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Chapter 9 Creative Strategy: Implementation and Evaluation.

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Chapter 9 Creative Strategy: Implementation and Evaluation
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Page 1: Chapter 9 Creative Strategy: Implementation and Evaluation.

Chapter 9

Creative Strategy:

Implementation and Evaluation

Page 2: Chapter 9 Creative Strategy: Implementation and Evaluation.
Page 3: Chapter 9 Creative Strategy: Implementation and Evaluation.

Last Class

creative strategy

creation of the advertising campaign

The concept of copy platforms that are used to guide

the development of advertising campaigns.

Various approaches used for determining major selling

ideas that form the basis of an advertising campaign

Inherent drama

Page 4: Chapter 9 Creative Strategy: Implementation and Evaluation.

Today

Understand the different types of advertising appeals

Recognize the various advertising execution techniques

Consider the evaluation guidelines

TV Ads Print Ads

Page 5: Chapter 9 Creative Strategy: Implementation and Evaluation.

To influence consumer feelings toward a product, service or cause

To influence consumer feelings toward a product, service or cause

To influence consumer feelings toward a product, service or cause

To influence consumer feelings toward a product, service or cause

The approach used to attract the attention of consumers

The approach used to attract the attention of consumers

The way an appeal is turned into an advertising messageThe way an appeal is turned into an advertising message

The way the message is presented to the consumerThe way the message is

presented to the consumer

The approach used to attract the attention of consumers

The approach used to attract the attention of consumers

The way an appeal is turned into an advertising messageThe way an appeal is turned into an advertising message

Appeals and Execution Style

AdvertisingAppeals

AdvertisingAppeals

ExecutionStyle

ExecutionStyle

Page 6: Chapter 9 Creative Strategy: Implementation and Evaluation.

A Rational, “Popularity” Appeal

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Page 7: Chapter 9 Creative Strategy: Implementation and Evaluation.

Advertising for Skyy vodka uses emotional appeals

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Why Emotional Appeals?

consumers' feelings about a brand can be more important than their knowledge of its features or attributes

emotional messages are better remembered than non-emotional messages

Page 9: Chapter 9 Creative Strategy: Implementation and Evaluation.
Page 10: Chapter 9 Creative Strategy: Implementation and Evaluation.

Music and Visual Effects Excite Feelings

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Rational and emotional advertising appeals

can be combined since consumers' purchase decisions are often made on the basis of rational and emotional motives

Page 12: Chapter 9 Creative Strategy: Implementation and Evaluation.
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Page 14: Chapter 9 Creative Strategy: Implementation and Evaluation.

RicherRicher

MoreExcitingMore

Exciting

WarmerWarmer

FeelingsFeelings

MeaningsMeanings

ImagesImages

BeliefsBeliefs

MoreExcitingMore

Exciting

WarmerWarmerRicherRicher

BeliefsBeliefs

ImagesImages

MeaningsMeanings

FeelingsFeelings

Transformational Ads

MoreEnjoyable

MoreEnjoyable

It must make the product use experience . . .

It must make the product use experience . . .

The ads create . . .The ads

create . . .

Page 15: Chapter 9 Creative Strategy: Implementation and Evaluation.

Norwegian Uses Transformational Advertising

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Norwegian Uses Transformational Advertising

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Page 17: Chapter 9 Creative Strategy: Implementation and Evaluation.

MasterCard Creates an Emotional Bond

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American Red

Cross

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Lee Jeans used ______ advertising to create interest and excitement for its new jeans

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Teaser Ads May Not Show the Product

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Teaser Ads Excite Curiosity

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Personality Symbol Personality Symbol Personality Symbol Personality Symbol

Straight-sellStraight-sell

ScientificScientific

DemonstrationDemonstration

ComparisonComparison

DramatizationDramatization

HumorHumor

Slice of lifeSlice of life

TestimonialTestimonial

AnimationAnimation

FantasyFantasyFantasyFantasyDramatizationDramatization

ComparisonComparison

AnimationAnimationDemonstrationDemonstration

TestimonialTestimonialScientificScientific

Slice of lifeSlice of lifeStraight-sellStraight-sell

Ad Execution Techniques

Page 25: Chapter 9 Creative Strategy: Implementation and Evaluation.

Apple Uses a ____________

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Page 26: Chapter 9 Creative Strategy: Implementation and Evaluation.

Crest Whitestrips Uses a __________

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Page 27: Chapter 9 Creative Strategy: Implementation and Evaluation.
Page 28: Chapter 9 Creative Strategy: Implementation and Evaluation.

Chevy Trucks Uses a __________ Execution

Page 29: Chapter 9 Creative Strategy: Implementation and Evaluation.

