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Page 1: blog.davidellingsen… · 3.8 May ..... 91 PublicProjecon-TheLastStandinIstanbul (2016-05-1509:45)..... 91 3.9 March ..... 92

blog.davidellingsen.com

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Contents

1 2018 7

1.1 April . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

Na onal Geographic, May 2018 (2018-04-23 19:48) . . . . . . . . . . . . . . . . . . . . . . . . . . 7

Beaty Biodiversity Museum (2018-04-17 17:54) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

1.2 February . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Dodho Magazine (2018-02-01 09:42) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

1.3 January . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

The Earth Issue (2018-01-22 15:35) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

Ar st Recep on and Q+A - tomorrow, January 11, 2018 (2018-01-10 10:00) . . . . . . . . . . . . . 13

Weather Pa erns 2017 (2018-01-01 16:52) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

2 2017 17

2.1 December . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

Betwixt exhibi on - The Baldwin Gallery at The Hospital Club (2017-12-03 09:00) . . . . . . . . . . 17

2.2 November . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21

Remembrance Day for Lost Species (2017-11-30 10:00) . . . . . . . . . . . . . . . . . . . . . . . . 21

Ar sts As Change Makers (2017-11-09 11:40) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

2.3 October . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

Blur Magazine, Croa a (2017-10-11 13:15) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

2.4 July . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

The Last Stand at Natuurmuseum, Netherlands (2017-07-01 10:00) . . . . . . . . . . . . . . . . . 34

2.5 June . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Weather Pa erns appears in Monthly Photography, South Korea (2017-06-29 20:30) . . . . . . . . 36

2.6 May . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39

Wildside at the Rizzoli bookshop, Photolondon 2017 (2017-05-18 21:48) . . . . . . . . . . . . . . . 39

The Sublunary World - Private View - The Baldwin Gallery at Blacks Club, Soho (2017-05-11 10:00) . 41

2.7 April . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

Presen ng work at Photolucida 2017 (2017-04-25 18:01) . . . . . . . . . . . . . . . . . . . . . . . 44

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Exhibi on - The Sublunary World at The Baldwin Gallery (2017-04-05 18:48) . . . . . . . . . . . . . 44

2.8 March . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

Virtual Exhibi on - The Last Stand at The Griffin Museum of Photography (2017-03-31 09:51) . . . . 46

Musée Magazine’s Open Mic (2017-03-29 15:59) . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

2.9 February . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

Honorable Men on at Interna onal Photography Awards (2017-02-28 10:00) . . . . . . . . . . . . 49

Print dona on to Ocular, UK (2017-02-21 15:59) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

Magazine Gitz vol. 8 (2017-02-10 13:47) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

2.10 January . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56

In the mail today: Wildside - The Enchanted Life of Hunters and Gatherers (2017-01-25 12:03) . . . 56

New work for Weather Pa erns (2017-01-18 11:26) . . . . . . . . . . . . . . . . . . . . . . . . . . 60

Advance press for upcoming exhibi on ’The Sublunary World’ at London’s Baldwin Gallery(2017-01-07 15:04) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61

3 2016 65

3.1 December . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65

Boulevard Magazine (2016-12-15 05:27) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65

3.2 November . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

November 30th - Remembrance Day for Lost Species (2016-11-30 05:49) . . . . . . . . . . . . . . 68

"FromWalden" exhibi on - Datz Museum of Art, South Korea (2016-11-12 18:57) . . . . . . . . . . 70

3.3 October . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74

Lensculture Interview - The Last Stand (2016-10-31 19:47) . . . . . . . . . . . . . . . . . . . . . . 74

Anthropocene exhibi on - Ar st’s Talk (2016-10-22 12:15) . . . . . . . . . . . . . . . . . . . . . . 78

Globe and Mail exhibi on announcement (2016-10-13 17:17) . . . . . . . . . . . . . . . . . . . . 79

3.4 September . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80

Upcoming exhibi on announcement in Canadian Art magazine (2016-09-22 03:14) . . . . . . . . . 80

3.5 August . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81

NewWeather Pa erns – 2016 July, Ho est Month in History (2016-08-31 10:50) . . . . . . . . . . 81

Arrived on the doorstep this a ernoon...the Lensculture Earth15 Awards catalogue.(2016-08-09 09:25) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82

On "The Slippery Edge" today... (2016-08-09 08:21) . . . . . . . . . . . . . . . . . . . . . . . . . . 85

3.6 July . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86

New Representa on and Exhibi on - Winchester Galleries (2016-07-01 10:00) . . . . . . . . . . . . 86

3.7 June . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88

NewWeather Pa erns - 2016 May 23, 400 Part Per Million Reached in Antarc ca (2016-06-27 17:52) 88

New Gallery Representa on - The Baldwin Gallery in London, England (2016-06-23 14:25) . . . . . 90

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3.8 May . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91

Public Projec on - The Last Stand in Istanbul (2016-05-15 09:45) . . . . . . . . . . . . . . . . . . . 91

3.9 March . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

Intervals: Photography in Flux | Group exhibi on at SOMA Gallery (2016-03-28 10:45) . . . . . . . 92

Public Installa on - City Hall Skytrain Sta on (2016-03-11 17:14) . . . . . . . . . . . . . . . . . . . 95

3.10 January . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97

The Last Stand on Na onal Geographic (2016-01-27 09:33) . . . . . . . . . . . . . . . . . . . . . . 97

Exhibi on - Future Imperfect in group show at PHOTOLA (2016-01-21 09:00) . . . . . . . . . . . . 98

Weather Pa erns - 2015, Ho est Year on Record (2016-01-18 21:29) . . . . . . . . . . . . . . . . . 99

4 2015 101

4.1 November . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101

Montreal Exhibi on - Rite of Passage - group show (2015-11-12 12:33) . . . . . . . . . . . . . . . . 101

2015 Interna onal Photography Awards - Honorable Men on (2015-11-04 10:38) . . . . . . . . . . 103

4.2 September . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104

Recent work for Weather Pa erns - 400ppm (2015-09-10 14:52) . . . . . . . . . . . . . . . . . . . 104

New work - The Ho est in Recorded History (Global), July 2015 (2015-09-03 13:28) . . . . . . . . . 106

4.3 August . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

The Last Stand - exhibi on print produc on - video with John Goldsmith (2015-08-18 12:18) . . . . 107

4.4 July . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

Art Reveal Magazine, Finland (2015-07-29 16:48) . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

J-32 appears in LensCulture’s "Contemporary Issues" (2015-07-16 12:52) . . . . . . . . . . . . . . 109

Obsolete Delete appears in French Magazine BEWARE/Dangerous Inspira on (2015-07-09 11:10) . 110

4.5 June . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111

Huffington Post - Environmental Photographer of the Year - Group Exhibi on (2015-06-27 15:10) . . 111

Environmental Photographer of the Year 2015 - Group Exhibi on (2015-06-26 14:23) . . . . . . . . 111

The Last Stand on "this isn’t happiness" (2015-06-25 17:31) . . . . . . . . . . . . . . . . . . . . . 113

The Last Stand appears as a finalist in the inaugural 2015 LensCulture Earth Awards.(2015-06-04 17:37) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114

June 3, 2015...new Blog... (2015-06-03 17:41) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115

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1. 2018

1.1 April

Na onal Geographic, May 2018 (2018-04-23 19:48)

[1]

Thunder, from the [2]Anthropocene series, makes an appearance in Na onal Geographic’s May print issue toillustrate the story "The Living Planet".

