Instrumentation

1 - concert bass drum

1 - 2-octave set of crotales

1 - chinese gong (large)

3 - bell plates (C4, G4, A4)

3 - sandpaper blocks (of different sizes or grit)

3 - large thunder tubes*

4 - small thunder tubes

4 - triangles (of different timbral quality)

4 - tuned gongs (F3, A3, Db4, C6)

8 - tuned metal pipes (E5, G5, Ab5, B5, C6, D6, Eb6, E6)

Additional Items Needed

1 - table with sandpaper surface (used with sandpaper blocks)

1 - set of chopsticks (used on crotales)

2 - bass bows (used on crotales)

4 - triangle mounts

*Optional - 1 extra-large tunder tube (if used, only two large thunder tubes are required)

Notation

= approximate number of seconds

= use of bass drum

= use of triangle

= dampen thunder tube against chest

= undampen thunder tube

= hold thunder tube upright

= hold thunder tube horizontal (so dampening against chest is possible)

= use hand to mute spring on thunder tube

= small note-head indicates to tap on the drum-head of thunder tube with fingers

Performance Notes

Performance should take place in a darkened room. Performers may use small lights.

Bell plates may be replaced with gongs if they cannot be procured. See diagram for

set-up preferences.

ªA

œ

1

+

f

¯

"

Chrysalism

The amniotic tranquility of being

indoors during a thunderstorm.

°

¢

°

¢

Copyright © 2018 by Kyle Krause

P. 1 Thdr. T.

P. 2 Thdr. T.

P. 3 Thdr. T.

P. 4 Thdr. T.

ppp

Inviolable

emerge into a distant drone - (may stagger entries if disired)

q = 60

ppp

emerge into a distant drone - (may stagger entries if disired)

ppp

emerge into a distant drone - (may stagger entries if disired)

ppp

emerge into a distant drone - (may stagger entires if disired)

P. 1 Thdr. T.

P. 2 Thdr. T.

P. 3 Thdr. T.

P. 4 Thdr. T.

2

ppp mf ppp

ppp mf

/

¯

(large)

12"

For the Los Angeles Percussion Quartet

Chrysalism

Kyle Krause

/

¯

(small)

/

¯

(small)

/

¯

(large)

/

3"

Repeat material in box as written until otherwise noted. P. 2. & P. 3 are to

remain metrically in sync with each other. Plus-signs indicate to dampen the

thunder tube against one's body. Circles indicate to un-dampen the thunder tube.

9"

/

+ ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯

≠

/

+ ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯

≠

/

æææW ™

æææW ™

æææW ™

æææW ™

æææW ™

æææW ™

æææW ™

æææW ™

°

¢

°

¢

P. 1 Thdr. T.

P. 2 Thdr. T.

P. 3 Thdr. T.

P. 4 Thdr. T.

mppp

ppp

3

pp

pp

p pp ppp

P. 1 Thdr. T.

P. 2 Bell P.

& Thdr. T.

P. 3 Bell P.

& Thdr. T.

P. 4 Thdr. T.

p

mp ppp

4

mfpp

mfpp

p p pp p

/

3"

c

< >

on spring

g

l

i

s

s

.

l. v.

3"

Notes in boxes below are to be played on triangles.

Each triangle is to have a different timbral quality. These boxes are not to be

repeated. Timing is free and expressive. Use thin triangle-beaters for cold, delicate sound.

3"

<Thdr. T.

>

3"

/L

(continue with box from page 1. >)

(pinch here)

To Bell P.>

≠&

/L

(continue with box from page 1. >)

To Bell P.>

≠&

/

warm

bass drum

-<Thdr. T.

>

/

3"

< >

on spring

g

l

i

s

s

.

l. v.

3" 3"

<Thdr. T.

>

3"

&

warm

-soft mallet

(continue with Thdr. T.)

L/ ≠

&

warm

-soft mallet

(continue with Thdr. T.)

L/ ≠

/

warm

bass drum

-

<Thdr. T.

