44

Para una disposición óptima de los temas a dos caras, no imprimas esta página si estás haciendo Para una disposición óptima de los temas a dos caras, no imprimas esta página si estás haciendo una copia en A4, a dos caras por página. una copia en A4, a dos caras por página.

22

TheTheSurrealSurreal

BookBookVolume X Volume X

(2nd edition - C)(2nd edition - C)

The Jam-Tonic presentaThe Jam-Tonic presenta

N.B.:N.B.: Este material ha sido creado a partir de diversas fuentes, casi ninguna de ellas Este material ha sido creado a partir de diversas fuentes, casi ninguna de ellas legal, para qué te vamos a decir lo contrario.legal, para qué te vamos a decir lo contrario.

Nuestro único objetivo al darnos este curro es disfrutar de la música, y ayudarNuestro único objetivo al darnos este curro es disfrutar de la música, y ayudara que los demás también disfruten de ella.a que los demás también disfruten de ella.

Por lo tanto eres muy libre de utilizar este material que tienes en tus manos comoPor lo tanto eres muy libre de utilizar este material que tienes en tus manos comote venga en gana: puedes usarlo para tu repertorio, para estudiar, puedes copiarlo, te venga en gana: puedes usarlo para tu repertorio, para estudiar, puedes copiarlo, distribuirlo, escanearlo, regalarlo o fundar una secta que se dedique a ir dejándolodistribuirlo, escanearlo, regalarlo o fundar una secta que se dedique a ir dejándoloen las habitaciones de los hoteles. A alguien se le ha tenido que ocurrir antes...en las habitaciones de los hoteles. A alguien se le ha tenido que ocurrir antes...

Lo único que te pedimos a cambio es que nos hagas llegar todas las sugerenciasLo único que te pedimos a cambio es que nos hagas llegar todas las sugerenciasque se te ocurran y los errores que encuentres a la dirección thejamtonic@gmail.com. que se te ocurran y los errores que encuentres a la dirección thejamtonic@gmail.com. Que no es mucho pedir, nos parece. Y si te lo parece a ti, pues nos da igual. Joé, ya.Que no es mucho pedir, nos parece. Y si te lo parece a ti, pues nos da igual. Joé, ya.

Para una disposición óptima de los temas a dos caras, no imprimas esta página si estás haciendo Para una disposición óptima de los temas a dos caras, no imprimas esta página si estás haciendo una copia en A4, a dos caras por página. una copia en A4, a dos caras por página.

22

The Surreal Book Volumen X ha sido confeccionado utlizando musescore 1.3., programa de notación The Surreal Book Volumen X ha sido confeccionado utlizando musescore 1.3., programa de notación musical y edición de partituras, que es software libre publicado bajo la licencia general GNU.musical y edición de partituras, que es software libre publicado bajo la licencia general GNU.

Nuestro agradecimiento a quienes trabajan por hacer de Internet un espacio abierto y generoso Nuestro agradecimiento a quienes trabajan por hacer de Internet un espacio abierto y generoso donde crear, compartir y crecer, anteponiendo la colaboración y la solidaridad a los objetivos donde crear, compartir y crecer, anteponiendo la colaboración y la solidaridad a los objetivos puramente comerciales.puramente comerciales.TheThe

SurrealSurrealBookBookVolume X Volume X

(2nd edition - C)(2nd edition - C)

33

Para una disposición óptima de los temas a dos caras, no imprimas esta página si estás haciendo Para una disposición óptima de los temas a dos caras, no imprimas esta página si estás haciendo una copia en A4, a dos caras por página. una copia en A4, a dos caras por página.

N.B.:N.B.: Este material ha sido creado a partir de diversas fuentes, casi ninguna de ellas Este material ha sido creado a partir de diversas fuentes, casi ninguna de ellas legal, para qué te vamos a decir lo contrario.legal, para qué te vamos a decir lo contrario.

Nuestro único objetivo al darnos este curro es disfrutar de la música, y ayudarNuestro único objetivo al darnos este curro es disfrutar de la música, y ayudara que los demás también disfruten de ella.a que los demás también disfruten de ella.

Por lo tanto eres muy libre de utilizar este material que tienes en tus manos comoPor lo tanto eres muy libre de utilizar este material que tienes en tus manos comote venga en gana: puedes usarlo para tu repertorio, para estudiar, puedes copiarlo, te venga en gana: puedes usarlo para tu repertorio, para estudiar, puedes copiarlo, distribuirlo, escanearlo, regalarlo o fundar una secta que se dedique a ir dejándolodistribuirlo, escanearlo, regalarlo o fundar una secta que se dedique a ir dejándoloen las habitaciones de los hoteles. A alguien se le ha tenido que ocurrir antes...en las habitaciones de los hoteles. A alguien se le ha tenido que ocurrir antes...

Lo único que te pedimos a cambio es que nos hagas llegar todas las sugerenciasLo único que te pedimos a cambio es que nos hagas llegar todas las sugerenciasque se te ocurran y los errores que encuentres a la dirección thejamtonic@gmail.com. que se te ocurran y los errores que encuentres a la dirección thejamtonic@gmail.com. Que no es mucho pedir, nos parece. Y si te lo parece a ti, pues nos da igual. Joé, ya.Que no es mucho pedir, nos parece. Y si te lo parece a ti, pues nos da igual. Joé, ya.

The Surreal Book Volumen X ha sido confeccionado utlizando musescore 1.3., programa de notación The Surreal Book Volumen X ha sido confeccionado utlizando musescore 1.3., programa de notación musical y edición de partituras, que es software libre publicado bajo la licencia general GNU.musical y edición de partituras, que es software libre publicado bajo la licencia general GNU.

Nuestro agradecimiento a quienes trabajan por hacer de Internet un espacio abierto y generoso Nuestro agradecimiento a quienes trabajan por hacer de Internet un espacio abierto y generoso donde crear, compartir y crecer, anteponiendo la colaboración y la solidaridad a los objetivos donde crear, compartir y crecer, anteponiendo la colaboración y la solidaridad a los objetivos puramente comerciales.puramente comerciales.

