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By William Shakespeare

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By William Shakespeare. Terms to Know. tragic hero. A privileged, exalted character of high repute, who, by virtue of a tragic flaw and fate, suffers a fall from glory into suffering. antagonist. A character or force against which another character struggles. comic relief. - PowerPoint PPT Presentation
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By William Shakespeare
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Page 1: By William Shakespeare

By William Shakespeare

Page 2: By William Shakespeare

Terms to Know

Page 3: By William Shakespeare

tragic hero• A privileged, exalted character of high

repute, who, by virtue of a tragic flaw and fate, suffers a fall from glory into suffering.

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antagonist• A character or force against which

another character struggles

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comic relief• The use of a comic scene to interrupt a

succession of intensely tragic dramatic moments. The comedy of scenes offering comic relief typically parallels the tragic action that the scenes interrupt.

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conflict• A struggle between opposing forces in

a story or play, usually resolved by the end of the work. The conflict may occur within a character as well as between characters.

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dramatic monologue• An interior monologue does not

necessarily represent spoken words, but rather the internal or emotional thoughts or feelings of an individual

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foil• A character who contrasts and parallels

the main character in a play or story

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soliloquy• A speech in a play that is meant to be

heard by the audience but not by other characters on the stage. If there are no other characters present, the soliloquy represents the character thinking aloud.

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hubris• It is a negative term implying both

arrogant, excessive self-pride or self-confidence

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paradox• (also called oxymoron): Using

contradiction in a manner that oddly makes sense.

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Divine Rights of King• This doctrine claimed that any attempt

to depose a monarch or to restrict his powers ran contrary to the will of God.

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Background Information• Written in 1606 for James I• James I was interested in witchcraft• Banquo was an actual relative of James I

• One of Shakespeare’s great tragedies, based on Holinshed’s Chronicles of England, Scotland, and Ireland.

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Themes• Corrupting Power of Unchecked Ambition • Manhood• Light versus Dark• Nature and the Unnatural• Masks• Supernatural• Paradoxes

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Symbols and Motifs• blood• Hands• children and infants• sleep• birds• Heaven and Hell• fair and foul

• visions and hallucinations

• prophecy• weather

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Synopsis Act I• The Weird Sisters decide that their next

meeting shall be with Macbeth.

• Macbeth (who is the Thane of Glamis) and Banquo have just defeated an invasion by the allied forces of Norway and Ireland, led by the rebel Macdonwald.

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• When Macbeth and Banquo wander into a heath, the three Witches greet them with prophecies. The first hails Macbeth as "Thane of Glamis", the second as "Thane of Cawdor", while the third proclaims that he shall "be King hereafter". The Witches also inform Banquo he shall father a line of kings.

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Page 20: By William Shakespeare

• Macbeth writes to his wife about the Witches' prophecies. Duncan decides to stay at Macbeth's castle at Inverness. Lady Macbeth hatches a plan to murder him and secure the throne for her husband. While Macbeth raises concerns about the regicide, Lady Macbeth eventually manages to persuade him.

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Page 22: By William Shakespeare

Synopsis Act II• In the night, Macbeth kills Duncan.

Lady Macbeth arranges to frame Duncan's sleeping servants for the murder by planting bloody daggers on them.

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Page 24: By William Shakespeare

• Early the next morning, Lennox, a Scottish nobleman, and Macduff, the loyal Thane of Fife, arrive. The porter opens the gate and Macbeth leads them to the king's chamber, where Macduff discovers Duncan's corpse. In a sham fit of fury, Macbeth murders the servants before they can protest their innocence. Macduff is immediately suspicious of Macbeth.

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• Fearing for their lives, Duncan's sons flee, Malcolm to England and his brother Donalbain to Ireland. The rightful heirs' flight makes them suspect, and Macbeth assumes the throne as the new King of Scotland as a kinsman to the dead King.

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Page 28: By William Shakespeare

Synopsis Act III• Despite his success, Macbeth remains

uneasy regarding the prophecy that Banquo would be the progenitor of kings. Macbeth invites Banquo to a royal banquet and discovers that Banquo and his son, Fleance, will be riding that night. He hires two men to kill Banquo and Fleance.

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Page 30: By William Shakespeare

• While they succeed in murdering Banquo, Fleance is able to escape. At the banquet, Banquo's ghost enters and sits in Macbeth's place. Macbeth is the only person who can see it, and his display of terror convinces many attending lords of his guilt.

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Page 32: By William Shakespeare

Synopsis Act IV• Disturbed, Macbeth goes to the Witches once

more. They conjure up three spirits which tell him to "beware Macduff", but also that "none of woman born shall harm Macbeth" and he will "never vanquish'd be until Great Birnam wood to high Dunsinane Hill shall come against him". Since Macduff is in exile, Macbeth massacres everyone in Macduff's castle, including Macduff's wife and children.

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Page 34: By William Shakespeare

Synopsis Act V• Lady Macbeth eventually becomes

racked with guilt from the crimes she and her husband have committed. In a famous scene, she sleepwalks and tries to wash imaginary bloodstains off her hands

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Page 36: By William Shakespeare

• In England, Malcolm and Macduff plan an invasion of Scotland. Malcolm leads an army, along with Macduff and Englishman Siward (the Elder), the Earl of Northumbria, against Dunsinane Castle. While encamped in Birnam Wood, the soldiers are ordered to cut down and carry tree limbs to camouflage their numbers, thus fulfilling the Witches' second prophesy.

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Page 38: By William Shakespeare

• Meanwhile, Macbeth delivers a famous nihilistic soliloquy ("Tomorrow, and tomorrow, and tomorrow") upon learning of Lady Macbeth's death (the cause is undisclosed, but it is assumed by some that she committed suicide).

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Page 40: By William Shakespeare

• A battle ensues, culminating in the slaying of the young Siward and Macduff's confrontation with Macbeth. Macbeth boasts that he has no reason to fear Macduff, as he cannot be killed by any man born of woman. Macduff declares that he was born by Caesarean section (before his mother's actual delivery)—and was therefore not "of woman born".

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