>

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≈ ™J

1

J

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1j

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f ™

1

J

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1

J™

J

) ™1j

) ™

1j

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f ™

1

J

2

°

¢

°

¢

P. 1 Thdr. T.

P. 2 Bell P.

&Thdr. T.

P. 3 Bell P.

& Thdr. T.

P. 4 Thdr. T.

ppp sempre

5

mp

mp

ppp

p mp

P. 1 Thdr. T.

P. 2 Bell P.

& Thdr. T

P. 3 Bell P.

& Thdr. T.

P. 4 Thdr. T.

n

6

mf mp n

mf

mp n

secco

mf

f

/

3" 3" 3" 3"

/

To Bell P.>

warm

&

-soft mallet

≠

/

To Bell P.>

&

warm

-soft mallet

≠

/

bass

drum -

slowly cresc.

-

/ (fade out)

3"

< >To Metal Pipes >(put Thdr. T down)

2.5" 2"

U "

U

&

accel.

&

-(slowly mute Bell P.)

(stop material from box on page 1.)

L¯

Thdr. T.

l. v.

c

on spring

/< >

g

l

i

s

s

.

l. v.<

U

mute ( )

>ªA

&

-(slowly mute Bell P.)

(stop material from box on page 1.)

L¯

Thdr. T.

l. v.

(pinch here)

c

on spring

/< >

g

l

i

s

s

.

l. v.<

U

mute ( )

>ªA

/

Use bass drum mallet to mute drum.

(Keep mallet in hand.) .

(pinch here)

Pinch wire

in between

one's arm

and body.

<

Umute

>

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‰

æææw ™

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3

°

¢

°

¢

P. 1 Metal P.

P. 2 Thdr. T.

P. 3 Thdr. T.

P. 4 B. D.

psempre

A tempo

7

p

p

mp

P. 1 Metal P.

P. 2 Bell P.

& Thdr. T.

P. 3 Bell P.

& Thdr. T.

P. 4 B. D.

8

mp ppp

mp ppp

p

&

medium-hard mallets

Continue in a similar fashion using any of the pitches within this box until otherwise

noted. Do not immediately repeat individual pitches. Keep a steady flow of 16th-notes.

9"

≠

/

-

activate spring by releasing grip - l.v.

To Bell P.>

/

-

activate spring by releasing grip - l.v.

To Bell P.>

/>

(put Thdr. T down)

&

3" 3" 3"

≠

/ &

-

warm Thdr. T.

/

+ ¯ + ¯ + ¯ + ¯ + ¯ + ¯

/

soft mallet

&

-

warm Thdr. T.

/

+ ¯ + ¯ + ¯ + ¯ + ¯ + ¯

/

soft mallet

-

To Crotales >

œ

œœ#

œ#

œ

œnœ

œ#

œnœ

œn

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œ#

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) ™ æææ˙ ™

˙ ™

4

°

¢

°

¢

P. 1 Metal P.

P. 2 Bell P.

& Thdr. T.

P. 3 Bell P.

& Thdr. T.

P. 4 Crot.

9

mp pppmp

mp ppp mp

p

P. 1 Metal P.

P. 2 Thdr. T.

P. 3 Thdr. T.

P. 4 B. D.

mpsempre

10

mp

ppp mp ppp

mp pppmp ppp

p

&

2" 4" 3"

≠

/

+ ¯ + ¯ + ¯ + ¯ + ¯ + ¯

To Bell P.>

&

-

/

/

+ ¯ + ¯ + ¯ + ¯ + ¯ + ¯

To Bell P.>

&

-

/

&

arco

To B. D. >

&

Continue in a similar fashion using any of the pitches within this box until otherwise

noted. Do not immediately repeat individual pitches. Keep a steady flow of 16th-notes.

3" 6"

≠

/ <

Thdr. T.

>

on spring

g

li

s

s

.

l. v.

+ ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯

To Bell P.>

/ <

Thdr. T.

>

on spring

g

li

s

s

.

l. v.

+ ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯

To Bell P.>

/-

To Crotales >

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æææ˙ ™

) ™

w

w

œ

œœ#

œ

œ

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œnœ

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œ#œ

œ

œ

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œœ#

œ

œ

œn

œ#

≈ ™

J æææw ™

≈ ™

J æææw ™

˙ ™

5

°

¢

°

¢

P. 1 Metal P.

P. 2 Bell P.

& Thdr. T.