44

TÍTULOTÍTULO TONOTONO----------------------------------------------------------------------------------------------------------

3535 From this moment onFrom this moment on A majA maj3636 GibraltarGibraltar C majC maj3737 HappyHappy F majF maj3838 Historia de un amorHistoria de un amor G minG min3939 Hoe Emma hoeHoe Emma hoe C majC maj4040 How deep is your love?How deep is your love? E majE maj4141 I didn't know what time it wasI didn't know what time it was G majG maj4242 I know you knowI know you know F majF maj4343 I love the way you're breaking my heartI love the way you're breaking my heart F majF maj4444 I loves you PorgyI loves you Porgy F majF maj4545 I wished on the moonI wished on the moon C majC maj4646 In a silent wayIn a silent way C# minC# min4747 Isn't it a pity (George Harrison)Isn't it a pity (George Harrison) G majG maj4848 IsraelIsrael D minD min4949 JimJim C majC maj5050 Just in timeJust in time B majB maj5151 La falsa moneaLa falsa monea C minC min5252 La LloronaLa Llorona C minC min5353 Limehouse bluesLimehouse blues G majG maj5454 Little girl blueLittle girl blue F majF maj5555 (Love is) The tender trap(Love is) The tender trap F majF maj5656 Love me like a river doesLove me like a river does F minF min5757 Love theme from The Godfather (Speak softly, love)Love theme from The Godfather (Speak softly, love) C minC min5858 Love you madlyLove you madly F majF maj5959 Luck be a ladyLuck be a lady C majC maj6060 Lucky to be meLucky to be me F majF maj6161 MadalenaMadalena G majG maj6262 MahjongMahjong F min (?)F min (?)6363 Make someone happyMake someone happy E majE maj6464 MannenbergMannenberg F majF maj6565 MediterráneoMediterráneo A minA min6666 Mo' better bluesMo' better blues F majF maj6767 My melancholy babyMy melancholy baby E majE maj

TÍTULOTÍTULO TONOTONO----------------------------------------------------------------------------------------------------------

0101 Adam's appleAdam's apple A majA maj0202 AdoroAdoro D minD min0303 Aged and mellowAged and mellow E majE maj0404 Ain't got no / I got lifeAin't got no / I got life G majG maj0505 Ain't we got fun?Ain't we got fun? E majE maj0606 All about that bassAll about that bass A majA maj0707 Alone in the morningAlone in the morning D majD maj0808 As rosas não falamAs rosas não falam D minD min0909 Balada para un locoBalada para un loco C minC min1010 BarbadosBarbados F majF maj1111 Begin the beguineBegin the beguine C majC maj1212 Better than anythingBetter than anything C majC maj1313 Black NileBlack Nile D minD min1414 BlackbirdBlackbird G majG maj1515 Blues in the nightBlues in the night B majB maj1616 Born to swingBorn to swing F majF maj1717 Breezin'Breezin' D majD maj1818 Call me irresponsibleCall me irresponsible F majF maj1919 Caroline Keikki MingusCaroline Keikki Mingus C majC maj2020 Chanson de Maxence (You must believe in spring)Chanson de Maxence (You must believe in spring) C minC min2121 Climb ev'ry mountainClimb ev'ry mountain G majG maj2222 ConvergenciaConvergencia C majC maj2323 D natural bluesD natural blues D majD maj2424 Day dreamDay dream F majF maj2525 Dearly belovedDearly beloved C majC maj2626 Don't be that wayDon't be that way D majD maj2727 Don't let me be misunderstoodDon't let me be misunderstood E minE min2828 El relojEl reloj C majC maj2929 EvidenceEvidence B majB maj3030 Exactly like youExactly like you C majC maj3131 Feeling goodFeeling good G minG min3232 Filthy McNastyFilthy McNasty B minB min3333 Follia d'amoreFollia d'amore G minG min3434 FriendsFriends C majC maj

Índice (página 2)Índice (página 2)Índice (página 1)Índice (página 1)

55

TÍTULOTÍTULO TONOTONO----------------------------------------------------------------------------------------------------------

6868 Noche de rondaNoche de ronda D minD min6969 OdeonOdeon A minA min7070 Oh, happy dayOh, happy day G majG maj7171 Oh, my loveOh, my love A majA maj7272 Ol' 55Ol' 55 G majG maj7373 Piensa en míPiensa en mí E majE maj7474 Samba de OrfeuSamba de Orfeu C majC maj7575 Say it (over and over again)Say it (over and over again) E majE maj7676 SmoochSmooch D minD min7777 Son of a preacher manSon of a preacher man A majA maj7878 Soñar contigoSoñar contigo G minG min7979 Soy lo prohibidoSoy lo prohibido B majB maj8080 Stand by meStand by me A majA maj8181 Stormy Monday bluesStormy Monday blues G majG maj8282 Tengo una debilidadTengo una debilidad G minG min8383 The best is yet to comeThe best is yet to come A majA maj8484 The night has a thousand eyesThe night has a thousand eyes G majG maj8585 Tu frialdadTu frialdad G minG min8686 ValerieValerie E majE maj8787 VolverVolver D majD maj8888 Watch what happensWatch what happens E majE maj8989 West Coast bluesWest Coast blues B majB maj9090 What a little moonlight can doWhat a little moonlight can do G majG maj9191 When in Rome (I do as the Romans do)When in Rome (I do as the Romans do) C majC maj9292 Wild is the windWild is the wind A minA min9393 WitchcraftWitchcraft F majF maj9494 Ya no me quieresYa no me quieres G majG maj9595 Yes, sir, that's my babyYes, sir, that's my baby E majE maj9696 Your precious loveYour precious love D majD maj9797 You're driving me crazyYou're driving me crazy E majE maj9898 You've got a friend in meYou've got a friend in me E majE maj9999 Zing! Went the strings of my heartZing! Went the strings of my heart E majE maj100100 ZorongoZorongo A maj (?)A maj (?)

TÍTULOTÍTULO TONOTONO----------------------------------------------------------------------------------------------------------

0101 Adam's appleAdam's apple A majA maj0202 AdoroAdoro D minD min0303 Aged and mellowAged and mellow E majE maj0404 Ain't got no / I got lifeAin't got no / I got life G majG maj0505 Ain't we got fun?Ain't we got fun? E majE maj0606 All about that bassAll about that bass A majA maj0707 Alone in the morningAlone in the morning D majD maj0808 As rosas não falamAs rosas não falam D minD min0909 Balada para un locoBalada para un loco C minC min1010 BarbadosBarbados F majF maj1111 Begin the beguineBegin the beguine C majC maj1212 Better than anythingBetter than anything C majC maj1313 Black NileBlack Nile D minD min1414 BlackbirdBlackbird G majG maj1515 Blues in the nightBlues in the night B majB maj1616 Born to swingBorn to swing F majF maj1717 Breezin'Breezin' D majD maj1818 Call me irresponsibleCall me irresponsible F majF maj1919 Caroline Keikki MingusCaroline Keikki Mingus C majC maj2020 Chanson de Maxence (You must believe in spring)Chanson de Maxence (You must believe in spring) C minC min2121 Climb ev'ry mountainClimb ev'ry mountain G majG maj2222 ConvergenciaConvergencia C majC maj2323 D natural bluesD natural blues D majD maj2424 Day dreamDay dream F majF maj2525 Dearly belovedDearly beloved C majC maj2626 Don't be that wayDon't be that way D majD maj2727 Don't let me be misunderstoodDon't let me be misunderstood E minE min2828 El relojEl reloj C majC maj2929 EvidenceEvidence B majB maj3030 Exactly like youExactly like you C majC maj3131 Feeling goodFeeling good G minG min3232 Filthy McNastyFilthy McNasty B minB min3333 Follia d'amoreFollia d'amore G minG min3434 FriendsFriends C majC maj

