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Chapter 5 Typography

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    Chapter 5 :

    Typography

    By: Pn Nurul Shakura Binti Abu Talib

    Lecturer Multimedia

    Blok B, Level 3

    Digital

    Illustration

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    CHAPTER 5 OUTLINE

    Typhography

    Terminologies

    Anatomy of text

    More terminology of text

    Fonts and Faces

    Font Setting

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    Typography

    the art of arrangement,style, appearance and printing of type

    and typefaces

    Manipulating type is the essence ofall textual design

    Typographers often call collections of

    fonts, foundries

    http://flywebmaster.com/webdesign/tips/type_layout.phphttp://flywebmaster.com/webdesign/tips/type_layout.php
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    Anatomy of Type

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    Anatomy of Type

    Baseline

    an imaginary line upon which each

    character rests

    Characters that appear next to each other

    are usually lined up so that their baselines

    are on the same level

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    Anatomy of Type

    X-Height

    the height of the lowercase letter x

    can vary greatly from typeface to typeface,

    even at the same point size.

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    Anatomy of Type

    Cap Height

    Height from the baseline in any font to

    the top of most capitals

    Note that well-formed rounded characters,

    like O, Q and S, often are taller than other

    caps, and may drop below (dent) the

    baseline

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    Anatomy of Type

    Point Size

    the distance from the top of the

    highest ascender to the bottom of thelowest descender in points

    1 inch = 12 picas = 72 points = 25.4 mm

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    Anatomy of Type

    Ascender- The part of somelowercase letters (such as b, h or d) which

    ascends above than the x-height.

    Descender- The part of somelowercase letters (such as y, p or q) thatdescends below the baseline. In some

    typefaces, even uppercase letters like J orQ may descend below the baseline.

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    Anatomy of Type

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    Anatomy of Type

    Terminal - Not a serif but a curved strokeusually apparent on the tail or stem of

    some letters (such as j, y, r and a)

    Stem - The main vertical stroke(s) of a letter(most evident in I and H)

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    Anatomy of Type

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    Anatomy of Type

    Two-story character -Letter that has twocounter spaces where one is above

    the other.

    Serif- Small, finishing strokes on the arms,stems and tails of characters. Traditionally,Serif typefaces are considered better for

    large volumes of text because the serifsmake it easier for eye to move along,horizontally.

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    Anatomy of Type

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    Fonts and FacesA style of font can be devide into 3 main

    categories which are weight, width andposture.

    WeightConcerntrate on the lightness or

    darkness of typestyle.

    WidthThe amount of horizontal space the

    typestyle utilize.

    PostureDetermine by the angle of its

    character; the tilt, left or right of thecharacter stroke

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    Serif and sans serif

    typefaces

    Serif fonts have that little detail at the endof the letter strokes. They are traditional

    and can be found as text in books andcopy in newspapers.

    Sans means "without," so sans serif fonts arethose without that extra detail on the ends.

    Sans serif fonts are more casual andcontemporary.

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    The reasons for the use of serif orsans serif faces for body copy.

    1. Serif faces are the norm for most books andnewspapers making them familiar and comfortable toreaders.

    2. The serifs on some faces aid readability by moving theeye from one letter to the next connecting individualshapes to form whole words.

    3. Serif faces often have a subdued, formal, or seriouslook.

    4. Sans Serif faces are often crisper, bolder, or moreinformal.

    5. Sans Serif faces are often more readable than seriffaces when set in very small type (such as for footnotes,captions, and "fine print")

    6. Serif faces printed from 300dpi or lower quality desktopprinters or printed on textured paper may lose detail inthe thin strokes and delicate serifs.

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    Font Setting

    Sizing

    Spacing

    Tracking

    Kerning

    Word spacing

    Leading

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    Font Setting Sizing

    the Point system of measurement wasintroduced by type designers in the 17thcentury.

    A single Point is equal to 0.3515 millimetres there are 72 points in an inch

    matches the 72 dpi resolution of computerdisplays

    12 points together are called a Pica

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    Font Setting Spacing

    refers to the horizontal space eachcharacter in a typeface requires

    Differential Spacing adjusts the gaps

    between characters accordinglyMono spacing gives each character the

    same space regardless of width.

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    Font Setting tracking

    refers to uniformly adjusting the spacingbetween all the characters in a word,sentence or paragraph.

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    Font Setting kerning

    the process of manually adjusting theindividual space between two adjacentcharacters.

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    Font Setting word spacing

    refers to the amount of space betweenwords in a sentence.

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    Font Setting leading

    the vertical distance between adjacentlines of type in a paragraph

    The exact leading value is often

    determined by the line length Longer lines require greater leading to

    allow the eye to find the next line as itmoves back and down

    expressed in PointsA type size of 12pt typically requires a

    leading value of at least 14pt.

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    Font Setting leading

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    Revision

    1. Define Typhography.

    2. Explain 3(THREE) Anatomy of text.

    3. What is Serif?

    4. Explain 3(THREE) reasons for the use ofserif or sans serif faces for body copy.

    5. What is Sizing in font Setting?

    6. Brief about Spacing.

    7. What is Tracking?

    8. Describe Kerning and Word spacing.

    9. What is Leading?

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