Slice of life Executions

sometimes criticized for being unrealistic and irritating.

often present a problem consumers encounter and suggest a solution.

can be used effectively by business-to-business marketers.

Procter & Gamble a frequent user of slice-of-life executions.

Page 30: Chapter 9 Creative Strategy: Implementation and Evaluation.

AFLAC Duck, a __________________

Page 31: Chapter 9 Creative Strategy: Implementation and Evaluation.

What is the appeal?

What is the execution technique?

Page 32: Chapter 9 Creative Strategy: Implementation and Evaluation.

Overwhelming Creativity

Any examples?

Page 33: Chapter 9 Creative Strategy: Implementation and Evaluation.
Page 34: Chapter 9 Creative Strategy: Implementation and Evaluation.

Nortel Uses Music Creatively

Page 35: Chapter 9 Creative Strategy: Implementation and Evaluation.

Animatic Rough

Page 36: Chapter 9 Creative Strategy: Implementation and Evaluation.
Page 37: Chapter 9 Creative Strategy: Implementation and Evaluation.

Visa – TV Commercials

Page 38: Chapter 9 Creative Strategy: Implementation and Evaluation.

Print Ads

Page 39: Chapter 9 Creative Strategy: Implementation and Evaluation.

1950

Page 40: Chapter 9 Creative Strategy: Implementation and Evaluation.

““Equinox”Equinox”(1995)(1995)

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StoresStores(1995)(1995)

Page 42: Chapter 9 Creative Strategy: Implementation and Evaluation.

StoresStores(1995)(1995)

Page 43: Chapter 9 Creative Strategy: Implementation and Evaluation.

ChefsChefs(1995)(1995)

Page 44: Chapter 9 Creative Strategy: Implementation and Evaluation.

ChefsChefs(1995)(1995)

Page 45: Chapter 9 Creative Strategy: Implementation and Evaluation.

BeachBeachChairsChairs(1997)(1997)

Page 46: Chapter 9 Creative Strategy: Implementation and Evaluation.

BeachBeachChairsChairs(1997)(1997)

Page 47: Chapter 9 Creative Strategy: Implementation and Evaluation.

CitiesCities

Page 48: Chapter 9 Creative Strategy: Implementation and Evaluation.

ArtistsArtists

Page 49: Chapter 9 Creative Strategy: Implementation and Evaluation.

FlavorsFlavors

Page 50: Chapter 9 Creative Strategy: Implementation and Evaluation.

FlavorsFlavors

Page 51: Chapter 9 Creative Strategy: Implementation and Evaluation.

Layout:How Elements Are Blended Into a Finished Ad

Layout:How Elements Are Blended Into a Finished Ad

Visual Elements: Illustrations Such As Drawings or Photos

Visual Elements: Illustrations Such As Drawings or Photos

Body Copy:The Main Text Portion of a Print Ad

Body Copy:The Main Text Portion of a Print Ad

Subheads:Smaller Than the Headline, Larger Than the Copy

Subheads:Smaller Than the Headline, Larger Than the Copy

Headline:Words in the Leading Position of the Ad

Headline:Words in the Leading Position of the Ad

Visual Elements: Illustrations Such As Drawings or Photos

Visual Elements: Illustrations Such As Drawings or Photos

Body Copy:The Main Text Portion of a Print Ad

Body Copy:The Main Text Portion of a Print Ad

Subheads:Smaller Than the Headline, Larger Than the Copy

Subheads:Smaller Than the Headline, Larger Than the Copy

Headline:Words in the Leading Position of the Ad

Headline:Words in the Leading Position of the Ad

Print Ad Components

Page 52: Chapter 9 Creative Strategy: Implementation and Evaluation.

The role of headlines and subheads

HEADLINES:The most important function or role of the headline is to

• attract the readers' attention and • make them interested in the remainder of the

message.

• Some ads use little or no body copy so the headline must work with the illustration or visual portion of the ad to communicate the entire advertising message.

Page 53: Chapter 9 Creative Strategy: Implementation and Evaluation.

Altoids Uses a Headline Effectively

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Page 54: Chapter 9 Creative Strategy: Implementation and Evaluation.

Headlines Can Capture Attention

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Page 55: Chapter 9 Creative Strategy: Implementation and Evaluation.

The role of headlines and subheads (cont.)

SUBHEADS:Subheads are often used to enhance the readability of the

message

- by breaking up large amounts of body copy and

- highlighting key sales points.

Their content often reinforces the headline and advertising slogan or theme.

Page 56: Chapter 9 Creative Strategy: Implementation and Evaluation.