TÍTULOTÍTULO TONOTONO----------------------------------------------------------------------------------------------------------

3535 From this moment onFrom this moment on A majA maj3636 GibraltarGibraltar C majC maj3737 HappyHappy F majF maj3838 Historia de un amorHistoria de un amor G minG min3939 Hoe Emma hoeHoe Emma hoe C majC maj4040 How deep is your love?How deep is your love? E majE maj4141 I didn't know what time it wasI didn't know what time it was G majG maj4242 I know you knowI know you know F majF maj4343 I love the way you're breaking my heartI love the way you're breaking my heart F majF maj4444 I loves you PorgyI loves you Porgy F majF maj4545 I wished on the moonI wished on the moon C majC maj4646 In a silent wayIn a silent way C# minC# min4747 Isn't it a pity (George Harrison)Isn't it a pity (George Harrison) G majG maj4848 IsraelIsrael D minD min4949 JimJim C majC maj5050 Just in timeJust in time B majB maj5151 La falsa moneaLa falsa monea C minC min5252 La LloronaLa Llorona C minC min5353 Limehouse bluesLimehouse blues G majG maj5454 Little girl blueLittle girl blue F majF maj5555 (Love is) The tender trap(Love is) The tender trap F majF maj5656 Love me like a river doesLove me like a river does F minF min5757 Love theme from The Godfather (Speak softly, love)Love theme from The Godfather (Speak softly, love) C minC min5858 Love you madlyLove you madly F majF maj5959 Luck be a ladyLuck be a lady C majC maj6060 Lucky to be meLucky to be me F majF maj6161 MadalenaMadalena G majG maj6262 MahjongMahjong F min (?)F min (?)6363 Make someone happyMake someone happy E majE maj6464 MannenbergMannenberg F majF maj6565 MediterráneoMediterráneo A minA min6666 Mo' better bluesMo' better blues F majF maj6767 My melancholy babyMy melancholy baby E majE maj

Índice (página 2)Índice (página 2)

6655

TÍTULOTÍTULO TONOTONO----------------------------------------------------------------------------------------------------------

3535 From this moment onFrom this moment on A majA maj3636 GibraltarGibraltar C majC maj3737 HappyHappy F majF maj3838 Historia de un amorHistoria de un amor G minG min3939 Hoe Emma hoeHoe Emma hoe C majC maj4040 How deep is your love?How deep is your love? E majE maj4141 I didn't know what time it wasI didn't know what time it was G majG maj4242 I know you knowI know you know F majF maj4343 I love the way you're breaking my heartI love the way you're breaking my heart F majF maj4444 I loves you PorgyI loves you Porgy F majF maj4545 I wished on the moonI wished on the moon C majC maj4646 In a silent wayIn a silent way C# minC# min4747 Isn't it a pity (George Harrison)Isn't it a pity (George Harrison) G majG maj4848 IsraelIsrael D minD min4949 JimJim C majC maj5050 Just in timeJust in time B majB maj5151 La falsa moneaLa falsa monea C minC min5252 La LloronaLa Llorona C minC min5353 Limehouse bluesLimehouse blues G majG maj5454 Little girl blueLittle girl blue F majF maj5555 (Love is) The tender trap(Love is) The tender trap F majF maj5656 Love me like a river doesLove me like a river does F minF min5757 Love theme from The Godfather (Speak softly, love)Love theme from The Godfather (Speak softly, love) C minC min5858 Love you madlyLove you madly F majF maj5959 Luck be a ladyLuck be a lady C majC maj6060 Lucky to be meLucky to be me F majF maj6161 MadalenaMadalena G majG maj6262 MahjongMahjong F min (?)F min (?)6363 Make someone happyMake someone happy E majE maj6464 MannenbergMannenberg F majF maj6565 MediterráneoMediterráneo A minA min6666 Mo' better bluesMo' better blues F majF maj6767 My melancholy babyMy melancholy baby E majE maj

TÍTULOTÍTULO TONOTONO----------------------------------------------------------------------------------------------------------

6868 Noche de rondaNoche de ronda D minD min6969 OdeonOdeon A minA min7070 Oh, happy dayOh, happy day G majG maj7171 Oh, my loveOh, my love A majA maj7272 Ol' 55Ol' 55 G majG maj7373 Piensa en míPiensa en mí E majE maj7474 Samba de OrfeuSamba de Orfeu C majC maj7575 Say it (over and over again)Say it (over and over again) E majE maj7676 SmoochSmooch D minD min7777 Son of a preacher manSon of a preacher man A majA maj7878 Soñar contigoSoñar contigo G minG min7979 Soy lo prohibidoSoy lo prohibido B majB maj8080 Stand by meStand by me A majA maj8181 Stormy Monday bluesStormy Monday blues G majG maj8282 Tengo una debilidadTengo una debilidad G minG min8383 The best is yet to comeThe best is yet to come A majA maj8484 The night has a thousand eyesThe night has a thousand eyes G majG maj8585 Tu frialdadTu frialdad G minG min8686 ValerieValerie E majE maj8787 VolverVolver D majD maj8888 Watch what happensWatch what happens E majE maj8989 West Coast bluesWest Coast blues B majB maj9090 What a little moonlight can doWhat a little moonlight can do G majG maj9191 When in Rome (I do as the Romans do)When in Rome (I do as the Romans do) C majC maj9292 Wild is the windWild is the wind A minA min9393 WitchcraftWitchcraft F majF maj9494 Ya no me quieresYa no me quieres G majG maj9595 Yes, sir, that's my babyYes, sir, that's my baby E majE maj9696 Your precious loveYour precious love D majD maj9797 You're driving me crazyYou're driving me crazy E majE maj9898 You've got a friend in meYou've got a friend in me E majE maj9999 Zing! Went the strings of my heartZing! Went the strings of my heart E majE maj100100 ZorongoZorongo A maj (?)A maj (?)

Índice (página 3)Índice (página 3)Índice (página 2)Índice (página 2)

AA

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Wayne ShorterWayne Shorter

55

01 Adam's apple01 Adam's apple

AA

IntroIntro

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( )( )

(vcls. ad lib.) - Vamp on cue(vcls. ad lib.) - Vamp on cue

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Armando ManzaneroArmando Manzanero

99

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02 Adoro02 Adoro

55

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J. Otis & P. LoveJ. Otis & P. Love03 Aged and mellow03 Aged and mellow

55

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44

(**)(**)

(*) Nina Simone reworked extensively two different tunes from "Hair", including substantial (*) Nina Simone reworked extensively two different tunes from "Hair", including substantial changes on the lyrics, that is why we have included her as an author. changes on the lyrics, that is why we have included her as an author.

2121

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(A: 10 mm.)(A: 10 mm.)

