BUIKA - VIVIR SIN MIEDO TOUR 2016 Please disregard any previous riders you may have received CONTRACT RIDER This rider is hereby part of the contract between Buika (hereinafter referred to as “Artist”) and (hereinafter referred to as “Purchaser”), dated . This rider is subject to change by artist only. PURCHASER SHALL PROVIDE AND PAY FOR THE FOLLOWING: 1. BILLING Artist is to be billed only as “BUIKA”. Tour is to be billed as VIVIR SIN MIEDO 2. PERFORMANCE a) Artist reserves the right to approve any other acts on the bill, at least one week prior to the date of the performance. b) There will be absolutely NO audio or video recording, photography or radio broad- casts during sound check or performance unless Artist’s Management has granted prior written permission. c) No interviews will be done during the tour unless Artist’s Management has granted prior written permission. 3. PAYMENTS Performance fees should be made as specified on the agreement signed by parties. 4. TRANSPORTATION All transportation arrangements must be confirmed with Tour Manager or Artist’s Man- agement prior to engagement. This is to include all travel to and from the Artist’s point of arrival, hotel and venue. Purchaser shall provide a runner with reliable, clean vehi- cle – no private cars - and knowledge of the area. 1
Transcript
BUIKA - VIVIR SIN MIEDO TOUR 2016
Please disregard any previous riders you may have receivedCONTRACT RIDER
This rider is hereby part of the contract between Buika (hereinafter referred to as
“Artist”) and
(hereinafter referred
to as “Purchaser”), dated .
This rider is subject to change by artist only.
PURCHASER SHALL PROVIDE AND PAY FOR THE FOLLOWING:
1. BILLING Artist is to be billed only as “BUIKA”. Tour is to be billed as VIVIR SIN MIEDO
2. PERFORMANCE a) Artist reserves the right to approve any other acts on the bill, at least one week prior to the date of the performance.
b) There will be absolutely NO audio or video recording, photography or radio broad-casts during sound check or performance unless Artist’s Management has granted prior written permission.
c) No interviews will be done during the tour unless Artist’s Management has granted prior written permission.
3. PAYMENTS Performance fees should be made as specified on the agreement signed by parties.
4. TRANSPORTATION All transportation arrangements must be confirmed with Tour Manager or Artist’s Man-agement prior to engagement. This is to include all travel to and from the Artist’s point of arrival, hotel and venue. Purchaser shall provide a runner with reliable, clean vehi-cle – no private cars - and knowledge of the area.
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BUIKA - VIVIR SIN MIEDO TOUR 2016
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5. MUSICAL INSTRUMENTS/ BACKLINE Purchaser agrees to supply:
• BUIKA - VOCALS
• AHMED KING BARROSO - MUSICAL DIRECTOR/GUITAR/VOCALS
- First option 1 Amplifier VOX AC 30 C2- Second option Marshall Head JCM 900 Cabinet 12” Celestion- Third option Fender Deluxe- 1- 1 Channel switch pedal. Second option Marshall head JCM900 and 4/10 cabinet.- 1 Guitar Taylor acoustic steel strings (any model) or equivalent- 1 transformer on stage 240 to 120- 1 Music stand and two guitar stands- 1 bar stool
• MICHEL FERRÉ - KEYS AND BACKING VOCALS - Nord Stage 88 Weighted (must be factory reset)- Electric Organ Hammond with Cabinet Leslie 3300 (speed switch pedal) or Nord C2D with a fender twin reverb amp - Synthesizer Moog Minimoog Voyager Performer- M Audio 61 with USB cable USB MIDI Controller (not weighted)- Keyboard stand Ultimate 48B two tier (freely adjustable to line up keyboard height to
organ)- Keyboard Amp :Roland KC-550- Keyboard stand Athletic X single (freely adjustable to line up keyboard height to organ) - Roc-N-Soc Nitro Drum Throne - with Gas Shock Absorber, Gas Lift, Free Spinning Seat- 2 x Expression pedal Roland EV5- 3 x Sustain Pedals with polarity switches- Roland SS-PC1-Laptop Stand with Tripod Base- Music stand
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BUIKA - VIVIR SIN MIEDO TOUR 2016
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• JOSUE (RONKIO) RODRIGUEZ – BASS/ BACK IN VOCALS
- First option mark bass (Head TTE 501, CABINET 15”and 4 x 10”)- Second option Amp: Ampeg SVT-VR or Ampeg Heritage- Cabinet: Ampeg classic 8 x 10- Bar stool- Music stand
• ALEXIS “PUTUTI” ARCE - DRUMS/PERCUSSION AND BACK IN VOCALS - Drums: YAMAHA Absolute Hybrid Maple Shell Pack - Kick: 22”- Toms: 10”, 12” & 16”- Snare: 6 x 14” & 4 x14 ( 2 snares)- Hardware: 5 cymbal stands - 2 snare stands- 1 Hi hat stand- 1 kick drum pedal- Drum carpet- LP Latin Percussion Gajate Left Foot Pedal Cowbell - Bracket with an extra kick drum pedal- Bongos LP Matador- Conga and Tumba LP Galaxy Giovanni Hidalgo Series- Timbales LP 14” & 15” Tito Puentes Series 2 Cowbells LP- Music stand
• RAMÓN PORRINA - CAJON & PERCUSSION AND BACKING VOCALS - Djembe 16” or 18”+ foot Djembe- 1 Cymbal 12” with stand, Zildjian preferred- Music stand
• SANTIAGO CAÑADA VALVERDE- TROMBONIST AND BACKING VOCALS - Trombone stand- AKG 521 or 421 Mic- Music stand
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Please disregard any previous riders you may have received6. TECHNICIANS Purchaser shall provide one (1) experienced audio technician for front of house, one (1) experienced audio technician for the monitor desk, one (1) PA assistant, one (1) backline assistant and one (1) experienced lighting technician to be available from load in until the end of load out and during the concert. The group is traveling with FOH tech only.
