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Black[Foundry] Tye+Tech TOSH A TOSH B · Tosh’s character set includes support for languages...

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Black[Foundry] Type+Tech® Tosh, version 1.0 Primal hybrid geometric, 2 Styles by Jérémie Hornus, Ilya Naumoff, Benjamin Blaess TOSH A TOSH B www.black-foundry.com
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Page 1: Black[Foundry] Tye+Tech TOSH A TOSH B · Tosh’s character set includes support for languages using the Cyrillic script; indeed, the fonts include language-specific variants for

Black[Foundry]Type+Tech®

Tosh, version 1.0Primal hybrid geometric, 2 Stylesby Jérémie Hornus, Ilya Naumoff, Benjamin Blaess

↬TOSH A↬TOSH B

www.black-foundry.com

Page 2: Black[Foundry] Tye+Tech TOSH A TOSH B · Tosh’s character set includes support for languages using the Cyrillic script; indeed, the fonts include language-specific variants for

www.black-foundry.comBlack[Foundry] www.black-foundry.comBlack[Foundry]

aa

Page 3: Black[Foundry] Tye+Tech TOSH A TOSH B · Tosh’s character set includes support for languages using the Cyrillic script; indeed, the fonts include language-specific variants for

www.black-foundry.comBlack[Foundry]

PRIMAL & GE⚫Hybrid Geometric

AboutTosh

TOSH – A PRIMAL GEOMETRIC HYBRIDCan a typeface channel an artistic movement?

After Impressionism, some painters expressed themselves through styles called primitive or naïve. Decades into postmodernism, we still lack typefaces with that primal spirit. Tosh meets this challenge, reducing characters to their essential energy instead of their most-minimal shapes. It engages in discourse with the sans-serif genre, combining two typologies of geometric letterforms in one typeface.

Many of Tosh’s characters burst out of their boundaries, and this is a key feature of the typeface. Ligatures develop on-the-fly, not just as OpenType substitutions, because part of one letter often overlaps the next. The right side of the “k”, for instance – or either side of the “r” – naturally fuses with several other letters, including “i” and “t”. The top of Tosh’s “f ” juts out over the character following it, too.

This modern hybrid mixes raw geometry, leading to the unexpected. Tosh’s design is modern: drawn, not written. Every detail was thought out in advance; even the tops of the lowercase ascenders come to the exact height as tops of the capital letters. Tosh A is the more geometric of the two variants, while Tosh B is more constructed. Tosh B also has more slab serifs for on-the-fly ligature generation, such as on the “d”, “g” and “q”, etc. A and B are both raw because their letterforms feature almost no modulation. Tosh A has

some barely discernible thinning where curved elements join up against the vertical ones but many of Tosh B’s characters rely on different constructions altogether, making even that kind of finesse unnecessary. Tosh A’s capital “C”, “G”, “O”, “Q” and lowercase “a” and “e” are almost perfectly round, but Tosh B jettisons that well-trodden geometric path for letters with an even more naïve design language. Typically-circular letters have straight sides there, making them much narrower, and instead of becoming condensed, Tosh B’s lowercase letters have straight-lines applied to them in other ways, such as in the diagonal-shaped bowl of the “a” or the flat bottoms on the “b” and “e”.

Tosh’s character set includes support for languages using the Cyrillic script; indeed, the fonts include language-specific variants for Bulgarian and Serbian. In total, the typeface includes four complete sets of numerals: Tosh A and Tosh B each have lining figures in both proportional and tabular widths. Tosh B’s numerals are particularly expressive, especially the tabular “1", the closed-top forms on the “2”, a descending “5" and the flat tops on “3” and “6", along with the bottom of the “9”. Tosh A and Tosh B each include discretionary “ct” and “st” ligatures, and even though Tosh is primarily intended for display typography, it includes a robust collection of currency symbols. Finally, Tosh has dozens of arrows and other graphic ornaments with designs that are both reduced and playful at the same time.