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G. MacDermot, G. Ragni, G. MacDermot, G. Ragni, J. Rado & N. Simone (*)J. Rado & N. Simone (*)

(instr.)(instr.)

(Nina Simone's version)(Nina Simone's version)

04 Ain't got no / I got life04 Ain't got no / I got life

IntroIntro

GGCCGGCCGGCCGG

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(**) In live versions, Nina Simone sometimes included more A-sections with added lyrics(**) In live versions, Nina Simone sometimes included more A-sections with added lyrics and also repetitions of C and D-sections (randomly). and also repetitions of C and D-sections (randomly).

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R.A. Whiting, G. Kahn & R.B. EganR.A. Whiting, G. Kahn & R.B. Egan05 Ain't we got fun05 Ain't we got fun

VerseVerse

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55

06 All about that bass06 All about that bass

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07 Alone in the morning07 Alone in the morning

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08 As rosas não falam08 As rosas não falam

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Á. Piazzolla & H. FerrerÁ. Piazzolla & H. Ferrer

(instr.)(instr.)

09 Balada para un loco09 Balada para un loco

IntroIntro

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CC--

AACCGG//BBDD--//CC

34

34

(9 mm.)(9 mm.)

7373

(instr.)(instr.)

6565

(B2: 7 mm.)(B2: 7 mm.)

(3 mm.)(3 mm.)

5858

6262

B2B2

5454

piú mossopiú mosso

5050

B1B1

4646

CC

FF

GG--FFmmaajj

FFmmaajj

CCGG--

CC

FFmmaajj

GG--

BB

FFCC--FF

CCGG--FFmmaajj

CCGG--FFmmaajj

CCGG--FFmmaajj

3333

44

Last time to CodaLast time to Coda

1717

CodaCoda

1313

99

Charlie "Bird" ParkerCharlie "Bird" Parker

AA55

10 Barbados10 Barbados

IntroIntro

CCCCmmaajj

DD--

DD--

CCmmaajj

CCmmaajj

CC

CC

GG

CC

CC

GG

GG

GGGG

DD--GG

DD--CCCC

CCCCmmaajjCCCC

33

33

33

33

33

33

33

33

33

33

33

3333

33

44

5353

5757

6161

C1C16565

4949

A3A3

4545

4141

A2A21717

2121

2525

2929

1313

99

3737

3333

BBCole PorterCole Porter

55

A1A1

11 Begin the beguine11 Begin the beguine

GG

CC

CC

DD--

DD--

CCmmaajj

CCmmaajj

CCmmaajj

GG

AAGG

AAmmaajj

BBmmaajj

CC

GG

CC

CC

CC

FF--

GG

CC

CC

FF--GG

FF

EE

AA

BB--

FFCC--

33

33

33

33

33

33

33

33

33

33

33

33

33

3333

3333

5353

5757

6161

C1C16565

4949

A3A3

4545

4141

3737

3333

BB

AA

GG

EE--

DD--

CC

CC

DD--

GGDD--//CC

CC

CCCCmmaajjCC

DD--

DD--

GG

DD--//CC

CCmmaajj

CC

AA

CCGG

EE--

GGDD--CC

DD--

DD--

CCmmaajj

33

33

33

33

33

33

33

3333

33

333333

33

(no rep. in the original version)(no rep. in the original version)

8989

9393

8585

9797

101101

8181

C2C2

7777

7373

6969

BBCC

EE

FFaalltt

EE

BB

GG--

EE

CC

AAAA--

FF

DDmmaajjDD

FF

BB

BB

EE

FF

CC

CCCC

FF

BBCC

BBCC

BB

BB

CC

CC

34

2525

2121

1717

99

1313

B. Loughborough & D. WheatB. Loughborough & D. Wheat

55

12 Better than anything12 Better than anything

AA

EE

FFCC--

DD--

DD--

AAEEmmaajj

EEmmaajj

FF

AA

BBFF--

BB

CC--

FF--

AA

DD--

AA

EE

BBmmaajj

DD--

CC

CC

CC

GG--

EE

GG--

GG--

DD--

BBmmaajj

EE

FFCC--

DD--

DD--

DD--

AAEE--

FF--EE--

AA

EE

BBmmaajj

DD--

EEmmaajj

GGmmaajj

BB

FF--

33

33

33

44

( )( )3737

3333

A1A1

2929

2525

BB

2121

1313

1717

A2A2

Wayne ShorterWayne Shorter

99

A1A1

13 Black Nile13 Black Nile

55

IntroIntro

CC--EE--BBDDAACCGGGGAA--GG

GGAA--AAGGCC

GGCC--AA--BBGG

GGDDAA--AA

CC--EE--BBDDAACC

GGGGAA--GGGGGG//BBAA--GG

44344434

3434

4444

2424

4444

3434

4444

3434

8

8

8

8

1313

A2A2

(fine)(fine)

99

55

(A1: 10 mm)(A1: 10 mm)

J. Lennon & P. McCartneyJ. Lennon & P. McCartney

A1A1IntroIntro

(lead & counter-melody)(lead & counter-melody)14 Blackbird14 Blackbird

DDBB AACCEE-- DD--FFBB CCDD-- CCFF EE--

GGDD

CC--EE--

AA--AA

BBDDAACC

GGCC--

GG

AA--AAGG

GGGG AA--

DDAABBDD-- CC

GGDDAA--AA

EE--FFBB CCCCDD--FF EE--

GGCC--AA--BBGG

6464

4444

4444

2424

3434

6464

4444

3434

4444

44244424

8

8

8

8

8

N.B.: The original version varies slightly, with a small pause after 1st head and a tag at the end.N.B.: The original version varies slightly, with a small pause after 1st head and a tag at the end.

3333

BB

2929

2525

CC

2121

BB

1717

CCDDAA--GGDD--EEBB--

BBEEBBFFCCFF

BB

BB

BBEEBB

GG

EE

EE

BB

FFCCFF

GGDD--CC--BB

BBBB

EE--EE

EEBB

333333

33

33

333333

3333

333333

44

2525

B1B1

2121

A2A21313

1717

99

55

H. Arlen & J. MercerH. Arlen & J. Mercer15 Blues in the night15 Blues in the night

A1A1

BBFFCCFFCCBBBB

BBEEBBFFCCFF

GG

BB

DD--

FF

CC--

BB

BB

CC

FFCC

EE

EE--

BB

BB

EE

FF

GG--GGDD--

CCDDAA--

FFFF

GGDD--EEBB--

CCGG--GGDD--

33

33

3333

33

33

33

33

33

33

33

33

33

5555

5151

A1A14343

4747

(3 mm.)(3 mm.)

4040

(3 mm.)(3 mm.)

3737

(B2: 10 mm.)(B2: 10 mm.)

3333

B2B2

2929

FFCCFF//CCBBBBFF//AAFF

FFCCFF

CC

CCGGFF

CCGGFF

CC

CCGGFF

N.C.N.C.FFCCGGFF

44

(1st head scat singing)(1st head scat singing)

1717

(yeah!)(yeah!)