1. https://blog.davidellingsen.com/wp-content/uploads/2018/04/NatGeoPrint.jpg

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2. https://davidellingsen.com/Anthropocene/Photographs

Beaty Biodiversity Museum (2018-04-17 17:54)

[1]

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LIFE: AS WE’VE KNOWN IT

BEATY BIODIVERSITY MUSEUMVANCOUVER, CANADA

March 17 to August 19, 20182212 Main Mall, UBC[2]Google Map

ARTIST RECEPTION: Thursday, April 19th, 6 - 830pm

On now - 18 ar st prints from Life: As We’ve Known It appear in this exhibi on at Vancouver’s [3]Beaty Biodi-versity Museum. Along with related installa ons (and an Instagram booth!) the en re series of 132 photographs willbe displayed at their na ve 4x5 inch dimension.

If you’re in Vancouver for Thursday, April 19th please join us for the ar st recep on from 6 to 830pm.

PRESS RELEASE"There is a dis nct eeriness looking at an image from this series by David Ellingsen. The dark glow suspending eachsubject is as compelling as it is unnatural. How will these photographs be viewed by our descendants and what willremain of these species, or their human viewers? As our planet enters another mass ex nc on period, only the sixthin its 4.5 billion year history, the photographs in Life: As We’ve Known It respond to this anthropogenic event ofunprecedented scale."

See the complete series [4]here.

Part of the [5]2018 Capture Photography Fes val Open Program.

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1. https://blog.davidellingsen.com/wp-content/uploads/2018/04/BeatyBiodiversityMuseum.jpg2. https://goo.gl/maps/KAHYhLdCyh923. http://beatymuseum.ubc.ca/whats-on/exhibitions/current-exhibitions/life-as-weve-known-it/4. https://www.davidellingsen.com/5. http://capturephotofest.com/exhibitions/life-as-weve-known-it/

1.2 February

Dodho Magazine (2018-02-01 09:42)

[1]

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The Anthropocene series was published recently in Spain’s [2]Dodho magazine.

1. https://www.dodho.com/anthropocene-by-david-ellingsen/2. https://www.dodho.com/anthropocene-by-david-ellingsen/

1.3 January

The Earth Issue (2018-01-22 15:35)

[1]

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[2]The Last Stand appears in [3]The Earth Issue

1. https://www.theearthissue.com/artists/david-ellingsen2. https://www.davidellingsen.com/The-Last-Stand/1/thumbs-caption3. https://www.theearthissue.com/artists/david-ellingsen

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Ar st Recep on and Q+A - tomorrow, January 11, 2018 (2018-01-10 10:00)

[1]

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The Hospital Club presents The Baldwin Gallery’s Betwixt, exploring the organic and psychic transference betweenselves and species, featuring the shape-changing photography of David Ellingsen and Meryl McMaster.

[2] **** RSVP NECESSARY: WHILE WE ARE GRATEFUL FOR [3]FACE-BOOK RESPONSES, A FOLLOW UP RSVP EMAIL IS NEEDED TO RESERVE YOUR SPACE: [email protected]

Private View: January 11th, 2018

The Hospital Club, 24 Endell St, London WC2H 9HQ

The Hospital Club presents The Baldwin Gallery’s Betwixt, exploring the organic and psychic transference be-tween selves and species, featuring the shape-changing photography of David Ellingsen and Meryl McMaster.

Of indigenous and European descent, Plains Cree sculptural-photographer, McMaster, pits delimi ng iden es– Na ve American, Canadian, female, human – against the immediacy of her lived body in the natural world.She expresses heritage and contemporaneity as a syn ergis c strength of uni es, rather than a struggle betweenopposites.

Ellingsen’s Anthropocene series is inspired by the proposed renaming of our geological epoch, as Earth’s sys-tems are irrevocably altered by human ac vity. Transmuted skeletal remains, adri on blackness, reference futureand past and are both a warning and rendering of hope.

Both ar sts have shown in museums around the world, from The Beaty Biodiversity Museum, Canada, andthe Datz Museum of Art, South Korea (Ellingsen), to the Smithsonian and the Art Gallery of Ontario (McMaster).

1. https://blog.davidellingsen.com/wp-content/uploads/2017/11/The_Hospital_Betwixt_Dec.jpg2. https://blog.davidellingsen.com/wp-content/uploads/2017/11/DavidEllingsen-Anthropocene-Leviathan.jpg3. https://www.facebook.com/events/500620083642254/

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Weather Pa erns 2017 (2018-01-01 16:52)

[1]

Photographed the last day of another year yesterday and here is 2017, a new addi on to [2]Weather Pa erns,an on-going visual diary of climate breakdown.

The years 2017, 2016 and 2015 make up the 3 ho est years on record for the planet. 2016 and 2015 were ElNino years and to have 2017, in which El Nino was absent, join the others in the top 3 illustrates the relentless paceof climate breakdown.

Also emerging in this work is evidence of the record-breaking forest fires here in the Pacific Northwest. Notethe yellow cast to many of the photographs about two-thirds of the way down the work.

Last June [3]an ar cle appeared in The Guardian tled “World has three years le to stop dangerous climatechange”. Repor ng on a warning le er from prominent climate experts, this now gives us 2.5 years from this newyear’s day. If we hope to s ll have a planet hospitable to life by the end of this century the me for ac on is now.There are solu ons prepared and plans made to meet this challenge and we must demand that our representa vesin government put them into ac on.

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1. https://blog.davidellingsen.com/wp-content/uploads/2018/01/DavidEllingsen-WeatherPatterns-2017-54x76.5.jpg2. https://davidellingsen.com/Weather-Patterns/Milestones/1/thumbs-caption3. https://www.theguardian.com/environment/2017/jun/28/world-has-three-years-left-to-stop-dangerous-climate-change-warn-experts

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2. 2017

2.1 December

Betwixt exhibi on - The Baldwin Gallery at The Hospital Club (2017-12-03 09:00)

[1]

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BETWIXT

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Meryl McMaster & David Ellingsen

December 3rd – February 4th, 2017, by appointment

The Baldwin Gallery at The Hospital Club, 24 Endell St, London WC2H 9HQ

"The Hospital Club presents The Baldwin Gallery’s Betwixt, exploring the organic and psychic transference betweenselves and species, featuring the shape-changing photography of David Ellingsen and Meryl McMaster.

Of indigenous and European descent, Plains Cree sculptural-photographer, McMaster, pits delimi ng iden es –Na ve American, Canadian, female, human – against the immediacy of her lived body in the natural world. Sheexpresses heritage and contemporaneity as a synergis c strength of uni es, rather than a struggle between opposites.

Ellingsen’s Anthropocene series is inspired by the proposed renaming of our geological epoch, as Earth’s systems areirrevocably altered by human ac vity. Transmuted skeletal remains, adri on blackness, reference future and pastand are both a warning and rendering of hope.