P. 3 Bell P.

& Thdr. T.

P. 4 Crot.

11

mp

ppp mf

mpppp

mf

p

P. 1 Metal P.

P. 2 Thdr. T.

P. 3 Gongs

& Thdr. T.

P. 4 B. D.

mfsempre

12

mp ppp

mp

mp

mp

&

2" 4" 3"

≠

/ &

-

Thdr. T.

/

+ ¯ + ¯ + ¯ + ¯ + ¯ + ¯

/ &

-

Thdr. T.

/

+ ¯ + ¯ + ¯ + ¯ + ¯ + ¯

&

arco

To B. D. >

&

Continue in a similar fashion using any of the pitches within this box until otherwise noted. Each

pitch should be double-stroked but not immediately repeated. Keep a steady flow of 32nd-notes.

5" 4"

≠

/ < >

on spring

g

li

s

s

.

l. v. < >+ ¯ + ¯ + ¯ + ¯ + ¯ + ¯

/ < >

on spring

g

li

s

s

.

l. v.

Put Thdr. T down, To Gongs>

soft mallet

?

warm

-

-

-

3

&

/-

To Crotales >

)

æææ˙ ™

) æææ˙ ™

w

wb

b

æ

œ

æ

œ

æ

œ#

æ

œ#

æ

œ

æ

œn

æ

œ

æ

œ#

æ

œn

æ

œ

æ

œn

æ

œ#

æ

œ

æ

œ

æ

œ#

æ

œn

æ

œ

æ

œn

æ

œ

æ

œ#

æ

œ

æ

œ#

æ

œn

æ

œn

≈Œ™

J æææ˙ ™

≈

˙

˙b˙

™

J

˙ ™

6

°

¢

°

¢

P. 1 Metal P.

P. 2 Thdr. T.

P. 3 Gongs

P. 4 Crot.

13

mf pppppp

f

mp

mp

P. 1 Metal P.

P. 2 Bell P.

& Thdr. T.

P. 3 Gongs

P. 4 B. D.

f sempre

14

mf ppp p p

f

f

pcresc. p

mf

f

&

4" 2" 3"

≠

/

+ ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯

&

-

?

-

-

-

3

< >&

&

arco

To B. D. >

&

Continue in a similar fashion using any of the pitches within this box until otherwise noted. Each

pitch should be double-stroked but not immediately repeated. Keep a steady flow of 32nd-notes.

6"

Stop here, but let all metal pipes ring (l. v.)

3"

To Sandpaper Blocks. >

L

/

+ ¯ + ¯ + ¯ + ¯ + ¯ + ¯

Thdr. T.

L<cresc.

to f

>

&Bell P.

≠

l. v.

&

-

To C. Gong >

C. Gong

/

L<to f

>

?

Strike all four gongs. They should be

inaudible under the sound of the C. Gong

Strike all bell plates. They should be

inaudible under the sound of the C.Gong

&

≠

l. v.

/-

To Crotales >

æææ˙ ™

æææ˙ ™

˙

˙

˙b˙

Œ

w

w

æ

œ

æ

œ

æ

œ#

æ

œ

æ

œ

æ

œ#

æ

œ

æ

œ

æ

œn

æ

œ

æ

œ#

æ

œ#

æ

œ

æ

œ

æ

œ

æ

œn

æ

œ

æ

œ#

æ

œ

æ

œ#

æ

œ

æ

œ

æ

œn

æ

œ#

æææ˙ ™

æææ˙ ™

66 6

˙æææ˙ ™

œœ

œb

œ

˙ ™

7

°

¢

°

¢

P. 2 Bell P.

& Thdr. T.

P. 3 C. Gng.

P. 4 B. D.

15

p

P. 1 Sp. B.

P. 2 Sp. B.

P. 3 Gongs

& Bell P.