FormatFormat Arrangement of the Elements on the Printed PageArrangement of the Elements on the Printed Page

SizeSize Expressed in Columns, Column Inches or Portions of a PageExpressed in Columns, Column Inches or Portions of a Page

ColorColor Black & White or Two-, Three-, or Four-color PrintingBlack & White or Two-, Three-, or Four-color Printing

WhiteSpaceWhiteSpace

Marginal and Intermediate Space That Remains UnprintedMarginal and Intermediate Space That Remains Unprinted

FormatFormat Arrangement of the Elements on the Printed PageArrangement of the Elements on the Printed Page

ColorColor Black & White or Two-, Three-, or Four-color PrintingBlack & White or Two-, Three-, or Four-color Printing

SizeSize Expressed in Columns, Column Inches or Portions of a PageExpressed in Columns, Column Inches or Portions of a Page

Print Ad Layout

Page 57: Chapter 9 Creative Strategy: Implementation and Evaluation.

Elements of a Print ad

Headline

Visual

Body Copy

Identification Marks

Insert Savin ad from 6/e

acetates here T9-6

Page 58: Chapter 9 Creative Strategy: Implementation and Evaluation.

Design Guidelines Balance Do the elements in the materials work with each other?

Dominance One element should be larger than the others to draw

attention to the ad Flow

Sequential eye movement Proportion

Size should be determined by importance Coherence

There must be harmony among the elements Unity

How well the ad holds together in terms of total effect

Page 59: Chapter 9 Creative Strategy: Implementation and Evaluation.

Formal balance can create a very orderly look and feel.

Page 60: Chapter 9 Creative Strategy: Implementation and Evaluation.

Informal balance can create

desired eye movement

through an ad.

Page 61: Chapter 9 Creative Strategy: Implementation and Evaluation.

Emphasis in an ad will lead the reader to focus on one layout element more than another

Page 62: Chapter 9 Creative Strategy: Implementation and Evaluation.

Step-by-Step Guide to Art & Copy Art

Thumbnail sketches Rough or pencil

layout Comprehensive

layout

Copy Headline &

subheads Rough copy Final copy

Page 63: Chapter 9 Creative Strategy: Implementation and Evaluation.

Phone: 555-555-5555 Fax: 555-555-5555

Email: [email protected]

Primary Business Address Your Address Line 2 Your Address Line 3 Your Address Line 4

Back Panel Heading

CNU

Organization

This is a good place to briefly, but effectively, summarize your prod-ucts or services. Sales copy is typi-cally not included here.

Lorem ipsum dolor sit amet, con-sectetuer adipiscing elit, sed diem nonummy nibh euismod tincidunt ut lacreet dolor et accumsan.

Product/Service Information

CNU

Tel: 555 555 5555

Your business tag line here.

Caption describing picture or graphic.

Secondary Heading Lorem ipsum dolor sit amet, consectetuer adipiscing elit, sed diem nonummy nibh euismod tincidunt ut lacreet dolore magna aliguam erat volutpat. Ut wisis enim ad minim veniam, consequat, vel illum dolore eu feugiat nulla facilisis at vero eros et accumsan et iusto odio dignissim qui blandit praesent luptatum. Lorem ipsum dolor sit amet, consectetuer adipiscing elit, sed diem nonummy nibh euismod tincidunt ut lacreet dolore magna aliguam erat volutpat. Ut wisis enim ad minim veniam, consequat, vel illum dolore eu feugiat nulla facilisis at vero eros et accumsan.

Secondary Heading Lorem ipsum dolor sit amet, consectetuer adipiscing elit, sed diem nonummy nibh euismod tincidunt ut lacreet dolore magna aliguam erat volutpat. Ut wisis enim ad minim veniam, quis nostrud exerci tution ullamcorper suscipit lobortis nisl ut aliquip ex ea commodo conse-quat. Duis te feugifacilisi. Duis autem dolor in hendrerit in vulputate velit esse molestie consequat, vel illum dolore eu feugiat nulla facilisis at vero eros et accumsan et iusto odio dignissim qui blandit praesent luptatum zzril delenit au gue duis dolore te feugat nulla facilisi. Ut wisi enim ad minim veniam, quis nostrud exerci taion ullam-corper suscipit lobortis nisl ut aliquip ex en commodo consequat. Duis te feugifacilisi per suscipit lobortis nisl ut aliquip ex en commodo consequat. Lorem ipsum dolor

The most important information is included here on the inside pan-els. Use these panels to introduce your or-ganization and describe specific products or services. This text should be brief and should entice the reader to want to know more about the product or service.

You can use secondary headings to organize your text to make it

more scannable for the reader.

