙ œ œ˙ œ œ

˙̇̇ œœœœ œœœœ œ œ œ

œ œœ œœ œ œ

-

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16 œ rœ œ œ œ œ ‰ jœday. I

˙ œ Œœ œ œb œœ œ œ Œ˙ œ

˙ œ Œœ œ œ œœ œ jœ# œ œb œn œ˙ œ

œ œ .œ Jœasked the Lord to

˙ ˙Ooh

˙ œ œ#˙ œ œ˙ œ œ

œœœœœœœœ ˙̇̇œ œ#

œ œ œ œ œœ œœœœ œ

œ œ œ œ œ œ œ œaid me, and

˙ œ Œ˙ œ˙ œ Œ˙ œ

....œœœœ œ œ œ œ œ œ œ œ œ œ‰ jœœœ

7

œ œ ˙̇œ

11. Go, Tell It On the Mountain

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œ œ œ œ œHe showed me the

˙ œ œOoh

˙# ˙

˙ ˙˙ œ# œ

œœœœ# œœœ œ œœœ œ œœœ

œ œ œœ# œœ

slowing

˙U̇ "

way!

˙ ˙U "˙ ˙

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11. Go, Tell It On the Mountain

106©Dramatic Publishing - NOT FOR PERFORMANCE

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11. Go, Tell It On the Mountain

107©Dramatic Publishing - NOT FOR PERFORMANCE


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