www.jimmyeatworld.com www.interscope.com

Executive Producer Butch Vig Produced by Jimmy Eat World with Chris Testa “Here It Goes” Co-Produced by John Fields*Additional Production by John Fields Mixed by Chris Lord-Alge

Jim Adkins

big casinobefore this world starts up again it’s me and night we wait for the sun the kids and drunks all head insidewell, there’s lots of smart ideas in books I never read when the girls come talk to me I wish to hell I had getup! get up! turn the ignition get up! get up! fire up the system play my little part in something big I’ll acceptwith poise, with grace when they draw my name from the lottery and they’ll say: “all the salt in the worldcouldn’t melt that ice!” I’m the one who gets away I’m a New Jersey success story and they’ll say: “lord,give me a chance to shake that hand!” they’ll say… back when I was younger, I was someone you’d haveliked got an old guitar I’ve had for years I’d let you buy and I’ll tell you something else you ain’t died enoughto know: there’s still some living left when your prime comes and goes get up! get up! dance on the ceil-ing? get up! get up! boy, you must be dreaming rock on young savior just don’t get up your hopes I’llaccept with poise, with grace when they draw my name from the lottery and they’ll say: “all the salt in theworld couldn’t melt that ice!” I’m the one who gets away I’m a New Jersey success story and they’ll say:“lord, give me a chance to shake his hand!” they’ll say… I have one last wish and it’s from my heart justlet me down, just let me down easy I’ll accept with poise, with grace when they draw my name from thelottery and they’ll say: “all the salt in the world couldn’t melt that ice!” I’m the one who gets away I’m aNew Jersey success story and they’ll say: “lord, give me a chance to shake his hand!” they’ll say…

let it happenI have a ringing in my head and no one to help me answer it even with you close enough to kissevery minute is arranged every moment lasts a day thinking about it can’t help me let go, I knowtalk, talking a lot but it’s still talk got to love how it’s somehow all on me all the petty scenes allthe pretty things say whatever you want, I can laugh it off I must look like I’m running away to you,at your faster pace wonder what it is you could have seen in me yeah, I’m the evil one who said:“going to let everything just happen” like my chest, my ears are proud and collision is such an uglysound I can hear you now… talk, talking a lot but it’s still talk got to love how it’s somehow all onme all the petty scenes and all the pretty things say whatever you want, cause I can laugh it off Ican hear you now… talk, talking a lot but it’s still talk got to love how it’s somehow all on me allthe petty scenes and all the pretty things say whatever you want, cause I can laugh it off

always becould have been a night like any other one of us has to drive one of us gets to think I’ll force a laugh to break thesilence it’s going to get harder, still before it gets easy you can’t keep safe what wants to break I’m alone in thisI’m as I’ve always been: right behind what’s happening she’s lost in this she’s like she’ll always be: a little farfor me to reach I was just a boy like every other thought I was something fierce I thought I was ten timessmarter love would be something that I’d just know how are you going to know the feeling until you’ve lost it?I’ve been losing plenty since I’m alone in this I’m as I’ve always been: right behind what’s happening she’s lostin this she’s like she’ll always be: a little far for me to reach maybe something else I’m missing something goodand you’re reason it’s a dream but there’s a real world, waiting I’m alone in this I’m as I’ve always been: rightbehind what’s happening she’s lost in this she’s like she’ll always be: a little far for me to reach I’m alonein this I’m as I’ve always been: right behind what’s happening she’s lost in this she’s like she’ll always be:a little far for me to reach

carry youwhen Iknow I’m all alone I say your name slowly and I know that I’m alone but I carry you does it feel good?like the memory? when you try some history it’s a dream to come around the rule doesn’t bend because thetaste doesn’t taste the same again It’s easy feeling righteous when removed all you’ll get is what you want tohear it hurts because it should how else am I to make it clear? I could never be the one that you want don’task here’s to living in the moment, cause it passed maybe a lie is what I need sometimes you told the most,the best of anyone you said to keep me in your pocket so I carried you better choose your words carefullybecause I’m not your anything going to stay here in my place and you’ll stay in yours because you’re onlygood as what your good for I pace around the room to spend the time waiting while the burning pictures fadeit’s one thing to make your mind and another to say its name I could never be the one that you want don’t askhere’s to living in the moment, cause it passed I’m still carrying a little hope that maybe, things could be dif-ferent now is that so wrong? is that so…wrong? would I see you tonight at a place we’d go could goingthrough the motions lead to real emotion I want to make things right before time runs out it was like you saidthe taste don’t taste like it should roll down the windows let the cold air come in slap my face just to feel justto feel you somehow again I could never be the one that you want don’t ask here’s to living in the moment,because it passed