Lorem ipsum dolor sit amet, consectetuer adipisc-ing elit, sed diem nonummy nibh euismod tincidunt ut lacreet dolor et accumsan et iusto odio dignis-sim qui mmy nibh euismod tincidunt ut lacreet dolore magna aliguam erat volutpat.

Main Inside Heading

sit amet, consectetuer adipiscing elit, sed diem nonummy nibh euismod tincidunt ut lacreet dolore magna aliguam erat volutpat.

Primary Business Address Your Address Line 2 Your Address Line 3 Your Address Line 4

Phone: 555-555-5555 Fax: 555-555-5555

Email: [email protected]

CNU

Caption describing pic-ture or graphic.

Caption describing picture or graphic.

Art: Thumbnail Sketch

Page 64: Chapter 9 Creative Strategy: Implementation and Evaluation.

Tel: 555 555 5555 L;akgj aoihaer ojhsdafg salkhj a;likastd

O r gan iz at io n

S k jh ad fak jfhasd fljhasd f ;a,k j asd lhj a fv l;k jha a;jk lh

Ad verti sem en t H ea d in g

R es pons e ins truc tions ldf a lk h k ljhds f ak jha gk jhadgf ak jh bv jhas dt o ih s dflk jh adfk ljha fihaierh ak liha aouy he fdaejn iuoy oihrtn,

N AME

AD D R E SS

Ad;l ds fl ;k a k js hadf ak l ;j fh al fh ak dfk jhas df a K LT IJ HA IO G UH AG F NA R G F ;HNJ AERT

L;A IKUJ HA ET O LIAHT R IERl js aiaert ajr

Art: Thumbnail Sketch

Page 65: Chapter 9 Creative Strategy: Implementation and Evaluation.

Art: Thumbnail Sketch

Home Page Your business tag line here.

HOME PAGE TITLE

Your home page gives your readers their first impressions of your site's purpose, content, and layout. This is a good place for text that orients readers to your organization and shows them how to navigate around your site. The Wizard has automatically set up hyperlinks to the pages you selected. Simply fill the pages with your own content and your site is ready to post to the World Wide Web.

Organization

To contact us:

Phone: 555-555-5555 Fax: 555-555-5555

Email: [email protected]

Primary Business Address Your Address Line 2 Your Address Line 3 Your Address Line 4

CNU

Home Page

Page 66: Chapter 9 Creative Strategy: Implementation and Evaluation.

Art: Rough or Pencil Layout

Use actual dimensions Mock up to best simulate color, type

size, text block size, photo size, drawing size, etc.

Incorporate actual headlines and subheads when possible

Create the look & feel of the material without having completed components

Page 67: Chapter 9 Creative Strategy: Implementation and Evaluation.

Art: Comprehensive Layout “Comps”

Final layout before actual materials are inserted

Used to communicate creative concepts to client

Actual dimensions, colors, paper types, etc.

Page 68: Chapter 9 Creative Strategy: Implementation and Evaluation.

Typography

Page 69: Chapter 9 Creative Strategy: Implementation and Evaluation.

Copy: Final Copy

Corresponds to art director’s final layout Copywriter’s complete & polished effort Takes SEVERAL drafts to reach final

copy Final copy needs time to “cool”

Page 70: Chapter 9 Creative Strategy: Implementation and Evaluation.

Evaluating Layouts Will the layout attract the prospect?

Does the layout reflect values & tastes of the target markets? Is the product the star?

No “art for art’s sake” What is the point of the layout?

Does the layout grab the customer & encourage involvement? Is the layout inviting & readable?

Obscure types hurt the eyes. Reverse type – a BIG NO NO!!! Are the color combinations right?

For ad space: How does the ad look in its editorial environment?

Page 71: Chapter 9 Creative Strategy: Implementation and Evaluation.

Evaluating Copy

Lots of checklists & how-to guides Copy should be clean & clear

Language is simple without being simplistic Present tense, active voice

DON’T USE THE VERB “TO BE” Friendly & conversational, not patronizing Makes sense to the customer

Long v. short copy

Page 72: Chapter 9 Creative Strategy: Implementation and Evaluation.

Evaluating Copy Fact of life

80%+ of people who see an ad don’t read the copy (Ogilvy 1985)

If the headline doesn’t catch ‘em, they’re lost till next time

Benefits sell – features don’t sell The call to action Copy should do everything a personal sales call does White space Ease of ordering

Page 73: Chapter 9 Creative Strategy: Implementation and Evaluation.

Sum Up

Execution Styles Advertising Appeals

Super bowl ads http://msnbc.msn.com/id/4132154/

Print Ads

Page 74: Chapter 9 Creative Strategy: Implementation and Evaluation.

Next Class

To do!


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