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StylesTosh

TOSH REDUCING ▨ CHARACTERS TO ★ THEIR ESSENTIAL ENERGY↯ WITH THE SANS-SERIF ▓ GENRE, COMBINING ◈ TWO TYPOLOGIES OF GEOMETRIC LETTERFORMS ☆ IN ▒ ONE TYPEFACE ☑↤ ⇚ ← ↜ ↞ ⇐↢↫↤ ⇚ ← ↜ ↞ ⇐↢↫⇜ ⇝↬↣⇒↠↝→⇒⇝↬↣⇒↠↝→⇒↥↤ ⇚ ← ↜ ↞ ⇐↢↫↤ ⇚ ← ↜ ↞ ⇐↢↫⇜ ⇝↬↣⇒↠↝→⇒⇝↬↣⇒↠↝→⇒↥↤ ⇚ ← ↜ ↞ ⇐↢↫↤ ⇚ ← ↜ ↞ ⇐↢↫⇜

Page 5: Black[Foundry] Tye+Tech TOSH A TOSH B · Tosh’s character set includes support for languages using the Cyrillic script; indeed, the fonts include language-specific variants for

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StylesTosh

TOSH REDUCING ▨ CHARACTERS TO ★ THEIR ESSENTIAL ENERGY↯ WITH THE SANS-SERIF ▓  GENRE, COMBINING ◇ TWO TYPOLOGIES OF GEOMETRIC LETTERFORMS ☆ IN ░ ONE TYPEFACE ☑↤⇚←↜↞⇐↢↫↤⇚←↜↞⇐↢↫⇜ ⇝↬↣⇒↠↝→⇒⇝↬↣⇒↠↝→⇒↥↤⇚←↜↞⇐↢↫↤⇚←↜↞⇐↢↫⇜ ⇝↬↣⇒↠↝→⇒⇝↬↣⇒↠↝→⇒↥↤⇚←↜↞⇐↢↫↤⇚←↜↞⇐↢↫⇜

Page 6: Black[Foundry] Tye+Tech TOSH A TOSH B · Tosh’s character set includes support for languages using the Cyrillic script; indeed, the fonts include language-specific variants for

www.black-foundry.comBlack[Foundry] www.black-foundry.comBlack[Foundry]

★�R

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www.black-foundry.comBlack[Foundry]

Uppercase Latin

Uppercase Cyrillic

Lowercase Cyrillic

Arrows and dingbats

Lowercase Latin

A B C D E F G H I � � L M N O P Q R S T U � W � Y � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �

� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �

� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �

← � → � � � � � � � � ↯ � � ↜ ↝ ↞ � ↠ � ↢ ↣ ↤ ↥ ↫ ↬ � � � � ⇐ � ⇒ � � � ⇚ � ⇜ ⇝ � � � � � ☑ � � � � � � � � � ◈ � � � � � � � � � � � � � � � � � � � � � � ▓ ▒ � ▨ � ⚫ ★ ☆

a b c d e f g h i j k l m n o p q r s t u v w x y z � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � ï � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �

Proportional default figures

Currencies

Punctuation marks

Superiors, Denominators & FractionsTabular figures OpenType accessible arrows

Case-sensitive punctuation

0123456789

₡ ₩ ₪ ₫ € ₭ ₮ ₱ ₴ ₵ ₸ ₹ ₺ ₼ ₽

.,:;...?!¿¡(){}[]/\_-–—

⁰¹²³⁴⁵⁶⁷⁸₀₁₂₃₄₅₆₇₈₉ ½ ⅓ ¼ ⅕ ⅙ ⅐ ⅛ ⅑ ⅔ ⅖ ⅙ ⅐ ¾ ⅗⅙ ⅜ ⅘ ⅗ ⅔ ⅚ ⅖ ⅝ ⅐ ⅑ ⅞ ⅘

0123456789 ←�→�������

@¿¡(){}[]-–—

+−×÷=¬~<>±^≠≈≤≥∞◊√∫∂∏πμ∑ΩΔl&¶†‡§™№#*®©ªº°%‰℮Math symbolsMiscellaneous

GlyphsetTosh A

Page 8: Black[Foundry] Tye+Tech TOSH A TOSH B · Tosh’s character set includes support for languages using the Cyrillic script; indeed, the fonts include language-specific variants for

www.black-foundry.comBlack[Foundry]

