Fourier Infrared
Spectroscopy (FTIR)X-ray Diffraction (XRD)
X-ray Fluorescence
Spectroscopy (XRF)Raman Spectroscopy
Scanning Electron Microscopy
with Energy-dispersive X-ray
Analysis (SEM-EDS)
Reflectance
Transformation Imaging
(RTI)
Infrared Imaging Digital Radiography
Sample size needed 0.2-1 sq. mm 0.1 to 1 sq. mm 0.1 to 1 sq. mm Microscopic up to a few inches Microscopic up to a few inches Whole objects Whole object Whole object
Can identify
Many organic and some
inorganic materialsInorganic and organic
crystalline compounds
Inorganic elemental
composition
Many organic materials and
minerals
Inorganic elemental
composition
Can enhance visibility of
subtle textures, features,
and inscriptions
Can reveal underdrawings,
enhance faded/obscured text,
and differentiate materials
Internal structure,
condition, and
materials
Suggested for
Plastics
Paint binding media
Some pigments & fillers
Varnishes and coatings
Some efflorescence
Pigments
Corrosion products
Metals
Minerals
Some fillers
Pigments
Fillers
Corrosion products
Metals
Ceramic glazes
Presence/absence of heavy
metals
Plastics
Fillers
Corrosion products
Pigments
Pigments
Fillers
Corrosion products
Metals
Ceramic glazes
Presence/absence of heavy
metals
Inscriptions, tool marks,
subtle textures, and
variation
In surfaces
Underdrawings
Signatures/inscriptions
Faded writing
Paintings
Sculptures
Metals
Wood
Ceramics
Art and Science of Smithsonian Collections:What Technical Study Can Reveal About Objects
Identifying Modern Materials: Duane Hansen’s
Woman Eating, 1971, Smithsonian American Art Museum
Reading Hieroglyphics: Rongorongo Board,
Easter Island, ca. 1886,
National Museum of Natural History
Identifying Mineral Content: Chinese Jade Collections
at the Freer Gallery of Art ǀ Arthur M. Sackler Gallery
Sample # Description Material Identification
1 Adhesive from interior of shopping bag Polyisoprene / natural rubber
2 Substrate of sculpture (unpainted area below PR leg) Talc, phthalates in polyester resin
3 Paint medium (upper thigh of PR leg) Alkyd, talc, calcite (possibly zinc oxide and titanium dioxide)
4 Synthetic hair from wig Poly(acrylonitrile-co-vinyl chloride) coating with wax
5 Fiber from dress Cellulose/Cotton, talc
6 Ice cream paint medium Acrylic emulsion, calcium sulfate dihydrate
7 Residue from table top Sugar
8 Plastic button from dress Polyvinyl acetate, phthalate
9 Ice cream substrate Plaster, additives
10 Adhesive from PL arm Triterpenoid resin
Summary of materials identified by FTIR from Duane Hansen’s Woman Eating.
p-XRF spectrum of watch bracelet: Ni, Fe, Cr, (Au)Data suggest: nickel-chromium-iron alloy with traces of gold
p-XRF spectrum of chocolate ice cream: Fe, Se, Sr, Cd, Ba, Zn, CaData suggest: iron oxide (Fe2O3), barium sulfate (BaSO4), cadmium red (cadmium sulfide CdS + cadmium selenide CdSe ), possibly small amounts of zinc oxide (ZnO) or zinc containing metal soaps
FTIR spectrum (left) and Vis/NIR spectrum (right) of a jade Bi disk (F1912.40).
Ab
sorb
ance
(a.
u.)
Wavenumber(cm-1)
Wavelength(nm)
Ref
lect
ance
Wavenumber(cm-1)
Ab
sorb
ance
(a.
u.)
FTIR spectrum (left) and Vis/NIR spectrum (right) of a bead from the Shang dynasty (S1987.935.14).
