Blind Texas: How Books Relate to M.O.a.T.

8/13/2019 Blind Texas: How Books Relate to M.O.a.T.

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Blind Texas: How Books Relate to M.O.A.T.

By

Jenny,

Kelly,

T.T.,

Ora,

And

Billy McBride


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Copyright , by William McBride

ISBN 978-0-557-51200-3


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1.

One can ask why the monument goes over there to becomebuilt? We chose that nice place in our Texas; and would

love to have our art settle on it.


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Because one finds Texas a great place, many tourists are

coming forever to see its land; and to own two acres is a

good start. Is our town nowhere to be found?


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3.

In many ways, a Texas landscape the tourists find

awesome. They may cleverly go and support the economy

by seeing our two acres and buying.


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4.

On the Texas landscape one finds things. In the Tempest

by William Shakespeare one knows how Prospero and

company are on the peaceful island alone.


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5.

Menos diagram in Platos Meno provides much. Texas, a

land of plenty, also by others is divided up just fine as by

Meno, the slave who is careful.


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6.

Texas has much land to be given to M.O.A.T. Agamemnon

has much sway and promises Achilles to give him land if

he fights.


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On the road of the Texas landscape on finds many

possibilities offered to one. Sigmund Freuds psychic map

of the mind always is changing, never so plain.


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What goes on in Texas is a link to Hamlet. Hamlet asks if

it is ever a truth that his undiscovered country, which

frightens, is a gloomy death or not.


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There are two acres to be bought. As in many cases there

is one set, and they provide entertainment, the charitable

monuments on the two acres to be discovered.


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On the road of life the Tempest is like the two acres found

on a peaceful drive going along the road; both are places

where one can laugh and find peace.


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One is happy to take apart the diagram in Meno. To buy

the two acres also is good. Platos work is a reaction to

having seen a blind-to-what-comes-next man as a kind of

slave.


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One makes suggestions to others to know where one is.

The two acres to be bought to be seen by open minded

people are promises of what they find in Agamemnons

promise too.


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Two acres of land for the monument is all. Freuds map of

the mind is all to him, as both are wild; so this is an

awesome idea.


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The two acres of land are represented in the Hebrew Bible,

in the Torah, based out upon Ha-Shems donations. Our

buying of the land is as the land of milk and honey - a

given.


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One finds a wild two acres is bought. It is Hamlets

judgment that amazing is the undiscovered country of

death. The country of M.O.A.T. is a similarity.


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As on reads the Tempest, one sees how tourists find on the

land that it is a good, a peaceful land. Also, the two acres

of land in M.O.A.T. projects are good.


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One finds that even a slave can learn. The two acres of

tourist land are similar to Menos slaves diagram as forms

are drawn. The M.O.A.T. project is awesome.


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There are two acres to visit the land of M.O.A.T. And like

the general, Agamemnons promise to Achilles, we also

promise as a reward.


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Two acres of M.O.A.T. to tour are visitable. Freuds map

of the mind, as Freud would say, is a great vista as

similarly the two acres are also beautiful.


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To the Israelites as to visitors now the wilderness and the

great promised land are given, as the M.O.A.T. project is

given land as well.


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To be interested in M.O.A.T. is as Hamlets undiscovered

country - we know that it is inevitable as the two acres

project also is strong.


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There is something to be said about the Tempest, about its

place of a peaceful land, like the projected Menos diagram

drawn by a slave.


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So the peaceful land of the Tempest is very much

absolutely a kind of gift, like the promised land during a

quarrel, over fighting, which Achilles and Agamemnon

have.


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The peaceful land of the characters in the Tempest is good

to be studied, it makes sense forever always like Freuds

map of the mind, a place destined for wellness.


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And, reading one has knowledge of the Tempest and the

awesome way of life on a peaceful landscape. It is like the

promised land in the Torah.


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One searches for the knowledge of the Tempest way, and of

the peaceful land. And, the greatest gift of life could be

Hamlets undiscovered country.


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There is the diagram of course, and Freuds map of the

mind indeed which Menos slave and Freud have in

repression in representation in common.


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To the careful reader, the overall sense of Menos slave is

interesting, just as when Ha-Shem promised a land of milk

and honey to the Israelites.


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The one who seeks to know learns, like Menos slave who

does know, why one draws upon the undiscovered; and so

our Hamlet is not so ordinary either.


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Agamemnon is careful to give out to Achilles his promise.

Freuds map of the mind is also a place given to us, by

Freud.


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To Achilles, the general who is brave, Agamemnon, gives

his promise of it, just as Ha-Gadol Ha-Shem promises to

those who wander the wilderness, his promise of land.


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Our Hamlet is one who is one who is like deaths

messenger; Agamemnon who promises much is an aid to

Achilles if he fights the war.


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The idea like the idea of our Freuds map of the mind is the

one in which Ha-Shem gives the land of milk and honey

forever.