7. SECURITY Purchaser shall ensure that adequate security will be in place to protect Artist.
8. PARKING Purchaser shall arrange for secured parking at venue and at hotel, at no cost to Artist, for one van, if applicable.
9. DRESSING ROOMS Purchaser shall supply ONE (1) dressing room for BUIKA, plus TWO (2) large dressing rooms for the band members, each clean and lockable, equipped with a washroom (toilet, sink, mirror), shower, power, lights and heating/AC. Except in summer, Buika’s dressing room must be provided with a space heater. Dressing rooms shall be in the same building as the performance and be accessible to the stage without passage through any audience or public area. Keys are to be held by Tour Manager from load-in until final departure from the venue. Please provide 8 hand (preferably black), 6 bath towels and an ironing board and iron.
10. ACCOMMODATIONS The hotel room requirements are confirmed in the Agreement with Purchaser. Buika requires at least a Junior Suite. King or queen beds for all other rooms. The hotel needs to be a 4 Superior or 5 star full-service hotel of generally accepted international standard and for the number of nights agreed. 4 (four) SMOKING ROOMS ARE RE-QUESTED WHERE POSSIBLE. Hotel must be as close to the venue as possible and must be in walking distance of one or more high quality restaurant(s). Complimentary high-speed Internet access and breakfast must be included.
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BUIKA - VIVIR SIN MIEDO TOUR 2016
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FIRST NAME LAST NAME ROOM TYPE SPECIAL REQUEST
Maria Con-cepcion
Balboa Buika Jr. Suite King Smoking room OR Balcony
Maria Isabel Breton Arevalo Standard Room/King or Queen
Close to Mrs. Bal-boa Buika
George Cruz Standard Room/King or Queen
Michel Ferré Standard Room/King or Queen
Ramon Suarez Escobar Standard Room/King or Queen
Smoking room OR Balcony
Alexis Arce Standard Room/King or Queen
Josue Rodriguez Fer-nandez
Standard Room/King or Queen
Smoking room OR Balcony
Ahmed Barroso Standard Room/King or Queen
Fernando Duran Cuesta Standard Room/King or Queen
Smoking room OR Balcony
Santiago Cañada Valverde
Standard Room/King or Queen
Smoking room OR Balcony
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BUIKA - VIVIR SIN MIEDO TOUR 2016
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11. SOUND CHECK Artist will require at least FOUR (4) hours after stage set-up for sound check. Purchas-er agrees not to open venue doors to the public until Artist confirms that sound check has been completed.
12. TICKETS & PASSES Purchaser will provide 20 tickets to the performance, at no cost to Artist. Artist shall have full control of distribution of all passes with access to backstage areas. Promo-tional tickets beyond 10 allotted to Artist must be requested in writing and approved by Artist’s Management. Unapproved promotional tickets will be counted as “sold” ticket in final ticket count.
13. MERCHANDISE Artist and/or their representatives shall have the exclusive right to sell and distribute their merchandise at and around the venue. If Artist elects to sell merchandise, the tour will provide a seller.
14. OTHER MERCHANDISE No rights for merchandise, compilation albums, webcasts or other possible festival or 'third party' activity are granted by this agreement. Any rights requested are subject to separate agreement and contract directly between the third party and the ARTIST’s agent.