(no!)(no!)

(no!)(no!)

(no!)(no!)

99

AA1313

(spoken dialogue)(spoken dialogue)

55

Lilian HardinLilian Hardin

(piano)(piano)

IntroIntro

16 Born to swing16 Born to swing

FFCCFF//CCBBBBFF//AAFF

CC

CC

DD

GG

CC

AA

FFCCFF//CC

CC

BBBBFF//AAFF

CC

(last head scat singing)(last head scat singing)

4141

3333

AA3737

BB2929

2525

2121

AA

GG//AADDmmaajjGG//AAEE--BB--DDmmaajj

GG//AA

GG//AA

GG//AA

EE--

EE--

BB--

BB--

DDmmaajj

DDmmaajj

EE--BB--DDmmaajj

GG//AAEE--

GG//AA

GG//AA

EE--

EE--

GG//AAEE--

BB--

BB--

DDmmaajj

DDmmaajj

BB--DDmmaajj

BB--DDmmaajj

GG//AAEE--BB--DDmmaajj

44

1717

1313

99

A2A2

55

A1A1

33

Vamp on cueVamp on cue

Bobby WomackBobby Womack

IntroIntro

17 Breezin'17 Breezin'

GG//AAEE--BB--DDmmaajj

GG//AAEE--

GG//AA

GG//AA

BB--DDmmaajj

DDmmaajj

EE--

GG//AA

GG//AA

GG//AAEE--

EE--

BB--

BB--

BB--

DDmmaajj

DDmmaajj

DD

DD

GG//AAEE--

GG//AA

BB--DD

DD

Vamp on cueVamp on cue

Last time to CodaLast time to Coda

3737

CodaCoda

( )( )3333( )( )

2727

A2A22929

2525

2323

BB2121

CCGG--

DD

FF

AA--

DD

CCGG--

DDAA--

GG

CC

AA--

GG--

GG--

GG--

CC

CC

GG--

GG--

CC

GG

AA

DD--

FF

GG--

DD--

GG

FF

AA--

DD--

FFmmaajj

DDAA--

DDDDAAEE--

GGGG--GG--

CCGG--

AA

FF

DD--AA--

FFFFmmaajj

33

44

( )( )3333

2929

2525

CC

2121

1313

1717A2A2

S. Cahn & J. Van HeusenS. Cahn & J. Van Heusen

99

BB

18 Call me irresponsible18 Call me irresponsible

55

A1A1

CCmmaajjGG

CCmmaajj

BB

CCmmaajj

BBmmaajj

GG

DDAA--

DD--

FF--

GG

GG

DD

DDmmaajj

DDEECCmmaajjEEBB--

FF--AAmmaajj

DDmmaajj

EE

EE

EE

CCmmaajj

CC

AA

GG--

EE--

FF

EEBB--

CC

BBmmaajjDDAA--

CCmmaajjGGDD

BBmmaajjDDAA--

FF--AAmmaajjCCGG--

EECCmmaajj

FF--AAmmaajjCC

EEBB--

GG--

33

44

( )( )

(*)(*)

(* Original version from (* Original version from ""The Lionel Hampton's Sessions" ends here.)The Lionel Hampton's Sessions" ends here.)

2929

2525

A2A2

2121

1717

1313

BB

Charles MingusCharles Mingus

99

A2A2

19 Caroline Keikki Mingus19 Caroline Keikki Mingus

55

A1A1

CCGG--CCGG--

DDmmaajjAA//DDAAEE--

FF

BB--

CC--

FF//BB

DDmmaajj

BBFF--

AA

FF

EE--

CC--

CCGG--

EE-- DDmmaajj

BB--

AA//DD

FF//BB

AA

FFCC--

44

1313

1111

77

A2A299

55

33

A. Bergman, M. Bergman &A. Bergman, M. Bergman &M. LegrandM. Legrand

A1A1

(You must believe in spring)(You must believe in spring)20 Chanson de Maxence20 Chanson de Maxence

CC--GGDD--

GGDD--

AAmmaajj

CC

EEmmaajj

EEmmaajj

GG--

EEmmaajjBB//EE

BB

BB

DD

FF--

FF--

AA--

BBFF--

CC--GG//CC

GGDD--EEmmaajj

GGDD--

BBFF--

(*) As played by M. Legrand. Bill Evans played directly to Coda and soloing over entire form.(*) As played by M. Legrand. Bill Evans played directly to Coda and soloing over entire form.

2727

2525

Solos in A3 - After solos D.C. al Coda (*)Solos in A3 - After solos D.C. al Coda (*)

2323

2121

1919

A3A31717

1515

DDCC

GGmmaajj

GGDD

DD

CC

AA--

AA

GG

AA

DD--

CCmmaajj

GGmmaajj

AA

EE--GG//FF

GG

DD

GG

DD--

AA--

GGGGmmaajjAA--AA--//CC

AAmmaajj

EE--//DD

EE

EE--

DDmmaajj

EEBB--

DDAA--

GGmmaajj//DD

DDmmaajj

DD//CCDD

CC//BB

AA

CC

GGmmaajj

AA--

GGmmaajjDDAA--

CCmmaajj

DDDD

GGDD--

GG//DDGG//DD

GGmmaajj//DDAA--

DDmmaajj

DDCCmmaajj//DD

AAGGmmaajj

BBaauugg//DDGG//DD

44

( )( )

(6 mm.)(6 mm.)

3333

(C: 10 mm.)(C: 10 mm.)

2929

CC

2525

2121

BB

AA1313

1717

R. Rodgers & O. Hammerstein IIR. Rodgers & O. Hammerstein II

99

21 Climb ev'ry mountain21 Climb ev'ry mountain

55

AA

IntroIntro

CCGGDD--

EEDD--//FF

AA

BB//FF

BB

GG

DD--

DD

GGAA--EE

AA--

BB

AA--

AA

DD--

CC

AA

EE//BB

DD--//AADD--

GGAA

GG

DD--

DD--DD--

EECC//EE

EE

EE

CC//EE

CCmmaajj

33

44

( )( )2727

2323

1919

A2A2

(3 mm.)(3 mm.)

1616

BB

(B: 6 mm.) (3 mm.)(B: 6 mm.) (3 mm.)

1313

(vcls.)(vcls.)

B.J. Gutiérrez & M. GuerraB.J. Gutiérrez & M. Guerra

99

22 Convergencia22 Convergencia

55

A1A1

(instr.)(instr.)

IntroIntro

AAEE--

AA

GGDD

DD

EE--

GG

GG

DD

DD

33

33

33

33

33

333333

44

(*) Rh.Sc. during heads.(*) Rh.Sc. during heads.

