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Byron Shelley Keats ROMANTICISM The Second Generation Poets: Byron Shelley Keats.

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ROMANTICISM The Second Generation Poets: Byron Byron Shelley Shelley Keats Keats
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Page 1: Byron Shelley Keats ROMANTICISM The Second Generation Poets: Byron Shelley Keats.

ROMANTICISM The Second Generation

Poets:

ByronByronShelleyShelley

KeatsKeats

Page 2: Byron Shelley Keats ROMANTICISM The Second Generation Poets: Byron Shelley Keats.

This second generation of romantics rebelled even more strongly against British

conservatism, and as cultural figures, Byron, Shelley, & Keats became like punk

rock stars in England.

Page 3: Byron Shelley Keats ROMANTICISM The Second Generation Poets: Byron Shelley Keats.

Live fast, die young.

This would be an apt motto for Byron, Shelley, & Keats since all three died

tragically in their youth.

Page 4: Byron Shelley Keats ROMANTICISM The Second Generation Poets: Byron Shelley Keats.

George Gordon, Lord Byron George Gordon, Lord Byron (1788-1824)(1788-1824)

Member of the House of Lords,

Byron was handsome,

egotistical, and aloof, the darling

of elegant society.

Page 5: Byron Shelley Keats ROMANTICISM The Second Generation Poets: Byron Shelley Keats.

• Byron was considered highly attractive and affable

• Shelley said of him “scarcely have I seen such a beautiful countenance.”

• Yet, Byron was hindered by being born with a clubbed foot, something for which he would be highly self-conscious & determined to overcome…

Page 6: Byron Shelley Keats ROMANTICISM The Second Generation Poets: Byron Shelley Keats.

Byron lived a flamboyant life; he was fashionable, prone to debauchery, and given to affairs of the heart.

He ran around with married women, married and divorced a cousin, had a romance (and child) with his half sister, and engaged in homosexual experiences.

Although, Byron never considered himself to be defined by a sexuality.

Page 7: Byron Shelley Keats ROMANTICISM The Second Generation Poets: Byron Shelley Keats.

Shocked by his radical politics and scandalous love affairs, Byron was shunned by London society, so he left Britain in 1816,

never to return.

““Mad, bad, and dangerous to know.”Mad, bad, and dangerous to know.”—Lady Caroline Lamb—Lady Caroline Lamb

Page 8: Byron Shelley Keats ROMANTICISM The Second Generation Poets: Byron Shelley Keats.

The Irresistible Bad Boy: The Byronic Hero

Devastatingly Attractive yet Fatally Flawed

Page 9: Byron Shelley Keats ROMANTICISM The Second Generation Poets: Byron Shelley Keats.

A man proud, moody, cynical, with defiance on his brow, and misery in his heart, a

scorner of his kind, implacable in revenge, yet

capable of deep and strong affection.

In short, a Byronic Hero is the “bad boy” that women’s

mothers warn them about.

Page 10: Byron Shelley Keats ROMANTICISM The Second Generation Poets: Byron Shelley Keats.

Action not Words

Byron’s friendship with Shelley led him to come to find words (i.e. poetry) were insufficient in bringing change about…

Hence, Byron started to become involved in causes. Specifically, he addressed the struggle in Greece against the Ottomans.

Page 11: Byron Shelley Keats ROMANTICISM The Second Generation Poets: Byron Shelley Keats.

Lord Byron died of a fever at age 36 while fighting for Greek

independence.

Page 12: Byron Shelley Keats ROMANTICISM The Second Generation Poets: Byron Shelley Keats.

To this day, Byron is revered in Greece as a national hero.

Page 13: Byron Shelley Keats ROMANTICISM The Second Generation Poets: Byron Shelley Keats.

Percy Bysshe Shelley Percy Bysshe Shelley (1792-1822)(1792-1822)

• Byron’s friend, also an aristocrat and political radical, more radical than Byron.

• Shelley urged England’s lower classes to rebel.

