CAMI

LLE

DUPO

NT

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ORTF

OLIO

ARC

HITECTURE EPFL

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CURICULUM VITAE

PART 1DURING THE STUDIES

PART 2DURING INTERNSHIPS

PART 3OTHERS

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P5-21

P23-33

P35-45

P 3INDICE

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DUPONT Camille

Ecole polytechnique Fédérale de LausanneSUISSE

60 rue d’Illiers45000 Orleans

FRANCE

camille.dupont@epfl.ch

Formation

Collège Orléans, France, Bac mention Bien

2011/12 1ère année propédeutique EPF Lausanne2012/13 2ème année bachelor EPF Lausanne2013/14 3ème année bachelor ERASMUS ETSA Madrid

2014/15 4ème année stages: 6 mois Bureau particulier, Panorama 3 mois Logements sociaux avec TECHO Chile

Spoken languages

french - native languageenglish - bilingualspanish - bilingualitalian - conversational

Informatic skills

autocadrhinocerosvectorworksphotoshopindesignillustrator

Autres

Ski, escalade, randonnéeDessin, froissartage, tissageVoyages linguisitques, touristiques et backpacking

P 5CURICULUM VITAE

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PART 1

DURING THE STUDIES

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A MACHINE

Invent a machine that transforms the vision, draw technicaly the transformation, model the concep-tual result of the image obtained.

STUDIO DIETER DIETZ / EPF LAUSANNEP 8

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A MATRIX

Build a matrix, chose laws of construction, invade the space.

STUDIO DIETER DIETZ / EPF LAUSANNEP 10

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PROJECTING A COMPLEXFOR «COMPAGNIA FINZI PASCA».

In a site where construction and nature are confronted. The complex will play the part of the border and lead the path from the buildings to the untouched natural park.From intimate places of meditation to a crowded stage. About staging.

STUDIO SANDRA GIRAUDI / EPF LAUSANNEP 12

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PROJECTING A TOWER.

Form a tower that you sculpt like an object with a base and a corona-tion, with openings and emptiness.

Elaborate a plan to link efficien-cy, comodity and contrivance.

CLASS MANUEL DE PRADA PEREZ / ETSA MADRIDP 22

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Camille DUPONT / ejercicio n3 / mayo el 21bloque de viviendas elaborado con un modulo de 30 centimetros

1:200plantas intermedias, con 2 pisos simetricos.

1:200 ultima planta, con 2 pisos simetricos y una grande terraza.

1:200planta baja, con locales bicis, de basura y bodegas particulares.

1:200fachada sur, con las cocinas y los comedores/salones

1:200fachada norte, con los aseos y las escaleras

1:200fachadas laterales, con las habitaciones y llos comedores/salones.

axonometria.tres colores distinctos:planta baja y escaleras,plantas internedias yultima planta.

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PART 1

DURING INTERNSHIPS

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PROJECTING A MASTERPLAN.

Planifing a territory, placing a program connected with circulations.Develop strategic points of this network.

PANORAMA ARQUITECTOS SANTIAGO DE CHILEP 26

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STABLES

Study the protagonists and teir needs. Develop a concept that will lead you to draw the mains lines of the project.

PANORAMA ARQUITECTOS SANTIAGO DE CHILEP 28

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IMAGES

When the idea meets its real context and the image has to project this fusion.

PANORAMA ARQUITECTOS SANTIAGO DE CHILEP 30

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MODELS

House 2 blocks and Precisa frozen’s firm. Models for clients.

PANORAMA ARQUITECTOS SANTIAGO DE CHILEP 32

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LA CASA DE MIS SUENOS

Survey and maping of a campamento.Construction of a standard house.Sensibilization campain about «campamentos».

FONDATION TECHO PARA CHILEP 34

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PART 3

OTHERS

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A PROJECT ABOUT CONTROLING AN UNESCAPABLE DEATH.

Birth, death, re-birth, death

Where to put the fullstop? Throughout this lifecourse, the archi-tect intends to conserve historical and aesthetic integrity or recycle an old icon by imposing a new program. In both cases exists a predetermined image but the process in order to achieve it is not important. We believe in the value of this pro-cess.

In an isolated and lifeless context of a former industrial glory, a hypo-critical revival of the complex or an instantaneous distruction are insigni-ficant. Why couldn’t we accept the natural des-tination of any unused structure? And by accepting it, why couldn’t we lead it?

We propose to accompany the natural process of degredation, with a struc-ture inclosing the abandoned city to the proximate mountain, making it face its destiny. The precise location of the project, englobing not only the building but also the nearby ravine, assures the progressive accumulation of mud inside the wall. The process of this burial is the funeral ceremony of Pyramiden and our gesture makes it its grave.

120 HOURS CONTESTP 38

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DRAWINGS

How to catch a movement, an expression or a feeling, and translating it from your mind to the paper.

CARNET PERSONNELP 42

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CAMILLE DUPONT PORTFOLIO ARCHITECTURE EPFL