Imaging and analytical techniques available at the Museum Conservation Institute (MCI)
Defining Degradation: Zinc Lithographic Plates
from The Chicago Defender, 1920s, National Museum of African American History and Culture
µ-XRF spectra: Flat blue region (blue), etched pit regions (orange), and white corrosion products (green)
3D digital microscope image of surface area in good condition 3D digital microscope image of heavily corroded area on the surface
Goal: To understand the sculpture’s materials prior to cleaning and other conservation and preservation treatments. The sculpture was conserved in the museum galleries in Fall 2015 with support from the Smithsonian Women’s Committee.
Analytical method: Fourier transform infrared spectroscopy (FTIR) and portable X-ray fluorescence (p-XRF)
Goal: To understand the materials of the zinc plates as well as their condition and corrosion before conservation treatment for a planned exhibition. These plates allowed accurate black-and-white photographic reproductions in The Chicago Defender, a historically important newspaper for African-American readers.
Imaging and analytical methods: Micro X-ray fluorescence (µ-XRF), 3D digital microscopy (X-ray diffraction, scanning electron microscopy)
Goal: To determine mineral composition of Chinese jades to help develop a scholarly understanding of jade and stone materials of the FǀS holdings. This work will be incorporated into a digital catalogue being organized by FǀS Ancient Chinese Art Curator Keith Wilson which will be available to scholars, collectors, and the general pubic.
Analytical methods: Portable Fourier transform infrared spectrometry (p-FTIR) and Visible/Near infrared spectrometry (Vis/NIR)
Identification: Quartz,
SiO2
Identification: Nephrite,
Ca2(Mg, Fe)5Si8O22(OH)2
Eloise Shearer
p-XRF spectrum of flesh on PL leg: Zn, Ti, Ba, Fe, Pb, Sr, Ca, MnData suggest: zinc oxide, barium sulfate, titanium dioxide, iron oxide/earth pigments, red lead
ATR-FTIR spectrum of fiber from dress:Woman Eating’s fiber from dress (red), cotton fabric (light blue), talc (green).
5 10 15 20 25- keV -
0
2
4
6
x 1E3 Pulses
Fe Fe Se Se Sr Sr Sr Cd Cd Cd
Ba Ba Ba
Zn Zn
Ca
Ca
Rh Rh Rh
4 6 8 10 12 14- keV -
0
20
40
60
80
100
120
x 1E3 Pulses
Fe Fe Rh Rh Rh Ni Ni
Cr Cr Au Au Au
5 10 15- keV -
0
5
10
15
20
25
x 1E3 Pulses
Rh Rh Rh Zn Zn Ba Ba Ba Ti Ti
Mn Mn
Fe Fe
Pb Pb Pb Sr Sr Sr
Ca Ca
2 4 6 8 10 12- keV -
0
200
400
600
800
Pulses
K K Cr Cr Fe Fe Zn Zn Pb Pb Pb Al S S
Cl Cl
Ca Ca
465
666
1013
1162
1315
1429
1723
2851
2902
3325
3674
Talc Mg3Si4O10(OH)2
Cotton fabric, unbleached standard
2005.22a-z_s5_fiber dress_ATR_a
-0.09
-0.08
-0.07
-0.06
-0.05
-0.04
-0.03
-0.02
-0.01
-0.00
0.01
0.02
0.03
0.04
0.05
0.06
0.07
0.08
Ab
so
rb
an
ce
500 1000 1500 2000 2500 3000 3500
Wav enumbers ( cm-1)
RTI Specular Enhancement View
Goal: To enhance the visibility of carved hieroglyphics on the board to aid in the translation of the inscriptions. This project is part of a larger collaboration with NMNH Anthropologist and Curator of Oceanic Ethnology Adrienne Kaeppler.
Imaging technique: Reflectance Transformation Imaging (RTI)
Bo
ard
sid
e A
Bo
ard
sid
e B
Default View
NMNH A129774
Ref
lect
ance