Both ar sts have shown in museums around the world, from the Beaty Biodiversity Museum, Canada, and the DatzMuseum of Art, South Korea (Ellingsen), to the Smithsonian and the Art Gallery of Ontario (McMaster)."- The Baldwin Gallery

[2]

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1. https://blog.davidellingsen.com/wp-content/uploads/2017/11/The_Hospital_Betwixt_Dec.jpg2. https://blog.davidellingsen.com/wp-content/uploads/2017/11/DavidEllingsen-Anthropocene-Leviathan.jpg

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2.2 November

Remembrance Day for Lost Species (2017-11-30 10:00)

November 30 is [1]Remembrance Day for Lost Species

Here’s a small collec on of recent creature portraits, photographed in collabora on with the Beaty Biodiversity Museum, all in danger of joining the ranks of lost species.

Polar Bear, African Elephant, Kiwi, Boreal Chorus Frog, Caribou, Echidna, Mouse Deer, Snapping Turtle andthe Pangolin (the most trafficked creature on the planet).

[2]

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African Elephant

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[3]

Boreal Chorus Frog

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[4]

Echidna

[5]

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Kiwi

[6]

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Mouse Deer

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[7]

Polar Bear

[8]

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Snapping Turtle

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[9]

Pangolin

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[10]

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Caribou

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1. https://www.lostspeciesday.org/2. https://blog.davidellingsen.com/wp-content/uploads/2017/12/AfricanElephant-Loxodonta-africana.jpg3. https://blog.davidellingsen.com/wp-content/uploads/2017/12/BorealChorusFrog-Pseodacris-maculata.jpg4. https://blog.davidellingsen.com/wp-content/uploads/2017/12/Echidna-Tachyglossus-aculeatus.jpg5. https://blog.davidellingsen.com/wp-content/uploads/2017/12/Kiwi-UnidentifiedSpecies.jpg6. https://blog.davidellingsen.com/wp-content/uploads/2017/12/MouseDeer-Tragulus.jpg7. https://blog.davidellingsen.com/wp-content/uploads/2017/12/PolarBear1-Ursus-maritimus.jpg8. https://blog.davidellingsen.com/wp-content/uploads/2017/12/SnappingTurtle-Chelydra-serpentina.jpg9. https://blog.davidellingsen.com/wp-content/uploads/2017/12/SundaPangolin-Manis-javanica.jpg10. https://blog.davidellingsen.com/wp-content/uploads/2017/11/Caribou-Rangifer-tarandus.jpg

Ar sts As Change Makers (2017-11-09 11:40)

"Hear how an interna onally-renown filmmaker, photojournalist, singer/songwriter duo, and a fine art photographerare all crea ng change through their cra . Featuring striking imagery and insight into the power of art." - FrancesLitman, [1]Crea vely United Solu ons

With Garth Lenz (photojournalist), Sarah Roberts (filmmaker), David Ellingsen (ar st) and Danton Jay and HeatherLynn (musicians).

Solu ons Episode 2: Ar sts As Change MakersShaw Cable, channel 4, November 6-12, 2017

[2]

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1. https://creativelyunited.org/2. https://youtu.be/x6MxmVWAF0I

2.3 October

Blur Magazine, Croa a (2017-10-11 13:15)

[1]

1. https://blog.davidellingsen.com/wp-content/uploads/2018/01/BlurMag-spread.jpg

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2.4 July

The Last Stand at Natuurmuseum, Netherlands (2017-07-01 10:00)

[1]

Nine photographs from [2]The Last Stand appear today in this exhibi on at the [3]Nature Museum in Leeuwarden.The [4]Noorderlicht Photography Fes val is cura ng a group of projects on the ecosystem, with the umbrella tle’Guardians’. The first in the series Plas c: Fossil to Fossil opened in April with work from, among others, MandyBarker and Chris Jordan.

"The exhibi on series GUARDIANS examines the influence of humans on the biodiversity that surrounds us.This second part looks at what we extract from nature. With both plants and animals, the preserva on of biodiversityis under pressure. Chemical contamina on is causing the seedbed for flora and fauna to disappear. Economic

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exploita on of the land is resul ng in deforesta on. These and other causes mean that an untouched naturalecosystem is now nowhere to be found. This is exposed in the exhibi on BEES ’n TREES by way of two specific species:bees and trees."- Noorderlicht Photography Fes val

Bees and TreesJuly 1 - August 30, 2017Natuurmuseum Friesland & Noorderlicht Photography Fes valLeeuwarden, Netherlands[5]

[6]

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1. http://www.noorderlicht.com/en/projects/guardians-ii/2. https://www.davidellingsen.com/The-Last-Stand/1/thumbs-caption3. http://www.natuurmuseumfryslan.nl/4. http://www.noorderlicht.com/en/projects/guardians-ii/5. http://www.noorderlicht.com/en/projects/guardians-ii/6. http://www.noorderlicht.com/en/projects/guardians-ii/

2.5 June

Weather Pa erns appears in Monthly Photography, South Korea (2017-06-29 20:30)

[1]

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[2]Weather Pa erns was featured recently with an interview and images in the June issue, See the Sea, ofSouth Korea’s Monthly Photography magazine (in publica on since 1966!).

[3]

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[4]

[5]

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1. https://www.davidellingsen.com/Weather-Patterns/Milestones/2/thumbs-caption2. https://www.davidellingsen.com/Weather-Patterns/Milestones/2/thumbs-caption3. https://www.davidellingsen.com/Weather-Patterns/Milestones/2/thumbs-caption4. https://www.davidellingsen.com/Weather-Patterns/Milestones/2/thumbs-caption5. https://www.davidellingsen.com/Weather-Patterns/Milestones/2/thumbs-caption

2.6 May

Wildside at the Rizzoli bookshop, Photolondon 2017 (2017-05-18 21:48)

[1]

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[2]

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1. https://blog.davidellingsen.com/wp-content/uploads/2017/05/IMG_3707.jpg2. https://blog.davidellingsen.com/wp-content/uploads/2017/05/IMG_3709.jpg

The Sublunary World - Private View - The Baldwin Gallery at Blacks Club, Soho (2017-05-11 10:00)

[1]

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Come to a private showing next Thursday at Blacks Club in Soho, London.

[2]The Sublunary World, with Tim Shaw and Meryl McMaster, moves to the club with The Baldwin Gallery.RSVP at [email protected]

1. http://www.thebaldwingallery.com/exhibition/art-is-home-the-sublunary-world/2. http://www.thebaldwingallery.com/exhibition/art-is-home-the-sublunary-world/

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2.7 April

Presen ng work at Photolucida 2017 (2017-04-25 18:01)

[1]

Presen ng [2]The Last Stand and [3]Anthropocene April 20-23 at [4]Photolucida 2017

1. https://blog.davidellingsen.com/wp-content/uploads/2017/04/Photolucida2017-byMaxKellenberger.jpg2. https://www.davidellingsen.com/The-Last-Stand/1/thumbs-caption3. https://www.davidellingsen.com/Anthropocene/1/thumbs-caption4. https://www.photolucida.org/

Exhibi on - The Sublunary World at The Baldwin Gallery (2017-04-05 18:48)

[1]

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The Baldwin GalleryApril 5 – May 16, 2017

[2]The Sublunary World brings together the polymorphic figures of Royal Academician Tim Shaw’sMiddle Worldwiththe Anthropocene skulls and Future Imperfect body-landscapes of Canadian photographer David Ellingsen and theself-portraiture of photographer Meryl McMaster.