Uppercase Latin

Uppercase Cyrillic

Lowercase Cyrillic

Arrows and dingbats

Lowercase Latin

A � C � E F G H I � � L M N O P � R S T � � W � Y � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �

� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �  � � � � � � � � � � � � � � 

� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �

← � → � � � � � � � � ↯ � � ↜ ↝ ↞ � ↠ � ↢ ↣ ↤ ↥ ↫ ↬ � � � � ⇐ � ⇒ � � � ⇚ � ⇜ ⇝ � � � � � ☑ � � � � � � � � ◇ � � � � � � � � � � � � � � � � � � � � � � � ▓ � ░ ▨ � � ★ ☆

� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �  � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �  � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � �

P����������� ������� fi�����

Currencies

Punctuation marks

S��������, ������������ & F��������T������ fi����� OpenType accessible arrows

Case-sensitive punctuation

0123456789

₡₩₪₫€₭₮₱₴₵₸₹₺₼₽

.,:;...?!¿¡(){}[]/\_-–—

⁰¹²³⁴⁵⁶⁷⁸₀₁₂₃₄₅₆₇₈₉ ½ ⅓ ¼ ⅕ ⅙ ⅐ ⅛ ⅑ ⅔ ⅖ ⅙ ⅐ ¾ ⅗⅙ ⅜ ⅘ ⅗ ⅔ ⅚ ⅖ ⅝ ⅐ ⅑ ⅞ ⅘ 

0123456789 ←�→�������

@¿¡(){}[]-–—

+−×÷=¬~<>±^≠≈≤≥∞◊√∫∂∏πμ∑ΩΔ�&¶†‡§™№#*®©ªº°%‰℮Math symbolsMiscellaneous

GlyphsetTosh B

Page 9: Black[Foundry] Tye+Tech TOSH A TOSH B · Tosh’s character set includes support for languages using the Cyrillic script; indeed, the fonts include language-specific variants for

www.black-foundry.comBlack[Foundry]

TOSH TOSH TOSH TOSH TOSH TOSH TOSH TOSH TOSH TOSH TOSH TOSH TOSH TOSH TOSH TOSH TOSH TOSH

Page 10: Black[Foundry] Tye+Tech TOSH A TOSH B · Tosh’s character set includes support for languages using the Cyrillic script; indeed, the fonts include language-specific variants for

www.black-foundry.comBlack[Foundry]

Two radically designed variants

Arrows & ornaments

Primitive/near-perfect circles in Tosh A Straight sides in Tosh B

Titling construction

GG�☑

O CHih

Design approachToshA/B

Page 11: Black[Foundry] Tye+Tech TOSH A TOSH B · Tosh’s character set includes support for languages using the Cyrillic script; indeed, the fonts include language-specific variants for

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Discretionary ligatures Cyrillic supportJoinning letters

Tabular figures

�� ��rf012

Expressiveness �S geometry

55

Design approachToshA/B

Page 12: Black[Foundry] Tye+Tech TOSH A TOSH B · Tosh’s character set includes support for languages using the Cyrillic script; indeed, the fonts include language-specific variants for

www.black-foundry.comBlack[Foundry] www.black-foundry.comBlack[Foundry]

GG

Page 13: Black[Foundry] Tye+Tech TOSH A TOSH B · Tosh’s character set includes support for languages using the Cyrillic script; indeed, the fonts include language-specific variants for

www.black-foundry.comBlack[Foundry]

Denominator

Numerator

Inferior

Superior

( ()){{}}[[]]- -––—— | | ¦ ¦ ¿¿¡¡««»»‹‹››

Case-sensitive punctuations

01234567890123456789₀₁₂₃₄₅₆₇₈₉⁰¹²³⁴⁵⁶⁷⁸9

½ ⅓ ¼ ⅕ ⅙ ⅐ ⅛ ⅑ ⅔ ⅖ � � ¾ ⅗ � ⅜ ⅘ � � ⅚� ⅝ � � ⅞ � �

Fractions

Bulgarian variants

Cyrillic

��������������

�������������

FeaturesTosh A

Page 14: Black[Foundry] Tye+Tech TOSH A TOSH B · Tosh’s character set includes support for languages using the Cyrillic script; indeed, the fonts include language-specific variants for

www.black-foundry.comBlack[Foundry]