P. 4 Crot.

p

legato

mf pp mf p

16

legato

p mf p p

p

espress.

mp

mp

mp

/<

(let bell plates ring - l. v.)

mute

Pinch wire in between

one's arm and body.

Thdr. T.

>

(Put Thdr. T. away) - To Sandpaper Blocks. >

9"

/<

(let tuned gongs ring - l. v.)

mute

C. Gong

>To Gongs and Bell P. >

/< >

-

/

2" 2" 4" 2" 2"

//

?

soft mallets

(Gongs)

-

-

-

3

< >&

-

(Bell. P.)

(Gong)

&

arco

< >

arco

Œ

Œ

Πw

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ

˙

˙b˙

Œ

) ™

˙ ™

wŒ

˙˙ ™™

8

°

¢

°

¢

P. 1 Sp. B.

P. 2 Sp. B.

P. 3 Gongs

& Bell P.

P. 4 Crot.

pp p mf p

17

mf p ppp mf p

ppp p

pp

P. 1 Sp. B.

P. 2 Sp. B.

P. 3 Gongs

& Bell P.

P. 4 Crot.

p mf p p

18

p mf p

mf p

mp

/

Notes in box below are to be played on triangles.

Each triangle is to have a different timbral quality. This box is not to be

repeated. Timing is free and expressive. Use thin triangle-beaters for cold, delicate sound.

2" 2" 2" 4"

/

&< >

(Bell. P.)

-

3

/

(Gongs)

?

-

-

-

3

&

& / To Crotales >

/

2" 2" 2" 4" 2"

/

&

mp

(Bell. P.)

(Gong)

-

< >

(Bell. P.)

-

3

< >-

(Gongs)

?

-

-

- (Bell. P.)

&

-

-

5

&

arco

1

j œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ

1

j

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

Œ)

1

j˙

˙b˙

1

j

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

)

˙

Œ)

Œ 6œ ™

œb ™œ ™

6 ™

6 ™

w

w

b

b

9

°

¢

°

¢

P. 1 Sp. B.

P. 2 Sp. B.

P. 3 Gongs

& Bell P.

P. 4 Crot.

mf p pp p mf p

19

p mf p pp p mf p

f

pp p

mp pp

P. 1 Thdr. T.

P. 2 Sp. B.

P. 3 Bell P.

P. 4 Metal P.

mp

20

p mf p

fp

cresc.

distant

ppsempre

/

4"

Notes in box below are to be played on triangles.

Each triangle is to have a different timbral quality. This box is not to be

repeated. Timing is free and expressive. Use thin triangle-beaters for cold, delicate sound.

2" 2" 4"

To Small Thdr. T. >

/

&

(Gong)

-

(Bell. P.) /(Bell. P.)

&

-

(Gongs)

? (Bell. P.)

&

-

--

-

4

& / To Metal Pipes >

/

2" 2"

(small)

hit drum-head with

fingers or hard mallet.

3"

>

5

/

&

(Gong)

-

-

(Bell. P.)

(Gongs)

?

-

-

-

&

&

Continue in a similar fashion using any of the pitches within this box until otherwise

noted. Do not immediately repeat individual pitches. Keep a steady flow of 16th-notes.

soft mallets

≠

5 5 5 5 5

œ œ œ œ œ œ œ œ 1

j

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

1

j

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

)

˙

1

j

6

œ

œbœ

6

w

wb

b

1

j

œ œe e e e e

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

)

˙

œ

œbœ

œ

œœ#

œ#

œœnœ

œ

œnœœ#œ

œ#

œn

œn

œ#œ

œ

œ#

œnœœn

œœ#œ

10

°

¢

°

¢

P. 1 Thdr. T.

P. 2 Sp. B.

P. 3 Bell P.

P. 4 Metal P.

mp

21

p mf p p

mf

P. 1 Thdr. T.

P. 2 Sp. B.

P. 3 Bell P.

P. 4 Metal P.

22

mf p

echo

mp p

/

3"

>

3"

>

3"

>

5 5 5

/< > < >

&< >

(Bell. P.)

-

3

< >

-

& ≠

/

3"

>

3"

>

3"

>

5 5 5

/ To B. D. >

&< > (Bell. P.)