1. http://www.thebaldwingallery.com/exhibition/art-is-home-the-sublunary-world/2. http://www.thebaldwingallery.com/exhibition/art-is-home-the-sublunary-world/

2.8 March

Virtual Exhibi on - The Last Stand at The Griffin Museum of Photography (2017-03-31 09:51)

[1]

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1. http://griffinmuseum.org/show/the-last-stand/

Musée Magazine’s Open Mic (2017-03-29 15:59)

[1]

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Work from [2]As We’ve Known It appeared today on [3]Musée Magazine’s OPEN MIC:

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"A page open to anyone wishing to express their feelings, visual or wri en, against Trump’s presidency andpolicy.Musée is a Voice He Can’t Control. We have designated a page on our website to anyone wishing to express theirfeelings being in art, wri ng, photography, illustra on etc."- Musée

(Thanks Zoe and Isabel from [4] #vanartrental at the [5] #vanartgallery for the pairing!)

1. http://museemagazine.com/culture/?category=Open+Mic2. https://www.davidellingsen.com/As-We've-Known-It/Sky/1/thumbs-caption3. http://museemagazine.com/culture/?category=Open+Mic4. https://www.instagram.com/explore/tags/vanartrental/5. https://www.instagram.com/explore/tags/vanartgallery/

2.9 February

Honorable Men on at Interna onal Photography Awards (2017-02-28 10:00)

[1]

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[2]J-32 recently received Honorable Men on at the Interna onal Photography Awards [3]One-Shot Compe on“Climate Change”.

[4]

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1. https://blog.davidellingsen.com/wp-content/uploads/2015/07/OceanElegy-J-32.jpg2. http://www.davidellingsen.com/Work-II/J-32/1/caption3. http://www.photoawards.com/winner/index.php?compName=One-Shot:Climate%20Change&level=pro4. https://blog.davidellingsen.com/wp-content/uploads/2017/02/create_hmention_seal-e1487723653574.png

Print dona on to Ocular, UK (2017-02-21 15:59)

[1]

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[2]Casse e Tapes (with Apologies to Gordon Ligh oot) made an appearance February 10th at auc on in Ply-mouth, UK to help raise funds for “[3]Free Range”, an upcoming exhibi on from the student collec ve [4]Ocularwhich organizes and exhibits graduate work from universi es across the UK.

"Free Range" will open in London in June.

1. http://www.plymouthart.ac.uk/latest/blog/renowned-photographers-donate-work-to-student-print-auction-fundraiser2. http://www.davidellingsen.com/Work-I/Obsolete-Delete/4/thumbs-caption3. http://www.free-range.org.uk/4. http://www.weareocular.com/

Magazine Gitz vol. 8 (2017-02-10 13:47)

[1]The Last Stand appears in [2]Magazine Gitz vol. 8 from South Korea’s Datz Museum of Art, cataloguing the FromWalden exhibi on.9 photographs and an interviewwith AmandaMarchand join work by Eliot Porter, CarletonWatkins, Sangyon Joo, KirkCrippens and Gretchen LeMaistre.[3]

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[4]

[5]

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[6]

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[8]

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1. http://www.davidellingsen.com/Work-I/The-Last-Stand/1/thumbs-caption2. http://www.magazinegitz.com/3. http://www.magazinegitz.com/4. http://www.magazinegitz.com/5. http://www.magazinegitz.com/6. http://www.magazinegitz.com/7. http://www.magazinegitz.com/8. http://www.magazinegitz.com/9. http://www.magazinegitz.com/

2.10 January

In the mail today: Wildside - The Enchanted Life of Hunters and Gatherers (2017-01-25 12:03)

[1]

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Along with work and stories from a host of ar sts working out on the land, I’m happy to have selec ons from[2]The Last Stand appear in this lovely new book Wildside - The Enchanted Life of Hunters and Gatherers, compiledand edited by Germany’s [3]Gestalten.

"Wildside captures the layers and rhythms of a life that does not yield to nature, but that coexists within it’sverdant realm."

[4]

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1. http://shop.gestalten.com/wildside.html2. http://www.davidellingsen.com/Work-I/The-Last-Stand/1/thumbs-caption

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3. http://shop.gestalten.com/wildside.html4. http://shop.gestalten.com/wildside.html

New work for Weather Pa erns (2017-01-18 11:26)

[1]

2016 The Ho est Year on Record (to date)Edi on of 5Pigment ink on co on rag40x50 inches

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Today [2]The Guardian and [3]The New York Times both released ar cles confirming 2016 as the ho est yearever on record.

"Marking another milestone for a changing planet, scien sts reported on Wednesday that the Earth reachedits highest temperature on record in 2016 — trouncing a record set only a year earlier, which beat one set in 2014.It is the first me in the modern era of global warming data that temperatures have blown past the previous recordthree years in a row."- NYT

1. https://blog.davidellingsen.com/wp-content/uploads/2017/01/2016-WeatherPatterns.jpg2. https://www.theguardian.com/environment/2017/jan/18/2016-hottest-year-ever-recorded-and-scientists-say-human-activity-to-blame?CMP=share_btn_link3. https://www.nytimes.com/2017/01/18/science/earth-highest-temperature-record.html?ribbon-ad-idx=5&src=trending&module=Ribbon&version=context&region=Header&action

Advance press for upcoming exhibi on ’The Sublunary World’ at London’s Baldwin Gallery(2017-01-07 15:04)

[1]

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The UK’s Country & Town House magazine profiles The Baldwin Gallery in their [2]cultural guide to January.

"

Dennison Smith spent me living with the Navajo tribe in North America and was inspired by their understandingof art as part of our personal and geographical iden ty – not merely as a commodity. On her return to London sheopened the doors of her Blackheath home as a gallery space to display contemporary indigenous North Americanart and draw parallels with European ar sts. [3]The Baldwin Gallery kicks off 2017 with a comparison of Tim Shaw’sMiddle World figures and the sculptural photographs of two Canadians – David Ellingsen and Meryl McMaster. "

1. https://www.countryandtownhouse.co.uk/culture/the-diary-january/2. https://www.countryandtownhouse.co.uk/culture/the-diary-january/3. http://www.thebaldwingallery.com/art/visual/

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3. 2016

3.1 December

Boulevard Magazine (2016-12-15 05:27)

[1]

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The Anthropocene exhibi on appears in the Dec 2016/Jan 2017 edi on of Boulevard magazine.

inspiredPEOPLE

PHOTOGRAPHER DAVID ELLINGSEN:

“FACING ANTHROPOCENE”

BY ANGELA COWAN

PHOTOS BY DON DENTON

With sand dollar headdresses and disembodied lupine jaws, the newest photograph collec on by David Ellingsen atthe Winchester Gallery is shrouded in the slick smear of primordial algae and the whispers of wild heartbeats.