• Shelley was expelled from Oxford for writing an essay called “The Necessity of Atheism”

• He was said to have a calm demeanor but his motives were always questioned…

Page 14: Byron Shelley Keats ROMANTICISM The Second Generation Poets: Byron Shelley Keats.

Shelley remarked that despite his “good intentions”, his world seemed to continually fall into chaos and trouble…which likely led his first marriage collapsing.

Shelley had numerous affairs on Harriet, including running away with Mary. In the end, am ashamed and broken Harriet committed suicide.

Shelley’s second marriage to Mary Wollstonecraft Godwin(author of Frankenstein) would last until the poet’s death in 1822.

Page 15: Byron Shelley Keats ROMANTICISM The Second Generation Poets: Byron Shelley Keats.

Byron was so fond of Shelley, he said “he was the best and

least selfish man…I never knew one who wasn’t a beast in comparison.

Shunned for his radical ideas, Shelley left England for

good in 1818

Percy Bysshe Shelley Percy Bysshe Shelley (1792-1822)(1792-1822)

Page 16: Byron Shelley Keats ROMANTICISM The Second Generation Poets: Byron Shelley Keats.

Shelley died in a boating accident just

before his 30th birthday. Foul play

has always been suspected.

In his coat pockets were two books: the

Bible and book of Keats’ poems.

Page 17: Byron Shelley Keats ROMANTICISM The Second Generation Poets: Byron Shelley Keats.

John Keats (1795-1821)John Keats (1795-1821)• A master of lyrical

poetry

• Born outside of upper-class society

• Contracted tuberculosis and, hoping to recuperate in a warmer climate, moved to Italy where he died shortly after.

Page 18: Byron Shelley Keats ROMANTICISM The Second Generation Poets: Byron Shelley Keats.

Keats never married and of the Big 3 Second Gen Romantics, he died the youngest.

He knew he was ill and knew, too, that he would succumb and die from the consumption.

Therefore, Keats’ verse has an intensity and drive that perhaps had not been seen in poetry prior to him. In fact, his entire body of work was composed in about one year.

Page 19: Byron Shelley Keats ROMANTICISM The Second Generation Poets: Byron Shelley Keats.

John Keats John Keats wrotewrote

“Here lies one whose name was

writ in water.”

Page 20: Byron Shelley Keats ROMANTICISM The Second Generation Poets: Byron Shelley Keats.

““She Walks in Beauty” She Walks in Beauty” by Lord Byronby Lord Byron

This sonnet vividly describes a woman’s beauty, capturing its

essential power and linking it to universal images.

Page 21: Byron Shelley Keats ROMANTICISM The Second Generation Poets: Byron Shelley Keats.

““Ozymandias” Ozymandias” by Percy Bysshe Shelleyby Percy Bysshe Shelley

This poem provides an ironic comment on human pride and ambition. A traveler

describes the ruins of an ancient statue of a ruler. On its base is an arrogant inscription; however, what is left of the statue stands in

an empty desert, for the works of Ozymandias have crumbled under the

onslaught of time and nature.

Page 22: Byron Shelley Keats ROMANTICISM The Second Generation Poets: Byron Shelley Keats.

“Look on my works, ye Mighty, and despair!”

Page 23: Byron Shelley Keats ROMANTICISM The Second Generation Poets: Byron Shelley Keats.

Political CommentaryPolitical Commentary

Poetry became also specifically political and socially critical.

Offered opinions on political issues, built arguments on evidence and assumptions

Page 24: Byron Shelley Keats ROMANTICISM The Second Generation Poets: Byron Shelley Keats.

The Reaction to Society’s Ills (Byron The Reaction to Society’s Ills (Byron and Shelley)and Shelley)

• Lord Byron’s speech to the House of Lords (1817) was in defense of workers who had sabotaged factory equipment that had put them out of work.

• Shelley’s “A Song: ‘Men of England’” (1820) is an angry response to news of the growing economic suffering and political oppression of the working classes in England.

Page 25: Byron Shelley Keats ROMANTICISM The Second Generation Poets: Byron Shelley Keats.