Denominator

Numerator

Inferior

Superior

(()){{}}[[]]- -––—— | | ¦ ¦ ¿¿ ¡ ¡««»»‹‹››

Case-sensitive punctuations

01234567890123456789₀₁₂₃₄₅₆₇₈₉⁰¹²³⁴⁵⁶⁷⁸9

Fractions

��������������

��������������

FeaturesTosh B

½ ⅓ ¼ ⅕ ⅙ ⅐ ⅛  ⅑ ⅔ ⅖ � � ¾ ⅗  � ⅜ ⅘ � � ⅚�  ⅝ � � ⅞ � �

Bulgarian variants

Cyrillic

Page 15: Black[Foundry] Tye+Tech TOSH A TOSH B · Tosh’s character set includes support for languages using the Cyrillic script; indeed, the fonts include language-specific variants for

www.black-foundry.comBlack[Foundry] www.black-foundry.comBlack[Foundry]

AO⚫��a�★!?

Page 16: Black[Foundry] Tye+Tech TOSH A TOSH B · Tosh’s character set includes support for languages using the Cyrillic script; indeed, the fonts include language-specific variants for

Typography is the work of typesetters (also known as compositors), typographers, graphic designers, art directors, manga artists, comic book artists, graffiti artists, and, now, anyone who arranges words, letters, numbers, and symbols for publica-

Typography is the work of typesetters (also known as com-positors), typographers, graphic designers, art directors, manga artists, comic book artists, graffiti artists, and, now, anyone who arranges words, letters, numbers, and symbols for publication, display, or distribution, from clerical workers and newsletter writers to anyone self-publishing materials. Until the Digital Age, typography was a specialized occupa-tion. Digitization opened up typography to new generations

Typography is the work of typesetters (also known as compositors), typographers, graphic designers, art directors, manga artists, comic book artists, graffiti artists, and, now, anyone who arranges words, letters, numbers, and symbols for publication, display, or distribution, from clerical workers and newsletter writers to anyone self-publishing materials. Until the Digital Age, typography was a specialized occupation. Digitization

opened up typography to new generations of previously unrelated designers and lay users. As the capability to create typography has become ubiquitous, the application of principles and best practices developed over generations of skilled workers and professionals has diminished. So at a time when scientific techniques can support the proven traditions (e.g., greater legibility with the use of serifs, upper

Typography is the work of typesetters (also known as compositors), typographtechniques

Typographyin the world

Typography is the work of type-setters (also known as compos-itors), typographers, graphic designers, art directors, man-

Tosh A 18pt

Tosh A 13pt

Tosh A 8pt

Tosh A 33pt

Tosh A 60pt

Tosh A 24pt

LatinTosh A

Page 17: Black[Foundry] Tye+Tech TOSH A TOSH B · Tosh’s character set includes support for languages using the Cyrillic script; indeed, the fonts include language-specific variants for

Typography is the work of typesetters (also known as compositors), typographers, graphic designers, art directors, manga art-����, ����� ���� �������, ����fi�� �������, ���, now, anyone who arranges words, letters, numbers, and symbols for publication, dis-

Typography is the work of typesetters (also known as com-positors), typographers, graphic designers, art directors, ����� �������, ����� ���� �������, ����fi�� �������, ���, ���, anyone who arranges words, letters, numbers, and symbols for publication, display, or distribution, from clerical workers and newsletter writers to anyone self-publishing materials. Until the Digital Age, typography was a specialized occupation. Digitization opened up typography to new generations of pre-