electable (give it up)I came up like everyone they taught us all the same I said what they told me to say and then from that,they grade give up repeating the facts fact can be arranged here I am I’ll take my chance now, play therecord straight give it up talking points from talking heads with automated smiles… “there’s no higherground to stand than bottom of the pile” give up acting unaware you can’t ignore the crime the enemyis you as well the enemy is I give it up not in my name you don’t speak for me I am my voice and I wantto scream you want my air? you want my love? I act as one but I’m not alone give it up

gotta be somebody’s blueslet the water come she’s the only one I love let the fat man drop she’s the sweetest honey pot willthey see the sky again? who will sing their blues for them? let the factories rust she’s the onlyonly thing I trust let the virus spread she’s the silk lining my bed will they breathe our air again?who will sing their blues for them? when you’re feeling moved you can have your conscience allyou want you can’t say I do nothing I put it off where are you going to go if they come for you?will there be someone left to sing your blues? where you gonna run when they come for you? willthere be someone left to sing your blues?

Rick Burch

Zach Lindfeeling luckythere’s a chance one of us will give in soon I could ask but what’s an answer going to prove? when I try to getmad then the fever drops my heart can’t break because the beating stopped you suck that lucky feeling right outof me want a laugh? take a look around the room it’s a dance tired steps in brand new shoes I can only take aguess what the morning brings it feels too good then it probably is you suck that lucky feeling right out of meI follow your sign where it leads I go you turn your back so easily it tells me everything I need waiting for the lineto move a foot wasting my life on nothing good you suck that lucky feeling right out of me I should act tie itdown or cut you loose it’s a trap any direction I move every time I sing along the needle skips I huff and then Ipuff the house is brick you suck that lucky feeling right out of me

here it goeson it’s on I declare my room a scene gone then gone too much that they say you need it’s not perfection yethow boring if it is! nothing new for me light on up with everybody watching you lights go down everything isyours to lose the first dancer takes the floor laugh but you can’t ignore what are you going to do? waiting forattention? I’m not cut it to the left and I rock need an invitation? I don’t slide it to the right and I roll here itgoes the crowning of the cool-kid queen here it goes the competition shows their teeth I’ll let them fight it outit’s just my party now what I want to be step on up everyone in queue, in costume step on out don’t get suckedin for a second the bright lights might say your name but they only light the stage nothing there to prove wait-ing for attention? I’m not cut it to the left and I rock need an invitation? I don’t slide it to the right and I rolldon’t accept critique or credit their definition always changes it’s not the same as yours you could be so muchmore the closer that you get waiting for attention? I’m not cut it to the left and I rock need an invitation? I don’tslide it to the right and I roll waiting for attention? I’m not cut it to the left and I rock need an invitation? Idon’t slide it to the right and I roll

chase this lightI’m a suspect I’m a traitor I’m only here in body, visiting yellow faces and the distant screams the beau-ty is in what isn’t said I’m rising to my feet because tonight the world turned in me because right nowI don’t dare to breathe I know it’s alive and somewhere for us to find tonight, chase this light with memy gesso my last call my life is yours, in your gifted hands confetti rainfall and the quiet street thesethings I’ve found are special now the knot is in my reach because tonight the world turned in mebecause right now I don’t dare to breathe I know it’s alive and somewhere for us to find tonight, chasethis light with me a movie still-photograph through a martyr’s eyes I can see… I’ve seen the best of love,best of hate the best reward is earned I’ve paid for every single word I’ve ever said confetti rainfall andthe quiet street the beauty is in what you make it so get up on your feet because tonight the world turnedin me because right now I don’t dare to breathe I know it’s alive and somewhere for us to find tonight,chase this light with me

firefightthis is where our diligence has led the waves roll in to claim our patient steps can we become more than justourselves and leave the sand our want, our will, our doubt it’s firefight I won’t run there’s spit and spite allthrough my blood for you and me there’s nowhere left to hide except you and me there’s no one else alivethis is now the moment after next are these still the eyes of a temptress why open a door when you won’tgo? don’t ask twice if you don’t want to know it’s firefight I won’t run there is spit and spite all through myblood for you and me there’s nowhere left to hide for you and me there’s no one else alive is there ananswer and if it’s an honest one, honestly worth its question there’s no question the city as my witness I amwho I want to be because you could be anything just be anything and with me love is quartz and breath thesecond hand if you let go then that’s where time will stand it’s firefight I won’t run there is spit and spite allthrough my blood for you and me there’s nowhere left to hide for you and me there’s no one else alive