-

3

< >

-

To Crotales >

& ≠

œ œe e e e e œ œ œ œe e e e e e e e e e

Œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Œ

œ œ œ œ œ œ œ œ

Π) Π)

œ œe e e e e œ œe e e e e œ œe e e e e

œ œ œ œ œ œ œ œ

Π) Π)

11

°

¢

°

¢

P. 1 Thdr. T.

P. 2 B. D.

P. 3 Crot.

P. 4 Metal P.

mf

23

p p

(with P. 4)

ppp

P. 1 Thdr. T.

P. 2 B. D.

P. 3 Crot.

P. 4 Metal P.

pp

mp

24

pp

psempre

/

3"

>

3"

>

3"

>

5 5 5

/

(with B. D. mallet)

-(with medium-soft mallets)

-

3

&

(with chopsticks)

sempre

etc.

5 5 5 5

& ≠

/

6" 3"

/

(with B. D. mallet)

-(with medium-soft mallets)

-

3

&

&

Continue in a similar fashion using any of the pitches within this box until otherwise

noted. Do not immediately repeat individual pitches. Keep a steady flow of 16th-notes.

≠

5 5 5 5 5

œ œe e e e e œ œ e e e e e œ œe e e e e

w œ œ œ œœ œ

œ œ œ œœ œ

œ œ

œ œ œ œœ œ

œ œ

œ œ œ œœ œ

œ œ

œ œ œ œœ œ

œ œ

œ œ œ œœ œ

œ œ

œ œ œ œœ

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æææ˙ ™

w œ œ œ œ œ œ

œœ œ

œ œ œ œœ œ

œ œ

œ œ œ œœ œ

œ œ

œ œ œ œœ œ

œ œ

œ œ œ œœ œ

œ œ

œ œ œ œœ œ

œ œ

œ œ

œ

œœ#

œ

œœnœ

œ

œ# œœ#œ

œ

œn

œ#

œ#œ

œ

œ

œnœ œ#

œœ#œ

12

°

¢

°

¢

P. 1 Thdr. T.

P. 2 B. D.

P. 3 Crot.

P. 4 Metal P.

pp

25

mp

P. 1 Thdr. T.

P. 2 Thdr. T.

P. 3 Crot.

P. 4 Metal P.

p pp

26

pp

mpsempre

/

3" 6"

/

(with B. D. mallet)

-To Large or Extra-Large Thdr. T. >

&

& ≠

/

6" 3"

/

(large, or extra-large)

&

&

Continue in a similar fashion using any of the pitches within this box until otherwise

noted. Do not immediately repeat individual pitches. Keep a steady flow of 16th-notes.

≠

5 5 5 5 5

æææ˙ ™

æææw ™

w

œ œœ œ

œ œ

œ œ œ œœ œ

œ œ

œ œ œ œœ œ

œ œ

œ œ œ œœ œ

œ œ

œ œ œ œœ œ

œ œ

œ œ œ œœ œ

œ

æææw ™

æææ˙ ™

æææ˙ ™

œ

œ œ œ œœ œ

œ œ

œ œ œ œœ œ

œ œ

œ œ œ œœ œ

œ œ

œ œ œ œœ œ

œ œ

œ œ œ œœ œ

œ œ

œ œ œ œ

œ

œœ#

œ#

œœnœ

œ

œnœœ#œ

œ#

œn

œn

œ#œ

œ

œ#

œnœœn

œœ#œ

13

°

¢

°

¢

P. 1 Thdr. T.

P. 2 Thdr. T.

P. 3 Crot.

P. 4 Metal P.

mp

27

mp

n

P. 1 Thdr. T.

P. 2 Thdr. T.

P. 3 C. Gng.

P. 4 Metal P.

pp

mf

28

pp

mf

pp

mf

mfsempre

/

3" 6"

/

& To C. Gong >

& ≠

/

6" 3"

/

/

soft mallets

&

Continue in a similar fashion using any of the pitches within this box until otherwise

noted. Do not immediately repeat individual pitches. Keep a steady flow of 16th-notes.