The images are studio-shot on a stark black background, offering nothing to distract from the eerie creaturesEllingsen has created in his collec on, Anthropocene. Two bird skulls nestle in the eye sockets of a human skull; aturtle carapace takes the place of a brain; in yet another, the human skull is held in the predatory clasp of a sea lion’spi ed jaws. The images make your hackles rise. You may be standing in a white-washed art gallery, you tell yourself,but your wilder nature tenses its hamstrings, prepared to run.

Ellingsen, who freelanced for years as an editorial and adver sing photographer for New York Times Maga-zine, CBC Radio Canada, Men’s Journal and MTV/Nickelodeon, has been focusing exclusively on his art since 2013.Rife with environmental commentary, his collec ons have been exhibited worldwide, including being a permanentpart of the Chinese Museum of Photography and Vancouver’s Beaty Biodiversity Museum. Nine photos from TheLast Stand, a series of stump portraits, will be permanent fixtures at The Datz Museum in Seoul.

The seeds for Anthropocene took root when he first read the term in a news ar cle.

“Based on global evidence that Earth’s natural systems have been irrevocably altered by human ac vity, thisterm redefines the current geological me period as being human-influenced,” he says in his ar st’s statement.

For a species as young as we are — with civiliza on as we know it about 6,000 years old, and industrializa ononly ramping up in the 1800s — that is a monumental and vastly unse ling claim.

“It just shook me to my core,” says Ellingsen. “A lot of the me it’s a sort of visceral feeling that starts me off.This collec on es into my feelings that it’s crisis me with climate change.”

Though the term has been around since 2000, it was only on August 29, 2016 that the Subcommission onQuaternary Stra graphy recommended formalizing anthropocene as the current geological epoch. It was just one ofmany recent pointsof-no-return that the human race has passed in the last decades, leaving our future as a speciesmore than uncertain.

To take that revela on and turn it into art was a natural next step for Ellingsen. Being tuned in to the healthof the environment has always come second nature for the ar st, having grown up on a farm on the remote CortesIsland.

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“Growing up in a place like Cortes, the environment and the landscape is equally, if not more important thanyour family is,” he says. “You really see the balance of life and death.

When you’re slaughtering animals for food, you see what’s necessary to actually sustain another life. Thatisn’t bad or good, it just is.”

Seeing that balance irreversibly sha ered by human influence, both on a local and global scale, spurred Ellingsen toac on.

“I was looking at reintegra ng nature back into humanity,” he says of Anthropocene. “We keep extrica ngourselves from nature and pu ng ourselves above, and exer ng dominion over it. We live on top of nature, not in it.But we’re s ll ruled by ins nct and not reason.”

In life, the photos are expansive, bold statements on the gallery’s white walls. With no glass to separate themfrom the viewer, Ellingsen’s creatures seem almost to emerge from their black backgrounds and into the room. It’s afeeling of movement that’s emphasized by a startling level of detail, achieved by “focus stacking.”

“I don’t normally talk a lot about the technical aspects of my work,” says Ellingsen, hesita ng at first to getinto the jargon of photography.

“Normally, if you’re looking at me, you’re focusing on my eye or my nose, and the rest of my face is out of fo-cus, and what’s behind me is out of focus,” he says.

With focus stacking, Ellingsen sets the focus on the closest point of his subject, and then takes a mul tude ofshots, changing the focus slightly each me, moving farther back with each shu er snap. The challenge is to thenbuild an image using the sharpest parts of each.

The technique offers a new level of clarity that allows the viewer to see the work in a way the human eye simply can’t.

“I really do hope to poke and prod people into ac on,” he says, freely admi ng this collec on is not designedto make anyone comfortable. “There was an inten on behind that abruptness. There are a few things I hope for.One is that people become aware of the term anthropocene because for me it’s so monumental.”

We will evolve and adapt, he adds, but at what cost? How can we as a species integrate our advancements inmedicine, engineering and agriculture into a global lifestyle that also protects the planet?

But even through the undeniable threats of climate change, Ellingsen has a strong sense of hope for the planet, andfor us, especially when he’s immersed in the natural world. Several of his other ongoing collec ons get him out intonature and at the ocean’s edge.

“It gives me a touchstone every day just to look at the ocean and the sky,” he says. “When I’m back here, Ifeel like the natural environment here feeds me in a way I can’t describe.”

“Some mes this kind of work really stresses you out,” he says with a bit of a laugh. But with the comple onof the Anthropocene collec on, “I feel a sense of peace. I really do feel at peace with the idea of life and death, goodand bad, the yin and yang of life.”

“We had seen David’s work from previous series,” says Elizabeth Levinson of Winchester Gallery, Ellingsen’shome gallery now that he’s moved back to Victoria from Cortes.

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“His technical ability is superb, but we were a racted to what he had to say through his lens about the stateof the planet, and about hope for its future. It’s been an honour to hold the interna onal launch of the Anthropoceneseries.”

A er spending much of his career in the breakneck pace of commercial photography, being able to step backand stretch his ar s c muscles has been a welcome change for Ellingsen.

“It’s about slowing down and pu ng thought into it. Being an ar st really dovetails into the way I was raised,”he says.

He’s able to spend the me needed to capture the essence of an idea — explore inspira on, and research sto-ries and images from other cultures and peoples.

“Being a photographic ar st now,” he says, “I feel completely at home.”

1. http://www.davidellingsen.com/Work-I/Anthropocene/1/thumbs-caption

3.2 November

November 30th - Remembrance Day for Lost Species (2016-11-30 05:49)

[1]

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In honour of [2]Remembrance Day for Lost Species – November 30th every year – "a chance to learn and tellthe stories of lost and disappearing species, and to renew commitments to those remaining."

1. http://blog.davidellingsen.com/wp-content/uploads/2015/07/OceanElegy-J-32.jpg2. https://www.facebook.com/internationalremembrancedayforlostspecies/

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"FromWalden" exhibi on - Datz Museum of Art, South Korea (2016-11-12 18:57)

9 photographs from The Last Stand appear in the group exhibi on

[1] FromWalden2016.11.12 to 2017.03.29The Datz Museum of ArtSouth Korea

"Canadian contemporary photographer David Ellingsen made staged portraits of stumps—remaining of treesthat were cut down by his ancestors—whose family has been in the logging business for five genera ons. Now anenvironmentalist, the photographer re-enters his painful history to find clues for dealing with the environmentalcrisis faced by contemporary society and conducts an ar s c ritual for healing."