15. RECORDING AND/OR VIDEOTAPING, RADIO OR TELEVISION BROADCAST Any recording or taping for radio or television broadcast or webcast can be done only with written consent of the Artist’s Management and who must approve any broadcast footage before usage. Performances may be recorded by artist for artist use only.
No radio “presents” shall be allowed without prior written approval of ARTIST or ARTIST’s representative. There shall be no audio or video recording, for live or future broadcast of any kind permitted without prior written permission from ARTIST’s repre-sentative. Any rights requested are subject to separate agreement and contract direct-ly between the third Party and the ARTIST’s agent. 16. ADVERTISING MATERIALS Only approved ad mats and further supplied materials will be used for all advertising. These can be accessed via email ARTIST’s representatives. No other advertising ma-terials may be used, other than as standard practice. All artwork is subject to written approval by ARTIST’s representatives prior to usage. All usage of the artist’s name in artwork and promotion shall be as ‘BUIKA’.
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Please disregard any previous riders you may have receivedPurchaser shall where possible list the Artists’ websites (www.conchabuikamusic.com, www.facebook.com/buikamusic and www.instagram.com/buikamusic/?hl=en) on all advertising.
17. PHOTO PASSES: Photo passes are to be issued ONLY by Artist’s representative. The Tour Manager will NOT honor photo passes issued by Producer/Venue without prior approval. Passes can be obtained by contacting Artist’s Management in advance or through the Tour Manager prior to show time. Photographers must NOT use flash and are limited to the first and last ten (10) minutes of the performance. No photography from side stage or backstage without advance written permission from Artist’s Management.
18. HOSPITALITY: Must be available for Artist & Group upon arrival. • 1 CASE 500 ml BOTTLES OF STILL WATER • 5 BOTTLES SPARKLING WATER • 15 SOFT DRINKS (COCA-COLA) • 1 BOTTLE HIGH QUALITY DARK RUM (Havana Club ‘Especial’ or 7 years) – NO
white rum, NO Captain Morgan rum PLEASE
• 1 BOTTLE OF GOOD QUALITY RED WINE (CABERNET PREFERRED) • 16 BOTTLES COLD BEER, 8 before soundcheck, 8 bottles after the show • TEA, COFFEE AND MILK • HONEY • TWO FRESH LEMONS • ICE • GINGER (RAW) • FRESH FRUIT • DELI TRAY OR LIGHT SNACKS/VEGGIE OPTIONS • MIXED NUTS • MIXED BERRY’S • COTTAGE CHEESE • WHOLE AVOCADO
Please disregard any previous riders you may have receivedThe tour requires a hot meal for 9 band and crew members AFTER THE SHOW, to in-clude: Grilled fish, chicken, beef and/or pork (choice of at least two), White rice, Steamed vegetables, Pasta dish, Fresh salad with 2 choices of dressings, Assortment of small desserts, Bread and butter - No spicy foodLocal traditional food will be welcome; take out from local restaurant is also accept-able. Please provide take-away containers for members of the group who prefer to eat after the show.PLEASE NOTE: ONE OR MORE MEMBERS IN THIS GROUP DO NOT EAT PORK/ ONE MEMBER IN THE GROUP FOLLOWS A VEGETARIAN DIET.
As agreed by both parties there shall be a total of US$ 50 (FIFTY) per person for each member of the travel party – 9 (NINE) total - for two days upon the band’s arrival.
19. INSURANCE Purchaser retains all liability for any accidental injury to persons or damage to property caused by ARTIST or members of ARTIST's party. Under no circumstances shall ARTIST, the Tour Producer or persons employed by the either be held liable for such incidents.
20. MEET AND GREET There shall be no ARTIST meet & greets without prior written permission from Artist’s Management. Requests should be emailed to Artist representatives, Tour management or Management.
21. SPONSORING There shall be no visible sponsor signage on, around or near the stage, nor there be any sponsor signage inside the venue. No implied endorsements or “presents” of any kind. Any exceptions to this must be approved in advance in writing by Artist’s repre-sentative. Commercial sponsorship of the event is permissible but no direct relation-ship can be agreed to between an event sponsor/s and the Artist without written agreement with Artists Management establishing such relationship as acceptable and including specific terms and conditions including what additional recompense shall be paid to the Artist.The show production schedule (including without limitation, load-in, load-out, sound check and all other production call times) shall be subject to Artist’s Management 's prior written approval and shall be advanced with ARTIST’s authorized representative. PURCHASER's failure to comply with this paragraph shall be deemed a material breach of contract and ARTIST shall have the right to not perform the engagement and shall be entitled to receive the full-agreed compensation.