≠

5 5 5 5 5

æææ˙ ™

æææw ™

æææ˙ ™

æææw ™

œ œœ œ

œ œ œ œœ œ

œ œ

œ œ œ œœ œ

œ œ

æææw ™

æææ˙ ™

æææw ™

æææ˙ ™

æææw ™

æææ˙ ™

œ

œœ#

œ

œœnœ

œ

œ# œœ#œ

œ

œn

œ#

œ#œ

œ

œ

œnœ œ#

œœ#œ

14

°

¢

°

¢

P. 1 Thdr. T.

P. 2 Thdr. T.

P. 3 C. Gng.

P. 4 Metal P.

pp

29

pp

pp

n

P. 1 Thdr. T.

P. 2 Thdr. T.

P. 3 C. Gng.

P. 4 Thdr. T.

f pp

30

f pp

f pp

pp

/

3" 6"

/

/

&To Small Thdr. T. >

(stop here)

L

/

6" 6"

/

/

/

(small)

æææ˙ ™

æææw ™

æææ˙ ™

æææw ™

æææ˙ ™

æææw ™

æææw ™

æææw ™

æææw ™

æææw ™

æææw ™

æææw ™

æææw ™

15

°

¢

°

¢

P. 1 Thdr. T.

P. 2 Thdr. T.

P. 3 C. Gng.

P. 4 Thdr. T.

ffp

31

ffp

ffp

ffp

P. 1 Thdr. T.

P. 2 Thdr. T.

P. 3 C. Gng.

P. 4 Thdr. T.

ffp

32

ff

ff

ffp

/

+

Plus-signs indicate to dampen the thunder tube against one's body. Circles indicate to un-dampen the thunder tube.

¯ + ¯ + ¯ + ¯ + ¯ + ¯

6"

+ ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ +

6"

¯ + ¯ + ¯ + ¯ + ¯ + ¯

/

>{

bass drum

>

3

/

/

+

Plus-signs indicate to dampen the thunder tube against one's body. Circles indicate to un-dampen the thunder tube.

¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯

/

+ ¯ + ¯ + ¯ + ¯ + ¯ + ¯

6"

+ ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ +

6"

¯ + ¯ + ¯ + ¯ + ¯ + ¯

/

> >

3

/

/

+ ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯

æææw ™

æææw ™

æææw ™

f

æææw ™

f f f f

æææw ™

æææw ™

æææw ™

æææw ™

æææw ™

æææw ™

æææw ™

f

æææw ™

f f f f

æææw ™

æææw ™

æææw ™

æææw ™

16

°

¢

°

¢

P. 1 Thdr. T.

P. 2 Thdr. T.

P. 3 C. Gng.

P. 4 Thdr. T.

ff p mp

33

p

p

ff p mp

P. 1 Thdr. T.

P. 2 Bell P.

& Sp. B

P. 4 Thdr. T.

p pp

p

34

p pp

p

p mp

/

+ ¯ + ¯ + ¯ + ¯ + ¯ + ¯

6"

+ ¯ + ¯ + ¯ + ¯ + ¯ + ¯

l.v.

(change to )

4"

c

< >

on spring

g

l

i

s

s

.

2"

mute ( )

l. v. < >ªA

/ l.v.

To Bell P. >

(pinch here)

Pinch wire in

between one's

arm and body.

c

< >

mute

/ l.v.

To Bell P. >

(C. Gong)

c

< >

mute

/

+ ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯ + ¯

l.v.

(pinch here) c

< >

on spring

g

l

i

s

s

.

l. v. < >

mute ( )

ªA

/

activate spring by

releasing grip - l.v.

2"

bass drum

-

4"

-

4"

2"

3

&

-

(Put Thdr. T. away)

soft mallet

To Sp. B. >

legato

Sp. B.

/

&P. 3 Bell P.

-

(Put Thdr. T. away)

soft mallet To Gongs >

/

activate spring by

releasing grip - l.v.

hit drum-head with

fingers or hard mallet.