[2]

[3]

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[4]

[5]

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[6]

[7]

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[8]

[9]

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1. http://www.datzmuseum.org/203332. http://www.datzmuseum.org/203333. https://blog.davidellingsen.com/wp-content/uploads/2017/01/DTZ0294.jpg4. https://blog.davidellingsen.com/wp-content/uploads/2017/01/DTZ0284.jpg5. https://blog.davidellingsen.com/wp-content/uploads/2017/01/DTZ0285.jpg6. https://blog.davidellingsen.com/wp-content/uploads/2017/01/DTZ0279.jpg7. https://blog.davidellingsen.com/wp-content/uploads/2017/01/DTZ0247.jpg8. https://blog.davidellingsen.com/wp-content/uploads/2017/01/DTZ0271.jpg9. https://blog.davidellingsen.com/wp-content/uploads/2017/01/DTZ0211.jpg

3.3 October

Lensculture Interview - The Last Stand (2016-10-31 19:47)

The Last Stand

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[1]Interview with David Ellingsen on [2]Lensculture

Interview and Edi ng: Walker Dawson

Producer: Alexander Strecker

[3]

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[4]

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1. https://www.lensculture.com/articles/david-ellingsen-the-last-stand2. https://www.lensculture.com/

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3. https://www.lensculture.com/articles/david-ellingsen-the-last-stand4. https://www.lensculture.com/articles/david-ellingsen-the-last-stand

Anthropocene exhibi on - Ar st’s Talk (2016-10-22 12:15)

IFRAME: [1]h ps://youtu.be/hCyWGJu0uOM

[2]

1. https://youtu.be/hCyWGJu0uOM2. http://blog.davidellingsen.com/wp-content/uploads/2016/10/ArtistTalk.jpg

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Globe and Mail exhibi on announcement (2016-10-13 17:17)

[1]

1. http://blog.davidellingsen.com/wp-content/uploads/2016/10/FullSizeRender-1.jpg

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3.4 September

Upcoming exhibi on announcement in Canadian Art magazine (2016-09-22 03:14)

[1]

Anthropocene: Messengers from the Human Age

October 11-29, 2016Opening recep on: October 15th, 2-4pm

Winchester Galleries, Victoria, Canada

1. http://blog.davidellingsen.com/wp-content/uploads/2016/09/IMG_3393-e1474539073587.jpg

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3.5 August

NewWeather Pa erns – 2016 July, Ho est Month in History (2016-08-31 10:50)

[1]

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New work for Weather Pa erns...marking yet another historic climate milestone.

Since records began in 1880, July surpassed the absolute record for the ho est month ever by 0.11 degreesCelsius. This surpassed the previous record, set just one year before in July of 2015.

2016 July, The Ho est Month in Recorded History, To Date.

Pigment ink on co on rag.50x50 inches.

1. http://blog.davidellingsen.com/wp-content/uploads/2016/08/2016July-HottestMonthInHistory.jpg

Arrived on the doorstep this a ernoon...the Lensculture Earth15 Awards catalogue. (2016-08-09 09:25)

[1]

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[2]

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[3]

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1. http://blog.davidellingsen.com/wp-content/uploads/2016/08/LenscultureEarthAwards2015-1-e1471537355277.jpg2. http://blog.davidellingsen.com/wp-content/uploads/2016/08/LenscultureEarthAwards2015-2.jpg3. http://blog.davidellingsen.com/wp-content/uploads/2016/08/LenscultureEarthAwards2015-3.jpg

On "The Slippery Edge" today... (2016-08-09 08:21)

[1]

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1. http://slipperyedge.com/2016/08/09/david-ellingsen/

3.6 July

New Representa on and Exhibi on - Winchester Galleries (2016-07-01 10:00)

[1]

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[2]DAVID ELLINGSEN: Photographer and Environmental Ar stJuly 5 - 30, 2016Winchester Galleries2260 Oak Bay Avenue, Victoria, Bri sh Columbia, Canada

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Opening Recep onSaturday, July 9, 20162pm – 4pmThe ar st will be in a endance

Gallery Release:"Gunter Heinrich, President of Winchester Galleries, is pleased to introduce the work of photographer and environ-mental ar st David Ellingsen: ’In our quest to always exhibit work by ar sts who have something interes ng andrelevant to say, we welcome David’s dynamic and thought-provoking photography.’

This introductory exhibi on includes work from three different series by the ar st. Future Imperfect exploresthe elements of man and the environment and the ins nct of self-preserva on in a Western culture that upholds itsstandards of living at all costs. The Last Stand addresses the state of our forests and the cogni ve dissonance arisingfrom the dilemma of par cipa on in, and yet responsibility for, the fouling of one’s own nest. The site-specific instal-la ons in Obsolete Delete were informed by the increasing speed of technological obsolescence, the environmentand the collision of the two."

1. http://www.winchestergalleriesltd.com/artists/ellingsen/2016/index.php2. http://www.winchestergalleriesltd.com/artists/ellingsen/2016/index.php

3.7 June

NewWeather Pa erns - 2016 May 23, 400 Part Per Million Reached in Antarc ca (2016-06-27 17:52)

[1]

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[2]2016 May 23, 400 Part Per Million Reached in Antarc ca

Edi on of 590x75 inchesPigment ink on co on rag

Figures released by the Na onal Oceanic and Atmospheric Administra on show that Antarc ca’s South PoleObservatory carbon dioxide observing sta on cleared 400 ppm (parts per million) on May 23, 2016. This is the final,and most remote, monitoring sta on in the world to reach this level. This concentra on has not occurred in over 4million years.

See the Guardian’s story [3]here.

This compila on illustrates the days photographed in May 2016 and mul plied in order to mark this milestoneevent with a work of 400 parts.

1. http://www.davidellingsen.com/Work-I/Weather-Patterns-I/1/thumbs-caption2. http://www.davidellingsen.com/Work-I/Weather-Patterns-I/1/thumbs-caption

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3. https://www.theguardian.com/environment/2016/jun/16/antarctic-co2-hits-400ppm-for-first-time-in-4m-years

New Gallery Representa on - The Baldwin Gallery in London, England (2016-06-23 14:25)

[1]

I am pleased to announce new gallery representa on at [2]The Baldwin Gallery in London, England - a gallery"i nspired by the Na ve American understanding of art as who you are, where you live, what you breathe, and not asmere commodity. The Baldwin Gallery = Art is Home".

1. http://www.thebaldwingallery.com/2. http://www.thebaldwingallery.com/

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3.8 May

Public Projec on - The Last Stand in Istanbul (2016-05-15 09:45)

[1]

[2]The Last Stand will make an appearance as a public screening/projec on during the Panel Discussion + Screeningprogramme from May 21 to 29 at the [3]Third Documentary Photo Days in Istanbul, Turkey. Presented by ThePhotography Founda on Turkey.

More details [4]here.

1. http://www.fotografvakfi.com/#!bfg16fikrifirarda/c2hi2. http://www.fotografvakfi.com/#!bfg16fikrifirarda/c2hi3. http://www.fotografvakfi.org.tr/4. http://www.fotografvakfi.com/#!bfg2016/c20qy

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3.9 March

Intervals: Photography in Flux | Group exhibi on at SOMA Gallery (2016-03-28 10:45)

[1]

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Obsolete Delete, Long Player RecordPigment ink on co on rag28x36 inches

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Intervals: Photography in Flux

South Main Gallery279 East 6th AveMarch 31 - April 8, 2016Opening Recep on March 31, 7 - 9pmPart of the 2016 Capture Photography Fes val

Ar sts[2]Goga Bayat, [3]David Ellingsen, [4]Jim Friesen, [5]Diana Nichole e Jeon, [6]Edward Peck, [7]Phyllis Schwartz,[8]Andrew WardSeven global photographers converge in an exhibi on about the rhythms and tensions in the contemporary geo-graphical, social and psychological landscapes. Opening at South Main Gallery (279 East 6th Avenue) on 31 March(7 – 9 pm), Intervals: Photography in Flux features a unique collec on of works by visual ar sts who draw uponphotographic prac ces and techniques used in the 19th, 20th and 21st centuries.