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Please disregard any previous riders you may have receivedName and Likeness There shall be no use of ARTIST's name, likeness, logo or otherwise on any merchan-dise without prior written approval from management. 22. PRODUCTION ADVANCE Each Performance must be advanced with ARTIST's tour manager and/or production manager. For all technical information, please refer to ARTIST’s Rider. Any performance time changes are subject to ARTIST‘s approval and shall be coordi-nated with ARTIST's Tour Manager or Artists Management when advancing the show.
23. FORCE MAJEURE In the case of force majeure, such as strikes, transportation problems, illness, inca-pacity of the ARTIST proven by doctor’s certificate, or any other event beyond the ARTIST’s and PURCHASER’s control, considered by international law as a case of force majeure, causing the Artist unable to perform the scheduled engagement, both parties shall find a new date for the cancelled engagement that shall take place not later than one year from the originally scheduled date. If no replacement date can be found, the ARTIST shall repay PURCHASER all sums wired to PRODUCER by PUR-CHASER for this cancelled engagement within the limit of the amount of this letter.
24. VIP PACKAGES PURCHASER shall not itself, nor shall it authorize or allow others (including the venue) to sell so-called "VIP" ticket packages or any other ticket packages in connection with the Engagement, without Artist’s Management prior written consent and approval. Should Artist’s Management consent and approve of any such ticket packaging in connection with the Engagement, Artist’s Management shall have approval over the terms of such packaging and sales, and shall share in the revenue derived thereof, in an amount to be mutually agreed by all parties.
25. DISCRIMINATION POLICY No discrimination for reason of race, religion, sex, age or country of national origin shall be permitted or authorized by purchaser in connection with the sale of tickets or admission to or seating accommodations at the engagement.
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Please disregard any previous riders you may have received26. PRODUCTION REQUIREMENTS: 1. STAGING A level solidly constructed and reinforced stage large enough to comfortably hold both Artist and equipment is required. (Minimum 8 meters (26ft) wide, 6 meters (18ft) deep).
BLACK BOX (SETS OF LEGS, BORDERS) 1 BLACK SCRIM (optional)1 SHORT BLACK ROUND TABLE (ON STAGE – BUIKA AREA).1 CLEAN PERSIAN STYLE RUG, NO SMALLER THAN 2 X 2 MTS (BUIKA AREA)
2. LIGHTING THE GROUP TRAVELS WITHOUT A LIGHTING TECHNICIAN and will work with the house lighting plot. The preferred colors are: blue, red, yellow, NEVER GREEN.
3. SOUND REQUIREMENTS: P.A. SYSTEM • PA LINE ARRAY (MEYER, D&B, ADAMSON, MARTIN, NEXO)• FRONTFILL 2 STACK UPM OR SIMILAR• SUBWOOFER needs to be separate from the rest of the equipment
FOH • P.A. CONSOLE: YAMAHA PM 5, DIGICO, MIDAS HERITAGE 3000-YAMAHA, M7 CL, CL5, PM 5000 - SOUNDCRAFT Five, PM5• 2 EQ: 31 bands KLARK TEKNIK • INSERT: • 3 COMPRESSOR DBX 160 A (NOT NECESSARY WITH DIGITAL CONSOLE)• 1 LEXICON 70, or TC • FX: 1 SPX 990, 1 SPX 1000 or TC ELECTRONIC (NOT NECESSARY WITH DIGITAL CONSOLE)• CD PLAYER• SYSTEM RECORDER CD OR MINIDISK• INTERCOM
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Please disregard any previous riders you may have receivedMONITOR SYSTEM: Monitor desk PM 5 / M7 CL / CL5 or similarADDITIONAL MACKIE10 SYSTEM (8 INPUTS) FOR KEYSA minimum of 12 Sends12 floor wedges for the musicians (LE 4OO MARTIN, MEYER, L-ACUSTIC, D&B)2 SIDE FILLS minimum 1000 W (MEYER, PS15, D&B, L-ACUSTIC) MONITORS2 SEND for FXWedges for the technician’s monitors
ALL OF THE ABOVE PROVISIONS OF THIS CONTRACT AND RIDER ARE THE ESSENCE OF THIS AGREEMENT AND THE FAILURE OF PURCHASER TO COM-PLY WITH ANY OF THEM SHALL CONSTITUTE A BREACH AND MAY RESULT IN LEGAL ACTION. IF ARTIST IS UNABLE TO PERFORM DUE TO SICKNESS, ACCI-DENT, STRIKES, LABOR DIFFICULTIES, OR ANY OTHER CAUSE BEYOND ARTIST'S CONTROL, ARTIST SHALL NOT BE HELD ACCOUNTABLE.