> > >

5 5 5

æææw ™ ≈ ™

J

Œ

æææw ™ Œ

æææw ™ Œ

æææw ™ ≈ ™

J

Œ

æææœ

f f f f f

æææœ

)œ œ œ œ œ œ œ œ

)

æææœ

œ œe e e e e œ œe e e e e œ œe e e e e

17

°

¢

°

¢

P. 1 Thdr. T.

P. 2 Sp. B

P. 3 Gongs

& Bell P.

P. 4 Thdr. T.

pppp

35

mp pp pp mp pp pp

pwarm

p

mp

P. 1 Thdr. T.

P. 2 Sp. B

P. 3 Gongs

& Bell P.

P. 4 Crot.

p

pp

p

36

mp pp pp mp pp pp

p

pppsempre

/ -

bass drum

2" 2" 2"

p

-

3"

3"

3

/< >

?

-

(Gongs) < >

(Bell. P.)

&

-

3

(Gong)

-

?

/

>To Crot. >

(Put Thdr. T. away)

>

5 5

/

2" 2"

-

2" 3"

3"

/< >

?

-

(Gongs) < >&

-

3

(Bell. P.)(Gong)

?

& distant - delicate - timeless

Continue in a similar fashion using any of the pitches within this box until otherwise noted. Each

pitch should be double-stroked but not immediately repeated. Keep a steady flow of 16th-notes.

(with chopsticks)

≠

f

æææœ

f f f f

œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Œ

œ œ œ œ œ œ œ œ

˙˙˙

b

Œ

)))

˙ ™

œ œ e e e e e œ œe e e e e

æææœ

f

æææœ

œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

Œ œ œ œ œ œ œ œ œ

˙˙˙

b

Œ

)))

˙ ™

æ

œ

æœ

æ

œ#

æœ

æ

œn

æœ#

æ

œ

æœ

æ

œ#

æœ

æ

œn

æœ

18

°

¢

°

¢

P. 1 Thdr. T.

P. 2 Sp. B

P. 3 Gongs

& Bell P.

P. 4 Crot.

37

mp pp pp mp pp

p

P. 1 Thdr. T.

P. 2 Bell P.

P. 3 Gongs

P. 4 Crot.

pp ppp

38

pp

p

pp p

/

2"

bass drum

p

pp

-

2" 2" 3"

-

3"

3

/ To Bell P. >

?

-

(Gongs) < >&

-

3

(Bell. P.)(Gong)

& ≠

/

Notes in box below are to be played on triangles.

Each triangle is to have a different timbral quality. This box is not to be

repeated. Timing is free and expressive. Use thin triangle-beaters for cold, delicate sound.

4"

bass drum

-

2" 2" 2" 2"

/

&< >

-

3

To Sp. B. >

/

?

-

To Crot. >

& ≠

æææœ

f f f f f

œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

˙˙˙

b

Œ

)))

˙ ™

1

j

f

æææœ

1

j

Œ

)))

1

j˙˙˙

b

19

°

¢

°

¢

P. 1 Thdr. T.

P. 2 Sp. B.

& Bell. P.

P. 3 Crot.

& Gongs

P. 4 Crot.

pp

pp

39

ppp p ppp

pp

p pp

P. 1 Thdr. T.

P. 2 Bell P.

P. 3 Crot.

& Gongs

P. 4 Crot.

pppp

ppp

l. v.

40

pp

pppl. v.

pppp

l. v.

n

/

2"

bass drum

2"

-

2" 2"

2" 2"

3

/

To Bell P. >

&< >

(Bell. P.) -

3

&

arco

(Crotale)

To Gongs >

(Gongs)

?

-

To Crot. >

& ≠

/

Notes in box below are to be played on triangles.

Each triangle is to have a different timbral quality. This box is not to be

repeated. Timing is free and expressive. Use thin triangle-beaters for cold, delicate sound.

2"

3"

-

5"

U

U

"

/

(Bell. P.)

&

U

-

&

(Crotale)

arco

To Gongs >

(Gongs)

?

-U

&

f f f f

æææœ

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

Œ

)))

˙ ˙˙˙

b

1

j

f

æææœ

1

j

)))

˙ ˙˙˙

b

20