1111

99

77

Wes MontgomeryWes Montgomery

55

23 D natural blues23 D natural blues

(*)(*)

33

AA

CCDDAAAAEEFFmmaajj

CC

CCGG--

FFCC--

GGmmaajj

BB--FF//CCDD--

GG

DDAA--

FFmmaajj

AAmmaajj

CCDDFF--//EEFF--

AA

AA

BB

FFmmaajj

EE

CC

BB--

DD

AAmmaajj

FF

CC

FFmmaajj

GG--

BB-- EE

FF--//EEFF--

BBmmaajj

CCBB--FF//CCDD--

CCDD

CC

CCCC

BB--FF//CCDD--

AABBFFFFmmaajj

DD

AABB

FF--//EEFF--

FFFFmmaajj

33

3333

33

33

33

33

33

33

33

33

44

( )( )2929

A3A32525

2121

1717

BB

1313

D. Ellington & B. StrayhornD. Ellington & B. Strayhorn

99

A2A2

24 Day dream24 Day dream

55

A1A1

AAEE--CC

GG

AA

GG

EE--

DD

DD--

AA

DD--

EE--

GGDD--

GG

GG

CC

DD--

DD--

CCmmaajj

GGDD--

GG

GG

DD--

DD--

CC

GG

GG

DD--

DD--

44

( )( )2929

CC2525

2121

1717

AA

1313

J. Kern & J. MercerJ. Kern & J. Mercer

99

BB

25 Dearly beloved25 Dearly beloved

55

AA

AAEE--BB--DD

AA

AA

DD

EE--BB--DD

EE

GGDD

FF

AAEE--BBFF--

AAEE--

AAEE--

BB--DD

BB

BB

CC

FF--

AAEE--BB--DD

AAEE--

AAEE--

BB--DD

BB--DDAA

AAEE--BB--DD

AAEE--

EE--BB--DD

BBFF--

AA

33

33

33

44

( )( )( )( )

2929

AA2525

2121

1717

BB

1313

B. Goodman, E. Sampson & M. ParishB. Goodman, E. Sampson & M. Parish

99

AA

26 Don't be that way26 Don't be that way

55

AA

BB--N.C.N.C.GGBB--DD

FF

FF

EE--BB--

GG

GG

N.C.N.C.

FFGG

AA

AA

GGBB--

BB--

BB--

DD

AABB--

FFGGAABB--

4424

4424

44

(5 mm.)(5 mm.)

2323

A2A2

(A1: 13 mm.)(A1: 13 mm.)

1515

1919

(6 mm.)(6 mm.)

99

55

B. Benajmin, S. Marcus & G. CaldwellB. Benajmin, S. Marcus & G. Caldwell

(A1: 14 mm.)(A1: 14 mm.)

A1A1

27 Don't let me be misunderstood27 Don't let me be misunderstood

EE--BB--EE--BB--

FF

EE--BB--

GG

N.C.N.C.

FFGG

GG

AA

BB--

BB--

DD

AABB--

FFGG

BB--DDAAGG

AAGGAAGG

AAGGAAGG

4424

Vamp on cue or fadeVamp on cue or fade

N.B.: Instrumental line in Coda is used before A sections in The Animals' versions.N.B.: Instrumental line in Coda is used before A sections in The Animals' versions.Original version (by Nina Simone) has no repetitions.Original version (by Nina Simone) has no repetitions.

(opt.: instr.)(opt.: instr.)

( )( )5050

CodaCoda

(6 mm.)(6 mm.)

4040

4444

(A1: 14 mm.)(A1: 14 mm.)

A1A13636

3232

(* Rh. Sc. plays this all through part B in heads)(* Rh. Sc. plays this all through part B in heads)

(*)(*)

BB2828

CC

CC

GGDD--

FFmmaajj

CC

CC

GG

GG

DD--

DD--

GGDD--

AA--

AA--

FFmmaajj

CC

CC

AA--CC

EE--

DD--DD--

AA--

AA--CC

GG

GG

EE--

DD--

DD--

DD--DD--

AA--

AA--

AA--

CC

CC

GGDD--AA--CC

GGDD--

GG

AA--CC

DDCC

GGDD--AA--CC

GGDD--

GGDD--AA--

AA--CC

CC

44

( )( )3333

2929

BB

2525

2121

BB

AA1313

1717

(vcls.)(vcls.)

Roberto CantoralRoberto Cantoral

99

28 El reloj28 El reloj

AA55

(instr.)(instr.)

IntroIntro

BBFF--

BBFF--

BB

AA--

FF--

BBFF

FF--

AAmmaajj

DDAA--EE

CCGG--

DD

GG--

AA--

EE

EEmmaajj

EE

BB--

EE

BBFF--FF--

BB

BBFF--

FF--

FF--

CCGG--EEmmaajj

DDAA--

CCGG--

EE

EEmmaajj

44

N.B.: Rh. Sc. follows lead in heads.N.B.: Rh. Sc. follows lead in heads.

2929

2525

AA

2121

1717

1313

BB

Thelonious MonkThelonious Monk

AA99

29 Evidence29 Evidence

55

AA

GGDD--CC

GG

GG

DD--EE

DD

EE--

DD--

CC

CC

GG

GGFF--

FF--

CC

DD--

FF

GG

DD

GGDD--CC

DD

CC

GG

CC

44

( )( )2929

AA2525

2121

1717

BB

1313

J. McHugh & D. FieldsJ. McHugh & D. Fields

99

AA

30 Exactly like you30 Exactly like you

55

AA

DDGG--//EE

GG--//DD

DD

GG--//EE

AA--

DD

GG--//EEGG--//FF

GG--//EE

GG--//BB

GG--//FFGG--

EEFF

GG--

GG--//CC

GG--//FF

AACC

DDGG--//CC

GG--

GG--//DD

DD

DD

GG--//EE

GG--//EE

GG--//FF

GG--//FF

GG--

GG--

128

(Vamp on cue or fade)(Vamp on cue or fade)

1818

(vcls. ad lib, Rh. Sec. whole notes)(vcls. ad lib, Rh. Sec. whole notes)

1212

(1st head band in)(1st head band in)

(instr. line, opt.__________________________________)(instr. line, opt.__________________________________)

(3 mm.)(3 mm.)

99

55

77

A. Newley & L. BricusseA. Newley & L. Bricusse

33

(1st head, vcls. only, ad lib.)(1st head, vcls. only, ad lib.)

(Nina Simone's version)(Nina Simone's version)

31 Feeling good31 Feeling good

(A: 11 mm.)(A: 11 mm.)

AA

8vb8vb

BBBB

GGBB

N.C.N.C.

BB

BB

AA BBAABBAA AA

N.C.N.C.EEEE

EE

FF

BB

FF GG

BB

EEN.C.N.C.

FFCC--

BBAAAA

GGDD--

N.C.N.C.

