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By Kyle Harford. The Haida would build a totem pole for each family. Each head on the totem pole...

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 While working on my totem pole I tried to make it in the spirit of the ones the Native Americans carved.
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TOTEM POLE By Kyle Harford
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Page 1: By Kyle Harford.  The Haida would build a totem pole for each family.  Each head on the totem pole meant something to the family (generally animals.

TOTEM POLE

ByKyle Harford

Page 2: By Kyle Harford.  The Haida would build a totem pole for each family.  Each head on the totem pole meant something to the family (generally animals.

HAIDA The Haida would build a totem pole for

each family. Each head on the totem pole meant

something to the family (generally animals represented qualities like bravery or intelligence).

Page 3: By Kyle Harford.  The Haida would build a totem pole for each family.  Each head on the totem pole meant something to the family (generally animals.

HAIDA CONTINUED While working on my totem pole I tried

to make it in the spirit of the ones the Native Americans carved.

Page 4: By Kyle Harford.  The Haida would build a totem pole for each family.  Each head on the totem pole meant something to the family (generally animals.

TYPES OF RESOURCES I USED I used many books and websites about

totem poles when completing my project.

I also interviewed a wood carver who helped me to get started.

Page 5: By Kyle Harford.  The Haida would build a totem pole for each family.  Each head on the totem pole meant something to the family (generally animals.

CARVING I used a variety of tools in carving,

including gouges and knives. I carved each head separately in case

of mistakes.

Page 6: By Kyle Harford.  The Haida would build a totem pole for each family.  Each head on the totem pole meant something to the family (generally animals.

CARVING CONTINUED The carving phase took the longest and

required many hours of carving. Mistakes were made, but by changing

the original design and using wood filler I was able to cover most of those up.

Page 7: By Kyle Harford.  The Haida would build a totem pole for each family.  Each head on the totem pole meant something to the family (generally animals.

CARVING CONTINUED Fortunately, I did not cut myself while I

was carving because a used Bass, a soft wood, and protective gloves.

Wood shavings would often get everywhere from the carving and were a constant nuisance.

Page 8: By Kyle Harford.  The Haida would build a totem pole for each family.  Each head on the totem pole meant something to the family (generally animals.

CARVING CONCLUSION I used a sander to sand down uneven

parts to make it look nice and also to avoid getting scratched by it while I work.

Page 9: By Kyle Harford.  The Haida would build a totem pole for each family.  Each head on the totem pole meant something to the family (generally animals.

PAINTING In order to complete the project I had

to paint the totem, but leave some areas bare because there the wood looked better by itself and it kept it more towards how the original totems were carved.

Page 10: By Kyle Harford.  The Haida would build a totem pole for each family.  Each head on the totem pole meant something to the family (generally animals.

PAINTING CONTINUED I used three colors for the majority of

the totem: red, black, and green. I also used some other colors in some

areas, including: another shade of red, brown and another shade of green.

Page 11: By Kyle Harford.  The Haida would build a totem pole for each family.  Each head on the totem pole meant something to the family (generally animals.

COMPLETED PROJECT After seven months of work, I achieved

my goal and I am proud of the totem pole that I created. It represents both the Haida tradition and my creativity.

Page 12: By Kyle Harford.  The Haida would build a totem pole for each family.  Each head on the totem pole meant something to the family (generally animals.

EVALUATION My totem pole was what I had hoped it

would be from the beginning. While there were errors along the way,

I learned how to fix them and avoid them in the future.

Page 13: By Kyle Harford.  The Haida would build a totem pole for each family.  Each head on the totem pole meant something to the family (generally animals.

BIBLIOGRAPHY Ellenwood, Everett. Woodcarving. East Petersburg, PA: Fox Chapel Pub., 2008. Print. Heinrichs, Ann, and Matt Kania. Alaska. Chanhassen, MN: Child's World, 2006. Print. Hendrickson, Rod. Personal interview. 29 Sept. 2012. Hill, Wayne, Bev McMullen, and James McKee. Carve your own totem pole. Erin, Ont.:

Boston Mills Press, 2007. Print. Huang., Alice. "Totem Poles." Home. The University of British Columbia, n.d. Web. 27

Jan. 2013. <http://indigenousfoundations.arts.ubc.ca/home/culture/totem-poles.html>.

Lippert, Dorothy Thompson, and Stephen J. Spignesi. Native American history for dummies. Hoboken, NJ: Wiley Pub., 2008. Print.

Native Americans. 2006 ed. New York, NY: Barnes & Noble, Inc., 2006. Print. Ratzlaff, Sara. Personal interview. 19 Sept. 2012. Smithyman, Kathryn, and Bobbie Kalman. Nations of the Northwest Coast. New York:

Crabtree Pub. Co., 2004. Print. Thompson, Linda. People of the Northwest and Subarctic. Vero Beach, Fla.: Rourke

Pub., 2004. Print. "Totem Poles - The Bill Reid Centre - Simon Fraser University." SFU Home Page -

SFU - Simon Fraser University . Simon Fraser University, n.d. Web. 27 Jan. 2013. <http://www.sfu.ca/brc/art_architecture/totem_poles.html>.

Trudel, Robin Edward. Carving for kids. Fresno CA: Linden Pub., 2006. Print. MLA formatting by BibMe.org.


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