Typography is the work of typesetters (also known as compositors), typographers, graphic designers, art directors, manga artists, comic book artists, graffiti artists, and, now, anyone who arranges words, letters, numbers, and symbols for publication, display, or distribution, from clerical workers and newsletter writers to anyone self-publishing materials. Until the Digital Age, typography was a specialized occupation. Digitization

opened up typography to new generations of previously unrelated designers and lay users. As the capability to create typography has become ubiquitous, the application of principles and best practices developed over generations of skilled workers and professionals has diminished. So at a time when scientific techniques can support the proven traditions (e.g., greater legibility with the use of serifs, upper

Typography is the work of typesetters (also known as compositors), typographtechniques

Typographyin the world

Typography is the work of type-setters (also known as compos-itors), typographers, graphic designers, art directors, man-

Tosh B 18pt

Tosh B 13pt

Tosh B 8pt

Tosh B 33pt

Tosh B 60pt

Tosh B 24pt

LatinTosh B

Page 18: Black[Foundry] Tye+Tech TOSH A TOSH B · Tosh’s character set includes support for languages using the Cyrillic script; indeed, the fonts include language-specific variants for

TYPOGRAPHY IS THE WOR� OF TYPESETTERS (ALSO �NOWN AS COMPOSITORS), TYPOG-RAPHERS, GRAPHIC DESIGNERS, ART DI-RECTORS, MANGA ARTISTS, COMIC BOO� ARTISTS, GRAFFITI ARTISTS, AND, NOW, ANYONE WHO ARRANGES WORDS, LETTERS,

TYPOGRAPHY IS THE WOR� OF TYPESETTERS (ALSO �NOWN AS COMPOSITORS), TYPOGRAPHERS, GRAPHIC DESIGNERS, ART DIRECTORS, MANGA ARTISTS, COMIC BOO� ARTISTS, GRAFFI-TI ARTISTS, AND, NOW, ANYONE WHO ARRANGES WORDS, LET-TERS, NUMBERS, AND SYMBOLS FOR PUBLICATION, DISPLAY, OR DISTRIBUTION, FROM CLERICAL WOR�ERS AND NEWS-LETTER WRITERS TO ANYONE SELF-PUBLISHING MATERIALS. UNTIL THE DIGITAL AGE, TYPOGRAPHY WAS A SPECIALI�ED

Typography is the work of typesetters (also known as compositors), typographers, graphic designers, art directors, manga artists, comic book artists, graffiti artists, and, now, anyone who arranges words, letters, numbers, and symbols for publication, display, or distribution, from clerical workers and newsletter writers to anyone self-publishing materials. Until the Digital Age, typography was a specialized occupation. Digitization

opened up typography to new generations of previously unrelated designers and lay users. As the capability to create typography has become ubiquitous, the application of principles and best practices developed over generations of skilled workers and professionals has diminished. So at a time when scientific techniques can support the proven traditions (e.g., greater legibility with the use of serifs, upper

TYPOGRAPHY IS THE WOR� OF TYPESETTERS (ALSO �NOWN AS COMPOSITORS),

TYPOGRAPHYin the world

TYPOGRAPHY IS THE WOR� OF TYPESETTERS (ALSO �NOWN AS COMPOSITORS), TYPOG-RAPHERS, GRAPHIC DESIGN-

Tosh A 18pt

Tosh A 13pt

Tosh A 8pt

Tosh A 33pt

Tosh A 60pt

Tosh A 24pt

LatinTosh A

Page 19: Black[Foundry] Tye+Tech TOSH A TOSH B · Tosh’s character set includes support for languages using the Cyrillic script; indeed, the fonts include language-specific variants for

TYPOGRAPHY IS THE WOR� OF TYPESETTERS  (ALSO �NOWN AS COMPOSITORS), TYPOG-RAPHERS, GRAPHIC DESIGNERS, ART DI-RECTORS, MANGA ARTISTS, COMIC �OO� ARTISTS, GRAFFITI ARTISTS, AN�, NOW, ANYONE WHO ARRANGES WORDS, LETTERS,