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The ideas not simplistic are those of Freuds map of the

mind, with him being a conquistador, as Hamlet, for

Hamlets undiscovered country.


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There is much to be said about the land of milk and honey

of the chosen similarity between that and Hamlets

undiscovered country of all.


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An I-beam is absolutely one kind of structure. To an I-

beam, we catalogue the awesome part to say also that a

home is a monument of a monument.


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Inside these kinds of ideas, fun. An I-beam is what one

sees on each structure of a monument set of spiraling

monuments in a spot.


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Inside our minds we can also know an I-beam is multi-

functional like the jail bars which hold Platos Socrates in

Athens.


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An I-beam idea comes to us at M.O.A.T. The I-beam of

M.O.A.T. is a very important material like the spears in

Homers Iliad to the men.


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Totem poles are studied by Freud. A M.O.A.T. I-beam

connects also to them and connects in a way with

figuratively Freuds tribes notions even of stacking up.


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Moshe from the Torah connects with an I-beam because he

uses a rod in the way an I-beam is used, to prepare for the

long road of wonder.


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A foil is what Hamlet uses to play. Hamlet uses a foil, and

we at M.O.A.T. use and I-beam to build up our own kind

of play and wonder.


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In M.O.A.T. a monument is seen as amazing. Why? A

monument of M.O.A.T. and swords are big challenges; this

is how it relates to the swords of Brutus and co.


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In our M.O.A.T. there lies the idea of constructing a

monument. This is a wrap like the jail bars of Socrates,

which all could see surrounded him in Athens.


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It is important for us to also link the monument to the uses

of the spears of Homers men in the Iliad; for causes they

were and are used.


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One seeks an understanding of how a monument of

M.O.A.T. may be understood? We do seek the connection

that a Freudian tribe totem pole comes close to it.


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Where Moshe used his rod to get by, a single monument of

M.O.A.T. is a part again which aids in the way all think

about freedom.


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The overall connection is there: a M.O.A.T. monument

does, in a playful way, link to our Hamlets use of a foil, as

it is important to discover.


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A monument set is great; and, to be tourists and to see it is

wonderful, and in intensities it has similarities with the

swords of Brutus and the conspirators.


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Overall M.O.A.T. monuments are useful for charities.

Similarly, in Athens Socrates was in jail without complaint.

An overall purpose of all of us may be to be as happy as we

can be.


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The physicality of the monuments of our own good

M.O.A.T. monument sets are as real as the spears of

Homers men. Like spears, monuments are used to move

the ideals of us - to help others out.


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There is much to add about the good monument set, and

how it links to life. So between it and our writers, Freuds,

totem pole, much is there.


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Here at M.O.A.T. we build up now the monument set.

Moshe also built up his confidence in Ha-Shem since, like

a boost, the rod worked.


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The M.O.A.T. monument set is something which wraps

around and can tie into the overall scenario of the plays

sword play in Hamlet.


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The swords of Brutus and the other conspirators relate to

the bars of steel in a jail, the one confining Platos

Socrates, who dies.


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Inside the play of William Shakespeare, Brutus and the

conspirators are against Julius Caesar and their swords

speak as Homers mens spears speak.


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The swords of Brutus and company help to make up a firm

relation between them and the totem poles of the various

tribes who need power.


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Between the fallen rod of Moshe and the swords of Brutus

and the conspirators a relation of powerful sway is created

since it obviously emerges.


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There is a passage of relation twixt the swords of Brutus

and co. and some other objects in literature like the foils of

Hamlet and Laertes.


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The solidity of the jail bars of Platos Socrates, which hold

him indeed captive, in one manner, links to the spears of

Homers soldiers who wield them.


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It is not impossible that one might find how now the jail

bars of Socrates within his prison relate to our Freuds

totem poles rigidity.


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In order to find a clue one may think about the jail bars of

Socrates. One is to meditate also upon them and the staff

of Moshe together.


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Socrates prison bars, which in Athens, kept him unfree

relate in a strange way to Hamlets foils because the

projections are both treated as silly by their characters.


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One finds interesting a relation twixt Homers mens spears

used in a war, and Freuds tribes totem pole, used for

making a threat.


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To the soldiers fighting in the Iliad, Homers mens spears

are tools which are as important as, now, the rod of Moshe

is for threatening.


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The spears of Homers men are just as symbolically

significant to their story as the foils of Hamlet and of

Laertes, though just not obviously as deadly.


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Freuds totem pole is an object of magic regularly used by

the tribes as the staff of Moshe in the Torah in Exodus is a

miracle of Ha-Shem.


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Freuds totem pole is an object of rivalry as Hamlets foils

are to the characters who use them; and both relationships

are connected.


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The rod of Moshe is a seriousness. But the foils of Hamlet

and Laertes, who in the play are used for sparring, are also

secretly serious weapons.