Intervals: Photography in Flux is an exhibi on about the transitory nature of photography. Every image, de-pending on me, loca on, viewer, and context, is constantly in transi on. Photographers create meaning thatfluctuates in the intervals between their images—whether it be the intervals between the shu er opening andclosing, the intervals between the images on the wall, the interval between the image and the material on whichit is presented, or the interval between the meaning that arises and changes in the viewer as they move betweenimages. Intervals presents the work of seven contemporary photographers based in Vancouver, Victoria, Los Angeles,Honolulu, and Iran who explore the rhythms and tension of their geographical, social, and psychological landscapes.

[9]Andrew Ward and [10]David Ellingsen both explore the obsolesce and disposal resul ng from a fast-pacedeconomy, reminding us of the rapid fluctua ons of our material world. [11]Diana Nichole e Jeon turns the cameraon herself, processing her emo ons into an expression of her views on women’s iden ty and environmental issues.[12]Goga Bayat’s and [13]Jim Friesen’s works explore inner psychological landscapes, resul ng in poe c visualimagery. [14]Edward Peck’s abstrac on of the Icelandic landscape leads into [15]Phyllis Schwartz’s analogue/digital,cameraless image-making process, which results in abstract landscape forms.

Intervals: Photography in Flux is a collec on of unique and unusual digital and photographic processes thatare rarely seen in one se ng. The methods and techniques range from those used long before the inven on of thecamera to the advanced technology available to ar sts today.

The exhibi on con nues through Saturday, 09 April. South Main Gallery is open Tuesday – Thursday (10AM –5:30 PM), Friday-Saturday (11AM-5:30) and Sunday by appointment; private viewing available (604.565.5622). AnAr st Talk will be held on Saturday, 08 April (2-4 pm).

1. http://blog.davidellingsen.com/wp-content/uploads/2016/02/1203-ObsoleteTech-LP-023.jpg2. https://capturephotofest.com/artists/goga-bayat/3. https://capturephotofest.com/artists/david-ellingsen/4. https://capturephotofest.com/artists/jim-friesen/

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5. https://capturephotofest.com/artists/diana-nicholette-jeon/6. https://capturephotofest.com/artists/edward-peck/7. https://capturephotofest.com/artists/phyllis-schwartz/8. https://capturephotofest.com/artists/andrew-ward/9. http://capturephotofest.com/artists/andrew-ward/10. http://capturephotofest.com/artists/david-ellingsen/11. http://capturephotofest.com/artists/diana-nicholette-jeon/12. http://capturephotofest.com/artists/goga-bayat/13. http://capturephotofest.com/artists/jim-friesen/14. http://capturephotofest.com/artists/edward-peck/15. http://capturephotofest.com/artists/phyllis-schwartz/

Public Installa on - City Hall Skytrain Sta on (2016-03-11 17:14)

[1]

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As part of Vancouver’s 2016 Capture Photography Fes val and the Art InTransit program, selec ons from WeatherPa erns will be installed at the City Hall Skytrain Sta on for the month of April. You can see [2]details on theinstalla on on the new Capture website launched today and once the install is complete expect to see thosephotographs here.

See all the public installa ons [3]here.

Many thanks to Meredith Preuss and [4]Capture, the Simon Fraser Ins tute curatorial team of Solana Rompré,Alexandra Best and Daniella Dona and to Pennylane Shen.

1. http://blog.davidellingsen.com/wp-content/uploads/2015/11/Snowfall-NovDec2012.jpg2. https://capturephotofest.com/public-installations/city-hall-station-weather-patterns-i/3. https://capturephotofest.com/public-installations/

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4. https://capturephotofest.com/

3.10 January

The Last Stand on Na onal Geographic (2016-01-27 09:33)

[1]

The Last Stand appears on Na onal Geographic’s Proof.

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"[2]Proof is Na onal Geographic’s online photography journal. We showcase the voices of Na onal Geographicphotographers and editors to offer a behind-the-scenes look at the visual storytelling process. Proof also featureswork from emerging photographers, books, galleries, and por olios across the web. We aim to present an ongoingconversa on about photography, art, journalism, and the people who create it."

See the whole project at [3]www.davidellingsen.com

Many thanks to Director of Photography Sarah Leen who first spo ed the series and to Associate Photo Editor JannaDotschkal who interviewed me and wrote the ar cle.

1. http://proof.nationalgeographic.com/2016/01/27/seeing-the-trees-through-the-forest-vestiges-of-ancient-woods/2. http://proof.nationalgeographic.com/3. http://www.davidellingsen.com/Work-I/The-Last-Stand/1/thumbs-caption

Exhibi on - Future Imperfect in group show at PHOTOLA (2016-01-21 09:00)

[1]

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A print from [2]Future Imperfect appears in a group exhibi on at [3]PHOTO LA, the 25th ANNUAL INTERNA-TIONAL LOS ANGELES PHOTOGRAPHIC ART EXPOSITION.

ROUND HOLE, SQUARE PEGA New Queer Visual Aesthe c for the 21st CenturyJanuary 21-24, 2016The REEF, LA Mart building, Downtown Los AngelesThe Ar st’s Corner Gallery, Booth 121

1. http://www.photola.com/home.php2. http://www.davidellingsen.com/Work-I/Future-Imperfect/5/thumbs-caption3. http://www.photola.com/

Weather Pa erns - 2015, Ho est Year on Record (2016-01-18 21:29)

[1]

New work for Weather Pa erns...

2015, The Ho est Year on Record

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Edi on of 5Pigment ink on co on rag47x70 inches

[2]"If there were any lingering doubts that 2015 was going to top the list of ho est years on record, this firstlook - ahead of official reports from NOAA and NASA - will surely put them to rest."

1. http://blog.davidellingsen.com/wp-content/uploads/2016/01/2015-HottestOnRecordGlobal-V1-196days.jpg2. http://www.theweathernetwork.com/news/articles/2015-unambiguously-the-hottest-year-on-record-says-report/62357/

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4. 2015

4.1 November

Montreal Exhibi on - Rite of Passage - group show (2015-11-12 12:33)

[1]

[2]

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A curatorial collabora on between [3]MASSIVart, [4]Sid Lee and [5]The Print Atelier.

Oct 15, 2015 - Feb 15th, 2016Sid Lee75 Queen Street, Montreal

"With a unique approach to the photographic arts, the ar sts selected explore ‘rituals’ as they are perceivedand captured within the singular purview of the photographic image.

On display are evoca ve images that examine the phenomena of change, human percep on, and documentthe passage of me conveying the temporality of the environment and human form."