““Beauty is truth, truth beauty”Beauty is truth, truth beauty”John KeatsJohn Keats

• Keats found in beauty the highest value our imperfect world could offer, and he put its pursuit at the center of his poetry.

• He explored the beauty he found in the most ordinary circumstances.

Page 26: Byron Shelley Keats ROMANTICISM The Second Generation Poets: Byron Shelley Keats.

OdeOdeA lyric poem characterized by

heightened emotion, that pays respect to a person or thing, usually directly

addressed by the speaker

While other poets described objects, Keats PRESENTED them…

Page 27: Byron Shelley Keats ROMANTICISM The Second Generation Poets: Byron Shelley Keats.

Keats’s Use of the OdeKeats’s Use of the Ode

Keats created his own form of the ode, using 10-line

stanzas of iambic pentameter, beginning with a

heroic quatrain (4 lines rhymed abab) followed by a

sestet.

Page 28: Byron Shelley Keats ROMANTICISM The Second Generation Poets: Byron Shelley Keats.

““When I Have Fears That I May When I Have Fears That I May Cease to Be” by John KeatsCease to Be” by John Keats

The speaker expresses fears that he will not live to fulfill his potential. Keats died less than three years

after he wrote it.

Page 29: Byron Shelley Keats ROMANTICISM The Second Generation Poets: Byron Shelley Keats.

““Ode on a Grecian Urn” by John KeatsOde on a Grecian Urn” by John Keats

Keats comes to an understanding about the nature of truth and beauty as he gazes at an ancient Greek urn. The

scenes, frozen in time, eternally beautiful and unchanging, symbolize that the urn’s beauty embodies the

eternity of truth.

Page 30: Byron Shelley Keats ROMANTICISM The Second Generation Poets: Byron Shelley Keats.

Who addressed

What it can’t do/be

What it can do/be

Stanza II

Stanza III

Stanza IV

““Ode on a Grecian Urn” by Ode on a Grecian Urn” by John KeatsJohn Keats

Page 31: Byron Shelley Keats ROMANTICISM The Second Generation Poets: Byron Shelley Keats.

“Thou still unravished bride of quietnessThou foster child of silence and slow

time...”

Page 32: Byron Shelley Keats ROMANTICISM The Second Generation Poets: Byron Shelley Keats.

Keats’s poem is not about or on the nightingale, but to the bird. The

speaker passes beyond the limit of ordinary experience and becomes too happy in the experience conveyed in

the bird’s song.

““Ode to a Nightingale”Ode to a Nightingale” by John Keatsby John Keats

Page 33: Byron Shelley Keats ROMANTICISM The Second Generation Poets: Byron Shelley Keats.

The poem consists of a series of propositions, each containing its own rejection as to how the speaker might imitate the “ease” of the song. Each

time, the speaker is drawn back to his “sole self,” to a preference for poetry

as a celebration of human life as a process of soul making.

Page 34: Byron Shelley Keats ROMANTICISM The Second Generation Poets: Byron Shelley Keats.

http://www.freesound.org/samplesViewSingle.php?id=14854

Page 35: Byron Shelley Keats ROMANTICISM The Second Generation Poets: Byron Shelley Keats.

““La Belle Dame Sans Merci”La Belle Dame Sans Merci” by John Keatsby John Keats

An unidentified passerby asks the knight what is wrong. The knight answers

that he has been in love with and abandoned by a beautiful lady. But

what does it mean? What is the meaning of the knight’s experience?

Was the knight deluded by his beloved, or did he delude himself?

Page 36: Byron Shelley Keats ROMANTICISM The Second Generation Poets: Byron Shelley Keats.
Page 37: Byron Shelley Keats ROMANTICISM The Second Generation Poets: Byron Shelley Keats.

1. What is the most important word in the descriptions of the woman, and why?

2. Who are the two speakers?

3. How do the poem’s images help you visualize the knight and the time of year?

4. Interpret the dream in stanza 10.

5. What does the knight realize has happened when he awakes?


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