44

2121

SolosSolos

( )( )1717

1313

99

AA

55

Horace SilverHorace Silver

00

32 Filthy McNasty32 Filthy McNasty

IntroIntro

BBAA BBAABBAA AABBCC-- FFGGDD--

GG

BB//FF

FF

EEEE

EE

BB//DD

N.C.N.C.

BB

BB

AA BB

EE

AA

FF

N.C.N.C.

EE

BB

FFBB

BB

EEFF

EE

33

33

4949

4545

D.S. al CodaD.S. al Coda(play rep.)(play rep.)

4141

3737

3333

BB

( )( )

End for last soloEnd for last soloGo to CGo to C

2929

2525

DD

EE

AA--//GG

GG//FF

AA--((mmaajj))//GG

GG

AA--

GG--//EE

GG--

GG--//EE

EE

DD

GG--//EEGG--//EE

DD

GG//FF

GG--//FF

GG

EE

GG--

EE

GG--//FFGG--

N.C.N.C.EEmmaajj//GGCC//GG

EEmmaajj//GGCC//GG

BB//GGGG--

BB//GGGG--

33

33

3333

3333

3333

333333

33

33

44

3333B2B2

2929

(vcls.)(vcls.)

1717

2121

B1B12525

A2A2

1313

99

A1A1

Raphael GualazziRaphael Gualazzi

(instr.)(instr.)

55

33 Follia d'amore33 Follia d'amoreIntroIntro

GG--((mmaajj))

EEmmaajj//GGCC//GG

N.C.N.C.

BB//GG

BB//GGGG--

GG--

N.C.N.C.

DD

AA//CC

EEmmaajj//GG

EEmmaajj//GG

EE--//DD

CC//GG

CC//GG

AA--//GG

EE

EE--((mmaajj))//DD

BB//GG

BB//GG

AA--((mmaajj))//GG

EE--

GG--

GG--

AA--

GG//FFGG

GG--//EE

DDGG--

GG--//EE

N.C.N.C.

DD

GG--//FF

EE

GG--

AA--//GGAA--((mmaajj))//GGAA--

3333

33

33

33

33

33

33

33

33

33

33

33

(solo piano)(solo piano)

7373

(instr.)(instr.)

6969

1st time - D.S. / 2nd time to Coda1st time - D.S. / 2nd time to Coda

(vcls. ad lib)(vcls. ad lib)

5757

6161

6565

5353

4949

CodaCoda

( )( )(vcls., cue)(vcls., cue)

4545

4141

SolosSolos

3737

EE--//BBEEmmaajj//BBAAmmaajj//BBEEmmaajj//BB

DD//CCCCmmaajj

DD//CCCCmmaajj

FF//CCCC

FF--//CC

FFmmaajj//CC

FFmmaajj//CC

BBmmaajj//CC

CCmmaajj

CCmmaajj

FF//CCCC

FF//CCCCFF//CCCC

33

44

(B: 18 mm.)(B: 18 mm.)

BB2121

1313

1717

99

AA

55

Chick CoreaChick Corea

IntroIntro

34 Friends34 Friends

FF//CCCCFF//CCCC

GG

FFmmaajj//CCCCmmaajj

DD--

AA--((mmaajj))

AA--

FF--//CC

AAmmaajj

CC//BBFF--//CC

EE//DD

BBmmaajj//AA

FFmmaajjAAmmaajj

FFmmaajj//AADDmmaajj//AA

Vamp on cue or fadeVamp on cue or fade

4747

CodaCoda

Last time to CodaLast time to Coda

CC3939

4343

(5 mm.)(5 mm.)

3434

(5 mm.)(5 mm.)

2929

2525

CCGG--AAGGDDmmaajj

CCGG--

AAEE--

GGDD--

AA--

FF--

CC//BB

BB--//FF

FFmmaajj

CC//BBCCGG//BB

CC

CCGG--

GGDD--

CCFFmmaajj//CC

FF--

CC//GG

FFmmaajj

AA--//CCDD--CC//EEFFmmaajj

FFmmaajjGG--//FFFFmmaajj

44

(* Usually played in two - Original time signature is 2/2.)(* Usually played in two - Original time signature is 2/2.)

2727

1919

(a tempo)(a tempo)(6 mm.)(6 mm.)

(*)(*)

1313

A1A1

99

55

Cole PorterCole Porter35 From this moment on35 From this moment on

VerseVerse

CCGG--AAEEBB

FFCC--AA//EEGGDDmmaajj

CC

AAEE--

EE

FF--

EE

BB--//FF

EE

FFCC--AA

CCGG--

BBFF--

FF--

EE

GGDDmmaajj

AAEE--AA

AAEE--FF--BB--//FF

GGDDmmaajj

CCGG--FF--

( )( )

8383

7575

5959

A2A26767

5151

BB

4343

3535

A1A1

DDAAmmaajjAAEEmmaajj

BBCCGG--CCGG--CCGG--CCGG--

CC

CC

GG--CC

GG--

GG--

DDAAmmaajj

BBCCGG--CCGG--

CC

CC

GG--

AA

CC

GG--

GG--

EEmmaajj

CCGG--CCGG--

CCGG--CCGG--

CCGG--

CCGG--CCGG--

CCGG--

33

33

33

44

4545

BB

3737

AA

2525

AA2929

2121

BB

1313

AA

(cue)(cue)( )( )

Vamp on cueVamp on cue

Freddie HubbardFreddie Hubbard

55

AA

36 Gibraltar36 Gibraltar

IntroIntro

CCGG--CCGG--CC

CCGG--CCGG--

BBCC

CC

GG--

DD

CCGG--

GG--CCGG--

GG--BB--BB--

AAmmaajj

CC

AA

GG--

CCGG--

CCGG--

EEmmaajj

CCGG--

AA--AA--

FF--FF--

CCGG--

DD--DD--

CCGG--

33

33

33

Vamp on cue or fadeVamp on cue or fade

Solos on AAB - opt. use C to end soloSolos on AAB - opt. use C to end soloAfter solos, D.S. al CodaAfter solos, D.S. al Coda

9393

8989D.S.D.S.

AA7777

BB8585

6969

AA

6161

D.S. in solosD.S. in solos

(Rh.Sc. play in 2 & 4)(Rh.Sc. play in 2 & 4)

5353

CC

4949

BB

BBCC

CC

BB

BB

AA

AA

BBCCBBAA

N.C.N.C.

N.C.N.C.

FF

FF

N.C.N.C.FF

BBCCAA BBFF N.C.N.C.FF

4444

(vcls.)(vcls.)

1010

1414

66

only drums and bass (opt.)only drums and bass (opt.)2nd head may vary2nd head may vary

Rh. Sec. & Rh. Sec. & 2nd Vcls.2nd Vcls.

AA

LeadLead

Pharrell WilliamsPharrell Williams37 Happy37 Happy

FF

FF

CC--

CC--

DDmmaajj

DDmmaajj

FFCC--DDmmaajj

FFCC--DDmmaajj

(instr.)(instr.)