dizzyyou close your eyes and kiss your hand, then blow it but it isn’t meant for me and I notice if the choice wasours alone then why did we both choose letting go? does it end like this? time never had a chance to healyour heart just a number, always counting down to a new start if you always knew the truth then the worldwould spin around you are you dizzy yet? respectfully, some honesty I’m calling out do you hear this con-versation we talk about? back away to the safety of a quiet house if there’s half a chance in this moment, whenyour eyes meet mine, we show it all talk not a lot to think we were living dreams shame never crept close toour naked feet if there’s something left to lose then don’t let me wear out my shoes I’m still walking I triedbut it rang and rang I called all night on a pay phone (remember those!) from another life if everything Imeant to you, you can lick and seal then fold in two then I’ve been so blind respectfully, some honesty I’masking now do you hear the conversation we talk about back away to the safety of a quiet house if there’s halfa chance in this moment, when your eyes meet mine, we show it take it all back take the first, your last, youronly take it all back everything you showed me this must be how it feels when the feeling goes I told youas I hovered I’d never felt this way you said: I had the shot that stops my clock. baby, it’s ok you saidyou’d never have regrets jesus! is there someone yet who got that wish? did you get yours? babe?respectfully, some honesty I’m asking now do you hear the conversation we talk around back away to thesafety of a quiet house if there’s half a chance in this moment… when your eyes meet mine, we show it

Tom Linton

Executive Producer Butch Vig

Produced by Jimmy Eat World with Chris Testa

“Here It Goes” Co-Produced by John Fields

Additional Production by John Fields on “Big Casino”, “Let It Happen”, “Always Be”, “Electable (Give It Up)”, “Feeling

Lucky” & “Dizzy”

Recorded by Chris Testa at Unit 2, Tempe Arizona

Additional recording by Jimmy Eat World

Additional engineering by Ross Hogarth & John Fields at Seedy Underbelly, Los Angeles California

String session for “Gotta Be Somebody’s Blues” recorded at Conway Studios, Los Angeles California

Mixed by Chris Lord-Alge at Resonate Music, Burbank California Assisted by Keith Armstrong

Mastered by Ted Jensen at Sterling Sound, New York New York

A&R: Luke Wood

Legal Representation Jill Berliner at King, Holmes, Paterno & Berliner, LLP Business Management Nick Ben-Meir

Booking for North America Tim Edwards at Flower Booking Booking for Europe and Beyond: Steve Strange at X-Ray

Touring Booking for Japan and Australia: Marlene Tsuchii-Dalston at CAA

Art Direction & Design: Morning Breath Inc.

Cover Photography: Davies and Starr

Band Photography: Jason Odell

Featuring

Amy Ross additional vocals on “Let It Happen”, “Electable (Give It Up)” and “Here It Goes”

Finn Adkins additional vocals on “Electable (Give It Up)”

Jackson Adkins additional vocals on “Electable (Give It Up)”

Ava Lind additional vocals on “Electable (Give It Up)”

John Fields keyboard on “Carry You”, “Here It Goes” and “Dizzy” and additional bass on “Electable (Give It Up)”

Stephen Lu keyboard on “Dizzy”

Strings arranged and conducted by David Campbell on “Gotta Be Somebody’s Blues”

Amy Ross appears courtesy of her band, Nowhere Man and a Whiskey Girl

Thank you: Butch Vig, Chris Testa, John Fields, Chris Lord-Alge, John Silva, Gaby Skolnek, John Cutcliffe & everyone at

SAM, Nick Ben-Meir, Jill Berliner, Tim Edwards & Flower Booking, Steve Strange & X-Ray Booking, Steve Martin & Nasty

Little Man, David Campbell, Amy Ross, Stephen Lu, Steve Berlin, Andy Rose, Curt Anderson, Sidney Miller at GTC Pro,

Milano’s Music & Milano Hall, Triesky Mechanical, Paul Wolff at Tonelux, Jeff Ehrenberg at Vintage King, Peter Reardon

at Shadow Hills, Bob Muller at Dangerous Music, Jenn Plonski at Vox Amplifiers USA, Grace McHale at Vox Amplifiers

UK, Alex Perez at Fender USA, Justin Norvell at Fender USA, Garrison at DW Drums USA, Mingo at DW Drums Europe,

Kirsten Matt at Zildjian Cymbals, Steve Nigohosian at Latin Percussion, Doc at Ampeg, Ernie Ball Strings, Tim Godwin at

Line 6, Amy Adkins, Holly Lind, Joy Linton, Jenna Verdier, Jackson Adkins, Finn Adkins, Ava Lind, Mark “Helmet”

Haworth, Steve Taylor, RJ Leimpeter, Chris "Reno" McClendon, Michael “Porkchop” Souder, Dan Hadley, Luke Wood,

Ed Alexander, Todd Parker, Everyone at Interscope Records

All songs written by Jimmy Eat World

©2007. Published by Do I Get A Pickle With That Music (ASCAP). Lyrics reprinted by permission. All rights reserved.

www.jimmyeatworld.comwww.interscope.com

Management:

�� 2007 Interscope Records. All rights reserved.

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