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Excellently, people have to go see the M.O.A.T. monument

sets. In time they see how they must be near them and

people must walk around them.


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In time as the M.O.A.T. monuments occur, people must

take a trip to visit them. Afterwards, when tired, these

people must go back home.


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Many people must visit M.O.A.T. monuments in Texas in

awe just as Shakespeares King Lear ventured off into the

wilderness.


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Many others indeed, who are able so must go to see and

experience them with their eyes and senses, the M.O.A.T.

projects, like coming out of Platos cave.


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Others happen to experience the M.O.A.T project in person

as the men in Homers Iliad, who venture from camp in the

day and night.


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Many of those people are. Like those who seek a remedy

through psychoanalysis, visiting a M.O.A.T. project, many

tend to their curiosities.


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It becomes important to study how those who go to see the

M.O.A.T. monument set are just as determined as Abraham

from the Torah, who went to Egypt.


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Those who go to see the M.O.A.T. monument are happy to

have the chance; they are as Hamlet who goes himself to

London with friends.


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It becomes excellent that lots of people walk around the

monument set of the M.O.A.T. builders to eventually return

home.


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Walking people who experience the monuments on the

landscape in the fields of Texas are as King Lear who

wanders around lost to see things for himself.


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Many of those who walk around the monuments are like

the prisoner who came out of the cave into the light for the

first time.


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People walk around the monument sets in the fields and

they so relate to Homers men who walk around in places

beyond their camps.


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In Texas, the monuments of M.O.A.T. are built for others to

walk around and experience like analysis becomes a plan

for the patient going to therapy to be healed.


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People visiting monuments with many others who are

walking around, have an important time going far beyond

their own neighborhoods like Abraham who with Sarai

visited the farther Egypt.


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Like Hamlet going to London, people who go walking

around the field to experience the M.O.A.T. monuments

set are satisfying one need to find solitude.


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The monument set of M.O.A.T. may be visited by many

others in the similar way mad King Lear had an adventure

in the fields of England.


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Those who visit the M.O.A.T. field-monuments return

home from their experiences with much to say like the

freed prisoner of Platos Republic who went back to his

earth dwelling.


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People who return home from their trip to visit the

M.O.A.T. projects as the men who fight at Troy went back

to their camps refreshed also.


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One who remembers the books one reads experiences much

to build upon, like how there becomes a building

relationship of going to therapy and going to visit a series

of monuments.


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One goes happily home after visiting the M.O.A.T. project

just as Abraham and Sarai were sent back to their homes by

the Pharaoh of Egypt long ago.


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Others go back to their origins when seeing the M.O.A.T.

series of monuments in the fields and this experience is like

Hamlets who returned from his adventures in London.


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King Lear, when mad, wandered into the wilderness.

Similarly, Plats cave dwelling prisoner wandered into the

light of the real world.


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In the play King Lear wandered around alone, just as many

soldiers fight one-on-one in Homers Iliad one fight at a

time.


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It is excellent to relate this: mad King Lear wandered in the

wilderness as others who have a need for psychoanalytic

therapy.


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King Lear walked around alone in England; and Abraham

and Sarai returned back from Egypt to their homes; and

they are tied together, these concepts.


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King Lear was mad and as a result went into his self like

Hamlet who went to London to be more solitary.


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Platos cave prisoner walked into the light and like the men

of Homers Iliad, who return alive from fighting, had

experiences of the greatest adventures.


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In the Republic, an unhappy book, Platos cave dweller

returned from his adventure actually with much knowledge

like many neurotics who undergo it, gain from Freudian

psychoanalysis.


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Excellently, Platos cave dweller was much like the pair of

Abraham and Sarai who returned back to their home

illuminated.


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Platos cave dweller returned back to his cave as Hamlet

returned back from London, both incidents helped the

characters know something better.


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The therapist of Freud helps the patient, like the Homeric

men who fight at Troy, in the patients own way, fight the

problems she or he must face.


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Homeric men and women return to glory when things go

well, just like the return to home, and to glory, from Egypt

of Abraham and Sarai.


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One must be illuminated to see how Homers soldiers

returned home from battle alive but still struggling like the

Dane, Hamlet, who went to England and back similarly.


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Freudian psychoanalysts are there for the neurotic who

needs help, who goes and returns home; this relates to

Abraham and Sarai who went to Egypt and back.


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Freuds neurotics are much like Hamlet: when Hamlet

retuned from England, Hamlet was facing still the reality of

his life, like those who need emotional help.


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Abraham and Sarai returned back from their adventure in

Egypt. Hamlet returned back from his adventure in

England. All were troubled.


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FINIS


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Some Other Books by the McBrides:

The Transcendence

Beauty and Progress

Hawaiian Sonnets and Other Poems

Headbuttressia: a Fantasy

The Wonder and Love of M.O.A.T.

M.O.A.T. Fundraising

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Blind Texas: How Books Relate to M.O.a.T.

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