Play 2 timesPlay 2 timesand go to Cand go to C

2626

3030

2222

1818

BB

N.C./FN.C./F

N.C./FN.C./F

N.C./FN.C./F

N.C./FN.C./F

N.C./FN.C./FN.C./FN.C./F

N.C./FN.C./FN.C./FN.C./F

5858

6262

5454

4242

4646

3838

5050

BB3434

CC

FF

FF

FF

CC--

CC--

DDmmaajj

DDmmaajj

FFCC--DDmmaajj

FFCC--DDmmaajj

Play 2 times andPlay 2 times andD.S. (play rep.)D.S. (play rep.)

(instr.)(instr.)

5858

6262

5454

5050

BB

DDGG--

GG--

N.C.N.C.DDDD

GG--

GG--DD

BBmmaajj

GG--

GG--

DDEE

DD

FF

AA--

DD

FF

EE

DD

AA--

AA--

CC--

FF

CC--

GG--

DDEEDD

GG--

DDAA--

EE

DDAA--

FF

44

( )( )( )( )

3333

2929

AA

2525

2121

1313

BB1717

Carlos AlmaránCarlos Almarán

99

AA

38 Historia de un amor38 Historia de un amor

55

AA

CC

FFGG

CC

CC

44

(call, vcls. ad lib.)(call, vcls. ad lib.)

TraditionalTraditional

BB

55(fine)(fine)

39 Hoe, Emma, hoe39 Hoe, Emma, hoe

(response)(response)

AA

AA--FF--CC

BB--//DDEEAA--AAmmaajj

DD

EEmmaajj

FF--

EE

AA//BBFF--

GG--

AA//BB

AAmmaajj

GG--

CC--GG--EE

AA//BBGGFF--

AA//BBAAmmaajj

CCFF--GG--EE

EEmmaajjEE

33

44

Play 3 times &Play 3 times &go to Codago to Coda

2525

2121

CC

(C: 10 mm.)(C: 10 mm.)

(B: 6 mm.)(B: 6 mm.)

BB1313

1717

99

55

(vcls., 2nd time)(vcls., 2nd time)( )( )

B. Gibb, R. Gibb & M. GibbB. Gibb, R. Gibb & M. Gibb

(instr.)(instr.)

AA

40 How deep is your love40 How deep is your love

IntroIntro

AA--FF--CC

BB--//DDEE

EEmmaajjEE

AA--AAmmaajj

AA//BBGG--EE

33

(Vamp on cue or fade)(Vamp on cue or fade)

3838

3434

(Coda: 13 mm.) (5 mm.)(Coda: 13 mm.) (5 mm.)

2929

CodaCoda

DDAA--BB--CCmmaajjEE--//DDEE--DDAA--

AAEE--

DD

BBFF--

AA--

BBBBGGBB--AA--

AAEE--

GG

EE

BB

DD--

FF--

EE

GGmmaajjDDCCmmaajjDDEE--

DDCCmmaajjDDEE--DDCCmmaajjDDEE--

44

1919

1515

1313

A1A1

99

55

R. Rodgers & L. HartR. Rodgers & L. Hart

VerseVerse

41 I didn't know what time it was41 I didn't know what time it was

GGDDAA--EEBB--

FFCC--BB--CCmmaajjEE--//DDEE--DDAA--

AAEE--

DDAA--

BB

AA

FF--

EE--

DD--EE--BBFF--

AAEE--

GGmmaajj

BB

DD

FF--

AA--

BBFF--GG

DDAA--BB--CCmmaajj

AAEE--BBFF--

EE--//DDEE--DDAA--

AAEE--BBFF--

4747

4343

3535

A2A23939

3131

BB

2727

2323

A1A1

CCGG--DDFFmmaajj

CCGG--DDFFmmaajj

DDmmaajj//EE

DDmmaajj

CC

DDmmaajj

GG--

GG--

DDmmaajjGG--

BB

DD

DDaalltt

FF//AA

FFmmaajj

FF//AA

DDaallttFF//AA

DDmmaajjGG--

EEmmaajjEEmmaajjGG--

DDaallttFF//AA

DDaallttFF//AA

44

(break 1st head)(break 1st head)

2929

BB

2525

1717

BB2121

1313

A2A2

99

Esperanza SpaldingEsperanza Spalding

55

A1A1

(bass groove, can also be used in A sections)(bass groove, can also be used in A sections)

42 I know you know42 I know you know

IntroIntro

FFDDmmaajjDDmmaajjGG--

CCGG--

DDaalltt

DD

FF//AA

FFmmaajj

CCGG--

GG

BB

DD

BB

FFmmaajj

BB

DD--DDaallttEE--

BBEE//FF

FFCC--

CCGG--

GG--

DD//AA

BBmmaajj

AA--

DDFFmmaajj

Last time to CodaLast time to Coda

(melody for first reps., then ad lib) (Vamp on cue)(melody for first reps., then ad lib) (Vamp on cue)

6565

CodaCoda

6161

SolosSolos

5353

BB5757

4949

4545

4141

3737

CC

3333

FFmmaajjCCGG--

CCFFmmaajj

CC

BBmmaajj

GG--

CCGG--

FF

AAAA--

AAAA--BB--BB

DDAA--

CC--

BB--

FFmmaajj

FFmmaajj

BB

CCGG--DDAA--

CCGG--AA

CCGG--

AA--FFmmaajj

333333

33333333

44

( )( )

2121

1717

CC

1313

BB99

L. Alter & M. DrakeL. Alter & M. Drake

55

AA

43 I love the way you're breaking my heart43 I love the way you're breaking my heart

CCFFmmaajjCCGG--

AAFFmmaajj

GG

CC

AA

CCGG--

GGAAAA

AA--

GGDD--

BBmmaajj//AABBmmaajjFF

BB

EE

GG

BB--

DD--

CC--FFmmaajj

CC--

AA--

EEBB--FFmmaajjCCGG--

AAFFmmaajjCCGG--BBmmaajj//AA

GGDD--

BBmmaajjFFCC--FFmmaajj

44

( )( )( )( )(*)(*)

(*)(*)

(* These chords are written in the 4th beat in the original version.)(* These chords are written in the 4th beat in the original version.)N.B.: Many versions (e.g. Nina Simone's or Billie Holiday's) use the AABA structure instead.N.B.: Many versions (e.g. Nina Simone's or Billie Holiday's) use the AABA structure instead.

2222

1818

AA

(5 mm.)(5 mm.)

1313

(B: 9 mm.)(B: 9 mm.)

99

BB

(*)(*)

(*)(*)

G. Gershwin, I. Gershwin, G. Gershwin, I. Gershwin, D.B. Heyward & D. HeywardD.B. Heyward & D. Heyward

55

(standard abridged version)(standard abridged version)44 I loves you Porgy44 I loves you Porgy

AA

AAEE--CCmmaajj

BB

EEBB--

AA

AA

EE