TYPOGRAPHY IS THE WOR� OF TYPESETTERS (ALSO �NOWN AS COMPOSITORS), TYPOGRAPHERS, GRAPHIC �ESIGNERS, ART �IRECTORS, MANGA ARTISTS, COMIC �OO� ARTISTS, GRAFFI-TI ARTISTS, AND, NOW, ANYONE WHO ARRANGES WORDS, LET-TERS, N�M�ERS, AN� SYM�OLS FOR P��LICATION, �ISPLAY, OR �ISTRI��TION, FROM CLERICAL WOR�ERS AN� NEWSLET-TER WRITERS TO ANYONE SELF-P��LISHING MATERIALS. �N-TIL THE �IGITAL AGE, TYPOGRAPHY WAS A SPECIALI�E� OC-

Typography is the work of typesetters (also known as compositors), typographers, graphic designers, art directors, manga artists, comic book artists, graffiti artists, and, now, anyone who arranges words, letters, numbers, and symbols for publication, display, or distribution, from clerical workers and newsletter writers to anyone self-publishing materials. Until the Digital Age, typography was a specialized occupation. Digitization

opened up typography to new generations of previously unrelated designers and lay users. As the capability to create typography has become ubiquitous, the application of principles and best practices developed over generations of skilled workers and professionals has diminished. So at a time when scientific techniques can support the proven traditions (e.g., greater legibility with the use of serifs, upper

TYPOGRAPHY IS THE WOR� OF TYPESETTERS (ALSO �NOWN AS COMPOSITORS), 

TYPOGRAPHYin the world

TYPOGRAPHY IS THE WOR� OF TYPESETTERS (ALSO �NOWN AS COMPOSITORS), TYPOG-RAPHERS, GRAPHIC DESIGN-

Tosh B 18pt

Tosh B 13pt

Tosh B 8pt

Tosh B 33pt

Tosh B 60pt

Tosh B 24pt

LatinTosh B

Page 20: Black[Foundry] Tye+Tech TOSH A TOSH B · Tosh’s character set includes support for languages using the Cyrillic script; indeed, the fonts include language-specific variants for

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Tosh Light 17pt

Tosh Light 13pt

Tosh Light 8pt

Tosh Light 33pt

Tosh Light 60pt

Tosh Light 24pt

CyrillicTosh A

Page 21: Black[Foundry] Tye+Tech TOSH A TOSH B · Tosh’s character set includes support for languages using the Cyrillic script; indeed, the fonts include language-specific variants for

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Tosh Light 17pt

Tosh Light 13pt

Tosh Light 8pt

Tosh Light 33pt

Tosh Light 60pt

Tosh Light 24pt

CyrillicTosh B

Page 22: Black[Foundry] Tye+Tech TOSH A TOSH B · Tosh’s character set includes support for languages using the Cyrillic script; indeed, the fonts include language-specific variants for

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Tosh Light 17pt

Tosh Light 13pt

Tosh Light 8pt

Tosh Light 33pt

Tosh Light 60pt

Tosh Light 24pt

CyrillicTosh A

Page 23: Black[Foundry] Tye+Tech TOSH A TOSH B · Tosh’s character set includes support for languages using the Cyrillic script; indeed, the fonts include language-specific variants for

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Tosh Light 17pt

Tosh Light 13pt

Tosh Light 8pt

Tosh Light 33pt

Tosh Light 60pt

Tosh Light 24pt

CyrillicTosh B

Page 24: Black[Foundry] Tye+Tech TOSH A TOSH B · Tosh’s character set includes support for languages using the Cyrillic script; indeed, the fonts include language-specific variants for

www.black-foundry.comBlack[Foundry]

★ ������  ▓  ��������� �����-��������� ☆ ��� ░ ����� � ����������� ��������� � ��������� � ����������� ▨ ���� �����������������

Page 25: Black[Foundry] Tye+Tech TOSH A TOSH B · Tosh’s character set includes support for languages using the Cyrillic script; indeed, the fonts include language-specific variants for

www.black-foundry.comBlack[Foundry]

WeightsTosh ⇜Tosh A Regular

OOOO�T��� � R������

Page 26: Black[Foundry] Tye+Tech TOSH A TOSH B · Tosh’s character set includes support for languages using the Cyrillic script; indeed, the fonts include language-specific variants for

Black[Foundry]Type+Tech®

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ToshAToshB

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