• Maude Arsenault, The Print Atelier

1. http://theprintatelier.com/gallery/rite-of-passage---current-show/MzMxYzAwYzMxOTc2Yg==/page1/2. http://blog.davidellingsen.com/wp-content/uploads/2015/11/futureimperfect6_reef.jpg3. http://massivart.ca/4. http://sidlee.com/en/Cities5. http://theprintatelier.com/gallery/rite-of-passage---current-show/MzMxYzAwYzMxOTc2Yg==/page1/

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2015 Interna onal Photography Awards - Honorable Men on (2015-11-04 10:38)

3 Honorable Men ons in the 2015 Interna onal Photography Awards:Editorial, Environmental (for J-32)Fine Art, Landscape (for Weather Pa erns)Fine Art, Other (for Weather Pa erns)

[1]

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[2]

[3]

1. http://photoawards.com/winner/zoom.php?eid=8-91376-152. http://photoawards.com/winner/zoom.php?eid=8-91145-153. http://photoawards.com/winner/zoom.php?eid=8-91145-15

4.2 September

Recent work for Weather Pa erns - 400ppm (2015-09-10 14:52)

[1]

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400 part per million, March 2015

400ppm, March 2015Edi on of 5Pigment ink on co on rag.30x54 inches.

Recent work for the on-going project Weather Pa erns.

Figures released by the US science agency NOAA for March, 2015 show that for the first me since recordsbegan the parts per million (ppm) of CO2 in the atmosphere were over 400 globally for an en re month. Thisconcentra on has not occurred in over a million years.

This grid illustrates the 16 days photographed in March 2015, mul plied by 25, in order to mark this mile-stone event with a work of 400 parts.

Project Notes:Ini ated in 2011, Weather Pa erns is a long term project visually archiving climate trends and events in Canada’sPacific Northwest.

1. http://blog.davidellingsen.com/wp-content/uploads/2015/09/400ppmMarch2015.jpg

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New work - The Ho est in Recorded History (Global), July 2015 (2015-09-03 13:28)

[1]

The Ho est in Recorded History (Global), July 2015Edi on of 5Pigment ink on co on rag.30x54 inches.

New work for the on-going project Weather Pa erns.

Globally, the month of July 2015 was the ho est in recorded history to date. This grid of 30 contains the 14days photographed in July. The remaining days are each represented by a composite of ver cal sec ons of thosesame 14 days.

Project Notes:

Ini ated in 2011, Weather Pa erns is a long term project visually archiving climate trends and events in Canada’sPacific Northwest.

The compila ons realize collec ons of days as a single work, enabling the viewer to see wide swaths of thesehistorical records…such as a month or a year…in one glance. Both local and global events are represented with somegroupings compiled for conceptual reasons and others as pure archival data in order for visual trends to emerge overme.

Process

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With the camera pointed due west, the photographs are captured in person at high de from the following loca onon Cortes Island in Bri sh Columbia; Lat: 50° 1’ 10.5882" Long: -124° 59’ 43.6452".

1. http://blog.davidellingsen.com/wp-content/uploads/2015/09/July2015-HottestOnRecord-Global.jpg

4.3 August

The Last Stand - exhibi on print produc on - video with John Goldsmith (2015-08-18 12:18)

h ps://youtu.be/j3jX7mXXV7c

4.4 July

Art Reveal Magazine, Finland (2015-07-29 16:48)

[1]

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1. http://issuu.com/artrevealmagazine/docs/no7

J-32 appears in LensCulture’s "Contemporary Issues" (2015-07-16 12:52)

[1]

J-32 Orca, Pacific Northwest, Canada

Published this week in LensCulture’s [2]Contemporary Issues sec on, I consider this photograph one of the

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most important in my career to date...

A pregnant Orca, known as J-32, was discovered dead near Comox in the Pacific Northwest in December, 2014. Thisphotograph was made during the necropsy 2 days later.

Preliminary data indicates a combina on of starva on and toxic anthropogenic pollutants were the cause.

When a whale cannot find enough food it begins to metabolize its blubber fat and, as the Northwest killerwhales are among the most contaminated marine mammals in the world, the toxic chemicals enter their blood-stream causing serious illness and death.

This photograph comes from an on-going series tled "Singular Observa ons" collec ng stand-alone images,small projects and field observa ons o en captured while traveling or working on larger projects and assignments.The images are realized as large scale exhibi on prints.

1. https://www.lensculture.com/explore?category_id=15&modal=true&modal_type=project&modal_project_id=1067062. https://www.lensculture.com/explore?category_id=15

Obsolete Delete appears in French Magazine BEWARE/Dangerous Inspira on (2015-07-09 11:10)

[1]

1. http://bewaremag.com/david-ellingsen-obsolete-delete/

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4.5 June

Huffington Post - Environmental Photographer of the Year - Group Exhibi on (2015-06-27 15:10)

[1]

1. http://www.huffingtonpost.co.uk/2015/06/27/environmental-photographer_n_7677434.html?ir=Canada

Environmental Photographer of the Year 2015 - Group Exhibi on (2015-06-26 14:23)

[1]

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Environmental Photographer of the Year 2015 - Group Exhibi on

I’m happy to announce work from The Last Stand appears in the Atkins CIWEM Environmental Photographerof the Year Exhibi on 2015 exhibi on in London, England, opening last night at the Royal Geographical Society.

Informa on:"111 shortlisted works of outstanding photographic art will go on show at the Royal Geographical Society in Londonfrom 22 June to 10 July 2015. These are from a submission of over ten thousand images to the 2015 compe on

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by photographers and filmmakers from across sixty countries interna onally. The works will then commence a tourof forest venues na onally, supported by the Forestry Commission England, beginning at Grizedale Forest VisitorCentre, Cumbria from18 July - 7 September 2015.

The photographs and films demonstrate the dynamic link between environmental and social issues in a way that aimsto makes viewers think differently about the world around us. Works examine issues such as innova on, sustainabledevelopment, biodiversity, poverty, climate change, human rights, culture, natural disasters and popula on growth."

Atkins CIWEM Environmental Photographer of the Year Exhibi on 2015

Royal Geographical Society, London1 Kensington Gore, London SW7 2AR22 June - 10 July 2015

1. http://blog.davidellingsen.com/wp-content/uploads/2015/06/Installation3-Lance-tooth-Crosscut-Saw.jpg

The Last Stand on "this isn’t happiness" (2015-06-25 17:31)

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1. http://thisisnthappiness.com/post/121778963404/the-last-stand-david-ellingsen

The Last Stand appears as a finalist in the inaugural 2015 LensCulture Earth Awards. (2015-06-04 17:37)

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The Last Stand appears as a finalist in the inaugural LensCulture Earth Awards.

"Here are 34 unique points of view inspired by the earth, nature, and our shared surroundings. These award-winning photo stories and single images were selected by an esteemed panel of interna onal photography expertsfor LensCulture’s Earth Awards 2015." - LensCulture

1. https://www.lensculture.com/2015-lensculture-earth-award-winners

June 3, 2015...new Blog... (2015-06-03 17:41)

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BlogBook v1.0,LATEX2ε & GNU/Linux.

https://www.blogbooker.com

Edited: September 6, 2018

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